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This volume presents seventeen houses designed by the New York studio MOS Architects. "It is an article of faith for MOS that the house is like a small city. MOS think urbanistically through the architectural scale, insisting that even the smallest residential project speaks to a larger idea of ??the collective. But the idea if the city implied here is less the dense and(...)
MOS Casa no. 1-17, reprint edition
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This volume presents seventeen houses designed by the New York studio MOS Architects. "It is an article of faith for MOS that the house is like a small city. MOS think urbanistically through the architectural scale, insisting that even the smallest residential project speaks to a larger idea of ??the collective. But the idea if the city implied here is less the dense and fragmented metropolis of the early twentieth century, and more of the dispersed field-like condition of the late twentieth and twenty-first century city: more Los Angeles than New York or Berlin." (from the introduction by Stan Allen)
Architecture Monographs
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Swiss-American architectural studio agps, with offices in Zurich and Los Angeles, has delved deep into their archive and woven a visual thread of some 160 illustrations that guides readers through this new book. The images are organized according to thirteen keywords, spatial configurations that characterize agps’s core design concepts and summarize central elements of(...)
Architecture Monographs
April 2022
agps Out of the box: 13 spatial configurations
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Swiss-American architectural studio agps, with offices in Zurich and Los Angeles, has delved deep into their archive and woven a visual thread of some 160 illustrations that guides readers through this new book. The images are organized according to thirteen keywords, spatial configurations that characterize agps’s core design concepts and summarize central elements of their ideas. At the same time, they are terms that define the formal presence of their designs. The result offers multifaceted and inspiring insight into the work of an international firm that proves just how important spatial constellations are for the formulation of good architecture.
Architecture Monographs
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Founded during the Space Age boom of the fifties, the University of California, San Diego (UCSD) campus showcases some of California's finest postwar architecture, ranging from spare sixties concrete structures to light, open California modernists designs and, in the new millennium, buildings that reflect that latest ideas about connecting buildings with the emerging(...)
University of California San Diego: The campus guide
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Founded during the Space Age boom of the fifties, the University of California, San Diego (UCSD) campus showcases some of California's finest postwar architecture, ranging from spare sixties concrete structures to light, open California modernists designs and, in the new millennium, buildings that reflect that latest ideas about connecting buildings with the emerging campus community. The book presents almost ninety significant architectural works on the UCSD campus and reveals the very sources of modernist California architecture, from the influence of Richard Neutra, Frank Gehry, and the Case Study Architects in Los Angeles, to early San Diego modernist Louis Gill, and architect Louis Kahn.
Commercial interiors, Building types
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This publication examines the critical ideas that have driven these themes and debates through a study of particular cities at important periods in their development. As well as retaining crucial discussions about cities such as Los Angeles, Atlanta, Chicago, Detroit, Philadelphia, and Brasilia at particular moments in their history that exemplified the problems and(...)
Shaping the city: studies in history, theory and urban theory
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This publication examines the critical ideas that have driven these themes and debates through a study of particular cities at important periods in their development. As well as retaining crucial discussions about cities such as Los Angeles, Atlanta, Chicago, Detroit, Philadelphia, and Brasilia at particular moments in their history that exemplified the problems and themes at hand like the mega-city, the post-colonial city and New Urbanism, in this new edition the editors have introduced new case studies critical to any study of contemporary urbanism – China, Dubai, Tijuana and the wider issues of informal cities in the Global South.
Urban Theory
Hiroshi Sugimoto: dioramas
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Hiroshi Sugimoto: Dioramas narrates a story of the cycle of life, death and rebirth, from prehistoric aquatic life to the propagation of reptile and animal life to Homo sapiens' destruction of the earth, circling back to its renewal, where flora and fauna flourish without man. Here Sugimoto writes his own history of the world, an artist's creation myth. Hiroshi Sugimoto(...)
Hiroshi Sugimoto: dioramas
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Hiroshi Sugimoto: Dioramas narrates a story of the cycle of life, death and rebirth, from prehistoric aquatic life to the propagation of reptile and animal life to Homo sapiens' destruction of the earth, circling back to its renewal, where flora and fauna flourish without man. Here Sugimoto writes his own history of the world, an artist's creation myth. Hiroshi Sugimoto was born and raised in Tokyo, Japan, where he studied politics and sociology at Rikkyõ University, later retraining as an artist at the Art Center College of Design in Los Angeles, CA. He currently lives in New York and Tokyo.
Photography monographs
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This is an eye-opening tour through the exuberant works of two pioneering postwar architects. From 1946 to 1973, Whitney Rowland Smith and his partner, Wayne Williams, designed more than 800 projects, from residential, commercial, and public buildings to housing tracts, multi-use complexes, and parks and master plans for cities. Working in the wake of the first generation(...)
