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Tokyo 1955–1970: A New Avant-Garde explores the extraordinary convergence of artists and other creators in Japan’s capital city during the radically transformative postwar period. Examining works from a range of media--painting, sculpture, photography, drawing, printmaking, video and film, as well as graphic design, architecture, musical composition and dance--this is the(...)
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Tokyo 1955–1970: A New Avant-Garde explores the extraordinary convergence of artists and other creators in Japan’s capital city during the radically transformative postwar period. Examining works from a range of media--painting, sculpture, photography, drawing, printmaking, video and film, as well as graphic design, architecture, musical composition and dance--this is the(...)
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Tokyo 1955-1970: a new avant-garde
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Tokyo 1955–1970: A New Avant-Garde explores the extraordinary convergence of artists and other creators in Japan’s capital city during the radically transformative postwar period. Examining works from a range of media--painting, sculpture, photography, drawing, printmaking, video and film, as well as graphic design, architecture, musical composition and dance--this is the first publication in English to focus in depth on the full scope of postwar art in Japan. Essays by scholars Hayashi Michio and Miryam Sas and curator Mika Yoshitake discuss critical concepts in art and culture at this time, including “graphism,” which manifested itself across various mediums; the development of new sculptural languages; and the “intermedia” tendency that engendered provocative cross-pollination among artistic genres. Masatoshi Nakajima provides an illustrated chronology and Yuri Mitsuda supplies artist biographies.
Tokyo 1955-1970: a new avant-garde
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Tokyo 1955–1970: A New Avant-Garde explores the extraordinary convergence of artists and other creators in Japan’s capital city during the radically transformative postwar period. Examining works from a range of media--painting, sculpture, photography, drawing, printmaking, video and film, as well as graphic design, architecture, musical composition and dance--this is the first publication in English to focus in depth on the full scope of postwar art in Japan. Essays by scholars Hayashi Michio and Miryam Sas and curator Mika Yoshitake discuss critical concepts in art and culture at this time, including “graphism,” which manifested itself across various mediums; the development of new sculptural languages; and the “intermedia” tendency that engendered provocative cross-pollination among artistic genres. Masatoshi Nakajima provides an illustrated chronology and Yuri Mitsuda supplies artist biographies.
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books
books
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October 2012
October 2012
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books
books
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$45.00
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Prior to 1966, if artists wanted to create works larger than their studios or metalworking abilities allowed, they had to turn to industrial manufacturers, who were often unable to accommodate the creative process of making art. Large Scale tells the story of Lippincott, Inc., which, from 1966 to 1994, put the tools of industrial fabrication in the hands of artists,(...)
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Prior to 1966, if artists wanted to create works larger than their studios or metalworking abilities allowed, they had to turn to industrial manufacturers, who were often unable to accommodate the creative process of making art. Large Scale tells the story of Lippincott, Inc., which, from 1966 to 1994, put the tools of industrial fabrication in the hands of artists,(...)
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July 2012
July 2012
Title:
Large scale : fabricating sculpture in the 1960's and 1970's
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Prior to 1966, if artists wanted to create works larger than their studios or metalworking abilities allowed, they had to turn to industrial manufacturers, who were often unable to accommodate the creative process of making art. Large Scale tells the story of Lippincott, Inc., which, from 1966 to 1994, put the tools of industrial fabrication in the hands of artists, allowing them to produce at a scale they had previously only dreamed of on paper. Lippincott worked with artists from the conception of a project to the completed sculpture, displaying pieces in the field adjoining the shop before installing them all over the country and the world. Drawing on the vast collection of images in the Lippincott archive, Large Scale presents more than three hundred photographs of these artists and their iconic works. *** An important lost chapter in the history of modern art is now available in paperback.
Large scale : fabricating sculpture in the 1960's and 1970's
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Summary:
Prior to 1966, if artists wanted to create works larger than their studios or metalworking abilities allowed, they had to turn to industrial manufacturers, who were often unable to accommodate the creative process of making art. Large Scale tells the story of Lippincott, Inc., which, from 1966 to 1994, put the tools of industrial fabrication in the hands of artists, allowing them to produce at a scale they had previously only dreamed of on paper. Lippincott worked with artists from the conception of a project to the completed sculpture, displaying pieces in the field adjoining the shop before installing them all over the country and the world. Drawing on the vast collection of images in the Lippincott archive, Large Scale presents more than three hundred photographs of these artists and their iconic works. *** An important lost chapter in the history of modern art is now available in paperback.
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books
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July 2012
July 2012
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books
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$30.00
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Cette publication présente un ensemble de propositions artistiques et de textes théoriques enracinés dans le Liban, pour interroger, à travers le prisme de la mobilité, le modernisme et ses échecs dans le territoire géographique du Moyen-Orient. Projet organique, arborescent et évolutif, Suspended Spaces a comme méthode le déplacement. Pour le collectif d'artistes et(...)
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Cette publication présente un ensemble de propositions artistiques et de textes théoriques enracinés dans le Liban, pour interroger, à travers le prisme de la mobilité, le modernisme et ses échecs dans le territoire géographique du Moyen-Orient. Projet organique, arborescent et évolutif, Suspended Spaces a comme méthode le déplacement. Pour le collectif d'artistes et(...)
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Suspended spaces #2: une expérience collective
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Cette publication présente un ensemble de propositions artistiques et de textes théoriques enracinés dans le Liban, pour interroger, à travers le prisme de la mobilité, le modernisme et ses échecs dans le territoire géographique du Moyen-Orient. Projet organique, arborescent et évolutif, Suspended Spaces a comme méthode le déplacement. Pour le collectif d'artistes et de chercheurs qui le compose, ce déplacement est certes géographique mais surtout artistique, culturel et intellectuel.
Suspended spaces #2: une expérience collective
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Cette publication présente un ensemble de propositions artistiques et de textes théoriques enracinés dans le Liban, pour interroger, à travers le prisme de la mobilité, le modernisme et ses échecs dans le territoire géographique du Moyen-Orient. Projet organique, arborescent et évolutif, Suspended Spaces a comme méthode le déplacement. Pour le collectif d'artistes et de chercheurs qui le compose, ce déplacement est certes géographique mais surtout artistique, culturel et intellectuel.
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books
books
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July 2012
July 2012
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books
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$40.00
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This catalogue was published in conjunction with the exhibition "Skyscraper: Art and Architecture Against Gravity," organized by the Museum of Contemporary Art Chicago; curated by Michael Darling, James W. Alsdorf Chief Curator, and Joanna Szupinska, Marjorie Susman Curatorial Fellow; and presented at the Museum of Contemporary Art Chicago, June 30-September 23, 2012.
$40.00
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Summary:
This catalogue was published in conjunction with the exhibition "Skyscraper: Art and Architecture Against Gravity," organized by the Museum of Contemporary Art Chicago; curated by Michael Darling, James W. Alsdorf Chief Curator, and Joanna Szupinska, Marjorie Susman Curatorial Fellow; and presented at the Museum of Contemporary Art Chicago, June 30-September 23, 2012.
Publication:
August 2012
August 2012
Title:
Skyscraper: Art and architecture against gravity
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$40.00
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This catalogue was published in conjunction with the exhibition "Skyscraper: Art and Architecture Against Gravity," organized by the Museum of Contemporary Art Chicago; curated by Michael Darling, James W. Alsdorf Chief Curator, and Joanna Szupinska, Marjorie Susman Curatorial Fellow; and presented at the Museum of Contemporary Art Chicago, June 30-September 23, 2012.
Skyscraper: Art and architecture against gravity
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This catalogue was published in conjunction with the exhibition "Skyscraper: Art and Architecture Against Gravity," organized by the Museum of Contemporary Art Chicago; curated by Michael Darling, James W. Alsdorf Chief Curator, and Joanna Szupinska, Marjorie Susman Curatorial Fellow; and presented at the Museum of Contemporary Art Chicago, June 30-September 23, 2012.
