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This book brings together, for the first time, the entire Private Scenes photographic series in which we discover a new dimension of the work of Masahisa Fukase, that of the artist struggling with his medium. This singular corpus is made up of images in which the artist inserts himself. The series is made up of two sets: Letters from Journeys which presents photographs(...)
Masahisa Fukase : Private scenes
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This book brings together, for the first time, the entire Private Scenes photographic series in which we discover a new dimension of the work of Masahisa Fukase, that of the artist struggling with his medium. This singular corpus is made up of images in which the artist inserts himself. The series is made up of two sets: Letters from Journeys which presents photographs taken in 1989 in different cities around the world (Paris, London, Brussels, Antwerp, etc.), and Private Scenes '92 which focuses on his daily life in Tokyo, where now each print is enhanced with color paints, thus becoming a unique work. This final series bears witness to Fukase's questions about his own practice of photography at the end of his life, and the place of the photographer in his work, when subject and object overlap, also evoking the current practice of the selfie.
Photography monographs
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The follow-up to the celebrated Wanderers, Kerri Andrews’s ''Way makers'' is the first anthology of women’s writing about walking. Moving from Elizabeth Carter’s correspondence with Catherine Talbot in the eighteenth century through to Merryn Glover in the present day, and across poetry, letters, diaries, novels, and more, this anthology traces a long tradition of women’s(...)
Waymakers: An anthology of women's writing about walking
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The follow-up to the celebrated Wanderers, Kerri Andrews’s ''Way makers'' is the first anthology of women’s writing about walking. Moving from Elizabeth Carter’s correspondence with Catherine Talbot in the eighteenth century through to Merryn Glover in the present day, and across poetry, letters, diaries, novels, and more, this anthology traces a long tradition of women’s walking literature. Walking is, for the women included in this anthology, a source of creativity and comfort; it is a means of expressing grief, longing, and desire. It is also a complicated activity: it represents freedom but is also sometimes tinged with danger and fear. What cannot be denied any longer is that walking was, and continues to be, an activity full of physical and emotional significance for women: this anthology is a testament to the rich literary heritage created by generations of women walker-writers over the centuries.
Journeys
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This book, devoted to the contributions of the Austro-American artist and architect Friedrich Kiesler to the field of design, presents previously unpublished material relating to his innovative furniture designs and prototypes from the 1930s and 1940s. Letters, diary entries, and photographs document the New York cultural environment in which Friedrich Kiesler lived and(...)
Design Monographs
May 2005, Ostfildern-Ruit
Friedrich Kiesler designer : seating furniture of the 30s and 40s
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This book, devoted to the contributions of the Austro-American artist and architect Friedrich Kiesler to the field of design, presents previously unpublished material relating to his innovative furniture designs and prototypes from the 1930s and 1940s. Letters, diary entries, and photographs document the New York cultural environment in which Friedrich Kiesler lived and worked and illuminate the role he played in the contemporary design scene. After emigrating to New York in 1925, Kiesler soon became an important mediator between European and American positions in the fields of design and architecture. In the ensuing years, he designed furniture and exhibitions and articulated the fundamental principles of a critical theory of functional architecture and design. Such concepts as flexibility, dynamism, and multifunctionality were crucial elements of his theoretical constructs. With an introduction by Monika Pessler, texts by Tulga Beyerle, Harald Krejci, and a preface by Dieter Bogner and Heinz F. Hofer-Wittmann.
Design Monographs
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Although an architect by profession, H.Th. Wijdeveld (1885-1987) is best known for Wendingen, the 'magazine for the decorative arts and architecture' founded by him in 1918. One of the peaks of Wendingen was the series devoted to the work of the American architect Frank Lloyd Wright, for which Wijdeveld designed everything himself. Its graphic design caused a sensation(...)
