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The iconic architecture of the brutalist modernist megastructure of Simon Fraser University in Vancouver, Canada built by architect Arthur Erickson in the 1960s is the site of the artistic research project into the history of this "radical campus" and its built environment by Vancouver and Vienna based artists Sabine Bitter and Helmut Weber. The collaborative research(...)
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The iconic architecture of the brutalist modernist megastructure of Simon Fraser University in Vancouver, Canada built by architect Arthur Erickson in the 1960s is the site of the artistic research project into the history of this "radical campus" and its built environment by Vancouver and Vienna based artists Sabine Bitter and Helmut Weber. The collaborative research(...)
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Unsettling educational modernism: Simon Fraser University
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The iconic architecture of the brutalist modernist megastructure of Simon Fraser University in Vancouver, Canada built by architect Arthur Erickson in the 1960s is the site of the artistic research project into the history of this "radical campus" and its built environment by Vancouver and Vienna based artists Sabine Bitter and Helmut Weber. The collaborative research group, "Guests and Hosts", formed by Bitter & Weber and Métis scholar June Scudeler including Métis scholar and student Treena Chambers, Kanien’kehá:ka Mohawk student Toni-Leah Yake, as well as Rachel Warwick and Hannah Campbell, has challenged the narrative of the radical campus, so called because it was informed by experimental concepts of learning and teaching. Using the spaces of a settler colonial institution, the project shifts perspectives by unsettling and challenging western- based concepts of pedagogy and knowledge. Combining archival photographic material, architectural photographs by the artists, and interventions into the institutional spaces by Guests and Hosts, the project performs the claim for places rather than spaces for Indigenous ways of knowing and learning.
Unsettling educational modernism: Simon Fraser University
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Summary:
The iconic architecture of the brutalist modernist megastructure of Simon Fraser University in Vancouver, Canada built by architect Arthur Erickson in the 1960s is the site of the artistic research project into the history of this "radical campus" and its built environment by Vancouver and Vienna based artists Sabine Bitter and Helmut Weber. The collaborative research group, "Guests and Hosts", formed by Bitter & Weber and Métis scholar June Scudeler including Métis scholar and student Treena Chambers, Kanien’kehá:ka Mohawk student Toni-Leah Yake, as well as Rachel Warwick and Hannah Campbell, has challenged the narrative of the radical campus, so called because it was informed by experimental concepts of learning and teaching. Using the spaces of a settler colonial institution, the project shifts perspectives by unsettling and challenging western- based concepts of pedagogy and knowledge. Combining archival photographic material, architectural photographs by the artists, and interventions into the institutional spaces by Guests and Hosts, the project performs the claim for places rather than spaces for Indigenous ways of knowing and learning.
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books
books
Publication:
October 2021
October 2021
Subject:
Canadian Architects
Canadian Architects
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books
books
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$99.95
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This monograph is the first to document all of the built work by Morphosis, a Los Angeles-based practice headed by Thom Mayne and one of the most influential architecture firms of the past twenty years. Morphosis's unconventional geometries, sculptural models and complex, computer-generated drawings helped to usher in a new era of architectural experimentation in the(...)
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This monograph is the first to document all of the built work by Morphosis, a Los Angeles-based practice headed by Thom Mayne and one of the most influential architecture firms of the past twenty years. Morphosis's unconventional geometries, sculptural models and complex, computer-generated drawings helped to usher in a new era of architectural experimentation in the(...)
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Morphosis
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This monograph is the first to document all of the built work by Morphosis, a Los Angeles-based practice headed by Thom Mayne and one of the most influential architecture firms of the past twenty years. Morphosis's unconventional geometries, sculptural models and complex, computer-generated drawings helped to usher in a new era of architectural experimentation in the early 1980's. This book is comprised of bold, documentary-style colour photographs of thirty-five completed buildings presented in an almost cinematic layout, and publishes for the first time together all of Morphosis's completed work, from the early residential and restaurant projects in Los Angeles to the most recent large-scale work beyond California and the United States in Canada, Taiwan, Korea, Japan and Austria. Thom Mayne founded Morphosis in 1972 in partnership with Michael Rotondi, who now has his own firm. Over the past twenty years, Mayne's academic posts have included teaching positions at Columbia University, Harvard University, Yale University, the Berlage Institute in the Netherlands and the Bartlett School of Architecture in London.
