8533 Results
Form:
archives
Level of archival description:
Collection
archives
Level of archival description:
Collection
Title:
Rohault de Fleury collection
Rohault de Fleury collection
Reference number:
CI001
Synopsis:
The Rohault de Fleury collection documents the work of three generations of French architects, Hubert, his son Charles, and his grandson Georges, spanning from the early 18th to late 19th century. The collection is extremely varied encompassing both private and government commissions and including domestic work, institutional buildings, commercial buildings, urban planning, and student work from both the École des beaux-arts and the École polytechnique, and archaeological studies. Stylistically, the projects incorporate the two dominant contemporary directions in French architecture - functionalism as advocated by Jean-Nicolas-Louis Durand and the classicism of the École des beaux-arts.
CI001
Synopsis:
The Rohault de Fleury collection documents the work of three generations of French architects, Hubert, his son Charles, and his grandson Georges, spanning from the early 18th to late 19th century. The collection is extremely varied encompassing both private and government commissions and including domestic work, institutional buildings, commercial buildings, urban planning, and student work from both the École des beaux-arts and the École polytechnique, and archaeological studies. Stylistically, the projects incorporate the two dominant contemporary directions in French architecture - functionalism as advocated by Jean-Nicolas-Louis Durand and the classicism of the École des beaux-arts.
People:
Date:
1717-[1884]
1717-[1884]
Title:
Rohault de Fleury collection
CI001
Synopsis:
The Rohault de Fleury collection documents the work of three generations of French architects, Hubert, his son Charles, and his grandson Georges, spanning from the early 18th to late 19th century. The collection is extremely varied encompassing both private and government commissions and including domestic work, institutional buildings, commercial buildings, urban planning, and student work from both the École des beaux-arts and the École polytechnique, and archaeological studies. Stylistically, the projects incorporate the two dominant contemporary directions in French architecture - functionalism as advocated by Jean-Nicolas-Louis Durand and the classicism of the École des beaux-arts.
Rohault de Fleury collection
CI001
Synopsis:
The Rohault de Fleury collection documents the work of three generations of French architects, Hubert, his son Charles, and his grandson Georges, spanning from the early 18th to late 19th century. The collection is extremely varied encompassing both private and government commissions and including domestic work, institutional buildings, commercial buildings, urban planning, and student work from both the École des beaux-arts and the École polytechnique, and archaeological studies. Stylistically, the projects incorporate the two dominant contemporary directions in French architecture - functionalism as advocated by Jean-Nicolas-Louis Durand and the classicism of the École des beaux-arts.
Form:
archives
Level of archival description:
Collection 1
archives
Level of archival description:
Collection 1
Date:
1717-[1884]
1717-[1884]
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Bernard Cache fonds
Bernard Cache fonds
Actions:
Reference number:
AP169
Synopsis:
Bernard Cache, fonds, 1991-2011, document the development and design process for the Objectile firm and its decorative panels and furniture. The records focus mostly on daily activities of the firm, the collaboration of principal Bernard Cache with TopSolid software, and his parallel academic work. The records consist solely of original born-digital material.
AP169
Synopsis:
Bernard Cache, fonds, 1991-2011, document the development and design process for the Objectile firm and its decorative panels and furniture. The records focus mostly on daily activities of the firm, the collaboration of principal Bernard Cache with TopSolid software, and his parallel academic work. The records consist solely of original born-digital material.
People:
Date:
1992-2011
1992-2011
Title:
Bernard Cache fonds
Actions:
AP169
Synopsis:
Bernard Cache, fonds, 1991-2011, document the development and design process for the Objectile firm and its decorative panels and furniture. The records focus mostly on daily activities of the firm, the collaboration of principal Bernard Cache with TopSolid software, and his parallel academic work. The records consist solely of original born-digital material.
Bernard Cache fonds
Actions:
AP169
Synopsis:
Bernard Cache, fonds, 1991-2011, document the development and design process for the Objectile firm and its decorative panels and furniture. The records focus mostly on daily activities of the firm, the collaboration of principal Bernard Cache with TopSolid software, and his parallel academic work. The records consist solely of original born-digital material.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1992-2011
1992-2011
People:
Level of archival description:
Series
Series
Title:
Projects
Projects
Reference number:
AP143.S4
Description:
Series documents competition entries and projects by Peter Eisenman, and by the successive firms of Peter D. Eisenman, Architect; Eisenman/Robertson Architects; Design Development Resources, Limited Partnership; Esienman/Trott Architects; and Eisenman Architects. Several projects were carried out in association with other architects, institutions, and firms, including Michael Graves, the Institute for Architecture and Urban Studies (IAUS), Hanna/Olin Ltd., Steven Holl Architects, and Robert A.M. Stern Architects. A majority of projects were designed for the United States, Germany, and Japan. Other project locations include Spain, Italy, France, the Netherlands, Austria, Canada, Switzerland, Kuwait, Belgium, South Korea, Australia, and China. Material in this series was produced between 1925 and 2007. Series contains competition drawings, conceptual and design development drawings, publication and presentation drawings and panels, reference drawings, and working drawings. It also contains photographic materials, textual records, models and artefacts. Series is roughly arranged chronologically by project date. Beginning sometime in the 1980s, project documents were sometimes identified by the office using the following numbering system: x-yy-zz AAA x = administrative category 1 - Administrative and General Indirect 2- General Promotion 3- Business Development 4- Publication and Promotion 5- Direct Fee (billable) 6- Products and other Design (non-billable) yy = year zz = Project # (assigned sequentially each year starting with 01) AAA= abbreviated name of project, e.g. PAS for Perth Amboy High School (used intermittently)
