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Doug Rickard’s A New American Picture offers a startling and fresh perspective on American street photography. While at first glance the work looks reassuringly familiar and well within the traditional bounds of the genre, Rickard’s methodology is anything but conventional. All of the images are appropriated from Google Street View; over a period of two years, Rickard(...)
Doug Rickard : a new American picture
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Doug Rickard’s A New American Picture offers a startling and fresh perspective on American street photography. While at first glance the work looks reassuringly familiar and well within the traditional bounds of the genre, Rickard’s methodology is anything but conventional. All of the images are appropriated from Google Street View; over a period of two years, Rickard took advantage of the technology platform’s comprehensive image archive to virtually drive the unseen and overlooked roads of America - bleak places that are forgotten, economically devastated and abandoned. With an informed and careful eye, Rickard finds and decodes these previously photographed scenes of urban and rural decay. He rephotographs the machine-made images as they appear on his computer screen, framing and freeing them from their technological origins.
Photography monographs
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Most consumer products come primarily from the Pearl River Delta, the "factory of the world" with the largest industrial region on earth. The delta has attracted millions of poor rural residents to settle in factory towns in hopes for a better life. Factory Towns of South China opens a window on these walled compounds, exposing the gritty establishments, crowded(...)
Factory towns of South China: an illustrated guidebook
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Most consumer products come primarily from the Pearl River Delta, the "factory of the world" with the largest industrial region on earth. The delta has attracted millions of poor rural residents to settle in factory towns in hopes for a better life. Factory Towns of South China opens a window on these walled compounds, exposing the gritty establishments, crowded dormitories and monotonous labor carried out by workers. Some function as self-contained cities, with their own fire brigade, hospital, bank, TV station and as many as half a million workers living within the compounds. Other factories are scattered in larger villages to mask their existence and evade governmental crackdowns on the production of fake consumer goods and illegal casino machines.
Collective Housing
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In September 1976, a curtain of shimmering white was unfurled across the hills of rural northern California, running unbroken for 24.5 miles from Sonoma County to the Pacific Ocean. The artistic vision of Christo and Jeanne-Claude's Running Fence was 18 feet high and traversed the private properties of 59 ranchers. Although it remained in place for just two weeks, the(...)
Christo and Jean-Claude: Remembering the running fence
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In September 1976, a curtain of shimmering white was unfurled across the hills of rural northern California, running unbroken for 24.5 miles from Sonoma County to the Pacific Ocean. The artistic vision of Christo and Jeanne-Claude's Running Fence was 18 feet high and traversed the private properties of 59 ranchers. Although it remained in place for just two weeks, the process of planning it consumed nearly four years, and the installation required helicopters, barges, lawyers, and more than 300 Bay Area students and workers. Illustrated throughout with graphic representations and photographs, Christo and Jeanne-Claude recounts how two artists who were complete strangers to the area gradually enlisted the support of entire communities in order to make their vision a reality.
Land Art
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The role of the global architect in society is changing. Instead of waiting for commissions to come their way, architects are initiating and developing practical solutions in response to dramatically changing living conditions in many parts of the world today. Small Scale, Big Change focuses on a central chapter of this shift, presenting recently built or(...)
October 2010
Small scale, big change: new architectures of social engagement
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The role of the global architect in society is changing. Instead of waiting for commissions to come their way, architects are initiating and developing practical solutions in response to dramatically changing living conditions in many parts of the world today. Small Scale, Big Change focuses on a central chapter of this shift, presenting recently built or under-construction works in underserved communities around the globe by these 11 architects and firms: Elemental (Chilean); Anna Heringer (Austrian); Diébédo Francis Kéré (Burkinabé); Hashim Sarkis A.L.U.D. (Lebanese); Jorge Mario Jáuregui (Brazilian); Frédéric Druot, Anne Lacaton & Jean Philippe Vassal (French); Michael Maltzan Architecture (American); Noero Wolff Architects (South African); Rural Studio (American); Estudio Teddy Cruz (American, born Guatemala); and Urban Think Tank (American/Austrian/Venezuelan).
Conjunctions:55 Urban arias
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Those who choose to live in cities often have a complex relationship with their steel and glass environment--an attachment that often mingles irritation with affection, fear with calm, a desire to leave with the imperative to stay. This bond between city dwellers and their metropolitan milieux lies at the heart of Urban Arias. Downtowns, uptowns, midtowns; parks,(...)
