Photography after capitalism
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In ''Photography after capitalism,'' Benedict Burbridge makes the case for a radically expanded conception of photography, encompassing the types of labor too often obscured by black-boxed technologies, slick platform interfaces, and the compulsion to display lives to others. His lively and polemical analysis of today's vernacular photographic cultures shines new light on(...)
Photography after capitalism
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$40.00
(available in store)
Summary:
In ''Photography after capitalism,'' Benedict Burbridge makes the case for a radically expanded conception of photography, encompassing the types of labor too often obscured by black-boxed technologies, slick platform interfaces, and the compulsion to display lives to others. His lively and polemical analysis of today's vernacular photographic cultures shines new light on the hidden work of smartphone assembly teams, digital content moderators, Street View car drivers, Google "Scan-Ops,"low-paid gallery interns, homeless participant photographers, and the photo-sharing masses.
Theory of Photography
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Architecture and capitalism
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Architecture and Capitalism tells a story of the relationship between the economy and architectural design. Eleven historians each discuss in brand new essays the time period they know best, looking at cultural and economic issues, which in light of current economic crises you will find have dealt with diverse but surprisingly familiar economic issues. Told through case(...)
Architecture and capitalism
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$102.50
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Summary:
Architecture and Capitalism tells a story of the relationship between the economy and architectural design. Eleven historians each discuss in brand new essays the time period they know best, looking at cultural and economic issues, which in light of current economic crises you will find have dealt with diverse but surprisingly familiar economic issues. Told through case studies, the narrative begins in the mid-nineteenth century and ends with 2011, with introductions by Editor Peggy Deamer to pull the main themes together so that you can see how other architects in different times and in different countries have dealt with similar economic conditions.
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August 2013
Architectural Theory
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210 pages : illustrations ; 23 cm
London ; New York : Thames & Hudson Ltd., 2024, ©2024
Point line plane / Kengo Kuma.
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210 pages : illustrations ; 23 cm
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London ; New York : Thames & Hudson Ltd., 2024, ©2024
$14.95
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Observatrice privilégiée de la gestion des déchets, Flore Berlingen décrypte les promesses de cette économie faussement circulaire, qui entretient le mythe de produits recyclables à l’infini. Elle démontre comment ses caractéristiques, dans la lignée du productivisme et du capitalisme, contribuent à perpétuer l’utilisation du jetable.
Recyclage : le grand enfumage
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Observatrice privilégiée de la gestion des déchets, Flore Berlingen décrypte les promesses de cette économie faussement circulaire, qui entretient le mythe de produits recyclables à l’infini. Elle démontre comment ses caractéristiques, dans la lignée du productivisme et du capitalisme, contribuent à perpétuer l’utilisation du jetable.
Environment and environmental theory
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Projet El Pocero est une déambulation dans cette ville fantôme,El Quinon, symbole parfait de la folie spéculative qui s’est emparée de l’Espagne au milieu de la première décennie 2000. Symbole également d’un capitalisme sauvage, outrancier, qui a précipité l’économie mondiale dans une chute vertigineuse.
Projet el Pocero: dans une ville fantôme de la crise espagnole
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Projet El Pocero est une déambulation dans cette ville fantôme,El Quinon, symbole parfait de la folie spéculative qui s’est emparée de l’Espagne au milieu de la première décennie 2000. Symbole également d’un capitalisme sauvage, outrancier, qui a précipité l’économie mondiale dans une chute vertigineuse.
Urban Theory
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Description:
xiii, 329 pages : illustrations ; 25 cm
New York : Oxford University Press, [2017]
The icon project : architecture, cities, and capitalist globalization / Leslie Sklair.
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xiii, 329 pages : illustrations ; 25 cm
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New York : Oxford University Press, [2017]
$44.95
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Dans le prolongement de l’'Occupation du monde' paru en 2018, 'Généalogie de la morale économique' expose quelques-unes des voies par lesquelles s’est constitué l’imaginaire économique qui gouverne les sociétés occidentales et entrave l’appréciation de la catastrophe environnementale produite par l’expansion du capitalisme industriel et financier.
Généalogie de la morale économique
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Dans le prolongement de l’'Occupation du monde' paru en 2018, 'Généalogie de la morale économique' expose quelques-unes des voies par lesquelles s’est constitué l’imaginaire économique qui gouverne les sociétés occidentales et entrave l’appréciation de la catastrophe environnementale produite par l’expansion du capitalisme industriel et financier.
Critical Theory
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Le capitalisme engendrant des besoins artificiels toujours nouveaux, mettre un terme à la voracité consumériste implique de définir et de s'appuyer sur des besoins " authentiques " et reconnus de tous. Le nouveau livre de Razmig Keucheyan suit cette ligne critique en recherche d'une véritable politique de l'émancipation.
Les besoins artificiels : comment sortir du consumérisme
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Le capitalisme engendrant des besoins artificiels toujours nouveaux, mettre un terme à la voracité consumériste implique de définir et de s'appuyer sur des besoins " authentiques " et reconnus de tous. Le nouveau livre de Razmig Keucheyan suit cette ligne critique en recherche d'une véritable politique de l'émancipation.
Critical Theory
The museum of capitalism
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This speculative institution views the present and recent past from the implied perspective of a future society in which our economic and political system is memorialized, and subjected to the museological gaze. Sketches and renderings of exhibits and artifacts, combined with relevant quotations from historical sources, are interspersed with speculative essays on the(...)
September 2017
The museum of capitalism
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$45.00
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This speculative institution views the present and recent past from the implied perspective of a future society in which our economic and political system is memorialized, and subjected to the museological gaze. Sketches and renderings of exhibits and artifacts, combined with relevant quotations from historical sources, are interspersed with speculative essays on the intersections of ecology, race, museology, historiography, economics and politics. Included are representations of artworks and museum exhibits created by artists Oliver Ressler, Sayler/Morris, Dread Scott, Temporary Services, and others, original Isotype graphics drawn from the museum’s lexicon of “capitalisms,” and texts from Lucy Lippard, Lester K. Spence, T.J. Demos, Chantal Mouffe, McKenzie Wark and Kim Stanley Robinson, among others.
Hatred of Capitalism
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Compiled in 2001 to commemorate the passing of an era, Hatred of Capitalism brings together highlights of Semiotext(e)'s most beloved and prescient works. Semiotext(e)'s three-decade history mirrors the history of American thought. Founded by French theorist and critic Sylvere Lotringer as a scholarly journal in 1974, Semiotext(e) quickly took on the mission of melding(...)
Critical Theory
November 2005, Los Angeles, New York
Hatred of Capitalism
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Compiled in 2001 to commemorate the passing of an era, Hatred of Capitalism brings together highlights of Semiotext(e)'s most beloved and prescient works. Semiotext(e)'s three-decade history mirrors the history of American thought. Founded by French theorist and critic Sylvere Lotringer as a scholarly journal in 1974, Semiotext(e) quickly took on the mission of melding French theory with the American art world and punk underground. Its Foreign Agents, Native Agents, Active Agents and Double Agents imprints have brought together thinkers and writers as diverse as Gilles Deleuze, Assata Shakur, Bob Flanagan, Paul Virillio, Kate Millet, Jean Baudrillard, Michelle Tea, William S. Burroughs, Eileen Myles, Ulrike Meinhof, and Fanny Howe. In Hatred of Capitalism, editors Kraus and Lotringer bring these people together in the same volume for the first time.
Critical Theory