AP143.S4
Description:
Series documents competition entries and projects by Peter Eisenman, and by the successive firms of Peter D. Eisenman, Architect; Eisenman/Robertson Architects; Design Development Resources, Limited Partnership; Esienman/Trott Architects; and Eisenman Architects. Several projects were carried out in association with other architects, institutions, and firms, including Michael Graves, the Institute for Architecture and Urban Studies (IAUS), Hanna/Olin Ltd., Steven Holl Architects, and Robert A.M. Stern Architects. A majority of projects were designed for the United States, Germany, and Japan. Other project locations include Spain, Italy, France, the Netherlands, Austria, Canada, Switzerland, Kuwait, Belgium, South Korea, Australia, and China. Material in this series was produced between 1925 and 2007. Series contains competition drawings, conceptual and design development drawings, publication and presentation drawings and panels, reference drawings, and working drawings. It also contains photographic materials, textual records, models and artefacts. Series is roughly arranged chronologically by project date. Beginning sometime in the 1980s, project documents were sometimes identified by the office using the following numbering system: x-yy-zz AAA x = administrative category 1 - Administrative and General Indirect 2- General Promotion 3- Business Development 4- Publication and Promotion 5- Direct Fee (billable) 6- Products and other Design (non-billable) yy = year zz = Project # (assigned sequentially each year starting with 01) AAA= abbreviated name of project, e.g. PAS for Perth Amboy High School (used intermittently)
People:
Date:
1925-2008, predominant 1960-2007
1925-2008, predominant 1960-2007
Title:
Projects
Actions:
AP143.S4
Description:
Series documents competition entries and projects by Peter Eisenman, and by the successive firms of Peter D. Eisenman, Architect; Eisenman/Robertson Architects; Design Development Resources, Limited Partnership; Esienman/Trott Architects; and Eisenman Architects. Several projects were carried out in association with other architects, institutions, and firms, including Michael Graves, the Institute for Architecture and Urban Studies (IAUS), Hanna/Olin Ltd., Steven Holl Architects, and Robert A.M. Stern Architects. A majority of projects were designed for the United States, Germany, and Japan. Other project locations include Spain, Italy, France, the Netherlands, Austria, Canada, Switzerland, Kuwait, Belgium, South Korea, Australia, and China. Material in this series was produced between 1925 and 2007. Series contains competition drawings, conceptual and design development drawings, publication and presentation drawings and panels, reference drawings, and working drawings. It also contains photographic materials, textual records, models and artefacts. Series is roughly arranged chronologically by project date. Beginning sometime in the 1980s, project documents were sometimes identified by the office using the following numbering system: x-yy-zz AAA x = administrative category 1 - Administrative and General Indirect 2- General Promotion 3- Business Development 4- Publication and Promotion 5- Direct Fee (billable) 6- Products and other Design (non-billable) yy = year zz = Project # (assigned sequentially each year starting with 01) AAA= abbreviated name of project, e.g. PAS for Perth Amboy High School (used intermittently)
Projects
Actions:
AP143.S4
Description:
Series documents competition entries and projects by Peter Eisenman, and by the successive firms of Peter D. Eisenman, Architect; Eisenman/Robertson Architects; Design Development Resources, Limited Partnership; Esienman/Trott Architects; and Eisenman Architects. Several projects were carried out in association with other architects, institutions, and firms, including Michael Graves, the Institute for Architecture and Urban Studies (IAUS), Hanna/Olin Ltd., Steven Holl Architects, and Robert A.M. Stern Architects. A majority of projects were designed for the United States, Germany, and Japan. Other project locations include Spain, Italy, France, the Netherlands, Austria, Canada, Switzerland, Kuwait, Belgium, South Korea, Australia, and China. Material in this series was produced between 1925 and 2007. Series contains competition drawings, conceptual and design development drawings, publication and presentation drawings and panels, reference drawings, and working drawings. It also contains photographic materials, textual records, models and artefacts. Series is roughly arranged chronologically by project date. Beginning sometime in the 1980s, project documents were sometimes identified by the office using the following numbering system: x-yy-zz AAA x = administrative category 1 - Administrative and General Indirect 2- General Promotion 3- Business Development 4- Publication and Promotion 5- Direct Fee (billable) 6- Products and other Design (non-billable) yy = year zz = Project # (assigned sequentially each year starting with 01) AAA= abbreviated name of project, e.g. PAS for Perth Amboy High School (used intermittently)
Level of archival description:
Series 4
Series 4
Date:
1925-2008, predominant 1960-2007
1925-2008, predominant 1960-2007
People:
Level of archival description:
Series
Series
Title:
Max Taut
Max Taut
Reference number:
AP162.S9
Description:
Series documents the contribution of architect Max Taut to the correspondence circle of Die gläserne Kette, with Max Taut writing under the pseudonym Kein Name. Born in 1884 in Königsberg, Germany, Max Taut trained in carpentry and building before working in an architectural firm in Karlsruhe, Germany. In 1911, he worked independently, and later shared a practice with his brother Bruno Taut and Franz Hoffman (who joined them after 1914). His first architectural projects consisted primarily of schools. After his military service from 1914 to 1918, Max Taut joined the Arbeisrat für Kunst and the Novembersgruppe. After the First World War, he undertook several architectural projects, both private and public commissions such as housing and office buildings (mainly in Berlin), and also worked on projects for exhibitions. Unable to pratice during the Nazi Regime and the Second World War, Max Taut return to his architectural practice after the war and taught as a professor of architecture at the Hochschule für bildende Kunst in Berlin from 1945 to 1954. He undertook mainly housing development projects during this period. He died in Berlin in 1967. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of the correspondence of Max Taut to the Die gläserne Kette circle and related drawings. The series also includes photographic materials of some of his architectural projects.
AP162.S9
Description:
Series documents the contribution of architect Max Taut to the correspondence circle of Die gläserne Kette, with Max Taut writing under the pseudonym Kein Name. Born in 1884 in Königsberg, Germany, Max Taut trained in carpentry and building before working in an architectural firm in Karlsruhe, Germany. In 1911, he worked independently, and later shared a practice with his brother Bruno Taut and Franz Hoffman (who joined them after 1914). His first architectural projects consisted primarily of schools. After his military service from 1914 to 1918, Max Taut joined the Arbeisrat für Kunst and the Novembersgruppe. After the First World War, he undertook several architectural projects, both private and public commissions such as housing and office buildings (mainly in Berlin), and also worked on projects for exhibitions. Unable to pratice during the Nazi Regime and the Second World War, Max Taut return to his architectural practice after the war and taught as a professor of architecture at the Hochschule für bildende Kunst in Berlin from 1945 to 1954. He undertook mainly housing development projects during this period. He died in Berlin in 1967. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of the correspondence of Max Taut to the Die gläserne Kette circle and related drawings. The series also includes photographic materials of some of his architectural projects.
People:
Date:
circa 1919 -1920
circa 1919 -1920
Title:
Max Taut
Actions:
AP162.S9
Description:
Series documents the contribution of architect Max Taut to the correspondence circle of Die gläserne Kette, with Max Taut writing under the pseudonym Kein Name. Born in 1884 in Königsberg, Germany, Max Taut trained in carpentry and building before working in an architectural firm in Karlsruhe, Germany. In 1911, he worked independently, and later shared a practice with his brother Bruno Taut and Franz Hoffman (who joined them after 1914). His first architectural projects consisted primarily of schools. After his military service from 1914 to 1918, Max Taut joined the Arbeisrat für Kunst and the Novembersgruppe. After the First World War, he undertook several architectural projects, both private and public commissions such as housing and office buildings (mainly in Berlin), and also worked on projects for exhibitions. Unable to pratice during the Nazi Regime and the Second World War, Max Taut return to his architectural practice after the war and taught as a professor of architecture at the Hochschule für bildende Kunst in Berlin from 1945 to 1954. He undertook mainly housing development projects during this period. He died in Berlin in 1967. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of the correspondence of Max Taut to the Die gläserne Kette circle and related drawings. The series also includes photographic materials of some of his architectural projects.
Max Taut
Actions:
AP162.S9
Description:
Series documents the contribution of architect Max Taut to the correspondence circle of Die gläserne Kette, with Max Taut writing under the pseudonym Kein Name. Born in 1884 in Königsberg, Germany, Max Taut trained in carpentry and building before working in an architectural firm in Karlsruhe, Germany. In 1911, he worked independently, and later shared a practice with his brother Bruno Taut and Franz Hoffman (who joined them after 1914). His first architectural projects consisted primarily of schools. After his military service from 1914 to 1918, Max Taut joined the Arbeisrat für Kunst and the Novembersgruppe. After the First World War, he undertook several architectural projects, both private and public commissions such as housing and office buildings (mainly in Berlin), and also worked on projects for exhibitions. Unable to pratice during the Nazi Regime and the Second World War, Max Taut return to his architectural practice after the war and taught as a professor of architecture at the Hochschule für bildende Kunst in Berlin from 1945 to 1954. He undertook mainly housing development projects during this period. He died in Berlin in 1967. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of the correspondence of Max Taut to the Die gläserne Kette circle and related drawings. The series also includes photographic materials of some of his architectural projects.
Level of archival description:
series
series
Date:
circa 1919 -1920
circa 1919 -1920
People:
Level of archival description:
Sub-series
Sub-series
Reference number:
AP178.S1.1988.PR07.SS1
Description:
This project subseries documents the reconstruction of Chiado in Lisbon, Portugal. The office assigned the dates 1988-1998 for this project. This subseries documents the master plans and exterior spaces work. It also includes general documentation and photographic studies for the project. Drawings include studies, working drawings, mechanical drawings, technical drawings, and structural drawings. Textual material includes project documentation, studies, meeting reports, and correspondence. Photographic material includes photographs of the building before the fire, ruins, model, and construction work. Related subseries to this project includes : 2) AP178.S1.1988.PR07.SS2 Bloco A, 3) AP178.S1.1988.PR07.SS3 Edificio Camara Chaves building, 4) AP178.S1.1988.PR07.SS4 Edifício Castro e Melo, 5) AP178.S1.1988.PR07.SS5 Bloco B, 6) AP178.S1.1988.PR07.SS6– Bloco, B Chiado, Edifício Leonel, Lisboa, Portugal (1988-1998), 7) AP178.S1.1988.PR07.SS7 Bloco C, 8) AP178.S1.1988.PR07.SS8 - Bloco C, Chiado, Recuperaçäo do Edifício Grandella, 9) AP178.S1.1988.PR07.SS9 - Bloco C, Chiado, Recuperaçäo do Edifício dos Grandes Armazéns, 10) AP178.S1.1988.PR07.SS10 Ligacao Pedonal do Patio B, 11) AP178.S1.1988.PR07.SS11 Chiado, Estação de Metropolitano Baixa Chiado. It is important to note that the project AP178.S1.1994.PR08 Renovação do Elevador de Santa Justa, Chiado, 1994 is also related to the Reconstruction of the Chiado. All documentation for this project series, including the project subseries, has been kept together to maintain the office's arrangement.
AP178.S1.1988.PR07.SS1
Description:
This project subseries documents the reconstruction of Chiado in Lisbon, Portugal. The office assigned the dates 1988-1998 for this project. This subseries documents the master plans and exterior spaces work. It also includes general documentation and photographic studies for the project. Drawings include studies, working drawings, mechanical drawings, technical drawings, and structural drawings. Textual material includes project documentation, studies, meeting reports, and correspondence. Photographic material includes photographs of the building before the fire, ruins, model, and construction work. Related subseries to this project includes : 2) AP178.S1.1988.PR07.SS2 Bloco A, 3) AP178.S1.1988.PR07.SS3 Edificio Camara Chaves building, 4) AP178.S1.1988.PR07.SS4 Edifício Castro e Melo, 5) AP178.S1.1988.PR07.SS5 Bloco B, 6) AP178.S1.1988.PR07.SS6– Bloco, B Chiado, Edifício Leonel, Lisboa, Portugal (1988-1998), 7) AP178.S1.1988.PR07.SS7 Bloco C, 8) AP178.S1.1988.PR07.SS8 - Bloco C, Chiado, Recuperaçäo do Edifício Grandella, 9) AP178.S1.1988.PR07.SS9 - Bloco C, Chiado, Recuperaçäo do Edifício dos Grandes Armazéns, 10) AP178.S1.1988.PR07.SS10 Ligacao Pedonal do Patio B, 11) AP178.S1.1988.PR07.SS11 Chiado, Estação de Metropolitano Baixa Chiado. It is important to note that the project AP178.S1.1994.PR08 Renovação do Elevador de Santa Justa, Chiado, 1994 is also related to the Reconstruction of the Chiado. All documentation for this project series, including the project subseries, has been kept together to maintain the office's arrangement.
