3287 Results
Form:
exhibitions
exhibitions
Description:
Letters from the People: Photographs by Lee Friedlander deals with words and language—how commercial signs and graffiti structure our perception of urban environment and, to a large extent, define our relationship to it. American photographer Lee Friedlander’s work is concerned not with the systematic and thorough documentation of various North American cities, but with(...)
Letters from the People: Photographs by Lee Friedlander deals with words and language—how commercial signs and graffiti structure our perception of urban environment and, to a large extent, define our relationship to it. American photographer Lee Friedlander’s work is concerned not with the systematic and thorough documentation of various North American cities, but with(...)
Location:
Octagonal gallery
Octagonal gallery
Date:
22 September 1993 to 28 November 1993
22 September 1993 to 28 November 1993
Title:
"Letters from the People": Photographs by Lee Friedlander
Actions:
Description:
Letters from the People: Photographs by Lee Friedlander deals with words and language—how commercial signs and graffiti structure our perception of urban environment and, to a large extent, define our relationship to it. American photographer Lee Friedlander’s work is concerned not with the systematic and thorough documentation of various North American cities, but with(...)
"Letters from the People": Photographs by Lee Friedlander
Actions:
Description:
Letters from the People: Photographs by Lee Friedlander deals with words and language—how commercial signs and graffiti structure our perception of urban environment and, to a large extent, define our relationship to it. American photographer Lee Friedlander’s work is concerned not with the systematic and thorough documentation of various North American cities, but with(...)
Form:
exhibitions
exhibitions
Date:
22 September 1993 to
28 November 1993
22 September 1993 to
28 November 1993
Location:
Octagonal gallery
Octagonal gallery
Level of archival description:
Project
Project
Actions:
Reference number:
AP207.S1.1973.PR03
Description:
The project series documents "Spazio Vuoto Riservato A Gianni Pettena", an installation that consists of a banner with the words "Spazio Vuoto Riservato A Gianni Pettena". The first version of the banner dates from 1973, but it was initially used for the exhibition "Contribution" in Rennes in 2008, where Pettena, one of the artists invited to carry out interventions in symbolic locations around the city, chose to install his banner inside the market. The banner was used also in Pettena's solo exhibition at the Galerie Mercier & Associés, in Paris in 2011, and again at the Spazio MEGA in Milan, in 2017. "Pettena not only introduced the artistic intervention into an environment that was alien to it, but extended the provocation to the point of laying claim to absolute freedom for the artist." [1] The project series contains a sign with the words "Spazio Vuoto Riservato A Gianni Pettena", possibly the sign designed in 1973, photographs of the second edition in Rennes, photographs of the third edition of the installation at the Galerie Mercier et Associés, and photographs of the fourth edition of the installation at the Spazio MEGA. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-empty-space-2008/ (last accessed 12 November 2019).
AP207.S1.1973.PR03
Description:
The project series documents "Spazio Vuoto Riservato A Gianni Pettena", an installation that consists of a banner with the words "Spazio Vuoto Riservato A Gianni Pettena". The first version of the banner dates from 1973, but it was initially used for the exhibition "Contribution" in Rennes in 2008, where Pettena, one of the artists invited to carry out interventions in symbolic locations around the city, chose to install his banner inside the market. The banner was used also in Pettena's solo exhibition at the Galerie Mercier & Associés, in Paris in 2011, and again at the Spazio MEGA in Milan, in 2017. "Pettena not only introduced the artistic intervention into an environment that was alien to it, but extended the provocation to the point of laying claim to absolute freedom for the artist." [1] The project series contains a sign with the words "Spazio Vuoto Riservato A Gianni Pettena", possibly the sign designed in 1973, photographs of the second edition in Rennes, photographs of the third edition of the installation at the Galerie Mercier et Associés, and photographs of the fourth edition of the installation at the Spazio MEGA. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-empty-space-2008/ (last accessed 12 November 2019).
People:
Date:
1973-2017
1973-2017
Title:
Spazio Vuoto Riservato A Gianni Pettena [Empty Space Reserved for Gianni Pettena] (1973)
Actions:
AP207.S1.1973.PR03
Description:
The project series documents "Spazio Vuoto Riservato A Gianni Pettena", an installation that consists of a banner with the words "Spazio Vuoto Riservato A Gianni Pettena". The first version of the banner dates from 1973, but it was initially used for the exhibition "Contribution" in Rennes in 2008, where Pettena, one of the artists invited to carry out interventions in symbolic locations around the city, chose to install his banner inside the market. The banner was used also in Pettena's solo exhibition at the Galerie Mercier & Associés, in Paris in 2011, and again at the Spazio MEGA in Milan, in 2017. "Pettena not only introduced the artistic intervention into an environment that was alien to it, but extended the provocation to the point of laying claim to absolute freedom for the artist." [1] The project series contains a sign with the words "Spazio Vuoto Riservato A Gianni Pettena", possibly the sign designed in 1973, photographs of the second edition in Rennes, photographs of the third edition of the installation at the Galerie Mercier et Associés, and photographs of the fourth edition of the installation at the Spazio MEGA. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-empty-space-2008/ (last accessed 12 November 2019).
