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Description:
238 pages ; 22 cm
Cambridge, MA : MIT Press, [2009]
books
Cambridge, MA : MIT Press, [2009]
books
The Avery Review 2015
books
The Avery Review 2015
Bali, jungle of signs
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Today’s most intriguing and evocative imagery is to be found all around us, particularly on the street. In Bali, for example, the streets act as a canvas for a unique culture of images that include hand-painted advertisements, lettering and many other graphic mediums of expression. So powerful is the creativity displayed on Balinese streets that during a recent working(...)
Bali, jungle of signs
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Today’s most intriguing and evocative imagery is to be found all around us, particularly on the street. In Bali, for example, the streets act as a canvas for a unique culture of images that include hand-painted advertisements, lettering and many other graphic mediums of expression. So powerful is the creativity displayed on Balinese streets that during a recent working visit to the island, Swiss artist and graphic designer Donald Neuburger, decided to dedicate a book to it. "Bali : a jungle of signs" captivates the enormous wealth of images and unique typography that exist on Bali’s city streets, especially the hand-crafted letters with their splendid cast shadows and intricate serifs. More art than advertisement these beautifully executed works provide a different perspective of the native culture of this Indonesian island popular with Western tourists and pay homage to its craftsmen.
Signage
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Pugin was one of Britain’s greatest architects and his short career one of the most dramatic in architectural history. Born in 1812, the son of the soi-disant Comte de Pugin, at 15 Pugin was working for King George IV at Windsor Castle. By the time he was 21 he had been shipwrecked, bankrupted and widowed. Nineteen years later he died, insane and disillusioned, having(...)
God's Architect : Pugin & the Building of Romantic Britain
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Pugin was one of Britain’s greatest architects and his short career one of the most dramatic in architectural history. Born in 1812, the son of the soi-disant Comte de Pugin, at 15 Pugin was working for King George IV at Windsor Castle. By the time he was 21 he had been shipwrecked, bankrupted and widowed. Nineteen years later he died, insane and disillusioned, having changed the face and the mind of British architecture. God’s Architect is the first full modern biography of this extraordinary figure. It draws on thousands of unpublished letters and drawings to recreate his life and work as architect, propagandist and romantic artist as well as the turbulent story of his three marriages, the bitterness of his last years and his sudden death at 40. It is the debut of a remarkable historian and biographer.
Architecture Monographs
Watching words move
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Words have the power to move. In 1962 a modest design studio created its own riff on that statement in the form of a small booklet of typographic brilliance, and changed how designers thought about the graphic potential of words. Decades later, the impact of "Watching words move! is still felt. Never before had the idea been so lucidly and playfully expressed that type(...)
Graphic Design and Typography
May 2006, San Francisco
Watching words move
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Words have the power to move. In 1962 a modest design studio created its own riff on that statement in the form of a small booklet of typographic brilliance, and changed how designers thought about the graphic potential of words. Decades later, the impact of "Watching words move! is still felt. Never before had the idea been so lucidly and playfully expressed that type itself could speak, that word-forms carried their own implied visual meanings; that the placement of letters on the page could suggest motion, narrative, emotion—just about anything. Now widely available for the first time, this reproduction of the original includes thoughts by influential designers George Lois, April Greiman, Kit Hinrichs, Michael Carabetta, and Steven Heller on the lasting impact of this lively type primer, and presents its still-fresh innovation to new generations of designers.
Graphic Design and Typography
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The Darwin D. Martin House in Buffalo, New York, is one of Frank Lloyd Wright's earliest and most important masterpieces. Built in the prairie style, this large residential complex was designed, landscaped, and extensively furnished by the architect. The history of its creation, recorded in over 400 letters exchanged between Wright and Martin, forms a fascinating(...)
Frank Lloyd Wright's Martin House : architecture as portraiture
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The Darwin D. Martin House in Buffalo, New York, is one of Frank Lloyd Wright's earliest and most important masterpieces. Built in the prairie style, this large residential complex was designed, landscaped, and extensively furnished by the architect. The history of its creation, recorded in over 400 letters exchanged between Wright and Martin, forms a fascinating biography not only of the house but of its architect and client. In this detailed account of the Martin House commission, Jack Quinan mines the Wright-Martin correspondence, along with the physical artifacts and architectural remains of the house, which is currently under restoration, to investigate Wright's often-made claim that his buildings "portray" their clients. The author presents an account of one of Wright's greatest works of "architecture as portraiture" that lends new insight into the ambitions and working methods of this much-studied architect.