Morphosis
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This monograph is the first to document all of the built work by Morphosis, a Los Angeles-based practice headed by Thom Mayne and one of the most influential architecture firms of the past twenty years. Morphosis's unconventional geometries, sculptural models and complex, computer-generated drawings helped to usher in a new era of architectural experimentation in the early 1980's. This book is comprised of bold, documentary-style colour photographs of thirty-five completed buildings presented in an almost cinematic layout, and publishes for the first time together all of Morphosis's completed work, from the early residential and restaurant projects in Los Angeles to the most recent large-scale work beyond California and the United States in Canada, Taiwan, Korea, Japan and Austria. Thom Mayne founded Morphosis in 1972 in partnership with Michael Rotondi, who now has his own firm. Over the past twenty years, Mayne's academic posts have included teaching positions at Columbia University, Harvard University, Yale University, the Berlage Institute in the Netherlands and the Bartlett School of Architecture in London.
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books
books
Publication:
April 2003, London
April 2003, London
Subject:
Architecture Monographs
Architecture Monographs
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books
books
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$37.95
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In ''Black, Brown + Latinx design educators,'' Kelly Walters collects twelve deeply personal interviews with graphic design educators of colour who teach at colleges and universities across the United States and Canada. The book centers the unique narratives of Black, Brown, and Latinx design educators, from their childhood experiences to their navigation of undergraduate(...)
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In ''Black, Brown + Latinx design educators,'' Kelly Walters collects twelve deeply personal interviews with graphic design educators of colour who teach at colleges and universities across the United States and Canada. The book centers the unique narratives of Black, Brown, and Latinx design educators, from their childhood experiences to their navigation of undergraduate(...)
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Black, Brown + Latinx design educators
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$37.95
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In ''Black, Brown + Latinx design educators,'' Kelly Walters collects twelve deeply personal interviews with graphic design educators of colour who teach at colleges and universities across the United States and Canada. The book centers the unique narratives of Black, Brown, and Latinx design educators, from their childhood experiences to their navigation of undergraduate and graduate studies and their career paths in academia and practice. The interviewees represent a cross-section of ethnic and multiracial backgrounds—African American, Jamaican, Indian, Pakistani, Puerto Rican, Dominican, Mexican, and Brazilian. Their impactful stories offer invaluable perspectives for students and emerging designers of colour, creating an entry point to address the complexities of race in design and bring to light the challenges of teaching graphic design at different types of public and private institutions. Interwoven throughout the book are images that maintain cultural significance, from family heirlooms to design works that highlight aspects of their cultural identities. Readers will gain insight into the multitude of experiences of Black, Brown, and Latinx design educators who teach and work in the field today.
Black, Brown + Latinx design educators
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$37.95
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Summary:
In ''Black, Brown + Latinx design educators,'' Kelly Walters collects twelve deeply personal interviews with graphic design educators of colour who teach at colleges and universities across the United States and Canada. The book centers the unique narratives of Black, Brown, and Latinx design educators, from their childhood experiences to their navigation of undergraduate and graduate studies and their career paths in academia and practice. The interviewees represent a cross-section of ethnic and multiracial backgrounds—African American, Jamaican, Indian, Pakistani, Puerto Rican, Dominican, Mexican, and Brazilian. Their impactful stories offer invaluable perspectives for students and emerging designers of colour, creating an entry point to address the complexities of race in design and bring to light the challenges of teaching graphic design at different types of public and private institutions. Interwoven throughout the book are images that maintain cultural significance, from family heirlooms to design works that highlight aspects of their cultural identities. Readers will gain insight into the multitude of experiences of Black, Brown, and Latinx design educators who teach and work in the field today.
