5560 Results
Form:
photographs
photographs
Actions:
Reference number:
PH2018:0005:032
Description:
Photograph by Stefano Graziani of the following work: Giorgio de Chirico, The School of Gladiators: the Fight, 1928, Living room, Casa Museo Boschi Di Stefano, Milan Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
PH2018:0005:032
Description:
Photograph by Stefano Graziani of the following work: Giorgio de Chirico, The School of Gladiators: the Fight, 1928, Living room, Casa Museo Boschi Di Stefano, Milan Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
People:
Date:
2017
2017
Title:
Questioning Pictures: Photograph of the School of Gladiators: the Fight, painting by Giorgio de Chirico, 1928
Actions:
PH2018:0005:032
Description:
Photograph by Stefano Graziani of the following work: Giorgio de Chirico, The School of Gladiators: the Fight, 1928, Living room, Casa Museo Boschi Di Stefano, Milan Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
Questioning Pictures: Photograph of the School of Gladiators: the Fight, painting by Giorgio de Chirico, 1928
Actions:
PH2018:0005:032
Description:
Photograph by Stefano Graziani of the following work: Giorgio de Chirico, The School of Gladiators: the Fight, 1928, Living room, Casa Museo Boschi Di Stefano, Milan Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
Form:
photographs
photographs
Date:
2017
2017
People:
Form:
photographs
photographs
Actions:
Reference number:
PH2006:0214-0231
Description:
Basilica II consists of 17 black and white photographic prints of the ruins of Pompeii in Napoli, Italy. Basilica II comprises PH2006:0214 to PH2006:0231. Commissioned by the Canadian Centre for Architecture, Montréal, for "Tangent," 2006
PH2006:0214-0231
Description:
Basilica II consists of 17 black and white photographic prints of the ruins of Pompeii in Napoli, Italy. Basilica II comprises PH2006:0214 to PH2006:0231. Commissioned by the Canadian Centre for Architecture, Montréal, for "Tangent," 2006
People:
Date:
2006
2006
Title:
Basilica II, Pompeii, Napoli, Italy
Actions:
PH2006:0214-0231
Description:
Basilica II consists of 17 black and white photographic prints of the ruins of Pompeii in Napoli, Italy. Basilica II comprises PH2006:0214 to PH2006:0231. Commissioned by the Canadian Centre for Architecture, Montréal, for "Tangent," 2006
Basilica II, Pompeii, Napoli, Italy
Actions:
PH2006:0214-0231
Description:
Basilica II consists of 17 black and white photographic prints of the ruins of Pompeii in Napoli, Italy. Basilica II comprises PH2006:0214 to PH2006:0231. Commissioned by the Canadian Centre for Architecture, Montréal, for "Tangent," 2006
Form:
photographs
photographs
Date:
2006
2006
People:
Level of archival description:
Series
Series
Title:
Projects and events
Projects and events
Actions:
Reference number:
AP170.S3
Description:
Series 3, Projects and events, 1992 – 2014, documents each major installation of the Hyposurface project and consists of more than 10,000 digital files. These files include exhibition layout planning, Aegis simulator software demonstrating Hyposurface, event photographs and video, and ACDC and Aegis software related to specific events. This series also includes the majority of the material Paul Steenhuisen G5 Mac computer and the related Hyposurface audio installations. The bulk of the materials dates from 2000 – 2007. Events represented include Venice Biennale (Venice, 2000); CeBIT Technology Fair (Hannover, Germany, 2002); International Manufacturing Technology Show (IMTS, Chicago, 2006); BIO exhibition (Boston, 2007); and the Canadian Centre for Architecture (Montreal, 2013-2014). This series also contains a number of unidentified projects, including projects in Brisbane, Australia; Amsterdam, the Netherlands; and possibly Russia and Spain. There is also video documentation related to a Hyposurface proposal for BMW, as well as what appears to be a tour of Kuka Robotics staff through dECOi’s laboratory. This series contains nearly 3100 Aegis pattern files, which are identifiable by their file extension (.aeg). An additional 3100 files are plain text files, executable files, or an unidentified format, and appear to relate to other dECOi software. This series notably contains more than 2000 audio files related to the Paul Steenhuisen installations. The rest of the series contains largely still images and video, as well as a small number of AutoCAD and Rhino files. This series overlaps with Series 2: Software and related documentation. This series contains only software related to a specific project or event, while Series 2 contains software generally related to Hyposurface.