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books
books
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August 2012
August 2012
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books
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$19.95
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The longest line on the London Underground network, the Central line opened in 1900 and has nearly quadrupled in size, now serving 49 stations and spanning 74 km (46 miles). The Central line’s sheer size presents significant challenges for personal interaction amongst its 1,408 operational staff. Artworks in the Central Line Series take the theme of ‘communication’ as a(...)
$19.95
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The longest line on the London Underground network, the Central line opened in 1900 and has nearly quadrupled in size, now serving 49 stations and spanning 74 km (46 miles). The Central line’s sheer size presents significant challenges for personal interaction amongst its 1,408 operational staff. Artworks in the Central Line Series take the theme of ‘communication’ as a(...)
Publication:
August 2012
August 2012
Title:
Central lines series: art on the underground
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$19.95
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The longest line on the London Underground network, the Central line opened in 1900 and has nearly quadrupled in size, now serving 49 stations and spanning 74 km (46 miles). The Central line’s sheer size presents significant challenges for personal interaction amongst its 1,408 operational staff. Artworks in the Central Line Series take the theme of ‘communication’ as a starting point to explore ideas around interaction, engagement and exchange, in the context of the Central line, and specific locations along the line.
Central lines series: art on the underground
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The longest line on the London Underground network, the Central line opened in 1900 and has nearly quadrupled in size, now serving 49 stations and spanning 74 km (46 miles). The Central line’s sheer size presents significant challenges for personal interaction amongst its 1,408 operational staff. Artworks in the Central Line Series take the theme of ‘communication’ as a starting point to explore ideas around interaction, engagement and exchange, in the context of the Central line, and specific locations along the line.
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books
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August 2012
August 2012
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One Thing Leads to Another - Everything is Connected is part of a new series in collaboration with Art on the Underground. Each year Art on the Underground focuses its temporary commissions programme on a specific tube line on the London Underground network and this book centres on the Jubilee Line.
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One Thing Leads to Another - Everything is Connected is part of a new series in collaboration with Art on the Underground. Each year Art on the Underground focuses its temporary commissions programme on a specific tube line on the London Underground network and this book centres on the Jubilee Line.
Publication:
August 2012
August 2012
Title:
One thing leads to another - everything is connected
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One Thing Leads to Another - Everything is Connected is part of a new series in collaboration with Art on the Underground. Each year Art on the Underground focuses its temporary commissions programme on a specific tube line on the London Underground network and this book centres on the Jubilee Line.
One thing leads to another - everything is connected
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$19.95
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One Thing Leads to Another - Everything is Connected is part of a new series in collaboration with Art on the Underground. Each year Art on the Underground focuses its temporary commissions programme on a specific tube line on the London Underground network and this book centres on the Jubilee Line.
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books
books
Publication:
August 2012
August 2012
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books
books
Title:
Jana Sterbak: Velleitas
Jana Sterbak: Velleitas
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A l'occasion d'une exposition rétrospective des travaux de Sterbak, Murray met en lumière les composantes architecturale et géométrique présentes dans l'oeuvre de l'artiste. Noble décèle dans l'oeuvre une dialectique situant le corps entre autonomie et confinement. Comprend des anecdotes relatées par l'artiste, deux extraits d'écrits de Calvino et De Azua, ainsi qu'une(...)
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A l'occasion d'une exposition rétrospective des travaux de Sterbak, Murray met en lumière les composantes architecturale et géométrique présentes dans l'oeuvre de l'artiste. Noble décèle dans l'oeuvre une dialectique situant le corps entre autonomie et confinement. Comprend des anecdotes relatées par l'artiste, deux extraits d'écrits de Calvino et De Azua, ainsi qu'une(...)