Form:
books
books
Publication:
March 2021
March 2021
Subject:
Graphic Design and Typography
Graphic Design and Typography
Form:
books
books
Title:
Karl Blossfeldt: Masterworks
Karl Blossfeldt: Masterworks
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$70.00
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Karl Blossfeldt was a pioneer of botanical photography, though his interest in the plant world was initially educational. Fascinated by the structure of plants, whose seemingly artistic forms resulted from biological necessity, he realized that photography could be a useful teaching tool, allowing his students to see and compare natural forms. Working with a homemade(...)
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Karl Blossfeldt was a pioneer of botanical photography, though his interest in the plant world was initially educational. Fascinated by the structure of plants, whose seemingly artistic forms resulted from biological necessity, he realized that photography could be a useful teaching tool, allowing his students to see and compare natural forms. Working with a homemade(...)
Title:
Karl Blossfeldt: Masterworks
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$70.00
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Karl Blossfeldt was a pioneer of botanical photography, though his interest in the plant world was initially educational. Fascinated by the structure of plants, whose seemingly artistic forms resulted from biological necessity, he realized that photography could be a useful teaching tool, allowing his students to see and compare natural forms. Working with a homemade camera, Blossfeldt gathered and photographed his own plant samples, magnifying them by up to 45 times. From around 1898 onward, he shot some 6,000 images, which he used primarily as visual aids in his classes. Eventually published as Art Forms in Nature (1928) and Art Forms in Nature, Second Series (1932), Blossfeldt’s photographs had a lasting impact on the art of his day and were enthusiastically embraced by both the Surrealist and New Objectivity movements. His books brought him overnight fame and are still considered landmarks in the history of art and photography. Karl Blossfeldt: Masterworks presents a remarkable collection of Blossfeldt’s strikingly austere yet poetic portraits of plants, which capture their timeless beauty in intimate detail.
Karl Blossfeldt: Masterworks
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$70.00
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Summary:
Karl Blossfeldt was a pioneer of botanical photography, though his interest in the plant world was initially educational. Fascinated by the structure of plants, whose seemingly artistic forms resulted from biological necessity, he realized that photography could be a useful teaching tool, allowing his students to see and compare natural forms. Working with a homemade camera, Blossfeldt gathered and photographed his own plant samples, magnifying them by up to 45 times. From around 1898 onward, he shot some 6,000 images, which he used primarily as visual aids in his classes. Eventually published as Art Forms in Nature (1928) and Art Forms in Nature, Second Series (1932), Blossfeldt’s photographs had a lasting impact on the art of his day and were enthusiastically embraced by both the Surrealist and New Objectivity movements. His books brought him overnight fame and are still considered landmarks in the history of art and photography. Karl Blossfeldt: Masterworks presents a remarkable collection of Blossfeldt’s strikingly austere yet poetic portraits of plants, which capture their timeless beauty in intimate detail.
Form:
books
books
Publication:
March 2017
March 2017
Subject:
Photography monographs
Photography monographs
Form:
books
books
Title:
Showcasing the Great Experiment: Cultural Diplomacy and Western Visitors to the Soviet Union, 1921-1
Showcasing the Great Experiment: Cultural Diplomacy and Western Visitors to the Soviet Union, 1921-1
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During the 1920s and 1930s, thousands of European and American writers, professionals, scientists, artists, and intellectuals made a pilgrimage to experience the "Soviet experiment" for themselves. ''Showcasing the Great Experiment'' explores the reception of these intellectuals and fellow-travelers and their cross-cultural and trans-ideological encounters in order to(...)
$37.50
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Summary:
During the 1920s and 1930s, thousands of European and American writers, professionals, scientists, artists, and intellectuals made a pilgrimage to experience the "Soviet experiment" for themselves. ''Showcasing the Great Experiment'' explores the reception of these intellectuals and fellow-travelers and their cross-cultural and trans-ideological encounters in order to(...)