AP170.S3
Description:
Series 3, Projects and events, 1992 – 2014, documents each major installation of the Hyposurface project and consists of more than 10,000 digital files. These files include exhibition layout planning, Aegis simulator software demonstrating Hyposurface, event photographs and video, and ACDC and Aegis software related to specific events. This series also includes the majority of the material Paul Steenhuisen G5 Mac computer and the related Hyposurface audio installations. The bulk of the materials dates from 2000 – 2007. Events represented include Venice Biennale (Venice, 2000); CeBIT Technology Fair (Hannover, Germany, 2002); International Manufacturing Technology Show (IMTS, Chicago, 2006); BIO exhibition (Boston, 2007); and the Canadian Centre for Architecture (Montreal, 2013-2014). This series also contains a number of unidentified projects, including projects in Brisbane, Australia; Amsterdam, the Netherlands; and possibly Russia and Spain. There is also video documentation related to a Hyposurface proposal for BMW, as well as what appears to be a tour of Kuka Robotics staff through dECOi’s laboratory. This series contains nearly 3100 Aegis pattern files, which are identifiable by their file extension (.aeg). An additional 3100 files are plain text files, executable files, or an unidentified format, and appear to relate to other dECOi software. This series notably contains more than 2000 audio files related to the Paul Steenhuisen installations. The rest of the series contains largely still images and video, as well as a small number of AutoCAD and Rhino files. This series overlaps with Series 2: Software and related documentation. This series contains only software related to a specific project or event, while Series 2 contains software generally related to Hyposurface.
People:
Date:
1992 - 2014
1992 - 2014
Title:
Projects and events
Actions:
AP170.S3
Description:
Series 3, Projects and events, 1992 – 2014, documents each major installation of the Hyposurface project and consists of more than 10,000 digital files. These files include exhibition layout planning, Aegis simulator software demonstrating Hyposurface, event photographs and video, and ACDC and Aegis software related to specific events. This series also includes the majority of the material Paul Steenhuisen G5 Mac computer and the related Hyposurface audio installations. The bulk of the materials dates from 2000 – 2007. Events represented include Venice Biennale (Venice, 2000); CeBIT Technology Fair (Hannover, Germany, 2002); International Manufacturing Technology Show (IMTS, Chicago, 2006); BIO exhibition (Boston, 2007); and the Canadian Centre for Architecture (Montreal, 2013-2014). This series also contains a number of unidentified projects, including projects in Brisbane, Australia; Amsterdam, the Netherlands; and possibly Russia and Spain. There is also video documentation related to a Hyposurface proposal for BMW, as well as what appears to be a tour of Kuka Robotics staff through dECOi’s laboratory. This series contains nearly 3100 Aegis pattern files, which are identifiable by their file extension (.aeg). An additional 3100 files are plain text files, executable files, or an unidentified format, and appear to relate to other dECOi software. This series notably contains more than 2000 audio files related to the Paul Steenhuisen installations. The rest of the series contains largely still images and video, as well as a small number of AutoCAD and Rhino files. This series overlaps with Series 2: Software and related documentation. This series contains only software related to a specific project or event, while Series 2 contains software generally related to Hyposurface.
Projects and events
Actions:
AP170.S3
Description:
Series 3, Projects and events, 1992 – 2014, documents each major installation of the Hyposurface project and consists of more than 10,000 digital files. These files include exhibition layout planning, Aegis simulator software demonstrating Hyposurface, event photographs and video, and ACDC and Aegis software related to specific events. This series also includes the majority of the material Paul Steenhuisen G5 Mac computer and the related Hyposurface audio installations. The bulk of the materials dates from 2000 – 2007. Events represented include Venice Biennale (Venice, 2000); CeBIT Technology Fair (Hannover, Germany, 2002); International Manufacturing Technology Show (IMTS, Chicago, 2006); BIO exhibition (Boston, 2007); and the Canadian Centre for Architecture (Montreal, 2013-2014). This series also contains a number of unidentified projects, including projects in Brisbane, Australia; Amsterdam, the Netherlands; and possibly Russia and Spain. There is also video documentation related to a Hyposurface proposal for BMW, as well as what appears to be a tour of Kuka Robotics staff through dECOi’s laboratory. This series contains nearly 3100 Aegis pattern files, which are identifiable by their file extension (.aeg). An additional 3100 files are plain text files, executable files, or an unidentified format, and appear to relate to other dECOi software. This series notably contains more than 2000 audio files related to the Paul Steenhuisen installations. The rest of the series contains largely still images and video, as well as a small number of AutoCAD and Rhino files. This series overlaps with Series 2: Software and related documentation. This series contains only software related to a specific project or event, while Series 2 contains software generally related to Hyposurface.