H. Th. Wijdeveld : Art Deco design on paper
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Although an architect by profession, H.Th. Wijdeveld (1885-1987) is best known for Wendingen, the 'magazine for the decorative arts and architecture' founded by him in 1918. One of the peaks of Wendingen was the series devoted to the work of the American architect Frank Lloyd Wright, for which Wijdeveld designed everything himself. Its graphic design caused a sensation and soon spawned a school of 'Wijdeveld typography'. Typical features of his designs are the game played with brass rules taken from the type case and stacked together to form letters, and the page layout in lines and blocks, what his contemporaries called 'typographical brickwork'. This publication, which accompanied an exhibition in Museum Meermanno (The Hague) devoted to his typography, features all the exhibits - posters, books and other graphic work by Wijdeveld himself and that of several of his successors, notably Anton Kurvers. Design by Piet Gerards.
Graphic Designers, Monographs
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"With every step forward we leave a backward trace. A footprint in wet sand is ephemeral but photographs fill a drawer and linger and haunt us; letters and journals call out to be read. We don’t really want our lives and the activities and objects that filled them to be lost and forgotten. Not really. It is our sop against oblivion, and out of our desire to be in the(...)
Bordercrossings 167: the archive
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"With every step forward we leave a backward trace. A footprint in wet sand is ephemeral but photographs fill a drawer and linger and haunt us; letters and journals call out to be read. We don’t really want our lives and the activities and objects that filled them to be lost and forgotten. Not really. It is our sop against oblivion, and out of our desire to be in the company of others that we store and sort and arrange the material evidence of our having been here. The ordering of these artifacts brings sense and coherence to lives that seem fleeting and without conclusive purpose. Our collections—whatever it is that composes them—take an almost imitative corporeal form that we feel may represent us as we are and have been. I am here; this is what I have done; my accomplishments have been assembled and are shown. An Archive."
Magazines
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Ludwig Wittgenstein’s way to the Tractatus Logico-Philosophicus, one of the ground-breaking works in the history of philosophy, can rightly be termed an Odyssey. Both in terms of his movements and his intellectual development in the course of writing it, the Tractatus incorporated an exciting, improbable journey. A compendium of scholars has come together at the 100th(...)
Ludwig Wittgenstein's Tractatus Odyssey
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Ludwig Wittgenstein’s way to the Tractatus Logico-Philosophicus, one of the ground-breaking works in the history of philosophy, can rightly be termed an Odyssey. Both in terms of his movements and his intellectual development in the course of writing it, the Tractatus incorporated an exciting, improbable journey. A compendium of scholars has come together at the 100th anniversary of the work’s first official publication in 1922 to detail the main stations in Wittgenstein’s life that would entirely transform philosophy. The years 1912 to 1922 are illuminated through photos, military maps, and letters against the backdrop of one of the most dramatic periods in world history. The complex theory of language developed by Wittgenstein In the Tractatus had an enormous influence not only on philosophy, but extended also to literature, music, film, painting, architecture, anthropology, and economics. Its uniqueness and rigor challenge our perceptions to this day.
Critical Theory
books
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Many provincial towns in Britain grew dramatically in size and importance in the eighteenth century. Ports such as Glasgow and Liverpool greatly expanded, while industrial centers such as Birmingham and Manchester flourished. Market towns outside London developed as commercial centers or as specialty destinations: visitors could find spa treatments in Bath, horse racing(...)
Town: prints and drawings of Britain before 1800
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Many provincial towns in Britain grew dramatically in size and importance in the eighteenth century. Ports such as Glasgow and Liverpool greatly expanded, while industrial centers such as Birmingham and Manchester flourished. Market towns outside London developed as commercial centers or as specialty destinations: visitors could find spa treatments in Bath, horse racing in Newmarket, and naval services in Portsmouth. Containing more than one hundred images of country towns in England, Wales, and Scotland, this book draws on the extensive Gough collection in the Bodleian Library. Contemporary prints and drawings provide a powerful visual record of the development of the town in this period, and finely drawn prospects and maps—made with greater accuracy than ever before—reveal their early development. This book also includes perceptive observations from the journals and letters of collector Richard Gough (1735–1809), who traveled throughout the country on the cusp of the industrial age.