Title:
Showcasing the Great Experiment: Cultural Diplomacy and Western Visitors to the Soviet Union, 1921-1
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$37.50
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Summary:
During the 1920s and 1930s, thousands of European and American writers, professionals, scientists, artists, and intellectuals made a pilgrimage to experience the "Soviet experiment" for themselves. ''Showcasing the Great Experiment'' explores the reception of these intellectuals and fellow-travelers and their cross-cultural and trans-ideological encounters in order to analyze Soviet attitudes towards the West. While many visitors were profoundly affected by their Soviet tours, so too was the Soviet system. The early experiences of building showcases and teaching outsiders to perceive the future-in-the-making constitute a neglected international part of the emergence of Stalinism at home. Michael David-Fox contends that each side critically examined the other, negotiating feelings of inferiority and superiority, admiration and enmity, emulation and rejection. By the time of the Great Purges, these tensions gave way to the dramatic triumph of xenophobia and isolationism; whereas in the twenties the new regime assumed it had much to learn from Western modernity, by the Stalinist thirties the Soviet order was declared superior in all respects.
Showcasing the Great Experiment: Cultural Diplomacy and Western Visitors to the Soviet Union, 1921-1
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$37.50
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Summary:
During the 1920s and 1930s, thousands of European and American writers, professionals, scientists, artists, and intellectuals made a pilgrimage to experience the "Soviet experiment" for themselves. ''Showcasing the Great Experiment'' explores the reception of these intellectuals and fellow-travelers and their cross-cultural and trans-ideological encounters in order to analyze Soviet attitudes towards the West. While many visitors were profoundly affected by their Soviet tours, so too was the Soviet system. The early experiences of building showcases and teaching outsiders to perceive the future-in-the-making constitute a neglected international part of the emergence of Stalinism at home. Michael David-Fox contends that each side critically examined the other, negotiating feelings of inferiority and superiority, admiration and enmity, emulation and rejection. By the time of the Great Purges, these tensions gave way to the dramatic triumph of xenophobia and isolationism; whereas in the twenties the new regime assumed it had much to learn from Western modernity, by the Stalinist thirties the Soviet order was declared superior in all respects.
Form:
books
books
Publication:
February 2014
February 2014
Subject:
Current Exhibitions
Current Exhibitions
Form:
books
books
Price:
$26.99
(available to order)
Summary:
Excluded from traditional design history and educational canons that heavily favor European modernist influences, the work and experiences of Black designers have been systematically overlooked in the profession for decades. However, given the national focus on diversity, equity, and inclusion in the aftermath of the nationwide Black Lives Matter protests in the United(...)
$26.99
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Summary:
Excluded from traditional design history and educational canons that heavily favor European modernist influences, the work and experiences of Black designers have been systematically overlooked in the profession for decades. However, given the national focus on diversity, equity, and inclusion in the aftermath of the nationwide Black Lives Matter protests in the United(...)
Subject:
Design Theory
Design Theory
Publication:
February 2022
February 2022
Title:
The black experience in design: identity, expression & reflection
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$26.99
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Summary:
Excluded from traditional design history and educational canons that heavily favor European modernist influences, the work and experiences of Black designers have been systematically overlooked in the profession for decades. However, given the national focus on diversity, equity, and inclusion in the aftermath of the nationwide Black Lives Matter protests in the United States, educators, practitioners, and students now have the opportunity to make long-term, systemic changes in design education, research, and practice, reclaiming the contributions of Black designers in the process. This anthology centers on a range of perspectives, spotlights teaching practices, research, stories, and conversations from a Black/African diasporic lens. Through the voices represented, this text exemplifies the inherently collaborative and multidisciplinary nature of design, providing access to ideas and topics for a variety of audiences, meeting people as they are and wherever they are in their knowledge about design. Ultimately, this book serves as both inspiration and a catalyst for the next generation of creative minds tasked with imagining, shaping, and designing our future.