Level of archival description:
Series
Series
Date:
1992 - 2014
1992 - 2014
People:
Form:
articles
articles
Title:
Noise Versus Noise
Noise Versus Noise
Actions:
Geoff Manaugh in conversation with Sabine von Fischer
Issue:
The rest of your senses
The rest of your senses
Keyword(s):
20th century, acouphène, acoustics, acoustique, ambiance, atmosphere, BLDGBLOG, bruit, construction, flooring, Geoff@CCA, Geoff Manaugh, hauts talons, high heels, histoire, history, isolant phonique, machine, noise, paysage sonore, plancher, Sabine von Fischer, son, sound, soundproofing, soundscape, tinnitus, XXe siècle
20th century, acouphène, acoustics, acoustique, ambiance, atmosphere, BLDGBLOG, bruit, construction, flooring, Geoff@CCA, Geoff Manaugh, hauts talons, high heels, histoire, history, isolant phonique, machine, noise, paysage sonore, plancher, Sabine von Fischer, son, sound, soundproofing, soundscape, tinnitus, XXe siècle
Published:
13 February 2017
13 February 2017
Issue:
The rest of your senses
The rest of your senses
Form:
photographs
photographs
Title:
Questioning Pictures: Photograph of Lucretia, a painting by Lucas Cranach the Elder, ca.1535-40
Questioning Pictures: Photograph of Lucretia, a painting by Lucas Cranach the Elder, ca.1535-40
Actions:
Reference number:
PH2018:0005:001
Description:
Photograph by Stefano Graziani of the following work: Lucas Cranach the Elder, Lucretia, c. 1535-40 oil on wood, 79 x 64 cm, Kunstmuseum Basel, purchased 1934, inv. 1628 Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
PH2018:0005:001
Description:
Photograph by Stefano Graziani of the following work: Lucas Cranach the Elder, Lucretia, c. 1535-40 oil on wood, 79 x 64 cm, Kunstmuseum Basel, purchased 1934, inv. 1628 Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
People:
Date:
2017
2017
Title:
Questioning Pictures: Photograph of Lucretia, a painting by Lucas Cranach the Elder, ca.1535-40
Actions:
PH2018:0005:001
Description:
Photograph by Stefano Graziani of the following work: Lucas Cranach the Elder, Lucretia, c. 1535-40 oil on wood, 79 x 64 cm, Kunstmuseum Basel, purchased 1934, inv. 1628 Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
Questioning Pictures: Photograph of Lucretia, a painting by Lucas Cranach the Elder, ca.1535-40
Actions:
PH2018:0005:001
Description:
Photograph by Stefano Graziani of the following work: Lucas Cranach the Elder, Lucretia, c. 1535-40 oil on wood, 79 x 64 cm, Kunstmuseum Basel, purchased 1934, inv. 1628 Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
Form:
photographs
photographs
Date:
2017
2017
People:
Level of archival description:
Project
Project
Reference number:
AP164.S1.2000.D9
Description:
The project series documents the competition entry and infrastructure development of the northeast coast park (Parque litoral nord-est, Barcelona Forum 2004, Sant Adrià de Besòs) and adjoining recycling plant (Edificio de oficinas y planta integral de RSU) in Santa Adriá de Besòs, Barcelona, Spain. The firm identified this project as number 133. The competition was organized by the Barcelona City Council and was part of a larger plan to develop new infrastructure for Barcelona, as the Host City for the International Forum of Cultures held in 2004. A number of architects and firms were involved in other projects related to the infrastructure plan, like the South East Coastal Park & Auditoriums by the Foreign Office Architects (See AP171.S1.2000.D6). The park included several other features, like the design of urban furniture (Pep and Xurret benches, and a fence), an artificial mountain, a youth hostel, a small security building and a pier. Only the park, the artificial mountain and the benches were built. The firm arranged work for this project with the following numbers: 133-1, 133-2, 133-6 to 133-8, and 133-10. The CCA did not receive materials classified under numbers 133-9 and 133-11. The recycling plant includes, among other things, office space, an ecomuseum, and a garden. Abalos and Herreros won the competition for design, construction and exploitation of the plant. The firm worked in collaboration with the firm Tersa, S.A. The firm assigned numbers 133-3 to 133-5 to identify this work. Documenting the project are design development and working drawings, correspondence, invoices, minutes, project descriptions, studies, budgets, contracts, reference, photographic and digital materials, and a videocassette.