Spazio Vuoto Riservato A Gianni Pettena [Empty Space Reserved for Gianni Pettena] (1973)
Actions:
AP207.S1.1973.PR03
Description:
The project series documents "Spazio Vuoto Riservato A Gianni Pettena", an installation that consists of a banner with the words "Spazio Vuoto Riservato A Gianni Pettena". The first version of the banner dates from 1973, but it was initially used for the exhibition "Contribution" in Rennes in 2008, where Pettena, one of the artists invited to carry out interventions in symbolic locations around the city, chose to install his banner inside the market. The banner was used also in Pettena's solo exhibition at the Galerie Mercier & Associés, in Paris in 2011, and again at the Spazio MEGA in Milan, in 2017. "Pettena not only introduced the artistic intervention into an environment that was alien to it, but extended the provocation to the point of laying claim to absolute freedom for the artist." [1] The project series contains a sign with the words "Spazio Vuoto Riservato A Gianni Pettena", possibly the sign designed in 1973, photographs of the second edition in Rennes, photographs of the third edition of the installation at the Galerie Mercier et Associés, and photographs of the fourth edition of the installation at the Spazio MEGA. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-empty-space-2008/ (last accessed 12 November 2019).
Level of archival description:
Project
Project
Date:
1973-2017
1973-2017
People:
Form:
textual records
textual records
Actions:
Reference number:
ARCH256255
Description:
carpeting, cost, memos, correspondence, scheduling, system description, program, reports, minutes, architectural instructions and roof garden research, subway feasibility study, photocopies of sketches, interior correspondence and fabric samples, press clipping about sunken garden. notes, meetings, detail drawings, transmittals, instructions to bidders (exterior signs), product brochures.
ARCH256255
Description:
carpeting, cost, memos, correspondence, scheduling, system description, program, reports, minutes, architectural instructions and roof garden research, subway feasibility study, photocopies of sketches, interior correspondence and fabric samples, press clipping about sunken garden. notes, meetings, detail drawings, transmittals, instructions to bidders (exterior signs), product brochures.
People:
Date:
1977-1984
1977-1984
Title:
Carpeting, cost, memos, correspondence, scheduling, system description, program, reports
Actions:
ARCH256255
Description:
carpeting, cost, memos, correspondence, scheduling, system description, program, reports, minutes, architectural instructions and roof garden research, subway feasibility study, photocopies of sketches, interior correspondence and fabric samples, press clipping about sunken garden. notes, meetings, detail drawings, transmittals, instructions to bidders (exterior signs), product brochures.
Carpeting, cost, memos, correspondence, scheduling, system description, program, reports
Actions:
ARCH256255
Description:
carpeting, cost, memos, correspondence, scheduling, system description, program, reports, minutes, architectural instructions and roof garden research, subway feasibility study, photocopies of sketches, interior correspondence and fabric samples, press clipping about sunken garden. notes, meetings, detail drawings, transmittals, instructions to bidders (exterior signs), product brochures.
Form:
textual records
textual records
Date:
1977-1984
1977-1984
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP018.S1.1980.PR09
Description:
This project series documents the design and construction of an office building and its signage for Marathon Realty in Toronto at the corner of York and Front Streets from 1980-1984. These materials are arranged under two project subseries based on the project numbers assigned by the creating office. The project numbers assigned were 8009 and 8009-8214A. The first subproject consisted of the design and construction of the office building (see project subseries AP018.S1.1980.PR09.SS1 for more detail) and the second subproject documented the installation of signs to the top of the building (see project subseries AP018.S1.1980.PR09.SS2 for more detail). This building, originally owned by Marathon Realty, became known as University Place and would eventually become the headquarters of CitiBank and be renamed Citigroup Place. The materials refer to the building primarily as University Place. These two subprojects are recorded through drawings, photographic materials, textual records and material samples dating from 1980-1987.