The black experience in design: identity, expression & reflection
Actions:
Price:
$26.99
(available to order)
Summary:
Excluded from traditional design history and educational canons that heavily favor European modernist influences, the work and experiences of Black designers have been systematically overlooked in the profession for decades. However, given the national focus on diversity, equity, and inclusion in the aftermath of the nationwide Black Lives Matter protests in the United States, educators, practitioners, and students now have the opportunity to make long-term, systemic changes in design education, research, and practice, reclaiming the contributions of Black designers in the process. This anthology centers on a range of perspectives, spotlights teaching practices, research, stories, and conversations from a Black/African diasporic lens. Through the voices represented, this text exemplifies the inherently collaborative and multidisciplinary nature of design, providing access to ideas and topics for a variety of audiences, meeting people as they are and wherever they are in their knowledge about design. Ultimately, this book serves as both inspiration and a catalyst for the next generation of creative minds tasked with imagining, shaping, and designing our future.
Form:
books
books
Publication:
February 2022
February 2022
Subject:
Design Theory
Design Theory
Form:
books
books
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$33.95
(available in store)
Summary:
''Making space'' is a pioneering work first published in 1984 which challenges us to look at how the built environment impacts on women’s lives. It exposes the sexist assumptions on gender and sexuality that have a fundamental impact on the way buildings are designed and our cities are planned. Written collaboratively by the feminist collective Matrix, the book(...)
$33.95
(available in store)
Summary:
''Making space'' is a pioneering work first published in 1984 which challenges us to look at how the built environment impacts on women’s lives. It exposes the sexist assumptions on gender and sexuality that have a fundamental impact on the way buildings are designed and our cities are planned. Written collaboratively by the feminist collective Matrix, the book(...)
Title:
Making space: Women and the manmade environment
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$33.95
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Summary:
''Making space'' is a pioneering work first published in 1984 which challenges us to look at how the built environment impacts on women’s lives. It exposes the sexist assumptions on gender and sexuality that have a fundamental impact on the way buildings are designed and our cities are planned. Written collaboratively by the feminist collective Matrix, the book provide a full blown critique of the patriarchal built environment both in the home and in public space, and outline alternative forms of practice that are still relevant today. ''Making space'' remains a path breaking book pointing to possibilities of a feminist future. Some authors worked for the London-based Matrix Feminist Architect’s collective, an architectural practice set up in 1980 seeking to establish a feminist approach to design. They worked on design projects—such as community, children and women’s centres. Others were engaged in building work, teaching and research. The new edition comes with a new introduction examining the context, process and legacy of ''Making space'' written by leading feminists in architecture.
Making space: Women and the manmade environment
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$33.95
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Summary:
''Making space'' is a pioneering work first published in 1984 which challenges us to look at how the built environment impacts on women’s lives. It exposes the sexist assumptions on gender and sexuality that have a fundamental impact on the way buildings are designed and our cities are planned. Written collaboratively by the feminist collective Matrix, the book provide a full blown critique of the patriarchal built environment both in the home and in public space, and outline alternative forms of practice that are still relevant today. ''Making space'' remains a path breaking book pointing to possibilities of a feminist future. Some authors worked for the London-based Matrix Feminist Architect’s collective, an architectural practice set up in 1980 seeking to establish a feminist approach to design. They worked on design projects—such as community, children and women’s centres. Others were engaged in building work, teaching and research. The new edition comes with a new introduction examining the context, process and legacy of ''Making space'' written by leading feminists in architecture.
Form:
books
books
Publication:
March 2022
March 2022
Subject:
Gender Theory in Architecture
Gender Theory in Architecture
Form:
books
books
Title:
Pressing Matters 10
Pressing Matters 10
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$54.00
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Summary:
Already number TEN, ''Pressing Matters X'' is a special issue reflecting a year of reflection and change, after several waves of the pandemic, Black Lives Matter protests and newly developed hybrid teaching methods. It follows last year’s ''Pressing Matters 9'' that was completely rethought with the aim to present an Open Source publication that shares the Department of(...)
$54.00
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Summary:
Already number TEN, ''Pressing Matters X'' is a special issue reflecting a year of reflection and change, after several waves of the pandemic, Black Lives Matter protests and newly developed hybrid teaching methods. It follows last year’s ''Pressing Matters 9'' that was completely rethought with the aim to present an Open Source publication that shares the Department of(...)