Conjunctions:55 Urban arias
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Those who choose to live in cities often have a complex relationship with their steel and glass environment--an attachment that often mingles irritation with affection, fear with calm, a desire to leave with the imperative to stay. This bond between city dwellers and their metropolitan milieux lies at the heart of Urban Arias. Downtowns, uptowns, midtowns; parks, ghettoes, museums--the rich gamut of what constitutes one of the oldest experiments in human habitation stands at the center of this special issue. Among the two dozen contributors are Elizabeth Hand, Paul La Farge, Jonathan Lethem, Karen Russell and Luc Sante, along with a previously unpublished interview with Thomas Bernhard, in which the uneasy relationship between rural and urban life is discussed.
Magazines
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In the years immediately following World War II, Black Mountain College, an unaccredited school in rural Appalachia, became a vital hub of cultural innovation. Practically every major artistic figure of the mid-twentieth century spent some time there: Merce Cunningham, Ray Johnson, Franz Kline, Willem and Elaine de Kooning, Robert Motherwell, Robert Rauschenberg, Dorothea(...)
The experimenters: chance and design at Black Mountain College
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In the years immediately following World War II, Black Mountain College, an unaccredited school in rural Appalachia, became a vital hub of cultural innovation. Practically every major artistic figure of the mid-twentieth century spent some time there: Merce Cunningham, Ray Johnson, Franz Kline, Willem and Elaine de Kooning, Robert Motherwell, Robert Rauschenberg, Dorothea Rockburne, Aaron Siskind, Cy Twombly—the list goes on and on. Yet scholars have tended to view these artists’ time at the College as little more than prologue, a step on their way to greatness. With The Experimenters, Eva Díaz reveals the importance of Black Mountain College—and especially of three key teachers, Josef Albers, John Cage, and R. Buckminster Fuller—to be much greater than that.
Architectural Theory
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335 pages ; 21 cm.
Oxford ; Melbourne : Oxford University Press, 1975.
The country and the city / Raymond Williams.
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335 pages ; 21 cm.
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Oxford ; Melbourne : Oxford University Press, 1975.
books
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72 pages : chiefly illustrations, portrait ; 27 cm
Fort Worth [Texas] : Published by the Amon Carter Museum ; Los Angeles : Ward Ritchie Press, [1967], ©1967
Dorothea Lange looks at the American country woman : a photographic essay / by Dorothea Lange with a commentary by Beaumont Newhall.
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72 pages : chiefly illustrations, portrait ; 27 cm
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Fort Worth [Texas] : Published by the Amon Carter Museum ; Los Angeles : Ward Ritchie Press, [1967], ©1967
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Working in rural China is unlike other countryside: it is full of contradiction, neither rural nor urban, both traditional and modern, abandoned in some areas and yet others are becoming cities overnight. It is in fact a laboratory for new ways of living. And it has become our laboratory for new ways of making architecture. Whereas contemporary architecture since the(...)
Uncertainty : Experiments in making from the Chinese countryside
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Working in rural China is unlike other countryside: it is full of contradiction, neither rural nor urban, both traditional and modern, abandoned in some areas and yet others are becoming cities overnight. It is in fact a laboratory for new ways of living. And it has become our laboratory for new ways of making architecture. Whereas contemporary architecture since the advent of modernism has developed increasingly controlled, prototypical, and standardized mechanisms for building, our experiments embrace the opposite: a lack of control, taking place within the flux of political, social and economic uncertainties. The experiments presented here are examples taken from a series of design and build projects conducted from the Department of Architecture at the University of Hong Kong over the past 10 years. They are remarkable in their diffuse explorations and situations. Some were urgent post-earthquake reconstructions, often adapting to extreme topographies or taking place in the midst of major urbanizing transformations, whereas other experiments occurred in forgotten villages with left-behind craftspeople and their disappearing building cultures. These forays and what can be best described as adventures in building, left us with varied and novel (sometimes failed) experiments with structure and program. But they are presented here for the trait they have in common: an exploration of the limits of material, geometry, construction methods, and even historical context. As often occurs for architects working in a foreign landscape, the differences in language and culture have proven to be a source of constant miscommunication and surprising discovery. The lack of a common spoken language- these remote areas speak their own dialects- has placed an emphasis on drawing as another means of communication. Through drawing we have explored a means of design and a means of building. Therefore, this is also a book about ways of drawing that represent ways of control and, inversely perhaps, what not to control.
Contemporary Architecture
books
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xiv, 476 pages : illustrations ; 26 cm.
New York : Fordham University Press, 2014.
Sabato Rodia's Towers in Watts : art, migrations, development / edited by Luisa Del Giudice.
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xiv, 476 pages : illustrations ; 26 cm.
books
New York : Fordham University Press, 2014.