AP018.S1.1980.PR09
Description:
This project series documents the design and construction of an office building and its signage for Marathon Realty in Toronto at the corner of York and Front Streets from 1980-1984. These materials are arranged under two project subseries based on the project numbers assigned by the creating office. The project numbers assigned were 8009 and 8009-8214A. The first subproject consisted of the design and construction of the office building (see project subseries AP018.S1.1980.PR09.SS1 for more detail) and the second subproject documented the installation of signs to the top of the building (see project subseries AP018.S1.1980.PR09.SS2 for more detail). This building, originally owned by Marathon Realty, became known as University Place and would eventually become the headquarters of CitiBank and be renamed Citigroup Place. The materials refer to the building primarily as University Place. These two subprojects are recorded through drawings, photographic materials, textual records and material samples dating from 1980-1987.
People:
Date:
1980-1987
1980-1987
Title:
University Place, Front and York Streets, Toronto (1980-1987)
Actions:
AP018.S1.1980.PR09
Description:
This project series documents the design and construction of an office building and its signage for Marathon Realty in Toronto at the corner of York and Front Streets from 1980-1984. These materials are arranged under two project subseries based on the project numbers assigned by the creating office. The project numbers assigned were 8009 and 8009-8214A. The first subproject consisted of the design and construction of the office building (see project subseries AP018.S1.1980.PR09.SS1 for more detail) and the second subproject documented the installation of signs to the top of the building (see project subseries AP018.S1.1980.PR09.SS2 for more detail). This building, originally owned by Marathon Realty, became known as University Place and would eventually become the headquarters of CitiBank and be renamed Citigroup Place. The materials refer to the building primarily as University Place. These two subprojects are recorded through drawings, photographic materials, textual records and material samples dating from 1980-1987.
University Place, Front and York Streets, Toronto (1980-1987)
Actions:
AP018.S1.1980.PR09
Description:
This project series documents the design and construction of an office building and its signage for Marathon Realty in Toronto at the corner of York and Front Streets from 1980-1984. These materials are arranged under two project subseries based on the project numbers assigned by the creating office. The project numbers assigned were 8009 and 8009-8214A. The first subproject consisted of the design and construction of the office building (see project subseries AP018.S1.1980.PR09.SS1 for more detail) and the second subproject documented the installation of signs to the top of the building (see project subseries AP018.S1.1980.PR09.SS2 for more detail). This building, originally owned by Marathon Realty, became known as University Place and would eventually become the headquarters of CitiBank and be renamed Citigroup Place. The materials refer to the building primarily as University Place. These two subprojects are recorded through drawings, photographic materials, textual records and material samples dating from 1980-1987.
Level of archival description:
Project
Project
Date:
1980-1987
1980-1987
People:
Form:
drawings
Quantity:
22 File
drawings
Quantity:
22 File
Title:
Decorative wood panels for Ontario room, decorative frieze for mezzanine, telecommunications room
Decorative wood panels for Ontario room, decorative frieze for mezzanine, telecommunications room
Actions:
Reference number:
ARCH46973
Description:
decorative wood panels for Ontario room, decorative frieze for mezzanine, telecommunications room, convention hall doors, bedroom suite doors, entrance canopy and columns, ticket offices ceiling plan, dining rooms ceiling plans, indicator signs, flowerboxes, floor designs, radiator boxes, lighting coves, mezzanine offices, banquet hall ceiling, carpet design, front office desk
ARCH46973
Description:
decorative wood panels for Ontario room, decorative frieze for mezzanine, telecommunications room, convention hall doors, bedroom suite doors, entrance canopy and columns, ticket offices ceiling plan, dining rooms ceiling plans, indicator signs, flowerboxes, floor designs, radiator boxes, lighting coves, mezzanine offices, banquet hall ceiling, carpet design, front office desk
People:
Title:
Decorative wood panels for Ontario room, decorative frieze for mezzanine, telecommunications room
Actions:
ARCH46973
Description:
decorative wood panels for Ontario room, decorative frieze for mezzanine, telecommunications room, convention hall doors, bedroom suite doors, entrance canopy and columns, ticket offices ceiling plan, dining rooms ceiling plans, indicator signs, flowerboxes, floor designs, radiator boxes, lighting coves, mezzanine offices, banquet hall ceiling, carpet design, front office desk
Decorative wood panels for Ontario room, decorative frieze for mezzanine, telecommunications room
Actions:
ARCH46973
Description:
decorative wood panels for Ontario room, decorative frieze for mezzanine, telecommunications room, convention hall doors, bedroom suite doors, entrance canopy and columns, ticket offices ceiling plan, dining rooms ceiling plans, indicator signs, flowerboxes, floor designs, radiator boxes, lighting coves, mezzanine offices, banquet hall ceiling, carpet design, front office desk
Form:
drawings
Quantity:
22 File
drawings
Quantity:
22 File
People:
Form:
photographs
photographs
Actions:
Reference number:
PH1984:0977:410
Description:
View of three-story building with stores on 204 North Main Street (after 1890 at 304 N. Main Street), Los Angeles, California with signs for S. Prager Dry Goods, The Paradise Dry Goods, Ducommun Hardware and Fancy Goods and a chaise longue, a chair and a bedpost attached to the facade of the second floor advertising a furniture store.
