7057 Results
Form:
photographs
photographs
Actions:
Reference number:
PH1987:0700
Description:
- There is a sketch in graphite on the verso of the photograph, apparently a block plan of the project. The sketch may be by N. Podgorny, then Chief of Urban Services in Kharkov, since he was involved in the U.S.S.R. Study Tour as one of the Soviet architects that had meetings and conferences with study tour members ('L'Architecture d'aujourd'hui', p. 74).
PH1987:0700
Description:
- There is a sketch in graphite on the verso of the photograph, apparently a block plan of the project. The sketch may be by N. Podgorny, then Chief of Urban Services in Kharkov, since he was involved in the U.S.S.R. Study Tour as one of the Soviet architects that had meetings and conferences with study tour members ('L'Architecture d'aujourd'hui', p. 74).
People:
Subject:
architecture
architecture
Date:
September 1932
September 1932
Title:
Photograph of a perspective drawing for the House of Political Prisoners of Tsarism, Kharkov, Soviet Union (now in Ukraine)
Actions:
PH1987:0700
Description:
- There is a sketch in graphite on the verso of the photograph, apparently a block plan of the project. The sketch may be by N. Podgorny, then Chief of Urban Services in Kharkov, since he was involved in the U.S.S.R. Study Tour as one of the Soviet architects that had meetings and conferences with study tour members ('L'Architecture d'aujourd'hui', p. 74).
Photograph of a perspective drawing for the House of Political Prisoners of Tsarism, Kharkov, Soviet Union (now in Ukraine)
Actions:
PH1987:0700
Description:
- There is a sketch in graphite on the verso of the photograph, apparently a block plan of the project. The sketch may be by N. Podgorny, then Chief of Urban Services in Kharkov, since he was involved in the U.S.S.R. Study Tour as one of the Soviet architects that had meetings and conferences with study tour members ('L'Architecture d'aujourd'hui', p. 74).
Form:
photographs
photographs
Date:
September 1932
September 1932
People:
Subject:
architecture
architecture
Level of archival description:
Sub-series
Sub-series
Reference number:
AP116.S2.SS8
Description:
Sub-series documents the planning and execution of the Anyhow Conference and Journal, taking place 12-14 June, 1997, Netherlands Architecture Institute, Rotterdam, Netherlands. Sub-series is arranged into seven files by object type. Material in sub-series was produced between 1995 and 1998. Sub-series contains correspondence with conference participants, poster, press clippings, photographs and illustrations of conference and for journal, video and audio cassettes of conference proceedings, transcripts of conference proceedings, articles, and the publication itself.
AP116.S2.SS8
Description:
Sub-series documents the planning and execution of the Anyhow Conference and Journal, taking place 12-14 June, 1997, Netherlands Architecture Institute, Rotterdam, Netherlands. Sub-series is arranged into seven files by object type. Material in sub-series was produced between 1995 and 1998. Sub-series contains correspondence with conference participants, poster, press clippings, photographs and illustrations of conference and for journal, video and audio cassettes of conference proceedings, transcripts of conference proceedings, articles, and the publication itself.
People:
Date:
1995-1998
1995-1998
Title:
Anyhow Conference and Journal
Actions:
AP116.S2.SS8
Description:
Sub-series documents the planning and execution of the Anyhow Conference and Journal, taking place 12-14 June, 1997, Netherlands Architecture Institute, Rotterdam, Netherlands. Sub-series is arranged into seven files by object type. Material in sub-series was produced between 1995 and 1998. Sub-series contains correspondence with conference participants, poster, press clippings, photographs and illustrations of conference and for journal, video and audio cassettes of conference proceedings, transcripts of conference proceedings, articles, and the publication itself.
Anyhow Conference and Journal
Actions:
AP116.S2.SS8
Description:
Sub-series documents the planning and execution of the Anyhow Conference and Journal, taking place 12-14 June, 1997, Netherlands Architecture Institute, Rotterdam, Netherlands. Sub-series is arranged into seven files by object type. Material in sub-series was produced between 1995 and 1998. Sub-series contains correspondence with conference participants, poster, press clippings, photographs and illustrations of conference and for journal, video and audio cassettes of conference proceedings, transcripts of conference proceedings, articles, and the publication itself.