Publication:
June 2022
June 2022
Title:
Pressing Matters 10
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$54.00
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Summary:
Already number TEN, ''Pressing Matters X'' is a special issue reflecting a year of reflection and change, after several waves of the pandemic, Black Lives Matter protests and newly developed hybrid teaching methods. It follows last year’s ''Pressing Matters 9'' that was completely rethought with the aim to present an Open Source publication that shares the Department of Architecture’s concept of design-research, an integral approach of critical thinking, rigorous research, and design, representing a deep understanding of the complex layers of architecture. Together with Jonathan Jackson & team of WSDIA, a more integral design was developed, allowing input from research [ARI labs], students, faculty and Penn’s special events. This anniversary of ''Pressing Matters'' is celebrated by adding the ''decade'' color of silver to the usual recycled cardboard cover of Weitzman’s architecture publication. It also represents a year of new opportunities brought by a complete rethinking of education through the introduction of remote learning, zoom lectures and meetings. A much larger international group of diverse jurors, experts, and critics could be invited as travel was of no hindrance for attendance.
Pressing Matters 10
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$54.00
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Summary:
Already number TEN, ''Pressing Matters X'' is a special issue reflecting a year of reflection and change, after several waves of the pandemic, Black Lives Matter protests and newly developed hybrid teaching methods. It follows last year’s ''Pressing Matters 9'' that was completely rethought with the aim to present an Open Source publication that shares the Department of Architecture’s concept of design-research, an integral approach of critical thinking, rigorous research, and design, representing a deep understanding of the complex layers of architecture. Together with Jonathan Jackson & team of WSDIA, a more integral design was developed, allowing input from research [ARI labs], students, faculty and Penn’s special events. This anniversary of ''Pressing Matters'' is celebrated by adding the ''decade'' color of silver to the usual recycled cardboard cover of Weitzman’s architecture publication. It also represents a year of new opportunities brought by a complete rethinking of education through the introduction of remote learning, zoom lectures and meetings. A much larger international group of diverse jurors, experts, and critics could be invited as travel was of no hindrance for attendance.
Form:
books
books
Publication:
June 2022
June 2022
Form:
books
books
Title:
Machine art, 1934
Machine art, 1934
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$49.95
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Summary:
In 1934, New York’s Museum of Modern Art staged a major exhibition of ball bearings, airplane propellers, pots and pans, cocktail tumblers, petri dishes, protractors, and other machine parts and products. The exhibition, titled Machine Art, explored these ordinary objects as works of modern art, teaching museumgoers about the nature of beauty and value in the era of mass(...)
$49.95
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Summary:
In 1934, New York’s Museum of Modern Art staged a major exhibition of ball bearings, airplane propellers, pots and pans, cocktail tumblers, petri dishes, protractors, and other machine parts and products. The exhibition, titled Machine Art, explored these ordinary objects as works of modern art, teaching museumgoers about the nature of beauty and value in the era of mass(...)
Title:
Machine art, 1934
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$49.95
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Summary:
In 1934, New York’s Museum of Modern Art staged a major exhibition of ball bearings, airplane propellers, pots and pans, cocktail tumblers, petri dishes, protractors, and other machine parts and products. The exhibition, titled Machine Art, explored these ordinary objects as works of modern art, teaching museumgoers about the nature of beauty and value in the era of mass production. Telling the story of this popular but controversial show, Jennifer Jane Marshall examines its history and the relationship between the museum’s director, Alfred H. Barr Jr., and its curator, Philip Johnson, who oversaw it. She situates the show within the tumultuous climate of the interwar period and the Great Depression, considering how these unadorned objects served as a response to timely debates over photography, abstract art, the end of the American gold standard, and John Dewey’s insight that how a person experiences things depends on the context in which they are encountered. An engaging investigation of interwar American modernism, Machine Art, 1934 reveals how even simple things can serve as a defense against uncertainty.