Outside in: the architecture of Smith and Williams
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This is an eye-opening tour through the exuberant works of two pioneering postwar architects. From 1946 to 1973, Whitney Rowland Smith and his partner, Wayne Williams, designed more than 800 projects, from residential, commercial, and public buildings to housing tracts, multi-use complexes, and parks and master plans for cities. Working in the wake of the first generation of avant-garde architects in Southern California and riding the postwar building boom, their firm, Smith and Williams, developed a pragmatic modernism that, through remarkable planning and design, integrated landscapes with buildings and decisively shaped the modern vocabulary of architecture in Los Angeles.
Architecture Monographs
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Originally published in 1983, ''Writings 1973-1983 on Works 1969-1979,'' by Los Angeles artist Michael Asher (1943-2012) presents select documentation of 33 works through writings, photographs, architectural floor plans, exhibition announcements and other ephemera. For most of his career, Asher did not create traditional art objects; instead, he altered the existing(...)
Michael Asher: writings 1973–1983 on works 1969–1979
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Originally published in 1983, ''Writings 1973-1983 on Works 1969-1979,'' by Los Angeles artist Michael Asher (1943-2012) presents select documentation of 33 works through writings, photographs, architectural floor plans, exhibition announcements and other ephemera. For most of his career, Asher did not create traditional art objects; instead, he altered the existing institutional apparatus through which art is presented, creating work that intervened in the architectural, social or economic systems that undergird how art is produced and experienced. For example, in 1974, he removed the partition wall dividing the office and gallery space of the Claire S. Copley Gallery in Los Angeles, revealing the day-to-day activities of the gallery to the public. In another work from 1979, Asher had a bronze replica of a late 18th-century sculpture of George Washington moved from the exterior of the Art Institute of Chicago to a museum gallery that housed 18th-century art, reintroducing the statue to its original period context and shifting its function from public monument to indoor sculpture. Due to its site- and time-specific nature, Asher’s work generally ceased to exist after an exhibition, which makes this highly sought-after book an invaluable resource. As the artist states in the introduction: ''This book as a finished product will have a material permanence that contradicts the actual impermanence of the art-work, yet paradoxically functions as a testimony to that impermanence of my production.''
Art Theory
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The 2008 Hasselblad Foundation International Award has been awarded to Mexican photographer Graciela Iturbide. Born in Mexico City in 1942, Iturbide is a founding member of the Mexican Council of Photography, and her work has been exhibited internationally and is included in many major museum collections including those of The Metropolitan Museum of Art and The Museum of(...)
Photography monographs
January 2009, Göteborg
Graciela Iturbide: the hasselblad award 2008
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The 2008 Hasselblad Foundation International Award has been awarded to Mexican photographer Graciela Iturbide. Born in Mexico City in 1942, Iturbide is a founding member of the Mexican Council of Photography, and her work has been exhibited internationally and is included in many major museum collections including those of The Metropolitan Museum of Art and The Museum of Modern Art, New York, the Los Angeles County Museum of Art and The J. Paul Getty Museum. In awarding her the 2008 Hasselblad award, the Foundation said: Graciela Iturbide is considered one of the most important and influential Latin American photographers of the past four decades.
Photography monographs
books
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xvi, 516 pages : illustrations, map ; 26 cm
Minneapolis : Univ Of Minnesota Press, 2012., ©2012
Debates in the digital humanities / Matthew K. Gold, editor.
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xvi, 516 pages : illustrations, map ; 26 cm
books
Minneapolis : Univ Of Minnesota Press, 2012., ©2012
Institutional critique
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This contemporary reassessment of the Institutional Critique movement, launched in the late 1960s by artists including Michael Asher and Hans Haacke, grew out of a symposium held at the Los Angeles County Museum of Art. It looks at Institutional Critique's central aim, the exposure and ironization of the structures and logic of museums and art galleries, and recent(...)
Institutional critique
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This contemporary reassessment of the Institutional Critique movement, launched in the late 1960s by artists including Michael Asher and Hans Haacke, grew out of a symposium held at the Los Angeles County Museum of Art. It looks at Institutional Critique's central aim, the exposure and ironization of the structures and logic of museums and art galleries, and recent developments that engage with and echo it. IC has been raised again by Andrea Fraser, Renee Green and Fred Wilson, among others, and has been vigorously reoriented in recent years to address issues such as globalization. Contributors include Alexander Alberro, Mike Kelley, Hans Haacke, Lauri Firstenberg, Andrea Fraser, Renee Green and others.
Museology