5344 Results
Level of archival description:
Project
Project
Actions:
Reference number:
AP046.S1.1983.PR02
Description:
This project documents Rose’s involvement with the design phase of the Old Port of Montreal Master Plan, Montréal, Québec and consists mainly of sketches, studies and presentation drawings for the redevelopment project with very few as built or architectural plans. The project materials reflect a Romantic design aesthetic and landscape development through numerous architectural design drawings for public amenities such as park benches, pedestrian walkways, various lighting sources, pavilions and fountains. This project also includes some of Rose’s submissions to the Faubourg Quebec development project which ran concurrent with the Old Port project. For the redevelopment of the Old Port of Montréal, Master Plan, Rose worked with the following firms: Cardinal Hardy e Associes, Chan Krieger & Associates, and Jodoin Lamarre Pratt. Rose was awarded a Progressive Architecture Urban Design Award (1992) and a Prix d’excellence for Urban Design from the Ordre des architectes du Québec (1993) for the realization of this urban project. The textual records in this project include budgets, correspondence, consultation documents, and intra office communiques as well as extensive research material on the history of the Old Port of Montreal including reproductions of historical photographs. The photographs in this project largely reflect the condition of the Old Port and Rue de la Commune prior to redevelopment and were used for reference and in presentation materials.
AP046.S1.1983.PR02
Description:
This project documents Rose’s involvement with the design phase of the Old Port of Montreal Master Plan, Montréal, Québec and consists mainly of sketches, studies and presentation drawings for the redevelopment project with very few as built or architectural plans. The project materials reflect a Romantic design aesthetic and landscape development through numerous architectural design drawings for public amenities such as park benches, pedestrian walkways, various lighting sources, pavilions and fountains. This project also includes some of Rose’s submissions to the Faubourg Quebec development project which ran concurrent with the Old Port project. For the redevelopment of the Old Port of Montréal, Master Plan, Rose worked with the following firms: Cardinal Hardy e Associes, Chan Krieger & Associates, and Jodoin Lamarre Pratt. Rose was awarded a Progressive Architecture Urban Design Award (1992) and a Prix d’excellence for Urban Design from the Ordre des architectes du Québec (1993) for the realization of this urban project. The textual records in this project include budgets, correspondence, consultation documents, and intra office communiques as well as extensive research material on the history of the Old Port of Montreal including reproductions of historical photographs. The photographs in this project largely reflect the condition of the Old Port and Rue de la Commune prior to redevelopment and were used for reference and in presentation materials.
People:
Date:
1983-1992
1983-1992
Title:
Old Port of Montreal Master Plan, Montréal, Québec
Actions:
AP046.S1.1983.PR02
Description:
This project documents Rose’s involvement with the design phase of the Old Port of Montreal Master Plan, Montréal, Québec and consists mainly of sketches, studies and presentation drawings for the redevelopment project with very few as built or architectural plans. The project materials reflect a Romantic design aesthetic and landscape development through numerous architectural design drawings for public amenities such as park benches, pedestrian walkways, various lighting sources, pavilions and fountains. This project also includes some of Rose’s submissions to the Faubourg Quebec development project which ran concurrent with the Old Port project. For the redevelopment of the Old Port of Montréal, Master Plan, Rose worked with the following firms: Cardinal Hardy e Associes, Chan Krieger & Associates, and Jodoin Lamarre Pratt. Rose was awarded a Progressive Architecture Urban Design Award (1992) and a Prix d’excellence for Urban Design from the Ordre des architectes du Québec (1993) for the realization of this urban project. The textual records in this project include budgets, correspondence, consultation documents, and intra office communiques as well as extensive research material on the history of the Old Port of Montreal including reproductions of historical photographs. The photographs in this project largely reflect the condition of the Old Port and Rue de la Commune prior to redevelopment and were used for reference and in presentation materials.