Machine art, 1934
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$49.95
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Summary:
In 1934, New York’s Museum of Modern Art staged a major exhibition of ball bearings, airplane propellers, pots and pans, cocktail tumblers, petri dishes, protractors, and other machine parts and products. The exhibition, titled Machine Art, explored these ordinary objects as works of modern art, teaching museumgoers about the nature of beauty and value in the era of mass production. Telling the story of this popular but controversial show, Jennifer Jane Marshall examines its history and the relationship between the museum’s director, Alfred H. Barr Jr., and its curator, Philip Johnson, who oversaw it. She situates the show within the tumultuous climate of the interwar period and the Great Depression, considering how these unadorned objects served as a response to timely debates over photography, abstract art, the end of the American gold standard, and John Dewey’s insight that how a person experiences things depends on the context in which they are encountered. An engaging investigation of interwar American modernism, Machine Art, 1934 reveals how even simple things can serve as a defense against uncertainty.
Form:
books
books
Publication:
April 2012
April 2012
Subject:
Museums and Universal Exhibitions
Museums and Universal Exhibitions
Form:
books
books
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$24.95
(available in store)
Summary:
Listening is a skill—even an art—and it’s essential to learning and to life. Indeed, as Plutarch writes in ''How to Listen'' : “listening well is the foundation for living well.” In this volume, Jeffrey Beneker presents a vivid and accessible new translation of Plutarch’s classic essay about how to become a skilled listener, complete with an inviting introduction and the(...)
$24.95
(available in store)
Summary:
Listening is a skill—even an art—and it’s essential to learning and to life. Indeed, as Plutarch writes in ''How to Listen'' : “listening well is the foundation for living well.” In this volume, Jeffrey Beneker presents a vivid and accessible new translation of Plutarch’s classic essay about how to become a skilled listener, complete with an inviting introduction and the(...)
Title:
How to listen: An ancient guide to learning from others
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$24.95
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Summary:
Listening is a skill—even an art—and it’s essential to learning and to life. Indeed, as Plutarch writes in ''How to Listen'' : “listening well is the foundation for living well.” In this volume, Jeffrey Beneker presents a vivid and accessible new translation of Plutarch’s classic essay about how to become a skilled listener, complete with an inviting introduction and the original Greek on facing pages. Plutarch is most famous as the author of ''Parallel Lives'', a series of biographies of Greek and Roman statesmen. But he was also an expert on teaching and learning and How to Listen is arguably one of his best pedagogical works. A proponent of active listening well before its time, Plutarch explains the skills we need—and the obstacles and distractions we must overcome—to become effective listeners. Good listening requires, above all, an acknowledgement of our own ignorance in certain subjects and a commitment to gaining knowledge. We must set aside pride and envy so we can respect the expertise of others. We must also train ourselves to see through style and focus on substance, to discriminate between weak and strong arguments, and to criticize ideas fairly and accurately.
How to listen: An ancient guide to learning from others
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Price:
$24.95
(available in store)
Summary:
Listening is a skill—even an art—and it’s essential to learning and to life. Indeed, as Plutarch writes in ''How to Listen'' : “listening well is the foundation for living well.” In this volume, Jeffrey Beneker presents a vivid and accessible new translation of Plutarch’s classic essay about how to become a skilled listener, complete with an inviting introduction and the original Greek on facing pages. Plutarch is most famous as the author of ''Parallel Lives'', a series of biographies of Greek and Roman statesmen. But he was also an expert on teaching and learning and How to Listen is arguably one of his best pedagogical works. A proponent of active listening well before its time, Plutarch explains the skills we need—and the obstacles and distractions we must overcome—to become effective listeners. Good listening requires, above all, an acknowledgement of our own ignorance in certain subjects and a commitment to gaining knowledge. We must set aside pride and envy so we can respect the expertise of others. We must also train ourselves to see through style and focus on substance, to discriminate between weak and strong arguments, and to criticize ideas fairly and accurately.
Form:
books
books
Publication:
March 2026
March 2026
Subject:
Critical Theory
Critical Theory