Title:
Jana Sterbak: Velleitas
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A l'occasion d'une exposition rétrospective des travaux de Sterbak, Murray met en lumière les composantes architecturale et géométrique présentes dans l'oeuvre de l'artiste. Noble décèle dans l'oeuvre une dialectique situant le corps entre autonomie et confinement. Comprend des anecdotes relatées par l'artiste, deux extraits d'écrits de Calvino et De Azua, ainsi qu'une nouvelle de Bowles. On the occasion of a retrospective exhibition of Sterbak's work, Murray brings to light architectural and geometrical components in the artist's work. Noble uncovers a dialectic in the work which situates the body between autonomy and containment. Includes anecdotes by the artist, two excerpts from Calvino and De Azua, and a short story by Bowles.
Jana Sterbak: Velleitas
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$50.00
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Summary:
A l'occasion d'une exposition rétrospective des travaux de Sterbak, Murray met en lumière les composantes architecturale et géométrique présentes dans l'oeuvre de l'artiste. Noble décèle dans l'oeuvre une dialectique situant le corps entre autonomie et confinement. Comprend des anecdotes relatées par l'artiste, deux extraits d'écrits de Calvino et De Azua, ainsi qu'une nouvelle de Bowles. On the occasion of a retrospective exhibition of Sterbak's work, Murray brings to light architectural and geometrical components in the artist's work. Noble uncovers a dialectic in the work which situates the body between autonomy and containment. Includes anecdotes by the artist, two excerpts from Calvino and De Azua, and a short story by Bowles.
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books
books
Publication:
August 1995
August 1995
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books
books
Price:
$56.95
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Summary:
The art world is no longer defined by the activity of traditional art centers such as New York, Berlin, Beijing, or London, but is instead shaped by many cities, small and large. These new artistic communities, each reflecting the history, culture, and conditions of its region, have established a vibrant network for contemporary art. Six Lines of Flight explores the(...)
$56.95
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Summary:
The art world is no longer defined by the activity of traditional art centers such as New York, Berlin, Beijing, or London, but is instead shaped by many cities, small and large. These new artistic communities, each reflecting the history, culture, and conditions of its region, have established a vibrant network for contemporary art. Six Lines of Flight explores the(...)
Publication:
September 2012
September 2012
Title:
Six lines of flight: shifting geographies in contemporary art
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The art world is no longer defined by the activity of traditional art centers such as New York, Berlin, Beijing, or London, but is instead shaped by many cities, small and large. These new artistic communities, each reflecting the history, culture, and conditions of its region, have established a vibrant network for contemporary art. Six Lines of Flight explores the hybrid nature of today's international artistic landscape by introducing readers to the art scenes in six featured cities--Beirut, Lebanon; Cali, Colombia; Cluj, Romania; Ho Chi Minh City, Vietnam; San Francisco, USA; and Tangier, Morocco. In bringing together work by artists whose efforts have anchored each city's cultural scene, this book maps the pathways between them, illuminating the dynamic, global, interconnected spirit of twenty-first-century art. Essays by writers active in each region are accompanied by color images of representative artworks, along with brief texts on key local artists and organizations.
Six lines of flight: shifting geographies in contemporary art
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$56.95
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The art world is no longer defined by the activity of traditional art centers such as New York, Berlin, Beijing, or London, but is instead shaped by many cities, small and large. These new artistic communities, each reflecting the history, culture, and conditions of its region, have established a vibrant network for contemporary art. Six Lines of Flight explores the hybrid nature of today's international artistic landscape by introducing readers to the art scenes in six featured cities--Beirut, Lebanon; Cali, Colombia; Cluj, Romania; Ho Chi Minh City, Vietnam; San Francisco, USA; and Tangier, Morocco. In bringing together work by artists whose efforts have anchored each city's cultural scene, this book maps the pathways between them, illuminating the dynamic, global, interconnected spirit of twenty-first-century art. Essays by writers active in each region are accompanied by color images of representative artworks, along with brief texts on key local artists and organizations.
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books
books
Publication:
September 2012
September 2012
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books
books
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$72.50
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Wassily Kandinsky is often recognized as the first artist to paint shapes and colors without regard to visual references in the world. However, abstract paintings were being produced even before Kandinsky’s experiments with the form. In the middle of the nineteenth century, in England, Sweden, and Switzerland, respectively, Georgiana Houghton, Hilma af Klint, and Emma(...)