Level of archival description:
Sub-series 8
Sub-series 8
Date:
1995-1998
1995-1998
People:
Form:
archives
Level of archival description:
Collection
archives
Level of archival description:
Collection
Title:
J.J.P. Oud Collection
J.J.P. Oud Collection
Reference number:
CI005
Synopsis:
The J.J.P. Oud Collection, 1911-1973, documents J.J.P. Oud's work as an architect between 1911 and 1973. The collection is focussed on Oud’s architectural projects, including work on major exectued and unrealized buildings in the Netherlands, Germany, Czechoslovakia, and the United States. The collection also includes Oud's designs for diverse projects on public housing, war memorials and interior design.
CI005
Synopsis:
The J.J.P. Oud Collection, 1911-1973, documents J.J.P. Oud's work as an architect between 1911 and 1973. The collection is focussed on Oud’s architectural projects, including work on major exectued and unrealized buildings in the Netherlands, Germany, Czechoslovakia, and the United States. The collection also includes Oud's designs for diverse projects on public housing, war memorials and interior design.
People:
Date:
1908-1966 (1911-1963 predominant)
1908-1966 (1911-1963 predominant)
Title:
J.J.P. Oud Collection
CI005
Synopsis:
The J.J.P. Oud Collection, 1911-1973, documents J.J.P. Oud's work as an architect between 1911 and 1973. The collection is focussed on Oud’s architectural projects, including work on major exectued and unrealized buildings in the Netherlands, Germany, Czechoslovakia, and the United States. The collection also includes Oud's designs for diverse projects on public housing, war memorials and interior design.
J.J.P. Oud Collection
CI005
Synopsis:
The J.J.P. Oud Collection, 1911-1973, documents J.J.P. Oud's work as an architect between 1911 and 1973. The collection is focussed on Oud’s architectural projects, including work on major exectued and unrealized buildings in the Netherlands, Germany, Czechoslovakia, and the United States. The collection also includes Oud's designs for diverse projects on public housing, war memorials and interior design.
Form:
archives
Level of archival description:
Collection institutionnelle
archives
Level of archival description:
Collection institutionnelle
Date:
1908-1966 (1911-1963 predominant)
1908-1966 (1911-1963 predominant)
People:
Level of archival description:
Project
Project
Title:
Human Space (2012)
Human Space (2012)
Actions:
Reference number:
AP207.S1.2012.PR06
Description:
The project series documents the installation "Human Wall", designed by Pettena for the Galleria Enrico Fornello in Milan in 2012. The installation consists of a wall made of handmade balls of clay on which the handprints from making the clay balls intentionally remain. "The physicality and action of constructing is also accentuated here by the use of a natural material, clay, whose malleability and lack of homogeneity in themselves generate architecture, an architecture that can however be directed toward a mental use of space." [1] Another edition of this installation was presented at the Utah Museum of Contemporary Art in Salt Lake City in 2012. The project series contains drawings showing the construction of the installation and photographs of the installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-human-space-2012-1/ (last accessed 27 January 2020)
AP207.S1.2012.PR06
Description:
The project series documents the installation "Human Wall", designed by Pettena for the Galleria Enrico Fornello in Milan in 2012. The installation consists of a wall made of handmade balls of clay on which the handprints from making the clay balls intentionally remain. "The physicality and action of constructing is also accentuated here by the use of a natural material, clay, whose malleability and lack of homogeneity in themselves generate architecture, an architecture that can however be directed toward a mental use of space." [1] Another edition of this installation was presented at the Utah Museum of Contemporary Art in Salt Lake City in 2012. The project series contains drawings showing the construction of the installation and photographs of the installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-human-space-2012-1/ (last accessed 27 January 2020)
People:
Date:
2011-2015
2011-2015
Title:
Human Space (2012)
Actions:
AP207.S1.2012.PR06
Description:
The project series documents the installation "Human Wall", designed by Pettena for the Galleria Enrico Fornello in Milan in 2012. The installation consists of a wall made of handmade balls of clay on which the handprints from making the clay balls intentionally remain. "The physicality and action of constructing is also accentuated here by the use of a natural material, clay, whose malleability and lack of homogeneity in themselves generate architecture, an architecture that can however be directed toward a mental use of space." [1] Another edition of this installation was presented at the Utah Museum of Contemporary Art in Salt Lake City in 2012. The project series contains drawings showing the construction of the installation and photographs of the installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-human-space-2012-1/ (last accessed 27 January 2020)
Human Space (2012)
Actions:
AP207.S1.2012.PR06
Description:
The project series documents the installation "Human Wall", designed by Pettena for the Galleria Enrico Fornello in Milan in 2012. The installation consists of a wall made of handmade balls of clay on which the handprints from making the clay balls intentionally remain. "The physicality and action of constructing is also accentuated here by the use of a natural material, clay, whose malleability and lack of homogeneity in themselves generate architecture, an architecture that can however be directed toward a mental use of space." [1] Another edition of this installation was presented at the Utah Museum of Contemporary Art in Salt Lake City in 2012. The project series contains drawings showing the construction of the installation and photographs of the installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-human-space-2012-1/ (last accessed 27 January 2020)
Level of archival description:
Project
Project
Date:
2011-2015
2011-2015
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Arthur Erickson fonds
Arthur Erickson fonds
Reference number:
AP022
Synopsis:
The Arthur Erickson fonds documents the work and activities of Canadian architect Arthur Erickson between 1947 and 2002 (predominant dates 1963-ca. 2000). It comprises architecture projects records with three hundred ninety-seven projects by Erickson / Massey, Arthur Erickson Architects and Arthur Erickson as a design consultant are documented with drawings, photographs, textual documents and other material. It also includes project administration records, records from Erickson's Toronto, Los Angeles and Vancouver offices, records related to Erickson's professional activities, material related to some of Erickson's student projects, and personal papers.
AP022
Synopsis:
The Arthur Erickson fonds documents the work and activities of Canadian architect Arthur Erickson between 1947 and 2002 (predominant dates 1963-ca. 2000). It comprises architecture projects records with three hundred ninety-seven projects by Erickson / Massey, Arthur Erickson Architects and Arthur Erickson as a design consultant are documented with drawings, photographs, textual documents and other material. It also includes project administration records, records from Erickson's Toronto, Los Angeles and Vancouver offices, records related to Erickson's professional activities, material related to some of Erickson's student projects, and personal papers.
People:
Date:
1947-2002 (predominant 1963-2000)
1947-2002 (predominant 1963-2000)
Title:
Arthur Erickson fonds
Actions:
AP022
Synopsis:
The Arthur Erickson fonds documents the work and activities of Canadian architect Arthur Erickson between 1947 and 2002 (predominant dates 1963-ca. 2000). It comprises architecture projects records with three hundred ninety-seven projects by Erickson / Massey, Arthur Erickson Architects and Arthur Erickson as a design consultant are documented with drawings, photographs, textual documents and other material. It also includes project administration records, records from Erickson's Toronto, Los Angeles and Vancouver offices, records related to Erickson's professional activities, material related to some of Erickson's student projects, and personal papers.
Arthur Erickson fonds
Actions:
AP022
Synopsis:
The Arthur Erickson fonds documents the work and activities of Canadian architect Arthur Erickson between 1947 and 2002 (predominant dates 1963-ca. 2000). It comprises architecture projects records with three hundred ninety-seven projects by Erickson / Massey, Arthur Erickson Architects and Arthur Erickson as a design consultant are documented with drawings, photographs, textual documents and other material. It also includes project administration records, records from Erickson's Toronto, Los Angeles and Vancouver offices, records related to Erickson's professional activities, material related to some of Erickson's student projects, and personal papers.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1947-2002 (predominant 1963-2000)
1947-2002 (predominant 1963-2000)
People:
Level of archival description:
Project
Project
Actions:
Reference number:
CI007.S1.1949.PR02
Description:
This project series documents Mies van der Rohe architecture project of for the Seagram Building in New York, United States, commissioned by Samuel Bronfman, and for which he was involved as architect, in collaboration with Philip Johnson, interior designer and furniture designer. The building was built between 1949 and 1958. The materiel in this series was produced between 1949 and 1997, but predominantly between 1949 and 1963. The series contains photographs of the exterior and the interior of the building predominantly by photographer Ezra Stoller, and also photographs and portraits of architects and creative team working of the design and planning of the Seagram Building project, including Mies van der Rohe, Philip Johnson and Phyllis Lambert. The serie also includes a conceptual sketch for the building Plaza by Mies van der Rohe.
CI007.S1.1949.PR02
Description:
This project series documents Mies van der Rohe architecture project of for the Seagram Building in New York, United States, commissioned by Samuel Bronfman, and for which he was involved as architect, in collaboration with Philip Johnson, interior designer and furniture designer. The building was built between 1949 and 1958. The materiel in this series was produced between 1949 and 1997, but predominantly between 1949 and 1963. The series contains photographs of the exterior and the interior of the building predominantly by photographer Ezra Stoller, and also photographs and portraits of architects and creative team working of the design and planning of the Seagram Building project, including Mies van der Rohe, Philip Johnson and Phyllis Lambert. The serie also includes a conceptual sketch for the building Plaza by Mies van der Rohe.
People:
Date:
1949-1997
1949-1997
Title:
Seagram Building, New York, United States (1949-1958)
Actions:
CI007.S1.1949.PR02
Description:
This project series documents Mies van der Rohe architecture project of for the Seagram Building in New York, United States, commissioned by Samuel Bronfman, and for which he was involved as architect, in collaboration with Philip Johnson, interior designer and furniture designer. The building was built between 1949 and 1958. The materiel in this series was produced between 1949 and 1997, but predominantly between 1949 and 1963. The series contains photographs of the exterior and the interior of the building predominantly by photographer Ezra Stoller, and also photographs and portraits of architects and creative team working of the design and planning of the Seagram Building project, including Mies van der Rohe, Philip Johnson and Phyllis Lambert. The serie also includes a conceptual sketch for the building Plaza by Mies van der Rohe.
Seagram Building, New York, United States (1949-1958)
Actions:
CI007.S1.1949.PR02
Description:
This project series documents Mies van der Rohe architecture project of for the Seagram Building in New York, United States, commissioned by Samuel Bronfman, and for which he was involved as architect, in collaboration with Philip Johnson, interior designer and furniture designer. The building was built between 1949 and 1958. The materiel in this series was produced between 1949 and 1997, but predominantly between 1949 and 1963. The series contains photographs of the exterior and the interior of the building predominantly by photographer Ezra Stoller, and also photographs and portraits of architects and creative team working of the design and planning of the Seagram Building project, including Mies van der Rohe, Philip Johnson and Phyllis Lambert. The serie also includes a conceptual sketch for the building Plaza by Mies van der Rohe.
Level of archival description:
project
project
Date:
1949-1997
1949-1997
People:
Form:
drawings, textual records, graphic materials, photographs
drawings, textual records, graphic materials, photographs
Reference number:
AP197.S4.009
Description:
This box contains Kenneth Frampton's various certificates and diplomas as well as some prints, drawings, posters, and photographs. This box includes: posters of lectures and exhibitions presented at the Graduate School of Architecture, Planning and Preservation, Columbia University; a print by Frampton entitled "unfinished modern project in homage to it and to Habermas;" his diploma from the Architectural Association (1956); a certifacte from the Royal Insititute of British Architects (1961); a certificate from the L'Academie d`architecture; a Honory Fellowship from the Royal Institiute of Architects of Ireland; a professional headshot and a group photograph of Frampton at the ceremony of the American Academy of Arts and Letters (2012). This box also includes gifts that Frampton received over the years such as an old photograph of Frampton that was given to him for 56th birthday and drawings from SHIM SUTCLIFFE for his 80th birthday.
AP197.S4.009
Description:
This box contains Kenneth Frampton's various certificates and diplomas as well as some prints, drawings, posters, and photographs. This box includes: posters of lectures and exhibitions presented at the Graduate School of Architecture, Planning and Preservation, Columbia University; a print by Frampton entitled "unfinished modern project in homage to it and to Habermas;" his diploma from the Architectural Association (1956); a certifacte from the Royal Insititute of British Architects (1961); a certificate from the L'Academie d`architecture; a Honory Fellowship from the Royal Institiute of Architects of Ireland; a professional headshot and a group photograph of Frampton at the ceremony of the American Academy of Arts and Letters (2012). This box also includes gifts that Frampton received over the years such as an old photograph of Frampton that was given to him for 56th birthday and drawings from SHIM SUTCLIFFE for his 80th birthday.
People:
Date:
1956-2016
1956-2016
Title:
Kenneth Frampton certificates, diplomas, and posters
Actions:
AP197.S4.009
Description:
This box contains Kenneth Frampton's various certificates and diplomas as well as some prints, drawings, posters, and photographs. This box includes: posters of lectures and exhibitions presented at the Graduate School of Architecture, Planning and Preservation, Columbia University; a print by Frampton entitled "unfinished modern project in homage to it and to Habermas;" his diploma from the Architectural Association (1956); a certifacte from the Royal Insititute of British Architects (1961); a certificate from the L'Academie d`architecture; a Honory Fellowship from the Royal Institiute of Architects of Ireland; a professional headshot and a group photograph of Frampton at the ceremony of the American Academy of Arts and Letters (2012). This box also includes gifts that Frampton received over the years such as an old photograph of Frampton that was given to him for 56th birthday and drawings from SHIM SUTCLIFFE for his 80th birthday.
Kenneth Frampton certificates, diplomas, and posters
Actions:
AP197.S4.009
Description:
This box contains Kenneth Frampton's various certificates and diplomas as well as some prints, drawings, posters, and photographs. This box includes: posters of lectures and exhibitions presented at the Graduate School of Architecture, Planning and Preservation, Columbia University; a print by Frampton entitled "unfinished modern project in homage to it and to Habermas;" his diploma from the Architectural Association (1956); a certifacte from the Royal Insititute of British Architects (1961); a certificate from the L'Academie d`architecture; a Honory Fellowship from the Royal Institiute of Architects of Ireland; a professional headshot and a group photograph of Frampton at the ceremony of the American Academy of Arts and Letters (2012). This box also includes gifts that Frampton received over the years such as an old photograph of Frampton that was given to him for 56th birthday and drawings from SHIM SUTCLIFFE for his 80th birthday.
Form:
drawings, textual records, graphic materials, photographs
drawings, textual records, graphic materials, photographs
Date:
1956-2016
1956-2016
People:
Form:
archives
Level of archival description:
Collection
archives
Level of archival description:
Collection
Reference number:
CD046
Synopsis:
The Rhodri Windsor-Liscombe collection consists of 2 drawings, 9 photographs and 0.3 metres of textual documents that range in date from 1946 to 1996. The fonds is arranged into four parts: Civic and Cultural Publications; Publications about Wood; Architectural Drawings; and Photographs.
CD046
Synopsis:
The Rhodri Windsor-Liscombe collection consists of 2 drawings, 9 photographs and 0.3 metres of textual documents that range in date from 1946 to 1996. The fonds is arranged into four parts: Civic and Cultural Publications; Publications about Wood; Architectural Drawings; and Photographs.
People:
Date:
1946-1996
1946-1996
Title:
Rhodri Windsor-Liscombe collection
Actions:
CD046
Synopsis:
The Rhodri Windsor-Liscombe collection consists of 2 drawings, 9 photographs and 0.3 metres of textual documents that range in date from 1946 to 1996. The fonds is arranged into four parts: Civic and Cultural Publications; Publications about Wood; Architectural Drawings; and Photographs.
Rhodri Windsor-Liscombe collection
Actions:
CD046
Synopsis:
The Rhodri Windsor-Liscombe collection consists of 2 drawings, 9 photographs and 0.3 metres of textual documents that range in date from 1946 to 1996. The fonds is arranged into four parts: Civic and Cultural Publications; Publications about Wood; Architectural Drawings; and Photographs.
Form:
archives
Level of archival description:
Collection 71
archives
Level of archival description:
Collection 71
Date:
1946-1996
1946-1996
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP207.S1.2012.PR03
Description:
The project series documents "The Curious Mr. Pettena", a series of photographs taken by Pettena during his stay in the United States from 1971 to 1973. During that time "[Pettena] discovers views and contexts which he feels near to his theoretic and visual work, a temporary architecture as well, documenting research and whatever comes from the mind, making it real, or discovering it in something already built where nature has worked so that it may become part of a common language or subject." [1] The project series contains the photograph series and a project description. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/ff-the-curious-2012-1/ (last accessed 27 January 2020)
AP207.S1.2012.PR03
Description:
The project series documents "The Curious Mr. Pettena", a series of photographs taken by Pettena during his stay in the United States from 1971 to 1973. During that time "[Pettena] discovers views and contexts which he feels near to his theoretic and visual work, a temporary architecture as well, documenting research and whatever comes from the mind, making it real, or discovering it in something already built where nature has worked so that it may become part of a common language or subject." [1] The project series contains the photograph series and a project description. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/ff-the-curious-2012-1/ (last accessed 27 January 2020)
People:
Date:
2012-2015
2012-2015
Title:
The Curious Mr. Pettena (2012)
Actions:
AP207.S1.2012.PR03
Description:
The project series documents "The Curious Mr. Pettena", a series of photographs taken by Pettena during his stay in the United States from 1971 to 1973. During that time "[Pettena] discovers views and contexts which he feels near to his theoretic and visual work, a temporary architecture as well, documenting research and whatever comes from the mind, making it real, or discovering it in something already built where nature has worked so that it may become part of a common language or subject." [1] The project series contains the photograph series and a project description. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/ff-the-curious-2012-1/ (last accessed 27 January 2020)
The Curious Mr. Pettena (2012)
Actions:
AP207.S1.2012.PR03
Description:
The project series documents "The Curious Mr. Pettena", a series of photographs taken by Pettena during his stay in the United States from 1971 to 1973. During that time "[Pettena] discovers views and contexts which he feels near to his theoretic and visual work, a temporary architecture as well, documenting research and whatever comes from the mind, making it real, or discovering it in something already built where nature has worked so that it may become part of a common language or subject." [1] The project series contains the photograph series and a project description. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/ff-the-curious-2012-1/ (last accessed 27 January 2020)
Level of archival description:
Project
Project
Date:
2012-2015
2012-2015
People:
Form:
photographs
photographs
Actions:
Reference number:
PH1993:0222
Description:
- The early 1930s marked the beginning of limitations on creative freedom in the Soviet Union, government approval of Constructivism, and the arrival of Socialist Realism in the arts, literature, and architecture. This photograph may reflect the times in the architects' rather sombre facial expressions and the copy of 'Pravda' in the foreground, an apparent reference to the Communist presence in the creative process.
PH1993:0222
Description:
- The early 1930s marked the beginning of limitations on creative freedom in the Soviet Union, government approval of Constructivism, and the arrival of Socialist Realism in the arts, literature, and architecture. This photograph may reflect the times in the architects' rather sombre facial expressions and the copy of 'Pravda' in the foreground, an apparent reference to the Communist presence in the creative process.
People:
Subject:
architecture, portrait
architecture, portrait
Date:
1930-1931
1930-1931
Title:
Portrait of D. Fridman and G. Glushchenko through a glass model for the Building of Industry, Sverdlovsk, Soviet Union (now Ekaterinburg, Russia)
Actions:
PH1993:0222
Description:
- The early 1930s marked the beginning of limitations on creative freedom in the Soviet Union, government approval of Constructivism, and the arrival of Socialist Realism in the arts, literature, and architecture. This photograph may reflect the times in the architects' rather sombre facial expressions and the copy of 'Pravda' in the foreground, an apparent reference to the Communist presence in the creative process.
Portrait of D. Fridman and G. Glushchenko through a glass model for the Building of Industry, Sverdlovsk, Soviet Union (now Ekaterinburg, Russia)
Actions:
PH1993:0222
Description:
- The early 1930s marked the beginning of limitations on creative freedom in the Soviet Union, government approval of Constructivism, and the arrival of Socialist Realism in the arts, literature, and architecture. This photograph may reflect the times in the architects' rather sombre facial expressions and the copy of 'Pravda' in the foreground, an apparent reference to the Communist presence in the creative process.
Form:
photographs
photographs
Date:
1930-1931
1930-1931
People:
Subject:
architecture, portrait
architecture, portrait