Old Port of Montreal Master Plan, Montréal, Québec
Actions:
AP046.S1.1983.PR02
Description:
This project documents Rose’s involvement with the design phase of the Old Port of Montreal Master Plan, Montréal, Québec and consists mainly of sketches, studies and presentation drawings for the redevelopment project with very few as built or architectural plans. The project materials reflect a Romantic design aesthetic and landscape development through numerous architectural design drawings for public amenities such as park benches, pedestrian walkways, various lighting sources, pavilions and fountains. This project also includes some of Rose’s submissions to the Faubourg Quebec development project which ran concurrent with the Old Port project. For the redevelopment of the Old Port of Montréal, Master Plan, Rose worked with the following firms: Cardinal Hardy e Associes, Chan Krieger & Associates, and Jodoin Lamarre Pratt. Rose was awarded a Progressive Architecture Urban Design Award (1992) and a Prix d’excellence for Urban Design from the Ordre des architectes du Québec (1993) for the realization of this urban project. The textual records in this project include budgets, correspondence, consultation documents, and intra office communiques as well as extensive research material on the history of the Old Port of Montreal including reproductions of historical photographs. The photographs in this project largely reflect the condition of the Old Port and Rue de la Commune prior to redevelopment and were used for reference and in presentation materials.
Level of archival description:
Project
Project
Date:
1983-1992
1983-1992
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP056.S1.1995.PR02
Description:
This project series documents the Providence Healthcare Centre in Scarborough, Ontario from 1995-2000. The office identified the project number as 9504. This project, headed by Marianne McKenna in joint-venture with Montgomery and Sisam Architects, consisted of a long-term care facility on the Healthcare Centre campus located at the corner of St. Clair East and Warden Avenues. The facility diverged from the traditional institutional model to house 288 residents in a more residential setting. Bay windows, porches and chimneys were borrowed from residential architecture to contribute to this effect. The "houses," accommodating 18 residents each, were four-storeys high and arranged in two L-shaped wings with landscaped gardens in their interior courtyards. A double-height Great Hall joined the two volumes at the building's centre, which was built to house a variety of social and recreational activities for the residents. A chapel, hair salon, café and general store were also included. The project was also known as the Cardinal Ambrozic Houses of Providence. The project is recorded through drawings and presentation watercolour paintings dating from 1995-1999. The drawings are mostly originals and include a large number of sketches along with presentation renderings, plans, elevations, sections, perspectives and details.
AP056.S1.1995.PR02
Description:
This project series documents the Providence Healthcare Centre in Scarborough, Ontario from 1995-2000. The office identified the project number as 9504. This project, headed by Marianne McKenna in joint-venture with Montgomery and Sisam Architects, consisted of a long-term care facility on the Healthcare Centre campus located at the corner of St. Clair East and Warden Avenues. The facility diverged from the traditional institutional model to house 288 residents in a more residential setting. Bay windows, porches and chimneys were borrowed from residential architecture to contribute to this effect. The "houses," accommodating 18 residents each, were four-storeys high and arranged in two L-shaped wings with landscaped gardens in their interior courtyards. A double-height Great Hall joined the two volumes at the building's centre, which was built to house a variety of social and recreational activities for the residents. A chapel, hair salon, café and general store were also included. The project was also known as the Cardinal Ambrozic Houses of Providence. The project is recorded through drawings and presentation watercolour paintings dating from 1995-1999. The drawings are mostly originals and include a large number of sketches along with presentation renderings, plans, elevations, sections, perspectives and details.
People:
Title:
Providence Healthcare Centre, Scarborough, Ontario (1995-2000)
Actions:
AP056.S1.1995.PR02
Description:
This project series documents the Providence Healthcare Centre in Scarborough, Ontario from 1995-2000. The office identified the project number as 9504. This project, headed by Marianne McKenna in joint-venture with Montgomery and Sisam Architects, consisted of a long-term care facility on the Healthcare Centre campus located at the corner of St. Clair East and Warden Avenues. The facility diverged from the traditional institutional model to house 288 residents in a more residential setting. Bay windows, porches and chimneys were borrowed from residential architecture to contribute to this effect. The "houses," accommodating 18 residents each, were four-storeys high and arranged in two L-shaped wings with landscaped gardens in their interior courtyards. A double-height Great Hall joined the two volumes at the building's centre, which was built to house a variety of social and recreational activities for the residents. A chapel, hair salon, café and general store were also included. The project was also known as the Cardinal Ambrozic Houses of Providence. The project is recorded through drawings and presentation watercolour paintings dating from 1995-1999. The drawings are mostly originals and include a large number of sketches along with presentation renderings, plans, elevations, sections, perspectives and details.
