books
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xix, 270 pages : illustrations (some color), portraits ; 27 cm
Montreal : McGill-Queen's University Press, ©2011.
The cultural work of photography in Canada / edited by Carol Payne and Andrea Kunard.
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xix, 270 pages : illustrations (some color), portraits ; 27 cm
books
Montreal : McGill-Queen's University Press, ©2011.
books
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vii, 198 pages : illustrations (some color) ; 28 cm
New Haven ; London : Published for the Paul Mellon Centre for Studies in British Art by Yale University Press, ©1996.
Science and the perception of nature : British landscape art in the late eighteenth and early nineteenth centuries / Charlotte Klonk.
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vii, 198 pages : illustrations (some color) ; 28 cm
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New Haven ; London : Published for the Paul Mellon Centre for Studies in British Art by Yale University Press, ©1996.
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Local treasures : geocaching across America / Margot Anne Kelley ; with a foreword by Frank Gohlke.
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xiii, 186 pages : color illustrations ; 21 x 25 cm.
Placitas, N.M. : Center for American Places ; Bristol : University Presses Marketing [distributor], 2006.
Local treasures : geocaching across America / Margot Anne Kelley ; with a foreword by Frank Gohlke.
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xiii, 186 pages : color illustrations ; 21 x 25 cm.
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Placitas, N.M. : Center for American Places ; Bristol : University Presses Marketing [distributor], 2006.
books
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1 online resource (77 PDF pages) : illustrations
Paris : Onestar Press, 2009
The chill of lonesome / Christophe Boutin
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1 online resource (77 PDF pages) : illustrations
books
Paris : Onestar Press, 2009
We go to the park
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The park beckons us to leave our daily routines behind and enter its zone of endless possibility. In the park, the usual rules don’t apply. In the park, what matters most is the moment, and losing track of time to the timelessness of imagination, invention, observation, and chance. In the park, there are risks, of course, but also the deepest rewards, to be found in the(...)
We go to the park
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The park beckons us to leave our daily routines behind and enter its zone of endless possibility. In the park, the usual rules don’t apply. In the park, what matters most is the moment, and losing track of time to the timelessness of imagination, invention, observation, and chance. In the park, there are risks, of course, but also the deepest rewards, to be found in the freedom experienced through play that is both embodied and participatory. It is not the lone "I," but the "we" that goes to the park, where chance encounters might suddenly become moments of deep connection—however fleeting—with others, nature, and ourselves. Originally published in Sweden, this first English–language edition printed in Italy on thick cream paper offers an immersive experience of transformation, longing, and transcendence to readers of all ages, while reminding adult readers in particular of the everyday miracle contained in encountering another consciousness.
Children's Books
Event-cities 5 : poetics
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"Event-Cities 5" is the fifth and final volume in the MIT Press series documenting recent built and unbuilt projects by renowned architect Bernard Tschumi. This volume expands on the theoretical preoccupations that have shaped Tschumi's work in practice and pedagogy. In this volume, Tschumi embarks on what he calls a “poetics” that addresses both the rational elaboration(...)
Event-cities 5 : poetics
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"Event-Cities 5" is the fifth and final volume in the MIT Press series documenting recent built and unbuilt projects by renowned architect Bernard Tschumi. This volume expands on the theoretical preoccupations that have shaped Tschumi's work in practice and pedagogy. In this volume, Tschumi embarks on what he calls a “poetics” that addresses both the rational elaboration of work and the irrational eruption of inexplicable elements in architectural projects. How do chance, intuition, and analogy, among other elements, intersect with the logical play of concept, context, and program to generate innovative and informed design? Highlights of this volume include circular building projects, works with suspended gardens and floating rectangular masses, superposed structures created via surrealist tactics, an immense educational research complex in France that hovers between building and urban design, a museum in China made from intersecting conic shapes, and a project for a cultural center in Italy that is structured as an investigation into courtyards and facades.
Architecture Monographs
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Three series of intricate graphite drawings depict, with arresting realism, real-world examples of assembled, grown, and built objects common to distinct milieus of Vancouver: the shopping carts piled high with belongings that clatter along sidewalks in the downtown core; the long, high hedges that insulate single-family homes from the din of arterial traffic; and the(...)