books
February 2021
History until 1900, Great Britain
Robert Frank: books and film
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This is the unconventional catalogue of the exhibition “Robert Frank, Books and Films, 1947–2016,” a special edition of the German newspaper the "Süddeutsche Zeitung" — following its original design and format, and printed on newsprint. Conceived by Robert Frank and Gerhard Steidl, the exhibition presents Frank’s iconic images in the context of his life, creative(...)
Robert Frank: books and film
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This is the unconventional catalogue of the exhibition “Robert Frank, Books and Films, 1947–2016,” a special edition of the German newspaper the "Süddeutsche Zeitung" — following its original design and format, and printed on newsprint. Conceived by Robert Frank and Gerhard Steidl, the exhibition presents Frank’s iconic images in the context of his life, creative processes, and wider cultural history. Here Frank’s books and films are seen against the backdrop of his photographs, which are presented in an immediate and straightforward way: printed on up to three-meter-long sheets of newsprint and installed directly onto the wall, without frames. The newspaper catalogue recreates the raw, innovative approach of the exhibition. Featuring interviews, essays, letters and opinion pieces alongside rich picture sequences, Robert Frank, Books and Films, 1947–2016 is an unpretentious and accessible printed object—or in Frank’s own words: “Cheap, quick and dirty, that’s how I like it!”
Photography monographs
Alec Soth: Niagara
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In the follow-up to his critically acclaimed debut monograph "Sleeping by the Mississippi", Alec Soth turned his eye to another iconic body of water, Niagara Falls. As with his photographs of the Mississippi, Soth’s pictures of Niagara are less about natural wonder than human desire. “I went to Niagara for the same reason as the honeymooners and suicide jumpers,” says(...)
Alec Soth: Niagara
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In the follow-up to his critically acclaimed debut monograph "Sleeping by the Mississippi", Alec Soth turned his eye to another iconic body of water, Niagara Falls. As with his photographs of the Mississippi, Soth’s pictures of Niagara are less about natural wonder than human desire. “I went to Niagara for the same reason as the honeymooners and suicide jumpers,” says Soth, “the relentless thunder of the Falls just calls for big passion.” Working over the course of two years on both the American and Canadian sides of the Falls using a large-format 8x10 camera, the photographs are rigorously composed and richly detailed. Soth depicts newlyweds and naked lovers, motel parking lots and pawn shop wedding rings. Throughout the book, Soth has interspersed a number of love letters from the subjects he photographed. We read about teenage crushes, workplace affairs, heartbreak and suicide.
Photography monographs
What is philosophy?
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In attempting to answer the question posed by this book's title, Giorgio Agamben does not address the idea of philosophy itself. Rather, he turns to the apparently most insignificant of its components: the phonemes, letters, syllables, and words that come together to make up the phrases and ideas of philosophical discourse. A summa, of sorts, of Agamben's thought, the(...)
What is philosophy?
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In attempting to answer the question posed by this book's title, Giorgio Agamben does not address the idea of philosophy itself. Rather, he turns to the apparently most insignificant of its components: the phonemes, letters, syllables, and words that come together to make up the phrases and ideas of philosophical discourse. A summa, of sorts, of Agamben's thought, the book consists of five essays on five emblematic topics: the Voice, the Sayable, the Demand, the Proem, and the Muse. In keeping with the author's trademark methodology, each essay weaves together archaeological and theoretical investigations: to a patient reconstruction of how the concept of language was invented there corresponds an attempt to restore thought to its place within the voice; to an unusual interpretation of the Platonic Idea corresponds a lucid analysis of the relationship between philosophy and science, and of the crisis that both are undergoing today.
Critical Theory