$72.50
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Summary:
Wassily Kandinsky is often recognized as the first artist to paint shapes and colors without regard to visual references in the world. However, abstract paintings were being produced even before Kandinsky’s experiments with the form. In the middle of the nineteenth century, in England, Sweden, and Switzerland, respectively, Georgiana Houghton, Hilma af Klint, and Emma(...)
Publication:
March 2019
March 2019
Title:
World receivers: Georgianna Houghton, Hilma af Klint, Emma Kunz
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$72.50
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Wassily Kandinsky is often recognized as the first artist to paint shapes and colors without regard to visual references in the world. However, abstract paintings were being produced even before Kandinsky’s experiments with the form. In the middle of the nineteenth century, in England, Sweden, and Switzerland, respectively, Georgiana Houghton, Hilma af Klint, and Emma Kunz each developed their own abstract pictorial language. Though working completely independently from one another, these three artists shared a desire to make visible the laws of nature, the intellect, and the supernatural. Working within the context of the spiritual movements of their times—Houghton in Spiritism, AF Klint in theosophy, and Kunz in naturopathy—they each produced abstract paintings that bore witness to a “mediumistic” praxis.
World receivers: Georgianna Houghton, Hilma af Klint, Emma Kunz
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$72.50
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Summary:
Wassily Kandinsky is often recognized as the first artist to paint shapes and colors without regard to visual references in the world. However, abstract paintings were being produced even before Kandinsky’s experiments with the form. In the middle of the nineteenth century, in England, Sweden, and Switzerland, respectively, Georgiana Houghton, Hilma af Klint, and Emma Kunz each developed their own abstract pictorial language. Though working completely independently from one another, these three artists shared a desire to make visible the laws of nature, the intellect, and the supernatural. Working within the context of the spiritual movements of their times—Houghton in Spiritism, AF Klint in theosophy, and Kunz in naturopathy—they each produced abstract paintings that bore witness to a “mediumistic” praxis.
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books
books
Publication:
March 2019
March 2019
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books
books
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$59.95
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Conçu en étroite collaboration avec l'artiste, avec des textes de Michel Racine, architecte paysagiste, et de Célia Bernasconi, conservateur en chef du Nouveau Musée National de Monaco, ce livre présente le regard de Latifa Echakhch sur les collections du musée, ainsi que son interprétation des représentations historiques du Jardin Exotique de Monaco, à travers un(...)
$59.95
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Conçu en étroite collaboration avec l'artiste, avec des textes de Michel Racine, architecte paysagiste, et de Célia Bernasconi, conservateur en chef du Nouveau Musée National de Monaco, ce livre présente le regard de Latifa Echakhch sur les collections du musée, ainsi que son interprétation des représentations historiques du Jardin Exotique de Monaco, à travers un(...)
Publication:
February 2019
February 2019
Title:
Latifa Echakhch : le jardin mécanique
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Conçu en étroite collaboration avec l'artiste, avec des textes de Michel Racine, architecte paysagiste, et de Célia Bernasconi, conservateur en chef du Nouveau Musée National de Monaco, ce livre présente le regard de Latifa Echakhch sur les collections du musée, ainsi que son interprétation des représentations historiques du Jardin Exotique de Monaco, à travers un flipbook retranscrivant au fil des pages le mouvement de cinq vidéos produites pour l'exposition au NMNM.
Latifa Echakhch : le jardin mécanique
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$59.95
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Conçu en étroite collaboration avec l'artiste, avec des textes de Michel Racine, architecte paysagiste, et de Célia Bernasconi, conservateur en chef du Nouveau Musée National de Monaco, ce livre présente le regard de Latifa Echakhch sur les collections du musée, ainsi que son interprétation des représentations historiques du Jardin Exotique de Monaco, à travers un flipbook retranscrivant au fil des pages le mouvement de cinq vidéos produites pour l'exposition au NMNM.
Form:
books
books
Publication:
February 2019
February 2019