AP164.S1.2000.D9
Description:
The project series documents the competition entry and infrastructure development of the northeast coast park (Parque litoral nord-est, Barcelona Forum 2004, Sant Adrià de Besòs) and adjoining recycling plant (Edificio de oficinas y planta integral de RSU) in Santa Adriá de Besòs, Barcelona, Spain. The firm identified this project as number 133. The competition was organized by the Barcelona City Council and was part of a larger plan to develop new infrastructure for Barcelona, as the Host City for the International Forum of Cultures held in 2004. A number of architects and firms were involved in other projects related to the infrastructure plan, like the South East Coastal Park & Auditoriums by the Foreign Office Architects (See AP171.S1.2000.D6). The park included several other features, like the design of urban furniture (Pep and Xurret benches, and a fence), an artificial mountain, a youth hostel, a small security building and a pier. Only the park, the artificial mountain and the benches were built. The firm arranged work for this project with the following numbers: 133-1, 133-2, 133-6 to 133-8, and 133-10. The CCA did not receive materials classified under numbers 133-9 and 133-11. The recycling plant includes, among other things, office space, an ecomuseum, and a garden. Abalos and Herreros won the competition for design, construction and exploitation of the plant. The firm worked in collaboration with the firm Tersa, S.A. The firm assigned numbers 133-3 to 133-5 to identify this work. Documenting the project are design development and working drawings, correspondence, invoices, minutes, project descriptions, studies, budgets, contracts, reference, photographic and digital materials, and a videocassette.
People:
Date:
1994-2007
1994-2007
Title:
Barcelona Forum 2004, Santa Adrià de Besòs, Barcelona, Spain (2000)
Actions:
AP164.S1.2000.D9
Description:
The project series documents the competition entry and infrastructure development of the northeast coast park (Parque litoral nord-est, Barcelona Forum 2004, Sant Adrià de Besòs) and adjoining recycling plant (Edificio de oficinas y planta integral de RSU) in Santa Adriá de Besòs, Barcelona, Spain. The firm identified this project as number 133. The competition was organized by the Barcelona City Council and was part of a larger plan to develop new infrastructure for Barcelona, as the Host City for the International Forum of Cultures held in 2004. A number of architects and firms were involved in other projects related to the infrastructure plan, like the South East Coastal Park & Auditoriums by the Foreign Office Architects (See AP171.S1.2000.D6). The park included several other features, like the design of urban furniture (Pep and Xurret benches, and a fence), an artificial mountain, a youth hostel, a small security building and a pier. Only the park, the artificial mountain and the benches were built. The firm arranged work for this project with the following numbers: 133-1, 133-2, 133-6 to 133-8, and 133-10. The CCA did not receive materials classified under numbers 133-9 and 133-11. The recycling plant includes, among other things, office space, an ecomuseum, and a garden. Abalos and Herreros won the competition for design, construction and exploitation of the plant. The firm worked in collaboration with the firm Tersa, S.A. The firm assigned numbers 133-3 to 133-5 to identify this work. Documenting the project are design development and working drawings, correspondence, invoices, minutes, project descriptions, studies, budgets, contracts, reference, photographic and digital materials, and a videocassette.