Architecture in Canada
September 2024
Taizo Yamamoto: Carts, hedges, lions
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Three series of intricate graphite drawings depict, with arresting realism, real-world examples of assembled, grown, and built objects common to distinct milieus of Vancouver: the shopping carts piled high with belongings that clatter along sidewalks in the downtown core; the long, high hedges that insulate single-family homes from the din of arterial traffic; and the sculptural lions placed for good luck atop fenceposts in front of many homes, especially on the city's east side. In creating snapshots and then laborious drawings of these objects, Taizo Yamamoto, the principal of Yamamoto Architecture, was driven by a fascination with how the recurrence of these seemingly mundane objects speaks to omnipresent issues of housing unaffordability, densification, and the aspirations of diasporic communities - concerns that have an uneasy relationship to celebrated narratives of Vancouver but play a prominent role in residents' everyday lives. To this work he brings not just sustained careful attention but an architect's eye for details both structural and textural, resulting in immersive, richly nuanced drawings.
Architecture in Canada
books
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Many schools have to contend with the tension between an inflexible building and constantly changing requirements for use. With this in mind, WiMBY! (Welcome into My Backyard!, a Rotterdam-based organization for revitalizing post-war housing areas) commissioned three designers to develop "SchoolParasites" as an attractive alternative to the usual trailer-type provisional(...)
Not the trailer : provisional classrooms for primary schools
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Many schools have to contend with the tension between an inflexible building and constantly changing requirements for use. With this in mind, WiMBY! (Welcome into My Backyard!, a Rotterdam-based organization for revitalizing post-war housing areas) commissioned three designers to develop "SchoolParasites" as an attractive alternative to the usual trailer-type provisional classrooms. "SchoolParasites" are provisional structures, flexible in application and striking in design; the first three were erected in the Rotterdam suburb of Hoogvliet in spring 2004. The aim of the program is to put these models into production and to make them available to every school in the Netherlands and abroad. Not the Trailer documents the designs of Barend Koolhaas, Onix, and Christoph Seyferth. It also considers far-reaching questions on the interaction of education and architecture, on the inventiveness of the schools themselves, on permanence and temporariness, and on how intelligent, flexible solutions can play a role in the restructuring of post-war urban areas.
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March 2004, Rotterdam
Commercial interiors, Building types
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A compendium of lectures from the international architecture conference in 2005, Architecture + Art: New Visions, New Strategies looks at the fertile overlap between two competing (and complementary) disciplines. Published by the Alvar Aalto Academy, the essays explore the history of the border between art and architecture, from Aalto to Gordon Matta-Clark. What role did(...)
Architectural Theory
January 1900, Helsinki
Architecture and art: New visions, new strategies
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A compendium of lectures from the international architecture conference in 2005, Architecture + Art: New Visions, New Strategies looks at the fertile overlap between two competing (and complementary) disciplines. Published by the Alvar Aalto Academy, the essays explore the history of the border between art and architecture, from Aalto to Gordon Matta-Clark. What role did art play in the history of modern architecture? How did architecture influence art? What’s the current state of the balance between the two fields? Illustrated with color photographs and black and white reproductions, with a foreward by Aalto Academy Professor Eeva-Lisa Pelkonen, the thought-provoking essays strive to illuminate the mystery of overlap, from Le Corbusier to Donald Judd. In a world where Frank Gehry claims architecture is art against Richard Serra’s wishes, it’s refreshing to learn there’s more than one viewpoint at the table. The most recent publication from the Academy’s forward-thinking conferences held every summer in Finland.
Architectural Theory
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There is hardly another topic that fascinates architects more than new materials, with their previously unimagined properties and enchanting haptic surfaces. Yet if you look at built reality, these hardly play a role. On the contrary, the international trend continues to move towards natural surfaces made of wood, brick and natural stone. As aesthetically and ecologically(...)
Detail 11 2017: materials and finishes
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There is hardly another topic that fascinates architects more than new materials, with their previously unimagined properties and enchanting haptic surfaces. Yet if you look at built reality, these hardly play a role. On the contrary, the international trend continues to move towards natural surfaces made of wood, brick and natural stone. As aesthetically and ecologically meaningful as they may be, this development becomes alarming when buildings and interiors in southern China, Paris or Copenhagen become indistinguishable. The examples in this issue show, however, that individual solutions are still possible even within a narrow range of materials and colours. Just a few years ago, natural stone and solid wood – building materials used today by the luxury sector – were cheaper than concrete and veneer in countries like Portugal, as the Pritzker Prize winner Eduardo Souto de Moura explains to us in an interview. In his eyes, the design elements of architecture remain the same throughout history, only the materials change.
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