Providence Healthcare Centre, Scarborough, Ontario (1995-2000)
Actions:
AP056.S1.1995.PR02
Description:
This project series documents the Providence Healthcare Centre in Scarborough, Ontario from 1995-2000. The office identified the project number as 9504. This project, headed by Marianne McKenna in joint-venture with Montgomery and Sisam Architects, consisted of a long-term care facility on the Healthcare Centre campus located at the corner of St. Clair East and Warden Avenues. The facility diverged from the traditional institutional model to house 288 residents in a more residential setting. Bay windows, porches and chimneys were borrowed from residential architecture to contribute to this effect. The "houses," accommodating 18 residents each, were four-storeys high and arranged in two L-shaped wings with landscaped gardens in their interior courtyards. A double-height Great Hall joined the two volumes at the building's centre, which was built to house a variety of social and recreational activities for the residents. A chapel, hair salon, café and general store were also included. The project was also known as the Cardinal Ambrozic Houses of Providence. The project is recorded through drawings and presentation watercolour paintings dating from 1995-1999. The drawings are mostly originals and include a large number of sketches along with presentation renderings, plans, elevations, sections, perspectives and details.
Level of archival description:
Project
Project
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Reference number:
AP196
Synopsis:
Studio Gang Ford Calumet Environmental Center project records, 2003-2012, documents the design process for the Ford Calumet Environmental Center in Chicago, United-States. The records represent both phases during the competition and the full-term design, after the firm won the project. The records consist of born-digital material, sketches and drawings, textual records, photographs and seven models.
AP196
Synopsis:
Studio Gang Ford Calumet Environmental Center project records, 2003-2012, documents the design process for the Ford Calumet Environmental Center in Chicago, United-States. The records represent both phases during the competition and the full-term design, after the firm won the project. The records consist of born-digital material, sketches and drawings, textual records, photographs and seven models.
People:
Date:
2003-2011
2003-2011
Title:
Studio Gang Ford Calumet Environmental Center project records
Actions:
AP196
Synopsis:
Studio Gang Ford Calumet Environmental Center project records, 2003-2012, documents the design process for the Ford Calumet Environmental Center in Chicago, United-States. The records represent both phases during the competition and the full-term design, after the firm won the project. The records consist of born-digital material, sketches and drawings, textual records, photographs and seven models.
Studio Gang Ford Calumet Environmental Center project records
Actions:
AP196
Synopsis:
Studio Gang Ford Calumet Environmental Center project records, 2003-2012, documents the design process for the Ford Calumet Environmental Center in Chicago, United-States. The records represent both phases during the competition and the full-term design, after the firm won the project. The records consist of born-digital material, sketches and drawings, textual records, photographs and seven models.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
2003-2011
2003-2011
People:
Level of archival description:
Series
Series
Title:
James Stirling papers
James Stirling papers
Reference number:
AP140.S1
Description:
Series documents James Stirling student years and military service throughout his student projects, some personal documents and collected artworks and photographic materials. The bulk of the material in this series relates to James Stirling's student work at the Liverpool School of Architecture in Liverpool, England, and at the Association for Planning and Regional Reconstruction in London, England, between 1948 and 1952. Also included in this series are a few personal documents relating to his military service in the Second World War and its relation to his university education. Series also consists of drawings executed by Stirling as a student, other drawings collected by Stirling as gifts from friends and colleagues, and photographs and negatives taken by Stirling of architectural subject matters. Material in this series was produced between probably 1939 and 1990. Series contains architectural drawings, textual records, photographic materials and a presentation model, as well as other drawings, including several portraits and caricatures of James Stirling.
AP140.S1
Description:
Series documents James Stirling student years and military service throughout his student projects, some personal documents and collected artworks and photographic materials. The bulk of the material in this series relates to James Stirling's student work at the Liverpool School of Architecture in Liverpool, England, and at the Association for Planning and Regional Reconstruction in London, England, between 1948 and 1952. Also included in this series are a few personal documents relating to his military service in the Second World War and its relation to his university education. Series also consists of drawings executed by Stirling as a student, other drawings collected by Stirling as gifts from friends and colleagues, and photographs and negatives taken by Stirling of architectural subject matters. Material in this series was produced between probably 1939 and 1990. Series contains architectural drawings, textual records, photographic materials and a presentation model, as well as other drawings, including several portraits and caricatures of James Stirling.
People:
Date:
circa 1939-1990
circa 1939-1990
Title:
James Stirling papers
Actions:
AP140.S1
Description:
Series documents James Stirling student years and military service throughout his student projects, some personal documents and collected artworks and photographic materials. The bulk of the material in this series relates to James Stirling's student work at the Liverpool School of Architecture in Liverpool, England, and at the Association for Planning and Regional Reconstruction in London, England, between 1948 and 1952. Also included in this series are a few personal documents relating to his military service in the Second World War and its relation to his university education. Series also consists of drawings executed by Stirling as a student, other drawings collected by Stirling as gifts from friends and colleagues, and photographs and negatives taken by Stirling of architectural subject matters. Material in this series was produced between probably 1939 and 1990. Series contains architectural drawings, textual records, photographic materials and a presentation model, as well as other drawings, including several portraits and caricatures of James Stirling.
James Stirling papers
Actions:
AP140.S1
Description:
Series documents James Stirling student years and military service throughout his student projects, some personal documents and collected artworks and photographic materials. The bulk of the material in this series relates to James Stirling's student work at the Liverpool School of Architecture in Liverpool, England, and at the Association for Planning and Regional Reconstruction in London, England, between 1948 and 1952. Also included in this series are a few personal documents relating to his military service in the Second World War and its relation to his university education. Series also consists of drawings executed by Stirling as a student, other drawings collected by Stirling as gifts from friends and colleagues, and photographs and negatives taken by Stirling of architectural subject matters. Material in this series was produced between probably 1939 and 1990. Series contains architectural drawings, textual records, photographic materials and a presentation model, as well as other drawings, including several portraits and caricatures of James Stirling.
Level of archival description:
Series 1
Series 1
Date:
circa 1939-1990
circa 1939-1990
People:
Level of archival description:
Sub-series
Sub-series
Title:
Architectural projects
Architectural projects
Reference number:
AP140.S2.SS1
Description:
Sub-series documents competition entries and projects by James Stirling, and by the successive firms of James Stirling; Stirling and Gowan; James Stirling and Partner; James Stirling, Michael Wilford, and Associates; Michael Wilford and Partners; and Michael Wilford GmbH. Several projects were carried out in association with other architects, including Léon Krier, Walter Nägeli, and the firms of Giancarlo de Carlo and of Marlies Hentrup Norbert Heyer. A majority of projects were designed for London, England and other locations in England and Scotland, Germany and the United States. Other projects were designed for Italy, Iran, Japan, France, Algeria, Spain, Netherlands, Kenya, Qatar, Canada, Singapore and Switzerland. Material in this sub-series was produced between 1951 and probably 2004. The publication drawings for Stirling's projects were often drawn by Leon Krier, Russell Bevington, or Ulrich Schaad ('British Architecture Today', 1991). Sub-series contains reference drawings, conceptual and design development drawings, publication and presentation drawings and panels, and working drawings. It also contains photographic materials, textual records, models and artefacts.
AP140.S2.SS1
Description:
Sub-series documents competition entries and projects by James Stirling, and by the successive firms of James Stirling; Stirling and Gowan; James Stirling and Partner; James Stirling, Michael Wilford, and Associates; Michael Wilford and Partners; and Michael Wilford GmbH. Several projects were carried out in association with other architects, including Léon Krier, Walter Nägeli, and the firms of Giancarlo de Carlo and of Marlies Hentrup Norbert Heyer. A majority of projects were designed for London, England and other locations in England and Scotland, Germany and the United States. Other projects were designed for Italy, Iran, Japan, France, Algeria, Spain, Netherlands, Kenya, Qatar, Canada, Singapore and Switzerland. Material in this sub-series was produced between 1951 and probably 2004. The publication drawings for Stirling's projects were often drawn by Leon Krier, Russell Bevington, or Ulrich Schaad ('British Architecture Today', 1991). Sub-series contains reference drawings, conceptual and design development drawings, publication and presentation drawings and panels, and working drawings. It also contains photographic materials, textual records, models and artefacts.
People:
Date:
1951-2004
1951-2004
Title:
Architectural projects
Actions:
AP140.S2.SS1
Description:
Sub-series documents competition entries and projects by James Stirling, and by the successive firms of James Stirling; Stirling and Gowan; James Stirling and Partner; James Stirling, Michael Wilford, and Associates; Michael Wilford and Partners; and Michael Wilford GmbH. Several projects were carried out in association with other architects, including Léon Krier, Walter Nägeli, and the firms of Giancarlo de Carlo and of Marlies Hentrup Norbert Heyer. A majority of projects were designed for London, England and other locations in England and Scotland, Germany and the United States. Other projects were designed for Italy, Iran, Japan, France, Algeria, Spain, Netherlands, Kenya, Qatar, Canada, Singapore and Switzerland. Material in this sub-series was produced between 1951 and probably 2004. The publication drawings for Stirling's projects were often drawn by Leon Krier, Russell Bevington, or Ulrich Schaad ('British Architecture Today', 1991). Sub-series contains reference drawings, conceptual and design development drawings, publication and presentation drawings and panels, and working drawings. It also contains photographic materials, textual records, models and artefacts.
Architectural projects
Actions:
AP140.S2.SS1
Description:
Sub-series documents competition entries and projects by James Stirling, and by the successive firms of James Stirling; Stirling and Gowan; James Stirling and Partner; James Stirling, Michael Wilford, and Associates; Michael Wilford and Partners; and Michael Wilford GmbH. Several projects were carried out in association with other architects, including Léon Krier, Walter Nägeli, and the firms of Giancarlo de Carlo and of Marlies Hentrup Norbert Heyer. A majority of projects were designed for London, England and other locations in England and Scotland, Germany and the United States. Other projects were designed for Italy, Iran, Japan, France, Algeria, Spain, Netherlands, Kenya, Qatar, Canada, Singapore and Switzerland. Material in this sub-series was produced between 1951 and probably 2004. The publication drawings for Stirling's projects were often drawn by Leon Krier, Russell Bevington, or Ulrich Schaad ('British Architecture Today', 1991). Sub-series contains reference drawings, conceptual and design development drawings, publication and presentation drawings and panels, and working drawings. It also contains photographic materials, textual records, models and artefacts.
Level of archival description:
Sub-Series 1
Sub-Series 1
Date:
1951-2004
1951-2004
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Peter Caspari fonds
Peter Caspari fonds
Actions:
Reference number:
AP123
Synopsis:
The Peter Caspari fonds documents the education, personal and military activities of architect Peter Caspari from student work in Berlin to his immigration to England, and participation in WWII. The majority of the documents in the fonds consist of drawings relating to student building design projects, and textual records relating to architecture course notes, training for the Pioneer Corps, and professional registration as an architect.
AP123
Synopsis:
The Peter Caspari fonds documents the education, personal and military activities of architect Peter Caspari from student work in Berlin to his immigration to England, and participation in WWII. The majority of the documents in the fonds consist of drawings relating to student building design projects, and textual records relating to architecture course notes, training for the Pioneer Corps, and professional registration as an architect.
People:
Date:
1928-1941
1928-1941
Title:
Peter Caspari fonds
Actions:
AP123
Synopsis:
The Peter Caspari fonds documents the education, personal and military activities of architect Peter Caspari from student work in Berlin to his immigration to England, and participation in WWII. The majority of the documents in the fonds consist of drawings relating to student building design projects, and textual records relating to architecture course notes, training for the Pioneer Corps, and professional registration as an architect.
Peter Caspari fonds
Actions:
AP123
Synopsis:
The Peter Caspari fonds documents the education, personal and military activities of architect Peter Caspari from student work in Berlin to his immigration to England, and participation in WWII. The majority of the documents in the fonds consist of drawings relating to student building design projects, and textual records relating to architecture course notes, training for the Pioneer Corps, and professional registration as an architect.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1928-1941
1928-1941
People:
Form:
exhibitions
exhibitions
Actions:
Description:
The American Lawn: Surface of Everyday Life reveals the lawn as a domestic symbol, civic showplace, economic force, and national icon. Bungalows in tract developments, suburban corporate headquarters, and the White House are all alike in that they sit behind a lawn: a carefully contrived patch of “nature” that lies open to the sky and to a multitude of uses and(...)
The American Lawn: Surface of Everyday Life reveals the lawn as a domestic symbol, civic showplace, economic force, and national icon. Bungalows in tract developments, suburban corporate headquarters, and the White House are all alike in that they sit behind a lawn: a carefully contrived patch of “nature” that lies open to the sky and to a multitude of uses and(...)
Location:
Main galleries, octagonal gallery, and hall cases
Main galleries, octagonal gallery, and hall cases
Date:
16 June 1998 to 8 November 1998
16 June 1998 to 8 November 1998
Title:
The American Lawn: Surface of Everyday Life
Actions:
Description:
The American Lawn: Surface of Everyday Life reveals the lawn as a domestic symbol, civic showplace, economic force, and national icon. Bungalows in tract developments, suburban corporate headquarters, and the White House are all alike in that they sit behind a lawn: a carefully contrived patch of “nature” that lies open to the sky and to a multitude of uses and(...)
The American Lawn: Surface of Everyday Life
Actions:
Description:
The American Lawn: Surface of Everyday Life reveals the lawn as a domestic symbol, civic showplace, economic force, and national icon. Bungalows in tract developments, suburban corporate headquarters, and the White House are all alike in that they sit behind a lawn: a carefully contrived patch of “nature” that lies open to the sky and to a multitude of uses and(...)
Form:
exhibitions
exhibitions
Date:
16 June 1998 to
8 November 1998
16 June 1998 to
8 November 1998
Location:
Main galleries, octagonal gallery, and hall cases
Main galleries, octagonal gallery, and hall cases
Form:
events
events
Actions:
Description:
2016 Visiting Scholar Cara Rachele presents her research: This lecture investigates the explosion of detail drawings in the Renaissance. It connects the emergence of the detail in the sixteenth century as a canonical drawing type with the evocation of the material antique. The organic evolution of the detail drawing method can be seen in the sketchbooks of everyday(...)
2016 Visiting Scholar Cara Rachele presents her research: This lecture investigates the explosion of detail drawings in the Renaissance. It connects the emergence of the detail in the sixteenth century as a canonical drawing type with the evocation of the material antique. The organic evolution of the detail drawing method can be seen in the sketchbooks of everyday(...)
Date:
11 August 2016, 6pm
11 August 2016, 6pm
Title:
Visiting Scholar Seminar: Cara Rachele
Actions:
Description:
2016 Visiting Scholar Cara Rachele presents her research: This lecture investigates the explosion of detail drawings in the Renaissance. It connects the emergence of the detail in the sixteenth century as a canonical drawing type with the evocation of the material antique. The organic evolution of the detail drawing method can be seen in the sketchbooks of everyday(...)
Visiting Scholar Seminar: Cara Rachele
Actions:
Description:
2016 Visiting Scholar Cara Rachele presents her research: This lecture investigates the explosion of detail drawings in the Renaissance. It connects the emergence of the detail in the sixteenth century as a canonical drawing type with the evocation of the material antique. The organic evolution of the detail drawing method can be seen in the sketchbooks of everyday(...)
Form:
events
events
Date:
11 August 2016
6pm
11 August 2016
6pm
Form:
exhibitions
exhibitions
Description:
A revolutionary approach to the relationship between building and landscape, which shaped them together according to peculiarly American ideals, is the subject of Frank Lloyd Wright: Designs for an American Landscape, 1922–1932. In this exhibition, the CCA reconstructs five unbuilt, visionary projects that imagined nothing less than a new American landscape, integrating(...)
A revolutionary approach to the relationship between building and landscape, which shaped them together according to peculiarly American ideals, is the subject of Frank Lloyd Wright: Designs for an American Landscape, 1922–1932. In this exhibition, the CCA reconstructs five unbuilt, visionary projects that imagined nothing less than a new American landscape, integrating(...)
Location:
Main galleries
Main galleries
Date:
18 June 1996 to 29 September 1996
18 June 1996 to 29 September 1996
Title:
Frank Lloyd Wright: Designs for an American Landscape, 1922-1932
Actions:
Description:
A revolutionary approach to the relationship between building and landscape, which shaped them together according to peculiarly American ideals, is the subject of Frank Lloyd Wright: Designs for an American Landscape, 1922–1932. In this exhibition, the CCA reconstructs five unbuilt, visionary projects that imagined nothing less than a new American landscape, integrating(...)
Frank Lloyd Wright: Designs for an American Landscape, 1922-1932
Actions:
Description:
A revolutionary approach to the relationship between building and landscape, which shaped them together according to peculiarly American ideals, is the subject of Frank Lloyd Wright: Designs for an American Landscape, 1922–1932. In this exhibition, the CCA reconstructs five unbuilt, visionary projects that imagined nothing less than a new American landscape, integrating(...)
Form:
exhibitions
exhibitions
Date:
18 June 1996 to
29 September 1996
18 June 1996 to
29 September 1996
Location:
Main galleries
Main galleries
Form:
exhibitions
exhibitions
Actions:
Description:
Realism and Illusion: Catherine Wagner Photographs the Disney Theme Parks presents a visual essay of the Disney theme parks in Anaheim, Orlando, Tokyo, and Paris. Fascinated by the importance of illusion in the design and layout of the parks, Wagner aspired “to add yet another layer of deception to this already simulated world, our world, where illusion is now more real(...)
Realism and Illusion: Catherine Wagner Photographs the Disney Theme Parks presents a visual essay of the Disney theme parks in Anaheim, Orlando, Tokyo, and Paris. Fascinated by the importance of illusion in the design and layout of the parks, Wagner aspired “to add yet another layer of deception to this already simulated world, our world, where illusion is now more real(...)
Location:
Octagonal gallery
Octagonal gallery
Date:
17 June 1997 to 28 September 1997
17 June 1997 to 28 September 1997
Title:
Realism and Illusion: Catherine Wagner Photographs the Disney Theme Parks
Actions:
Description:
Realism and Illusion: Catherine Wagner Photographs the Disney Theme Parks presents a visual essay of the Disney theme parks in Anaheim, Orlando, Tokyo, and Paris. Fascinated by the importance of illusion in the design and layout of the parks, Wagner aspired “to add yet another layer of deception to this already simulated world, our world, where illusion is now more real(...)
Realism and Illusion: Catherine Wagner Photographs the Disney Theme Parks
Actions:
Description:
Realism and Illusion: Catherine Wagner Photographs the Disney Theme Parks presents a visual essay of the Disney theme parks in Anaheim, Orlando, Tokyo, and Paris. Fascinated by the importance of illusion in the design and layout of the parks, Wagner aspired “to add yet another layer of deception to this already simulated world, our world, where illusion is now more real(...)
Form:
exhibitions
exhibitions
Date:
17 June 1997 to
28 September 1997
17 June 1997 to
28 September 1997
Location:
Octagonal gallery
Octagonal gallery
