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The Eberswalde Library has been compared to a Warhol painting. Designed in collaboration with artist Thomas Ruff, it carries the idea of a pictorial façade further than any other Herzog & de Meuron project. The building is a simple cube(...)
Architecture Monographs
January 1900, London
Herzog & de Meuron : Eberswalde Library
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The Eberswalde Library has been compared to a Warhol painting. Designed in collaboration with artist Thomas Ruff, it carries the idea of a pictorial façade further than any other Herzog & de Meuron project. The building is a simple cube sheathed in glazing and cast-concrete panels, arranged in horizontal bands. Each band shows a single image, repeated sixty-six times, like a static film strip. The images are drawn from Ruff’s own archive of newspaper photographs, and encompass the decorative, the symbolic, and the politically charged. Combining elements which have long been deemed incompatible – minimalism and ornament, purity and baroque fullness, concrete box and pictorial façade, space and surface – Herzog & de Meuron’s new library challenges the conventions of modernism.
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January 1900, London
Architecture Monographs
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xi, 259 pages : color illustrations ; 21 x 26 cm
Minneapolis : University of Minnesota Press, [2013], ©2013
New architecture on Indigenous lands / Joy Monice Malnar and Frank Vodvarka.
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xi, 259 pages : color illustrations ; 21 x 26 cm
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Minneapolis : University of Minnesota Press, [2013], ©2013
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Descanso Gardens is one of Los Angeles's oldest botanical gardens. Initially a Spanish rancho and later the estate of publisher and horticulturist E. Manchester Boddy, the 160-acre lot was granted to the people of Los Angeles and includes one of the world's finest collections of camellias and oaks. Warren Marr is part of a long tradition of photographers who have(...)
Descanso : an urban oasis revealed
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Descanso Gardens is one of Los Angeles's oldest botanical gardens. Initially a Spanish rancho and later the estate of publisher and horticulturist E. Manchester Boddy, the 160-acre lot was granted to the people of Los Angeles and includes one of the world's finest collections of camellias and oaks. Warren Marr is part of a long tradition of photographers who have responded creatively to the garden and its timeless appeal. His photographic explorations of what he refers to as a "natural light box" have been called "lyrical and luminous" by Getty Museum curator Anne Lyden. Marr's lush panoramic images combined with essays on the significance of the garden plants and history make Descanso an elegant volume for photography and garden lovers.
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April 2007, Los Angeles
Food
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Descanso Gardens is one of Los Angeles's oldest botanical gardens. Initially a Spanish rancho and later the estate of publisher and horticulturist E. Manchester Boddy, the 160-acre lot was granted to the people of Los Angeles and includes one of the world's finest collections of camellias and oaks. Warren Marr is part of a long tradition of photographers who have(...)
Descanso : an urban oasis revealed
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$55.95
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Descanso Gardens is one of Los Angeles's oldest botanical gardens. Initially a Spanish rancho and later the estate of publisher and horticulturist E. Manchester Boddy, the 160-acre lot was granted to the people of Los Angeles and includes one of the world's finest collections of camellias and oaks. Warren Marr is part of a long tradition of photographers who have responded creatively to the garden and its timeless appeal. His photographic explorations of what he refers to as a "natural light box" have been called "lyrical and luminous" by Getty Museum curator Anne Lyden. Marr's lush panoramic images combined with essays on the significance of the garden plants and history make Descanso an elegant volume for photography and garden lovers.
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April 2007, Los Angeles
Gardens
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Joseph Cornell’s favorite pastimes was to meander through the used bookstalls of lower Manhattan, sorting through old books, magazines, postcards, photos, and other ephemera in search of items to spark his creative impulses. This publication is a facsimile of an almost unknown masterpiece by Joseph Cornell, presented in a box, along with a volume of essays and(...)
Contemporary Art Monographs
November 2012
Joseph Cornell's Manual of Marvels: how Joseph Cornell reinvented a French agricultural manual to create an American masterpiece
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Joseph Cornell’s favorite pastimes was to meander through the used bookstalls of lower Manhattan, sorting through old books, magazines, postcards, photos, and other ephemera in search of items to spark his creative impulses. This publication is a facsimile of an almost unknown masterpiece by Joseph Cornell, presented in a box, along with a volume of essays and an interactive DVD. It was discovered in his basement studio soon after his death in 1972 and is now in the collection of the Philadelphia Museum of Art. Due to its fragility, the work is not well known, even among Cornell scholars. Now, in a unique venture, sixty of the most extraordinary pages have been re-created in virtual facsimile, with cutouts, glue-ons, and other unique handmade details.
Contemporary Art Monographs
Exhibiting the moving image
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Since the 1990s, a "cinematographic turn" has taken place in contemporary art, paralleled by the emergence of a "cinema of exhibition." This collection of new essays investigates the relationships between the "white cube" and the "black box," focusing mainly on the 1970s, a decade in which film practices and moving images were integrated into museums and art spaces. The(...)
March 2016
Exhibiting the moving image
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Since the 1990s, a "cinematographic turn" has taken place in contemporary art, paralleled by the emergence of a "cinema of exhibition." This collection of new essays investigates the relationships between the "white cube" and the "black box," focusing mainly on the 1970s, a decade in which film practices and moving images were integrated into museums and art spaces. The authors analyze multiple modalities of presenting the moving image through historical case studies: the anatomy of video art, expanded cinema, artists’ films and installations, and the moving image in the public sphere. Exploring examples from the 1930s to the present, these contributions address commercial, spectacular or advertising forms of moving images, artists’ performative practices, installations in large museums, exhibitions devoted to projections and festivals of experimental films.
Frank Gehry: the houses
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Frank Gehry has revolutionized the use of materials in design and redefined how architects use computers as a design tool to advance form-making as we know it. He has achieved worldwide fame for such large-scale public projects as the Guggenheim Museum in Bilbao, Spain, and the Walt Disney Concert Hall in Los Angeles, California, but it was in private houses that Gehry(...)
Frank Gehry: the houses
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Frank Gehry has revolutionized the use of materials in design and redefined how architects use computers as a design tool to advance form-making as we know it. He has achieved worldwide fame for such large-scale public projects as the Guggenheim Museum in Bilbao, Spain, and the Walt Disney Concert Hall in Los Angeles, California, but it was in private houses that Gehry first explored and interrogated the principles of modern architecture. In these houses—most notably his own, in Santa Monica, Gehry distorted, expanded, and collapsed the modernist box, exploring everyday materials experimenting with color, and challenging accepted notions about geometry and structure. Color photographs, sketches, and plans create an illuminating visual record of some of the most groundbreaking, seminal projects of Gehry’s oeuvre.
Architecture Monographs
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This publication reissues a beloved photobook classic that has been out of print since the hardcover edition was published in 2010. As photographer Jason Fulford recently learned firsthand, mushrooms have a way of growing and spreading wherever they touch ground. It all started when a friend of Fulford's gave him a box, found at a flea market, full of photos of(...)
Jason Fulford: The Mushroom Collector
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This publication reissues a beloved photobook classic that has been out of print since the hardcover edition was published in 2010. As photographer Jason Fulford recently learned firsthand, mushrooms have a way of growing and spreading wherever they touch ground. It all started when a friend of Fulford's gave him a box, found at a flea market, full of photos of mushrooms—unassuming pictures taken by an unknown but almost certainly amateur photographer, apparently as notes for some mycological studies. These mushroom images got stuck in Fulford's mind, like a bad song sometimes does, and they started to grow in his own work. The Mushroom Collector combines some of the original flea-market mushroom pictures with his own images and text by the artist about the project.
Photography monographs
Everything
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In a way, "Everything" picks up where "Architecture without content" left off. After thirty-three iterations of the big box and architecture of the perimeter, it was time to look elsewhere. These reports focus on European Architecture both in the city and the noncity. Embracing Alighiero Boetti's accumulation of every existing Form in his seminal Tutto tapestry works in(...)
Everything
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In a way, "Everything" picks up where "Architecture without content" left off. After thirty-three iterations of the big box and architecture of the perimeter, it was time to look elsewhere. These reports focus on European Architecture both in the city and the noncity. Embracing Alighiero Boetti's accumulation of every existing Form in his seminal Tutto tapestry works in the 1980s, we tried to be both omnivorous and precise in our approach towards every single form to be found on the landscape. This heterogeneous collection includes projects by Raphael, Nouvel, Bofill and Mendrisio Accademia di Architettura students alike. Ultimately, our aim is to accumulate cultural displays without prejudice, in the belief that the only way to safeguard culture, and by extension architecture, is simply by producing it.
Architecture since 1900, Europe
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The trees around us – some we may walk past every day – tell a story. The mallee box by the twelfth hole of North Adelaide Golf Course evokes a time when Adelaide was clothed in mallee scrub and desert senna. Brisbane’s remnant blue gum, growing by the botanic gardens, indicates a time when the city was once jungle. The river red gums of Melbourne bear the scars of(...)
What the trees see: A wander through millennia of natural history in Australia
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The trees around us – some we may walk past every day – tell a story. The mallee box by the twelfth hole of North Adelaide Golf Course evokes a time when Adelaide was clothed in mallee scrub and desert senna. Brisbane’s remnant blue gum, growing by the botanic gardens, indicates a time when the city was once jungle. The river red gums of Melbourne bear the scars of Aboriginal craftmanship. Mangroves, Leichhardt trees, acacias, eucalypts, foxtails … together, they inspire a narrative that jumps from Burke and Wills to sugar slaves, Empress Josephine to Johnny Flinders. Eucalypts reveal lost cultures and lost children. Cabbage palms tell of incomparable migrations. In the spirit of Bob Gilbert’s ''Ghost Trees'' and Don Watson’s ''The Bush'', this book explores how our trees hold our history and reveal it to us.
Fauna and flora