People:
Date:
1970-2003
1970-2003
Title:
Reconstrução do Chiado [Master plans and exterior space, reconstruction of the Chiado area], Lisbon, Portugal (1988-1998)
Actions:
AP178.S1.1988.PR07.SS1
Description:
This project subseries documents the reconstruction of Chiado in Lisbon, Portugal. The office assigned the dates 1988-1998 for this project. This subseries documents the master plans and exterior spaces work. It also includes general documentation and photographic studies for the project. Drawings include studies, working drawings, mechanical drawings, technical drawings, and structural drawings. Textual material includes project documentation, studies, meeting reports, and correspondence. Photographic material includes photographs of the building before the fire, ruins, model, and construction work. Related subseries to this project includes : 2) AP178.S1.1988.PR07.SS2 Bloco A, 3) AP178.S1.1988.PR07.SS3 Edificio Camara Chaves building, 4) AP178.S1.1988.PR07.SS4 Edifício Castro e Melo, 5) AP178.S1.1988.PR07.SS5 Bloco B, 6) AP178.S1.1988.PR07.SS6– Bloco, B Chiado, Edifício Leonel, Lisboa, Portugal (1988-1998), 7) AP178.S1.1988.PR07.SS7 Bloco C, 8) AP178.S1.1988.PR07.SS8 - Bloco C, Chiado, Recuperaçäo do Edifício Grandella, 9) AP178.S1.1988.PR07.SS9 - Bloco C, Chiado, Recuperaçäo do Edifício dos Grandes Armazéns, 10) AP178.S1.1988.PR07.SS10 Ligacao Pedonal do Patio B, 11) AP178.S1.1988.PR07.SS11 Chiado, Estação de Metropolitano Baixa Chiado. It is important to note that the project AP178.S1.1994.PR08 Renovação do Elevador de Santa Justa, Chiado, 1994 is also related to the Reconstruction of the Chiado. All documentation for this project series, including the project subseries, has been kept together to maintain the office's arrangement.
Reconstrução do Chiado [Master plans and exterior space, reconstruction of the Chiado area], Lisbon, Portugal (1988-1998)
Actions:
AP178.S1.1988.PR07.SS1
Description:
This project subseries documents the reconstruction of Chiado in Lisbon, Portugal. The office assigned the dates 1988-1998 for this project. This subseries documents the master plans and exterior spaces work. It also includes general documentation and photographic studies for the project. Drawings include studies, working drawings, mechanical drawings, technical drawings, and structural drawings. Textual material includes project documentation, studies, meeting reports, and correspondence. Photographic material includes photographs of the building before the fire, ruins, model, and construction work. Related subseries to this project includes : 2) AP178.S1.1988.PR07.SS2 Bloco A, 3) AP178.S1.1988.PR07.SS3 Edificio Camara Chaves building, 4) AP178.S1.1988.PR07.SS4 Edifício Castro e Melo, 5) AP178.S1.1988.PR07.SS5 Bloco B, 6) AP178.S1.1988.PR07.SS6– Bloco, B Chiado, Edifício Leonel, Lisboa, Portugal (1988-1998), 7) AP178.S1.1988.PR07.SS7 Bloco C, 8) AP178.S1.1988.PR07.SS8 - Bloco C, Chiado, Recuperaçäo do Edifício Grandella, 9) AP178.S1.1988.PR07.SS9 - Bloco C, Chiado, Recuperaçäo do Edifício dos Grandes Armazéns, 10) AP178.S1.1988.PR07.SS10 Ligacao Pedonal do Patio B, 11) AP178.S1.1988.PR07.SS11 Chiado, Estação de Metropolitano Baixa Chiado. It is important to note that the project AP178.S1.1994.PR08 Renovação do Elevador de Santa Justa, Chiado, 1994 is also related to the Reconstruction of the Chiado. All documentation for this project series, including the project subseries, has been kept together to maintain the office's arrangement.
Level of archival description:
Project
Project
Date:
1970-2003
1970-2003
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP018.S1.1978.PR04
Description:
This project series documents the design of a US pre-clearance facility at terminal one of the Toronto International Airport in Mississauga, Ontario in 1978. The office identified the project number as 7805. Since the early 1960s, John B. Parkin Associates, and later John C. Parkin's new firm Parkin Architects Planners, had been commissioned by the government Department of Transport Air Services to complete more than a dozen projects at the Toronto International Airport, including terminals one and two. This project consisted of the design of an area to accommodate pre-clearance screening to the US, which was located between fingers one and two at terminal one. The area is referred to as a node, and contained washrooms, customs areas, immigration areas, and a duty free that was accessible to international traffic. Many gates at terminal one had to be redesignated to accommodate this new facility. The project is recorded through drawings and textual records dating from 1978. The drawings are largely reprographic copies of floor plans and site plans, with sections of the original terminal one building included. Some drawings in this project series were created by the architectural firm Searle, Wilbee, Rowland, which was one of the names used for Parkin's firm after the merger of John B. Parkin Associates with Winnipeg-based firm Smith, Carter and Searle. The textual records include conference reports, correspondence and a feasibility report.