PH1984:0977:410
Description:
View of three-story building with stores on 204 North Main Street (after 1890 at 304 N. Main Street), Los Angeles, California with signs for S. Prager Dry Goods, The Paradise Dry Goods, Ducommun Hardware and Fancy Goods and a chaise longue, a chair and a bedpost attached to the facade of the second floor advertising a furniture store.
People:
Date:
ca. 1860-1880
ca. 1860-1880
Title:
Stereograph of the C. Ducommun hardware store and the S. Prager dry good store on 204 North Main Street, Los Angeles, California, United States of America
Actions:
PH1984:0977:410
Description:
View of three-story building with stores on 204 North Main Street (after 1890 at 304 N. Main Street), Los Angeles, California with signs for S. Prager Dry Goods, The Paradise Dry Goods, Ducommun Hardware and Fancy Goods and a chaise longue, a chair and a bedpost attached to the facade of the second floor advertising a furniture store.
Stereograph of the C. Ducommun hardware store and the S. Prager dry good store on 204 North Main Street, Los Angeles, California, United States of America
Actions:
PH1984:0977:410
Description:
View of three-story building with stores on 204 North Main Street (after 1890 at 304 N. Main Street), Los Angeles, California with signs for S. Prager Dry Goods, The Paradise Dry Goods, Ducommun Hardware and Fancy Goods and a chaise longue, a chair and a bedpost attached to the facade of the second floor advertising a furniture store.
Form:
photographs
photographs
Date:
ca. 1860-1880
ca. 1860-1880
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP099.S1.D4
Description:
File documents the unexecuted interior design project by François-Zavier Berlinguet for Notre-Dame de Montréal. Material in this file was produced between 1866 and 1869. Unsigned drawings are attributed to Berlinguet based on comparisons of the drawing techniques and media used for signed and unsigned drawings. File contains drawings.
AP099.S1.D4
Description:
File documents the unexecuted interior design project by François-Zavier Berlinguet for Notre-Dame de Montréal. Material in this file was produced between 1866 and 1869. Unsigned drawings are attributed to Berlinguet based on comparisons of the drawing techniques and media used for signed and unsigned drawings. File contains drawings.
People:
Date:
1866 - 1869
1866 - 1869
Title:
Interior Design Proposal by François-Xavier Berlinguet
Actions:
AP099.S1.D4
Description:
File documents the unexecuted interior design project by François-Zavier Berlinguet for Notre-Dame de Montréal. Material in this file was produced between 1866 and 1869. Unsigned drawings are attributed to Berlinguet based on comparisons of the drawing techniques and media used for signed and unsigned drawings. File contains drawings.
Interior Design Proposal by François-Xavier Berlinguet
Actions:
AP099.S1.D4
Description:
File documents the unexecuted interior design project by François-Zavier Berlinguet for Notre-Dame de Montréal. Material in this file was produced between 1866 and 1869. Unsigned drawings are attributed to Berlinguet based on comparisons of the drawing techniques and media used for signed and unsigned drawings. File contains drawings.
Level of archival description:
File 4
File 4
Date:
1866 - 1869
1866 - 1869
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP099.S1.D5
Description:
File documents the unexecuted interior design project by Partick Charles Keely for Notre-Dame de Montréal. Material in this file was produced between 1866 and 1869. Unsigned drawings are attributed to Keely based on comparisons of the drawing techniques and media used for signed and unsigned drawings. File contains drawings.
AP099.S1.D5
Description:
File documents the unexecuted interior design project by Partick Charles Keely for Notre-Dame de Montréal. Material in this file was produced between 1866 and 1869. Unsigned drawings are attributed to Keely based on comparisons of the drawing techniques and media used for signed and unsigned drawings. File contains drawings.
People:
Date:
1866 - 1869
1866 - 1869
Title:
Interior Design Proposal by Patrick Charles Keely
Actions:
AP099.S1.D5
Description:
File documents the unexecuted interior design project by Partick Charles Keely for Notre-Dame de Montréal. Material in this file was produced between 1866 and 1869. Unsigned drawings are attributed to Keely based on comparisons of the drawing techniques and media used for signed and unsigned drawings. File contains drawings.
Interior Design Proposal by Patrick Charles Keely
Actions:
AP099.S1.D5
Description:
File documents the unexecuted interior design project by Partick Charles Keely for Notre-Dame de Montréal. Material in this file was produced between 1866 and 1869. Unsigned drawings are attributed to Keely based on comparisons of the drawing techniques and media used for signed and unsigned drawings. File contains drawings.
Level of archival description:
File 5
File 5
Date:
1866 - 1869
1866 - 1869
People:
Form:
exhibitions
exhibitions
Title:
Mel Ziegler: Growing Concern
Mel Ziegler: Growing Concern
Actions:
Description:
The front garden is a sign, a place both public and private, conveying the convictions and values of the households they frame. Growing Concern, a grass relief in Baile Park by American artist Mel Ziegler (b.1956), represents the North American obsession with the lawn. The artist considers the cultural obsession with the growth of our lawns to be symbolic of the taming(...)
The front garden is a sign, a place both public and private, conveying the convictions and values of the households they frame. Growing Concern, a grass relief in Baile Park by American artist Mel Ziegler (b.1956), represents the North American obsession with the lawn. The artist considers the cultural obsession with the growth of our lawns to be symbolic of the taming(...)
Location:
Baile Park
Baile Park
Date:
16 June 1998 to 8 November 1998
16 June 1998 to 8 November 1998
Title:
Mel Ziegler: Growing Concern
Actions:
Description:
The front garden is a sign, a place both public and private, conveying the convictions and values of the households they frame. Growing Concern, a grass relief in Baile Park by American artist Mel Ziegler (b.1956), represents the North American obsession with the lawn. The artist considers the cultural obsession with the growth of our lawns to be symbolic of the taming(...)
Mel Ziegler: Growing Concern
Actions:
Description:
The front garden is a sign, a place both public and private, conveying the convictions and values of the households they frame. Growing Concern, a grass relief in Baile Park by American artist Mel Ziegler (b.1956), represents the North American obsession with the lawn. The artist considers the cultural obsession with the growth of our lawns to be symbolic of the taming(...)
Form:
exhibitions
exhibitions
Date:
16 June 1998 to
8 November 1998
16 June 1998 to
8 November 1998
Location:
Baile Park
Baile Park
Form:
textual records
textual records
Actions:
Reference number:
ARCH254975
Description:
32 files concerning interior of New Massey Hall - main floor drawings; canopy; seating; fabric samples; brochures; crowd movement; box office design; graphics; tile; lighting; paint specifications and samples; faucets; door hardware; stage door canopy; wood bureau; exterior paving; music stands; furniture; carpet, catalogues and brochures; exterior displays and signs; miscellaneous brochures; wall panelling for Blocks 51-61-71 project
ARCH254975
Description:
32 files concerning interior of New Massey Hall - main floor drawings; canopy; seating; fabric samples; brochures; crowd movement; box office design; graphics; tile; lighting; paint specifications and samples; faucets; door hardware; stage door canopy; wood bureau; exterior paving; music stands; furniture; carpet, catalogues and brochures; exterior displays and signs; miscellaneous brochures; wall panelling for Blocks 51-61-71 project
People:
Date:
1976-1983
1976-1983
Title:
New Massey Hall - main floor drawings, canopy, seating; fabric samples, brochures, crowd movement, box office design
Actions:
ARCH254975
Description:
32 files concerning interior of New Massey Hall - main floor drawings; canopy; seating; fabric samples; brochures; crowd movement; box office design; graphics; tile; lighting; paint specifications and samples; faucets; door hardware; stage door canopy; wood bureau; exterior paving; music stands; furniture; carpet, catalogues and brochures; exterior displays and signs; miscellaneous brochures; wall panelling for Blocks 51-61-71 project
New Massey Hall - main floor drawings, canopy, seating; fabric samples, brochures, crowd movement, box office design
Actions:
ARCH254975
Description:
32 files concerning interior of New Massey Hall - main floor drawings; canopy; seating; fabric samples; brochures; crowd movement; box office design; graphics; tile; lighting; paint specifications and samples; faucets; door hardware; stage door canopy; wood bureau; exterior paving; music stands; furniture; carpet, catalogues and brochures; exterior displays and signs; miscellaneous brochures; wall panelling for Blocks 51-61-71 project
Form:
textual records
textual records
Date:
1976-1983
1976-1983
People:
