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Toronto artist Shary Boyle engages in drawing, painting, sculpture, audio-visual performance and installations to explore human psychological and emotional states through a fictional fantasy. At once feminist, dream-like and poetic, but always charged with disturbing emotion and expressive candour, her works generate daring and original perspectives on the present. This(...)
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Toronto artist Shary Boyle engages in drawing, painting, sculpture, audio-visual performance and installations to explore human psychological and emotional states through a fictional fantasy. At once feminist, dream-like and poetic, but always charged with disturbing emotion and expressive candour, her works generate daring and original perspectives on the present. This(...)
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Shary Boyle: La chair et le sang / Flesh and blood
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Toronto artist Shary Boyle engages in drawing, painting, sculpture, audio-visual performance and installations to explore human psychological and emotional states through a fictional fantasy. At once feminist, dream-like and poetic, but always charged with disturbing emotion and expressive candour, her works generate daring and original perspectives on the present. This publication features all new works, many created especially for Boyle's first solo museum exhibition, touring nationally throughout 2011.
Shary Boyle: La chair et le sang / Flesh and blood
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Toronto artist Shary Boyle engages in drawing, painting, sculpture, audio-visual performance and installations to explore human psychological and emotional states through a fictional fantasy. At once feminist, dream-like and poetic, but always charged with disturbing emotion and expressive candour, her works generate daring and original perspectives on the present. This publication features all new works, many created especially for Boyle's first solo museum exhibition, touring nationally throughout 2011.
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books
books
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December 2010
December 2010
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Canadian art
Canadian art
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books
books
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This anthology presents, in chronological order, all the texts by Claire Fontaine from 2004 to today. Created in 2004 in Paris by James Thornhill and Fulvia Carnevale, the collective artist Claire Fontaine creates texts that are as as experimental and politically charged as her visual practice. In these writings, she uses the concept of “human strike” and adopts the(...)
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This anthology presents, in chronological order, all the texts by Claire Fontaine from 2004 to today. Created in 2004 in Paris by James Thornhill and Fulvia Carnevale, the collective artist Claire Fontaine creates texts that are as as experimental and politically charged as her visual practice. In these writings, she uses the concept of “human strike” and adopts the(...)
Title:
Human strike and the art of creating freedom
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This anthology presents, in chronological order, all the texts by Claire Fontaine from 2004 to today. Created in 2004 in Paris by James Thornhill and Fulvia Carnevale, the collective artist Claire Fontaine creates texts that are as as experimental and politically charged as her visual practice. In these writings, she uses the concept of “human strike” and adopts the radical feminist position that can be found in Tiqqun, a two-issue magazine cofounded by Carnevale.
Human strike and the art of creating freedom
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This anthology presents, in chronological order, all the texts by Claire Fontaine from 2004 to today. Created in 2004 in Paris by James Thornhill and Fulvia Carnevale, the collective artist Claire Fontaine creates texts that are as as experimental and politically charged as her visual practice. In these writings, she uses the concept of “human strike” and adopts the radical feminist position that can be found in Tiqqun, a two-issue magazine cofounded by Carnevale.
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books
books
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December 2020
December 2020
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Art Theory
Art Theory
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journals and magazines
journals and magazines
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“The center of architecture is shifting and cannot hold,” writes guest editor Bryony Roberts in Log 48: Expanding Modes of Practice. This moment of change, in which issues of inequity and intersectionality are coming to the fore, represents “an invitation to think differently, a chance to reask the questions that haunted the 20th century.” The collected authors in(...)
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“The center of architecture is shifting and cannot hold,” writes guest editor Bryony Roberts in Log 48: Expanding Modes of Practice. This moment of change, in which issues of inequity and intersectionality are coming to the fore, represents “an invitation to think differently, a chance to reask the questions that haunted the 20th century.” The collected authors in(...)
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Log 48: Expanding modes of practice. Winter/Spring 2020
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“The center of architecture is shifting and cannot hold,” writes guest editor Bryony Roberts in Log 48: Expanding Modes of Practice. This moment of change, in which issues of inequity and intersectionality are coming to the fore, represents “an invitation to think differently, a chance to reask the questions that haunted the 20th century.” The collected authors in this issue range from architects and urbanists to curators and composers who grapple with what it means to practice in a more just way, balancing aesthetics with ethics. As Roberts writes, “What emerges from [these] experiments with situated, intersectional practice is the merging of the professional and the personal. Rather than neutrality, practices cultivate empathy.” At the heart of this issue are Roberts’s interviews with progressive practices Assemble, Borderless Studio, HECTOR, LA-Más, and Mabel O. Wilson. In addition, essayists Peggy Deamer and Michael Kubo discuss collaborative architecture practices today and in the past; Ana Miljacki and Jerome Haferd propose better pedagogies; and Jia Yi Gu, Deborah Garcia, and the feminist architecture collaborative position feminist theory in architectural practice and discourse today, and Cynthia Davidson talks with Mirko Zardini about the role of the museum today.
Log 48: Expanding modes of practice. Winter/Spring 2020
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“The center of architecture is shifting and cannot hold,” writes guest editor Bryony Roberts in Log 48: Expanding Modes of Practice. This moment of change, in which issues of inequity and intersectionality are coming to the fore, represents “an invitation to think differently, a chance to reask the questions that haunted the 20th century.” The collected authors in this issue range from architects and urbanists to curators and composers who grapple with what it means to practice in a more just way, balancing aesthetics with ethics. As Roberts writes, “What emerges from [these] experiments with situated, intersectional practice is the merging of the professional and the personal. Rather than neutrality, practices cultivate empathy.” At the heart of this issue are Roberts’s interviews with progressive practices Assemble, Borderless Studio, HECTOR, LA-Más, and Mabel O. Wilson. In addition, essayists Peggy Deamer and Michael Kubo discuss collaborative architecture practices today and in the past; Ana Miljacki and Jerome Haferd propose better pedagogies; and Jia Yi Gu, Deborah Garcia, and the feminist architecture collaborative position feminist theory in architectural practice and discourse today, and Cynthia Davidson talks with Mirko Zardini about the role of the museum today.
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journals and magazines
journals and magazines
Publication:
April 2020
April 2020
Subject:
Magazines
Magazines
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books
books
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Judy Chicago provides an autobiographical look at higher education in art. How should women—and men—be prepared for a career in today’s art world? For more than a decade, Judy Chicago has been formulating a critique of studio art education, in colleges or art schools, based upon observation, study, and, most importantly, her own teaching expériences. Founder of(...)
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Judy Chicago provides an autobiographical look at higher education in art. How should women—and men—be prepared for a career in today’s art world? For more than a decade, Judy Chicago has been formulating a critique of studio art education, in colleges or art schools, based upon observation, study, and, most importantly, her own teaching expériences. Founder of(...)
Title:
Institutional time: a critique of studio art education
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Judy Chicago provides an autobiographical look at higher education in art. How should women—and men—be prepared for a career in today’s art world? For more than a decade, Judy Chicago has been formulating a critique of studio art education, in colleges or art schools, based upon observation, study, and, most importantly, her own teaching expériences. Founder of the first program dedicated to feminist art, at California State University, Fresno, in 1970, she went on to initiate the Feminist Art Program at California Institute of the Arts with artist Miriam Schapiro, the first program at a major art school to specifically address the needs of female art students. Creator of the celebrated The Dinner Party, a monumental art installation now on permanent display at the Brooklyn Museum, Chicago reviews her own art education, in the 1960s, when she overcame sexist obstacles to beginning a career as an artist and became recognized as one of the key figures in the dynamic California art scene of that decade. She reviews the present-day situation of young people aspiring to become artists and uncovers the persistence of a bias against women and other minorities in studio art education.
Institutional time: a critique of studio art education
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Judy Chicago provides an autobiographical look at higher education in art. How should women—and men—be prepared for a career in today’s art world? For more than a decade, Judy Chicago has been formulating a critique of studio art education, in colleges or art schools, based upon observation, study, and, most importantly, her own teaching expériences. Founder of the first program dedicated to feminist art, at California State University, Fresno, in 1970, she went on to initiate the Feminist Art Program at California Institute of the Arts with artist Miriam Schapiro, the first program at a major art school to specifically address the needs of female art students. Creator of the celebrated The Dinner Party, a monumental art installation now on permanent display at the Brooklyn Museum, Chicago reviews her own art education, in the 1960s, when she overcame sexist obstacles to beginning a career as an artist and became recognized as one of the key figures in the dynamic California art scene of that decade. She reviews the present-day situation of young people aspiring to become artists and uncovers the persistence of a bias against women and other minorities in studio art education.
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books
books
Publication:
March 2014
March 2014
Subject:
Museology
Museology
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books
books
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Published on the occasion of The Grand Domestic Revolution GOES ON , a series of activities that check in on a long-term 'living research' project titled User's Manual: The Grand Revolution. This publication include surveys of contemporary cooperative and co-housing movements, an essay linking artistic and domestic labour and an interview with Dolores Hayden, author(...)
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Published on the occasion of The Grand Domestic Revolution GOES ON , a series of activities that check in on a long-term 'living research' project titled User's Manual: The Grand Revolution. This publication include surveys of contemporary cooperative and co-housing movements, an essay linking artistic and domestic labour and an interview with Dolores Hayden, author(...)
Title:
The grand domestic revolution goes on
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Published on the occasion of The Grand Domestic Revolution GOES ON , a series of activities that check in on a long-term 'living research' project titled User's Manual: The Grand Revolution. This publication include surveys of contemporary cooperative and co-housing movements, an essay linking artistic and domestic labour and an interview with Dolores Hayden, author of the 'original' The Grand Domestic Revolution, a chronicle of 19th century material feminist design movement in the United States.
The grand domestic revolution goes on
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Published on the occasion of The Grand Domestic Revolution GOES ON , a series of activities that check in on a long-term 'living research' project titled User's Manual: The Grand Revolution. This publication include surveys of contemporary cooperative and co-housing movements, an essay linking artistic and domestic labour and an interview with Dolores Hayden, author of the 'original' The Grand Domestic Revolution, a chronicle of 19th century material feminist design movement in the United States.
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books
books
Publication:
January 2011
January 2011
Subject:
Art Theory
Art Theory
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books
books
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$30.50
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How do we make social justice the most pleasurable human experience? How can we awaken within ourselves desires that make it impossible to settle for anything less than a fulfilling life? Author and editor adrienne maree brown finds the answer in something she calls 'pleasure activism,' a politics of healing and happiness that explodes the dour myth that changing the(...)
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How do we make social justice the most pleasurable human experience? How can we awaken within ourselves desires that make it impossible to settle for anything less than a fulfilling life? Author and editor adrienne maree brown finds the answer in something she calls 'pleasure activism,' a politics of healing and happiness that explodes the dour myth that changing the(...)
Title:
Pleasure activism: the politics of feeling good
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How do we make social justice the most pleasurable human experience? How can we awaken within ourselves desires that make it impossible to settle for anything less than a fulfilling life? Author and editor adrienne maree brown finds the answer in something she calls 'pleasure activism,' a politics of healing and happiness that explodes the dour myth that changing the world is just another form of work. Drawing on the black feminist tradition, she challenges us to rethink the ground rules of activism.
Pleasure activism: the politics of feeling good
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How do we make social justice the most pleasurable human experience? How can we awaken within ourselves desires that make it impossible to settle for anything less than a fulfilling life? Author and editor adrienne maree brown finds the answer in something she calls 'pleasure activism,' a politics of healing and happiness that explodes the dour myth that changing the world is just another form of work. Drawing on the black feminist tradition, she challenges us to rethink the ground rules of activism.
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books
books
Publication:
February 2019
February 2019
Subject:
Social
Social
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books
books
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This publication was published on the occasion of Martha Rostler exhibition's at Centro José Guerrero, Granada, january-april 2009. Providing a significant survey of the multifaceted output of this seminal American artist, this well designed and accessible catalogue, documents some forty years of practice. From the photomontage set ‘House Beautiful: Bringing the War Home’(...)
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This publication was published on the occasion of Martha Rostler exhibition's at Centro José Guerrero, Granada, january-april 2009. Providing a significant survey of the multifaceted output of this seminal American artist, this well designed and accessible catalogue, documents some forty years of practice. From the photomontage set ‘House Beautiful: Bringing the War Home’(...)
Title:
Martha Rosler: the house, the street, the kitchen
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This publication was published on the occasion of Martha Rostler exhibition's at Centro José Guerrero, Granada, january-april 2009. Providing a significant survey of the multifaceted output of this seminal American artist, this well designed and accessible catalogue, documents some forty years of practice. From the photomontage set ‘House Beautiful: Bringing the War Home’ to her most recent photographs of the series Transitions and Digressions, Rosler has brought into being a poetics charged with political components marked with a feminist commitment.
Martha Rosler: the house, the street, the kitchen
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This publication was published on the occasion of Martha Rostler exhibition's at Centro José Guerrero, Granada, january-april 2009. Providing a significant survey of the multifaceted output of this seminal American artist, this well designed and accessible catalogue, documents some forty years of practice. From the photomontage set ‘House Beautiful: Bringing the War Home’ to her most recent photographs of the series Transitions and Digressions, Rosler has brought into being a poetics charged with political components marked with a feminist commitment.
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books
books
Publication:
May 2009
May 2009
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
Title:
Feeling photography
Feeling photography
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$36.95
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This innovative collection demonstrates the profound effects of feeling on our experiences and understanding of photography. It includes essays on the tactile nature of photos, the relation of photography to sentiment and intimacy, and the ways that affect pervades the photographic archive. Concerns associated with the affective turn—intimacy, alterity, and ephemerality,(...)
$36.95
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Summary:
This innovative collection demonstrates the profound effects of feeling on our experiences and understanding of photography. It includes essays on the tactile nature of photos, the relation of photography to sentiment and intimacy, and the ways that affect pervades the photographic archive. Concerns associated with the affective turn—intimacy, alterity, and ephemerality,(...)
Title:
Feeling photography
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$36.95
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This innovative collection demonstrates the profound effects of feeling on our experiences and understanding of photography. It includes essays on the tactile nature of photos, the relation of photography to sentiment and intimacy, and the ways that affect pervades the photographic archive. Concerns associated with the affective turn—intimacy, alterity, and ephemerality, as well as queerness, modernity, and loss—run through the essays. At the same time, the contributions are informed by developments in critical race theory, postcolonial studies, and feminist theory.
Feeling photography
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$36.95
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This innovative collection demonstrates the profound effects of feeling on our experiences and understanding of photography. It includes essays on the tactile nature of photos, the relation of photography to sentiment and intimacy, and the ways that affect pervades the photographic archive. Concerns associated with the affective turn—intimacy, alterity, and ephemerality, as well as queerness, modernity, and loss—run through the essays. At the same time, the contributions are informed by developments in critical race theory, postcolonial studies, and feminist theory.
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books
books
Publication:
March 2014
March 2014
Subject:
Theory of Photography
Theory of Photography
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books
books
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$29.95
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Everyday utopias enact conventional activities in unusual ways. Instead of dreaming about a better world, participants seek to create it. As such, their activities provide vibrant and stimulating contexts for considering the terms of social life, of how we live together and are governed. Weaving conceptual theorizing together with social analysis, Davina Cooper examines(...)
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Everyday utopias enact conventional activities in unusual ways. Instead of dreaming about a better world, participants seek to create it. As such, their activities provide vibrant and stimulating contexts for considering the terms of social life, of how we live together and are governed. Weaving conceptual theorizing together with social analysis, Davina Cooper examines(...)
Title:
Everyday utopias: the conceptual life of promising spaces
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Everyday utopias enact conventional activities in unusual ways. Instead of dreaming about a better world, participants seek to create it. As such, their activities provide vibrant and stimulating contexts for considering the terms of social life, of how we live together and are governed. Weaving conceptual theorizing together with social analysis, Davina Cooper examines utopian projects as seemingly diverse as a feminist bathhouse, state equality initiatives, community trading networks, and a democratic school where students and staff collaborate in governing.
Everyday utopias: the conceptual life of promising spaces
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Everyday utopias enact conventional activities in unusual ways. Instead of dreaming about a better world, participants seek to create it. As such, their activities provide vibrant and stimulating contexts for considering the terms of social life, of how we live together and are governed. Weaving conceptual theorizing together with social analysis, Davina Cooper examines utopian projects as seemingly diverse as a feminist bathhouse, state equality initiatives, community trading networks, and a democratic school where students and staff collaborate in governing.
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books
books
Publication:
January 2014
January 2014
Subject:
Architectural Theory
Architectural Theory
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books
books
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Description:
352 pages : illustrations (some color) ; 24 cm
Description:
352 pages : illustrations (some color) ; 24 cm
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Nancy : École nationale supérieure d'art et de design de Nancy ; Dijon : Les presses du réel, [2018]
Nancy : École nationale supérieure d'art et de design de Nancy ; Dijon : Les presses du réel, [2018]
Title:
Design et pensée du care : pour un design des microluttes et des singularités / sous la direction de Jehanne Dautrey.
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Description:
352 pages : illustrations (some color) ; 24 cm
Design et pensée du care : pour un design des microluttes et des singularités / sous la direction de Jehanne Dautrey.
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Description:
352 pages : illustrations (some color) ; 24 cm
Form:
books
books
Publication:
Nancy : École nationale supérieure d'art et de design de Nancy ; Dijon : Les presses du réel, [2018]
Nancy : École nationale supérieure d'art et de design de Nancy ; Dijon : Les presses du réel, [2018]
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