AP018.S1.1978.PR04
Description:
This project series documents the design of a US pre-clearance facility at terminal one of the Toronto International Airport in Mississauga, Ontario in 1978. The office identified the project number as 7805. Since the early 1960s, John B. Parkin Associates, and later John C. Parkin's new firm Parkin Architects Planners, had been commissioned by the government Department of Transport Air Services to complete more than a dozen projects at the Toronto International Airport, including terminals one and two. This project consisted of the design of an area to accommodate pre-clearance screening to the US, which was located between fingers one and two at terminal one. The area is referred to as a node, and contained washrooms, customs areas, immigration areas, and a duty free that was accessible to international traffic. Many gates at terminal one had to be redesignated to accommodate this new facility. The project is recorded through drawings and textual records dating from 1978. The drawings are largely reprographic copies of floor plans and site plans, with sections of the original terminal one building included. Some drawings in this project series were created by the architectural firm Searle, Wilbee, Rowland, which was one of the names used for Parkin's firm after the merger of John B. Parkin Associates with Winnipeg-based firm Smith, Carter and Searle. The textual records include conference reports, correspondence and a feasibility report.
People:
Date:
1978
1978
Title:
US Pre-Clearance Facility, Toronto International Airport, Mississauga, Ontario (1978)
Actions:
AP018.S1.1978.PR04
Description:
This project series documents the design of a US pre-clearance facility at terminal one of the Toronto International Airport in Mississauga, Ontario in 1978. The office identified the project number as 7805. Since the early 1960s, John B. Parkin Associates, and later John C. Parkin's new firm Parkin Architects Planners, had been commissioned by the government Department of Transport Air Services to complete more than a dozen projects at the Toronto International Airport, including terminals one and two. This project consisted of the design of an area to accommodate pre-clearance screening to the US, which was located between fingers one and two at terminal one. The area is referred to as a node, and contained washrooms, customs areas, immigration areas, and a duty free that was accessible to international traffic. Many gates at terminal one had to be redesignated to accommodate this new facility. The project is recorded through drawings and textual records dating from 1978. The drawings are largely reprographic copies of floor plans and site plans, with sections of the original terminal one building included. Some drawings in this project series were created by the architectural firm Searle, Wilbee, Rowland, which was one of the names used for Parkin's firm after the merger of John B. Parkin Associates with Winnipeg-based firm Smith, Carter and Searle. The textual records include conference reports, correspondence and a feasibility report.
US Pre-Clearance Facility, Toronto International Airport, Mississauga, Ontario (1978)
Actions:
AP018.S1.1978.PR04
Description:
This project series documents the design of a US pre-clearance facility at terminal one of the Toronto International Airport in Mississauga, Ontario in 1978. The office identified the project number as 7805. Since the early 1960s, John B. Parkin Associates, and later John C. Parkin's new firm Parkin Architects Planners, had been commissioned by the government Department of Transport Air Services to complete more than a dozen projects at the Toronto International Airport, including terminals one and two. This project consisted of the design of an area to accommodate pre-clearance screening to the US, which was located between fingers one and two at terminal one. The area is referred to as a node, and contained washrooms, customs areas, immigration areas, and a duty free that was accessible to international traffic. Many gates at terminal one had to be redesignated to accommodate this new facility. The project is recorded through drawings and textual records dating from 1978. The drawings are largely reprographic copies of floor plans and site plans, with sections of the original terminal one building included. Some drawings in this project series were created by the architectural firm Searle, Wilbee, Rowland, which was one of the names used for Parkin's firm after the merger of John B. Parkin Associates with Winnipeg-based firm Smith, Carter and Searle. The textual records include conference reports, correspondence and a feasibility report.
Level of archival description:
Project
Project
Date:
1978
1978
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP056.S1.1991.PR08
Description:
This project series documents an expansion of the Marc Laurent store at 110 Bloor Street West in Toronto in 1989. The office identified the project number as 9109. This project consisted of the expansion of the high-end retail store whose original design was completed prior to the founding of KPMB, by Bruce Kuwabara and Thomas Payne in 1986. The new space was made to accommodate the Hugo Boss Store within the Marc Laurent Store. The store consisted of a street level space connected by stairs to a lower concourse level, with the new store space added at the street level. The new space extended the architectural style already established in earlier phases of the store's development. The new area had granite and honed area stone flooring, aluminum racks and display cases, sandblasted glass display walls, and imbuya veneer change rooms and panel doors. This project is considered Phase 4 of the store's development, with 1 future phase to be completed by KPMB Architects soon after. The project is recorded through drawings dating from 1991-1992. The drawings are mostly originals and include sections, elevations, floor and ceiling plans, details, axonometric studies and perspectives. Also present are drawings of custom furnishings designed for the store such as display cases, racks and counters, and architectural elements such as walls, doors and stairs.
AP056.S1.1991.PR08
Description:
This project series documents an expansion of the Marc Laurent store at 110 Bloor Street West in Toronto in 1989. The office identified the project number as 9109. This project consisted of the expansion of the high-end retail store whose original design was completed prior to the founding of KPMB, by Bruce Kuwabara and Thomas Payne in 1986. The new space was made to accommodate the Hugo Boss Store within the Marc Laurent Store. The store consisted of a street level space connected by stairs to a lower concourse level, with the new store space added at the street level. The new space extended the architectural style already established in earlier phases of the store's development. The new area had granite and honed area stone flooring, aluminum racks and display cases, sandblasted glass display walls, and imbuya veneer change rooms and panel doors. This project is considered Phase 4 of the store's development, with 1 future phase to be completed by KPMB Architects soon after. The project is recorded through drawings dating from 1991-1992. The drawings are mostly originals and include sections, elevations, floor and ceiling plans, details, axonometric studies and perspectives. Also present are drawings of custom furnishings designed for the store such as display cases, racks and counters, and architectural elements such as walls, doors and stairs.