Barcelona Forum 2004, Santa Adrià de Besòs, Barcelona, Spain (2000)
Actions:
AP164.S1.2000.D9
Description:
The project series documents the competition entry and infrastructure development of the northeast coast park (Parque litoral nord-est, Barcelona Forum 2004, Sant Adrià de Besòs) and adjoining recycling plant (Edificio de oficinas y planta integral de RSU) in Santa Adriá de Besòs, Barcelona, Spain. The firm identified this project as number 133. The competition was organized by the Barcelona City Council and was part of a larger plan to develop new infrastructure for Barcelona, as the Host City for the International Forum of Cultures held in 2004. A number of architects and firms were involved in other projects related to the infrastructure plan, like the South East Coastal Park & Auditoriums by the Foreign Office Architects (See AP171.S1.2000.D6). The park included several other features, like the design of urban furniture (Pep and Xurret benches, and a fence), an artificial mountain, a youth hostel, a small security building and a pier. Only the park, the artificial mountain and the benches were built. The firm arranged work for this project with the following numbers: 133-1, 133-2, 133-6 to 133-8, and 133-10. The CCA did not receive materials classified under numbers 133-9 and 133-11. The recycling plant includes, among other things, office space, an ecomuseum, and a garden. Abalos and Herreros won the competition for design, construction and exploitation of the plant. The firm worked in collaboration with the firm Tersa, S.A. The firm assigned numbers 133-3 to 133-5 to identify this work. Documenting the project are design development and working drawings, correspondence, invoices, minutes, project descriptions, studies, budgets, contracts, reference, photographic and digital materials, and a videocassette.
Level of archival description:
Project
Project
Date:
1994-2007
1994-2007
People:
Form:
photographs
photographs
Actions:
Reference number:
PH1990:0029:001-003
Description:
Group consists of three colour photographic prints that form a panorama of the rear view of the main pavilion at Université de Montréal, Montréal, Québec. Commissioned by the Canadian Centre for Architecture, Montréal, for "Ernest Cormier: Université de Montréal," 1988-1990
PH1990:0029:001-003
Description:
Group consists of three colour photographic prints that form a panorama of the rear view of the main pavilion at Université de Montréal, Montréal, Québec. Commissioned by the Canadian Centre for Architecture, Montréal, for "Ernest Cormier: Université de Montréal," 1988-1990
People:
Date:
November 1989
November 1989
Title:
Panorama of rear view of the main pavilion, showing the chapel and west wing, auditorium, and east wing, Université de Montréal, Montréal, Québec
Actions:
PH1990:0029:001-003
Description:
Group consists of three colour photographic prints that form a panorama of the rear view of the main pavilion at Université de Montréal, Montréal, Québec. Commissioned by the Canadian Centre for Architecture, Montréal, for "Ernest Cormier: Université de Montréal," 1988-1990
Panorama of rear view of the main pavilion, showing the chapel and west wing, auditorium, and east wing, Université de Montréal, Montréal, Québec
Actions:
PH1990:0029:001-003
Description:
Group consists of three colour photographic prints that form a panorama of the rear view of the main pavilion at Université de Montréal, Montréal, Québec. Commissioned by the Canadian Centre for Architecture, Montréal, for "Ernest Cormier: Université de Montréal," 1988-1990
Form:
photographs
photographs
Date:
November 1989
November 1989
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Richard Henriquez fonds
Richard Henriquez fonds
Actions:
Reference number:
AP059
Synopsis:
The Richard Henriquez fonds, 1962-2002, documents the professional career of architect and urban designer Richard G. Henriquez. More specifically, the fonds documents Henriquez’s architectural training at the University of Manitoba, his early career as an architect in Jamaica, and his career as a principal at the architectural firm Henriquez Partners Architects. The fonds contains approximately 8935 drawings (including reprographic copies), 106 panels, 100 photographs, 31 l.m textual records, 5 offset printing plates and 1 model.
AP059
Synopsis:
The Richard Henriquez fonds, 1962-2002, documents the professional career of architect and urban designer Richard G. Henriquez. More specifically, the fonds documents Henriquez’s architectural training at the University of Manitoba, his early career as an architect in Jamaica, and his career as a principal at the architectural firm Henriquez Partners Architects. The fonds contains approximately 8935 drawings (including reprographic copies), 106 panels, 100 photographs, 31 l.m textual records, 5 offset printing plates and 1 model.
People:
Date:
1962-2002
1962-2002
Title:
Richard Henriquez fonds
Actions:
AP059
Synopsis:
The Richard Henriquez fonds, 1962-2002, documents the professional career of architect and urban designer Richard G. Henriquez. More specifically, the fonds documents Henriquez’s architectural training at the University of Manitoba, his early career as an architect in Jamaica, and his career as a principal at the architectural firm Henriquez Partners Architects. The fonds contains approximately 8935 drawings (including reprographic copies), 106 panels, 100 photographs, 31 l.m textual records, 5 offset printing plates and 1 model.