Architecture Monographs
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Robert Massin (b. 1925) is a highly influential French graphic designer and writer. He has worked with many famous authors and playwrights, including Eugène Ionesco, Blaise Cendrars, and Raymond Queneau, and for twenty years has been the art director for the pre-eminent French publisher Gallimard. This is the first monograph published in English on the work of Massin, one(...)
Massin
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Robert Massin (b. 1925) is a highly influential French graphic designer and writer. He has worked with many famous authors and playwrights, including Eugène Ionesco, Blaise Cendrars, and Raymond Queneau, and for twenty years has been the art director for the pre-eminent French publisher Gallimard. This is the first monograph published in English on the work of Massin, one of the key exponents in the development of post-war graphic design. Wolff charts Massin's wide-ranging career with detailed discussion of some of his most inventive and exciting projects, including the award-winning THE BALD PRIMA DONNA (1964) and LETTER AND IMAGE (1970). Wolff carried out her research in close collaboration with Massin, gaining unrivaled access to the Massin collection in Chartres as well as the designer's personal archives. MASSIN includes preparatory sketches, letters, and finished works, photographed especially for this book.
books
October 2007, London
Graphic Designers, Monographs
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Bringing a poet’s perspective to an artist’s archive, this book examines wordplay in the art and thought of American artist Gordon Matta-Clark (1943–1978). A pivotal figure in the postminimalist generation who was also the son of a prominent Surrealist, Matta-Clark was a leader in the downtown artists' community in New York in the 1970s, and is widely seen as a pioneer of(...)
Gordon Matta-Clark: physical poetics
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Bringing a poet’s perspective to an artist’s archive, this book examines wordplay in the art and thought of American artist Gordon Matta-Clark (1943–1978). A pivotal figure in the postminimalist generation who was also the son of a prominent Surrealist, Matta-Clark was a leader in the downtown artists' community in New York in the 1970s, and is widely seen as a pioneer of what has come to be known as social practice art. Examining notes, statements, titles, letters, and interviews in light of what they reveal about his work at large, Frances Richard unearths archival, biographical, and historical information, linking Matta-Clark to Conceptualist peers and Surrealist and Dada forebears. "Gordon Matta-Clark: Physical Poetics" explores the paradoxical durability of Matta-Clark’s language, and its role in an aggressively physical oeuvre whose major works have been destroyed.
Contemporary Art Monographs
The cabinet of traces
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''The Cabinet of Traces'' is a collection of 73 traces that were left behind by various artists in residency at Air Antwerp from 2012 onwards. The traces presented in this publication form a diverse collection of objects, drawings, little art works, letters, and clothes. Likewise a catalogue of an ethnographic collection, this publication provides all standard technical(...)
September 2018
The cabinet of traces
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''The Cabinet of Traces'' is a collection of 73 traces that were left behind by various artists in residency at Air Antwerp from 2012 onwards. The traces presented in this publication form a diverse collection of objects, drawings, little art works, letters, and clothes. Likewise a catalogue of an ethnographic collection, this publication provides all standard technical details with each trace: material, dimensions, title and the artist who created it. Each trace bears its own story. ''The Cabinet of Traces'' remembers these stories, while feeding new ones. Memories are constructions and the traces in the publication form the basis from which these memories can be created. ''The Cabinet of Traces'' is a tool that feeds the imagination. It will be passed on to future artists in residency in order to evoke a reaction. New artists will extend the collection.
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During the Cold War era, the songs that Soviet citizens could listen to were ruthlessly controlled by the state. But a secret underground subculture of music lovers and bootleggers defied the censors, building recording machines and making their own records of forbidden jazz, rock 'n' roll, and Russian music, cut onto used hospital x-ray film. Foregrounding interviews(...)
Bone music: Soviet X-Ray audio
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During the Cold War era, the songs that Soviet citizens could listen to were ruthlessly controlled by the state. But a secret underground subculture of music lovers and bootleggers defied the censors, building recording machines and making their own records of forbidden jazz, rock 'n' roll, and Russian music, cut onto used hospital x-ray film. Foregrounding interviews and oral testimonies gathered over five years, this volume presents the stories of the original bone bootleggers, their customers, musicians, record collectors, and commentators, evoking a spirited resistance to a repressive culture of prohibition and punishment. Richly illustrated with dozens of new images of Soviet x-ray discs and sound letters, the book details how the bootleggers worked, outlining the technical precedents of their techniques, situating their discs in a revised history of recorded media, and bringing a wealth of compelling new detail.
Acoustics