People:
Date:
1991-1992
1991-1992
Title:
Marc Laurent Store, Phase 4 Hugo Boss Store, Toronto (1991-1992)
Actions:
AP056.S1.1991.PR08
Description:
This project series documents an expansion of the Marc Laurent store at 110 Bloor Street West in Toronto in 1989. The office identified the project number as 9109. This project consisted of the expansion of the high-end retail store whose original design was completed prior to the founding of KPMB, by Bruce Kuwabara and Thomas Payne in 1986. The new space was made to accommodate the Hugo Boss Store within the Marc Laurent Store. The store consisted of a street level space connected by stairs to a lower concourse level, with the new store space added at the street level. The new space extended the architectural style already established in earlier phases of the store's development. The new area had granite and honed area stone flooring, aluminum racks and display cases, sandblasted glass display walls, and imbuya veneer change rooms and panel doors. This project is considered Phase 4 of the store's development, with 1 future phase to be completed by KPMB Architects soon after. The project is recorded through drawings dating from 1991-1992. The drawings are mostly originals and include sections, elevations, floor and ceiling plans, details, axonometric studies and perspectives. Also present are drawings of custom furnishings designed for the store such as display cases, racks and counters, and architectural elements such as walls, doors and stairs.
Marc Laurent Store, Phase 4 Hugo Boss Store, Toronto (1991-1992)
Actions:
AP056.S1.1991.PR08
Description:
This project series documents an expansion of the Marc Laurent store at 110 Bloor Street West in Toronto in 1989. The office identified the project number as 9109. This project consisted of the expansion of the high-end retail store whose original design was completed prior to the founding of KPMB, by Bruce Kuwabara and Thomas Payne in 1986. The new space was made to accommodate the Hugo Boss Store within the Marc Laurent Store. The store consisted of a street level space connected by stairs to a lower concourse level, with the new store space added at the street level. The new space extended the architectural style already established in earlier phases of the store's development. The new area had granite and honed area stone flooring, aluminum racks and display cases, sandblasted glass display walls, and imbuya veneer change rooms and panel doors. This project is considered Phase 4 of the store's development, with 1 future phase to be completed by KPMB Architects soon after. The project is recorded through drawings dating from 1991-1992. The drawings are mostly originals and include sections, elevations, floor and ceiling plans, details, axonometric studies and perspectives. Also present are drawings of custom furnishings designed for the store such as display cases, racks and counters, and architectural elements such as walls, doors and stairs.
Level of archival description:
Project
Project
Date:
1991-1992
1991-1992
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP056.S1.1993.PR01
Description:
This project series documents the Scarborough Community Complex in Scarborough, Ontario from 1993-1996. The office identified the project number as 9311. This project, headed by Bruce Kuwabara in joint-venture with Patrick T. Chan, consisted of a multi-building complex on the corner of Progress and Sheppard Avenues. The project was formerly known as the Chinese Community Centre, which was the prominent building on the site. The Complex's main entrance, located on the site's interior, was highlighted by the Festival Plaza and Festival Court, whose octagonal shape was a nod to the eight essential strokes of Chinese calligraphy. The Festival Court led both to the Chinese Community Centre and a building with a public library and multi-purpose spaces (commonly referred to in the drawings as the Scarborough Community Complex). The Chinese Community Centre had a Festival Hall at it's entrance with wood and custom light fixtures that referred to Chinese craft techniques. This project also planned for vast Chinese gardens around the buildings, a large theatre building and a school at the south-end of the site. The project is recorded through drawings and a magazine publication on the finished project dating from 1992-1996. The drawings are mostly originals and include sketches, presentation drawings, plans, elevations, sections, perspectives and construction drawings. At least eleven schemes were investigated through these drawings.
AP056.S1.1993.PR01
Description:
This project series documents the Scarborough Community Complex in Scarborough, Ontario from 1993-1996. The office identified the project number as 9311. This project, headed by Bruce Kuwabara in joint-venture with Patrick T. Chan, consisted of a multi-building complex on the corner of Progress and Sheppard Avenues. The project was formerly known as the Chinese Community Centre, which was the prominent building on the site. The Complex's main entrance, located on the site's interior, was highlighted by the Festival Plaza and Festival Court, whose octagonal shape was a nod to the eight essential strokes of Chinese calligraphy. The Festival Court led both to the Chinese Community Centre and a building with a public library and multi-purpose spaces (commonly referred to in the drawings as the Scarborough Community Complex). The Chinese Community Centre had a Festival Hall at it's entrance with wood and custom light fixtures that referred to Chinese craft techniques. This project also planned for vast Chinese gardens around the buildings, a large theatre building and a school at the south-end of the site. The project is recorded through drawings and a magazine publication on the finished project dating from 1992-1996. The drawings are mostly originals and include sketches, presentation drawings, plans, elevations, sections, perspectives and construction drawings. At least eleven schemes were investigated through these drawings.
People:
Date:
1992-1996
1992-1996
Title:
Scarborough Community Complex, Scarborough, Ontario (1993-1996)
Actions:
AP056.S1.1993.PR01
Description:
This project series documents the Scarborough Community Complex in Scarborough, Ontario from 1993-1996. The office identified the project number as 9311. This project, headed by Bruce Kuwabara in joint-venture with Patrick T. Chan, consisted of a multi-building complex on the corner of Progress and Sheppard Avenues. The project was formerly known as the Chinese Community Centre, which was the prominent building on the site. The Complex's main entrance, located on the site's interior, was highlighted by the Festival Plaza and Festival Court, whose octagonal shape was a nod to the eight essential strokes of Chinese calligraphy. The Festival Court led both to the Chinese Community Centre and a building with a public library and multi-purpose spaces (commonly referred to in the drawings as the Scarborough Community Complex). The Chinese Community Centre had a Festival Hall at it's entrance with wood and custom light fixtures that referred to Chinese craft techniques. This project also planned for vast Chinese gardens around the buildings, a large theatre building and a school at the south-end of the site. The project is recorded through drawings and a magazine publication on the finished project dating from 1992-1996. The drawings are mostly originals and include sketches, presentation drawings, plans, elevations, sections, perspectives and construction drawings. At least eleven schemes were investigated through these drawings.
Scarborough Community Complex, Scarborough, Ontario (1993-1996)
Actions:
AP056.S1.1993.PR01
Description:
This project series documents the Scarborough Community Complex in Scarborough, Ontario from 1993-1996. The office identified the project number as 9311. This project, headed by Bruce Kuwabara in joint-venture with Patrick T. Chan, consisted of a multi-building complex on the corner of Progress and Sheppard Avenues. The project was formerly known as the Chinese Community Centre, which was the prominent building on the site. The Complex's main entrance, located on the site's interior, was highlighted by the Festival Plaza and Festival Court, whose octagonal shape was a nod to the eight essential strokes of Chinese calligraphy. The Festival Court led both to the Chinese Community Centre and a building with a public library and multi-purpose spaces (commonly referred to in the drawings as the Scarborough Community Complex). The Chinese Community Centre had a Festival Hall at it's entrance with wood and custom light fixtures that referred to Chinese craft techniques. This project also planned for vast Chinese gardens around the buildings, a large theatre building and a school at the south-end of the site. The project is recorded through drawings and a magazine publication on the finished project dating from 1992-1996. The drawings are mostly originals and include sketches, presentation drawings, plans, elevations, sections, perspectives and construction drawings. At least eleven schemes were investigated through these drawings.
Level of archival description:
Project
Project
Date:
1992-1996
1992-1996
People:
Level of archival description:
Project
Project
Reference number:
AP178.S1.1993.PR06
Description:
This project series documents the proposed design for the J. Paul Getty Museum. While the records were held in the office’s archives this project was assigned the number 40/90. The office assigned the date 1993 to this project. The project was a collaboration between Álvaro Siza and Peter Testa. The proposal included renovations of the Villa and the Ranch House, the reorganization of the site, as well as the addition of new installations. The main change proposed by the architects was the creation of a Terrace Gallery and a natural amphitheater, forming a new entrance west of the Villa. Renovations to the Villa included modifications to the structure and the reorganization of the interior spaces. They proposed to rearrangeme the interior of the Ranch House and the construction of a 6,000 sqaure foot auditorium with a capacity of 200 people. The proposal also included the construction of a 13,000 square foot U-shaped building for the conservation program, the scholar program, and artist residency program. The main public entrance was redirected to the Los Liones Drives and a new parking area was proposed, with a 300 automobile and 6 bus capacity. In 1994, the Machado Silvetti Firm proposal was selected. Documenting this project are sketches and studies. Textual materials include project documentation and correspondence. Photographic materials document the models and project site.
AP178.S1.1993.PR06
Description:
This project series documents the proposed design for the J. Paul Getty Museum. While the records were held in the office’s archives this project was assigned the number 40/90. The office assigned the date 1993 to this project. The project was a collaboration between Álvaro Siza and Peter Testa. The proposal included renovations of the Villa and the Ranch House, the reorganization of the site, as well as the addition of new installations. The main change proposed by the architects was the creation of a Terrace Gallery and a natural amphitheater, forming a new entrance west of the Villa. Renovations to the Villa included modifications to the structure and the reorganization of the interior spaces. They proposed to rearrangeme the interior of the Ranch House and the construction of a 6,000 sqaure foot auditorium with a capacity of 200 people. The proposal also included the construction of a 13,000 square foot U-shaped building for the conservation program, the scholar program, and artist residency program. The main public entrance was redirected to the Los Liones Drives and a new parking area was proposed, with a 300 automobile and 6 bus capacity. In 1994, the Machado Silvetti Firm proposal was selected. Documenting this project are sketches and studies. Textual materials include project documentation and correspondence. Photographic materials document the models and project site.
People:
Date:
1993-2012
1993-2012
Title:
Museu J. Paul Getty [The J. Paul Getty Museum], Malibu, United States (1993)
Actions:
AP178.S1.1993.PR06
Description:
This project series documents the proposed design for the J. Paul Getty Museum. While the records were held in the office’s archives this project was assigned the number 40/90. The office assigned the date 1993 to this project. The project was a collaboration between Álvaro Siza and Peter Testa. The proposal included renovations of the Villa and the Ranch House, the reorganization of the site, as well as the addition of new installations. The main change proposed by the architects was the creation of a Terrace Gallery and a natural amphitheater, forming a new entrance west of the Villa. Renovations to the Villa included modifications to the structure and the reorganization of the interior spaces. They proposed to rearrangeme the interior of the Ranch House and the construction of a 6,000 sqaure foot auditorium with a capacity of 200 people. The proposal also included the construction of a 13,000 square foot U-shaped building for the conservation program, the scholar program, and artist residency program. The main public entrance was redirected to the Los Liones Drives and a new parking area was proposed, with a 300 automobile and 6 bus capacity. In 1994, the Machado Silvetti Firm proposal was selected. Documenting this project are sketches and studies. Textual materials include project documentation and correspondence. Photographic materials document the models and project site.
Museu J. Paul Getty [The J. Paul Getty Museum], Malibu, United States (1993)
Actions:
AP178.S1.1993.PR06
Description:
This project series documents the proposed design for the J. Paul Getty Museum. While the records were held in the office’s archives this project was assigned the number 40/90. The office assigned the date 1993 to this project. The project was a collaboration between Álvaro Siza and Peter Testa. The proposal included renovations of the Villa and the Ranch House, the reorganization of the site, as well as the addition of new installations. The main change proposed by the architects was the creation of a Terrace Gallery and a natural amphitheater, forming a new entrance west of the Villa. Renovations to the Villa included modifications to the structure and the reorganization of the interior spaces. They proposed to rearrangeme the interior of the Ranch House and the construction of a 6,000 sqaure foot auditorium with a capacity of 200 people. The proposal also included the construction of a 13,000 square foot U-shaped building for the conservation program, the scholar program, and artist residency program. The main public entrance was redirected to the Los Liones Drives and a new parking area was proposed, with a 300 automobile and 6 bus capacity. In 1994, the Machado Silvetti Firm proposal was selected. Documenting this project are sketches and studies. Textual materials include project documentation and correspondence. Photographic materials document the models and project site.
Level of archival description:
Project
Project
Date:
1993-2012
1993-2012
People:
Level of archival description:
Sub-series
Sub-series
Reference number:
AP178.S1.2002.PR05.SS3
Description:
This project subseries documents the Clubhouse de Vidago in Vidago, Portugal. While the records were held in the office’s archives this project was assigned the number 49/00. The office assigned the dates 2007-2010 to this project. The project, part of larger renovations to the Vidago Palace Hotel, consisted of the conversion of an old building into the new golf clubhouse. Originally constructed in 1886, the stone building was first used for bottling the Vidago spring water. The clubhouse consisted of a large restaurant and bar space, with white walls, high ceilings and a central skylight to illuminate its spacious interior. A golf shop and dressing room were also part of the clubhouse. Siza designed two other buildings for the new 18-hole golf course, the golf academy and the maintenance building, but neither of these was ever realized. This project subseries is recorded through photographic materials, drawings, study models and textual records dating from 2002-2015. These records document the clubhouse, the golf academy and the maintenance building. The photographic materials are mostly printed digital photos showing the site, construction work, the model and reference images. The drawings include studies, plans, elevations, sections, details, and structural, mechanical and electrical drawings. The textual records include furniture documentation, records for permits, budgets, supplier catalogues, correspondence and meeting minutes. There are also a number of records documenting various mechanical, electrical and structural systems.
AP178.S1.2002.PR05.SS3
Description:
This project subseries documents the Clubhouse de Vidago in Vidago, Portugal. While the records were held in the office’s archives this project was assigned the number 49/00. The office assigned the dates 2007-2010 to this project. The project, part of larger renovations to the Vidago Palace Hotel, consisted of the conversion of an old building into the new golf clubhouse. Originally constructed in 1886, the stone building was first used for bottling the Vidago spring water. The clubhouse consisted of a large restaurant and bar space, with white walls, high ceilings and a central skylight to illuminate its spacious interior. A golf shop and dressing room were also part of the clubhouse. Siza designed two other buildings for the new 18-hole golf course, the golf academy and the maintenance building, but neither of these was ever realized. This project subseries is recorded through photographic materials, drawings, study models and textual records dating from 2002-2015. These records document the clubhouse, the golf academy and the maintenance building. The photographic materials are mostly printed digital photos showing the site, construction work, the model and reference images. The drawings include studies, plans, elevations, sections, details, and structural, mechanical and electrical drawings. The textual records include furniture documentation, records for permits, budgets, supplier catalogues, correspondence and meeting minutes. There are also a number of records documenting various mechanical, electrical and structural systems.
People:
Date:
2002-2015
2002-2015
Title:
Clubhouse de Vidago [Vidago Palace Hotel Club House], Vidago, Portugal (2007-2010)
Actions:
AP178.S1.2002.PR05.SS3
Description:
This project subseries documents the Clubhouse de Vidago in Vidago, Portugal. While the records were held in the office’s archives this project was assigned the number 49/00. The office assigned the dates 2007-2010 to this project. The project, part of larger renovations to the Vidago Palace Hotel, consisted of the conversion of an old building into the new golf clubhouse. Originally constructed in 1886, the stone building was first used for bottling the Vidago spring water. The clubhouse consisted of a large restaurant and bar space, with white walls, high ceilings and a central skylight to illuminate its spacious interior. A golf shop and dressing room were also part of the clubhouse. Siza designed two other buildings for the new 18-hole golf course, the golf academy and the maintenance building, but neither of these was ever realized. This project subseries is recorded through photographic materials, drawings, study models and textual records dating from 2002-2015. These records document the clubhouse, the golf academy and the maintenance building. The photographic materials are mostly printed digital photos showing the site, construction work, the model and reference images. The drawings include studies, plans, elevations, sections, details, and structural, mechanical and electrical drawings. The textual records include furniture documentation, records for permits, budgets, supplier catalogues, correspondence and meeting minutes. There are also a number of records documenting various mechanical, electrical and structural systems.
Clubhouse de Vidago [Vidago Palace Hotel Club House], Vidago, Portugal (2007-2010)
Actions:
AP178.S1.2002.PR05.SS3
Description:
This project subseries documents the Clubhouse de Vidago in Vidago, Portugal. While the records were held in the office’s archives this project was assigned the number 49/00. The office assigned the dates 2007-2010 to this project. The project, part of larger renovations to the Vidago Palace Hotel, consisted of the conversion of an old building into the new golf clubhouse. Originally constructed in 1886, the stone building was first used for bottling the Vidago spring water. The clubhouse consisted of a large restaurant and bar space, with white walls, high ceilings and a central skylight to illuminate its spacious interior. A golf shop and dressing room were also part of the clubhouse. Siza designed two other buildings for the new 18-hole golf course, the golf academy and the maintenance building, but neither of these was ever realized. This project subseries is recorded through photographic materials, drawings, study models and textual records dating from 2002-2015. These records document the clubhouse, the golf academy and the maintenance building. The photographic materials are mostly printed digital photos showing the site, construction work, the model and reference images. The drawings include studies, plans, elevations, sections, details, and structural, mechanical and electrical drawings. The textual records include furniture documentation, records for permits, budgets, supplier catalogues, correspondence and meeting minutes. There are also a number of records documenting various mechanical, electrical and structural systems.
Level of archival description:
Subseries
Subseries
Date:
2002-2015
2002-2015
People:
