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By United Nations estimates, 60 percent of the world's population will be urban by 2030. With the increasing speed of urbanization, especially in the developing world, scholars are now rethinking standard concepts and histories of modern cities. "The Spaces of the Modern City" historicizes the contemporary discussion of urbanism, highlighting the local and global breadth(...)
Urban Theory
February 2008, Princeton, Oxford
The Spaces of the Modern city : imaginaries, politics, and everyday life
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By United Nations estimates, 60 percent of the world's population will be urban by 2030. With the increasing speed of urbanization, especially in the developing world, scholars are now rethinking standard concepts and histories of modern cities. "The Spaces of the Modern City" historicizes the contemporary discussion of urbanism, highlighting the local and global breadth of the city landscape. This interdisciplinary collection examines how the city develops in the interactions of space and imagination. The essays focus on issues such as street design in Vienna, the motion picture industry in Los Angeles, architecture in Marseilles and Algiers, and the kaleidoscopic paradox of post-apartheid Johannesburg. They explore the nature of spatial politics, examining the disparate worlds of eighteenth-century Baghdad, nineteenth-century Morelia, Cold War-era West Berlin, and postwar Los Angeles. They also show the meaning of everyday spaces to urban life, illuminating issues such as crime in metropolitan London, youth culture in Dakar, "memory projects" in Tokyo, and Bombay cinema. Informed by a range of theoretical writings, this collection offers a fresh and truly global perspective on the nature of the modern city. The contributors are Sheila Crane, Belinda Davis, Mamadou Diouf, Philip J. Ethington, David Frisby, Christina M. Jiménez, Dina Rizk Khoury, Ranjani Mazumdar, Frank Mort, Martin Murray, Jordan Sand, and Sarah Schrank.
Urban Theory
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Today's urban riverfronts are changing. The decline of river commerce and riverside industry has made riverfront land once used for warehouses, factories, and loading docks available for open space, parks, housing, and nonindustrial uses. Urban rivers, which once functioned as open sewers for cities, are now seen as part of larger watershed ecosystems. Rivertown examines(...)
Rivertown : Rethinking urban rivers
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Today's urban riverfronts are changing. The decline of river commerce and riverside industry has made riverfront land once used for warehouses, factories, and loading docks available for open space, parks, housing, and nonindustrial uses. Urban rivers, which once functioned as open sewers for cities, are now seen as part of larger watershed ecosystems. Rivertown examines urban river restoration efforts across the United States, presenting case studies from Los Angeles; Washington, D.C.; Portland, Oregon; Chicago; Salt Lake City; and San Jose. It also analyzes the roles of the federal government (in particular, the U.S. Army Corps of Engineers) and citizen activism in urban river politics. A postscript places New Orleans's experience with Hurricane Katrina in the broader context of the national riverside land-use debate. Each case study in Rivertown considers the critical questions of who makes decisions about our urban rivers, who pays to implement these decisions, and who ultimately benefits or suffers from these decisions. In Los Angeles, for example, local nonprofit and academic research groups played crucial roles, whereas Chicago relied on a series of engineering interventions. In each case, authors evaluate the ecological issues and consider urban river restoration projects in relation to other urban economic and environmental initiatives in the region. Rivertown is a valuable resource for urban planners and citizen groups as well as for scholars.
Landscape Theory
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Sally Stein reconsiders Dorothea Lange’s iconic portrait of maternity and modern emblem of family values in light of Lange’s long-overlooked ‘Padonna’ pictures and proposes that ‘Migrant Mother’ should in fact be seen as a disruptive image of women’s conflictual relation to home, and the world. Stein is an American academic and cultural theorist living in Los Angeles. The(...)
Dorothea Lange: Migrant mother, Migrant gender
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Sally Stein reconsiders Dorothea Lange’s iconic portrait of maternity and modern emblem of family values in light of Lange’s long-overlooked ‘Padonna’ pictures and proposes that ‘Migrant Mother’ should in fact be seen as a disruptive image of women’s conflictual relation to home, and the world. Stein is an American academic and cultural theorist living in Los Angeles. The interrelated topics she most often engages concern the multiple effects of documentary imagery, the politics of gender, and the status and meaning of black and white and color imagery on our perceptions, beliefs, even actions as consumers and citizens. Dr. Stein, Professor Emerita, UC Irvine, is an independent scholar based in Los Angeles who continues to research and write about 20thcentury photography in the U.S. and its relation to broader questions of culture and society. She has written about New Deal FSA photographers—particularly Dorothea Lange, Marion Post Wolcott, Jack Delano—as well as the contested image of FDR. Her numerous essays about popular mass media – Ladies Home Journal, Life and Look – extend her ongoing study of the various aspects of the rise of color photography. The interrelated topics she most often engages concern the multiple effects of documentary imagery, the politics of gender, and the status and meaning of black and white and color imagery on our perceptions, beliefs, even actions as consumers and citizens.
Theory of Photography
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"The photograph of a single building has some similarity to an individual portrait," says Thomas Struth, who has been photographing architecture for nearly four decades, and accordingly, he likens the image of a place or a street to a group portrait. Unconscious Places presents Thomas Struth’s photographs of streets in all parts of the world: narrow lanes in Edinburgh and(...)
Thomas Struth: Unconscious places
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"The photograph of a single building has some similarity to an individual portrait," says Thomas Struth, who has been photographing architecture for nearly four decades, and accordingly, he likens the image of a place or a street to a group portrait. Unconscious Places presents Thomas Struth’s photographs of streets in all parts of the world: narrow lanes in Edinburgh and Naples, satellite towns in Pyongyang, thoroughfares in Lima and Los Angeles, grand boulevards in St. Petersburg, New York, and Beijing. Frequently devoid of people, Struth’s urban landscapes are also a critical depiction of different human habitats.
Photography monographs
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Standing on the property line between two apartment buildings with adjacent driveways, American photographer Thomas Locke Hobbs was reminded of a Renaissance painting, ''The Ideal City of Urbino'', where the illusion of space is achieved when receding lines that establish spatial relationships converge at a central vanishing point. It inspired his book ‘L.A. Vedute’, a(...)
Thomas Locke Hobbs: L.A Vedute
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Standing on the property line between two apartment buildings with adjacent driveways, American photographer Thomas Locke Hobbs was reminded of a Renaissance painting, ''The Ideal City of Urbino'', where the illusion of space is achieved when receding lines that establish spatial relationships converge at a central vanishing point. It inspired his book ‘L.A. Vedute’, a documentary study of domestic architecture in Los Angeles. The work presents the way shared spaces recede to a common vanishing point, largely unpopulated and deserted, akin to movie sets where the actors have disappeared. Through metaphors of alienation, Hobbs exposes a city in conflict and coexistence.
Photography monographs
Grey Crawford: Finding bones
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Finding Bones introduces a newly rediscovered body of work by Grey Crawford. It's an anthology of photographs that embody the creative spirit that was prevalent throughout the Los Angeles art scene at the time. Southern California in the early 1970s was an island of its own creation: a mixture of surf, sea, and concrete highways winding around an ever-changing cultural(...)
Grey Crawford: Finding bones
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Finding Bones introduces a newly rediscovered body of work by Grey Crawford. It's an anthology of photographs that embody the creative spirit that was prevalent throughout the Los Angeles art scene at the time. Southern California in the early 1970s was an island of its own creation: a mixture of surf, sea, and concrete highways winding around an ever-changing cultural climate, it challenged assumptions of the definition of art. Crawford chooses his backgrounds with a sense of austerity as a means for introducing these hard-edged shapes and using them as the building blocks for his own language.
Photography monographs
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The contributors investigate the discriminatory implementation of rules, with gentrified hipsters often receiving preferential treatment over traditional immigrants; food trucks as part of community economic development; and food trucks’ role in cultural identity formation. They describe, among other things, mobile food vending in Portland, Oregon, where relaxed(...)
Food trucks, cultural identity and social justice
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The contributors investigate the discriminatory implementation of rules, with gentrified hipsters often receiving preferential treatment over traditional immigrants; food trucks as part of community economic development; and food trucks’ role in cultural identity formation. They describe, among other things, mobile food vending in Portland, Oregon, where relaxed permitting encourages street food; the criminalization of food trucks by Los Angeles and New York City health codes; food as cultural currency in Montreal; social and spatial bifurcation of food trucks in Chicago and Durham, North Carolina; and food trucks as a part of Vancouver, Canada’s, self-branding as the “Greenest City.”
Food
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Sam Thorne’s School: A Recent History of Self-Organized Art Education is a chronicle of self-organized art schools and artist-run education platforms that have emerged since 2000. Comprising a series of twenty conversations conducted by Thorne with the artists, curators, and educators behind these schools, the book maps a territory at once fertile and contested. Spanning(...)
School: a recent history of self-organized art education
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Sam Thorne’s School: A Recent History of Self-Organized Art Education is a chronicle of self-organized art schools and artist-run education platforms that have emerged since 2000. Comprising a series of twenty conversations conducted by Thorne with the artists, curators, and educators behind these schools, the book maps a territory at once fertile and contested. Spanning projects in London, Lagos, Los Angeles, Mexico City, Ramallah, Berlin, and Saint Petersburg, among other locations, these critical dialogues respond to spiraling student debt, the MFA system, and the “pedagogical turn,” while offering proposals for the future of art education.
Art Theory
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Depuis 1994, l'Ecole National Supérieure d'Architecture de Marseille invite des architectes à présenter leurs projets au [mac] de Marseille avec l'espoir de mixer les deux publics de l'art et de l'architecture. Cependant, c'est une conférence de Thom Mayne, donnée le mardi 13 mars 2007 dans l'amphithéâtre de l'Ecole, qui fait l'objet d'une première publication : Thom(...)
Morphosis
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Depuis 1994, l'Ecole National Supérieure d'Architecture de Marseille invite des architectes à présenter leurs projets au [mac] de Marseille avec l'espoir de mixer les deux publics de l'art et de l'architecture. Cependant, c'est une conférence de Thom Mayne, donnée le mardi 13 mars 2007 dans l'amphithéâtre de l'Ecole, qui fait l'objet d'une première publication : Thom Mayne a accepté de faire une escale de trois jours ) Marseille entre Los Angeles et le MIPIM de Cannes. Cette présentation de trois heures de l'œuvre de MORPHOSIS nous a inspiré la volonté de garder une trace écrite pour partager ce moment de plaisir avec des lecteurs curieux.
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The outcome of three lectures held at SCI-Arc in Los Angeles in March 2012 – given by Peter Eisenman, Jeffery Kipnis, and Thom Mayne – this book introduces the interrelation of these events in the form of an abstract symposium about the current state of the discipline, and about its role at the school. It combines with the real symposium on the thesis content that took(...)
Tomorrow & Tomorrow & Tomorrow. Peter Eisenman, Jeffrey Kipnis, Thom Maybe
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The outcome of three lectures held at SCI-Arc in Los Angeles in March 2012 – given by Peter Eisenman, Jeffery Kipnis, and Thom Mayne – this book introduces the interrelation of these events in the form of an abstract symposium about the current state of the discipline, and about its role at the school. It combines with the real symposium on the thesis content that took place, which ultimately became a running commentary on contemporary architecture. The intersection of intros, debates, lectures, and audience queries framed each proposition as a provisional hypothesis immediately subject to challenge and reformulation. With contributions by Eric Owen Moss.
Architectural Theory