Richard Henriquez fonds
Actions:
AP059
Synopsis:
The Richard Henriquez fonds, 1962-2002, documents the professional career of architect and urban designer Richard G. Henriquez. More specifically, the fonds documents Henriquez’s architectural training at the University of Manitoba, his early career as an architect in Jamaica, and his career as a principal at the architectural firm Henriquez Partners Architects. The fonds contains approximately 8935 drawings (including reprographic copies), 106 panels, 100 photographs, 31 l.m textual records, 5 offset printing plates and 1 model.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1962-2002
1962-2002
People:
Actions:
Reference number:
DR2007:0007:001-014
Description:
Small porfolio of material leading to ''House in an Indiana Cornfield,'' a project that L.W. Richards completed in Florence in 1972 and that was published in DOMUS no. 514. (The final drawings for ''House in an Indiana Cornfield'' are in the CCA collections.) Specific material in the portfolio: picture of John Deere tractor, 8 x 10''; eight sketches on trace and brown paper; five panels of development drawings, 10 x 22''
DR2007:0007:001-014
Description:
Small porfolio of material leading to ''House in an Indiana Cornfield,'' a project that L.W. Richards completed in Florence in 1972 and that was published in DOMUS no. 514. (The final drawings for ''House in an Indiana Cornfield'' are in the CCA collections.) Specific material in the portfolio: picture of John Deere tractor, 8 x 10''; eight sketches on trace and brown paper; five panels of development drawings, 10 x 22''
People:
Date:
1972
1972
Title:
House in Indiana Cornfield, 1972
Actions:
DR2007:0007:001-014
Description:
Small porfolio of material leading to ''House in an Indiana Cornfield,'' a project that L.W. Richards completed in Florence in 1972 and that was published in DOMUS no. 514. (The final drawings for ''House in an Indiana Cornfield'' are in the CCA collections.) Specific material in the portfolio: picture of John Deere tractor, 8 x 10''; eight sketches on trace and brown paper; five panels of development drawings, 10 x 22''
House in Indiana Cornfield, 1972
Actions:
DR2007:0007:001-014
Description:
Small porfolio of material leading to ''House in an Indiana Cornfield,'' a project that L.W. Richards completed in Florence in 1972 and that was published in DOMUS no. 514. (The final drawings for ''House in an Indiana Cornfield'' are in the CCA collections.) Specific material in the portfolio: picture of John Deere tractor, 8 x 10''; eight sketches on trace and brown paper; five panels of development drawings, 10 x 22''
Date:
1972
1972
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Peter Eisenman fonds
Peter Eisenman fonds
Reference number:
AP143
Synopsis:
The Peter Eisenman fonds documents Eisenman's professional activities as an architect, teacher, and author from the 1950s to 2008. More than 200 projects are represented through conceptual and design development drawings, models, photographs, textual records, and computer-aided drawings. Also well represented in the fonds are materials related to Eisenman's exhibitions, publications, and writings.
AP143
Synopsis:
The Peter Eisenman fonds documents Eisenman's professional activities as an architect, teacher, and author from the 1950s to 2008. More than 200 projects are represented through conceptual and design development drawings, models, photographs, textual records, and computer-aided drawings. Also well represented in the fonds are materials related to Eisenman's exhibitions, publications, and writings.
People:
Date:
1925-2008, predominant 1951-2008
1925-2008, predominant 1951-2008
Title:
Peter Eisenman fonds
Actions:
AP143
Synopsis:
The Peter Eisenman fonds documents Eisenman's professional activities as an architect, teacher, and author from the 1950s to 2008. More than 200 projects are represented through conceptual and design development drawings, models, photographs, textual records, and computer-aided drawings. Also well represented in the fonds are materials related to Eisenman's exhibitions, publications, and writings.
Peter Eisenman fonds
Actions:
AP143
Synopsis:
The Peter Eisenman fonds documents Eisenman's professional activities as an architect, teacher, and author from the 1950s to 2008. More than 200 projects are represented through conceptual and design development drawings, models, photographs, textual records, and computer-aided drawings. Also well represented in the fonds are materials related to Eisenman's exhibitions, publications, and writings.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1925-2008, predominant 1951-2008
1925-2008, predominant 1951-2008
People:
