16284 Results
Level of archival description:
Project
Project
Reference number:
AP164.S1.1993.D6
Description:
The project series documents the competition entry for the plan and design of the “Dune Park,” in the Doñana National Park. The competition was organised by the Consejeria de Obras Públicas y Transportes, Junta de Andalucia, Spain. The firm identified this project as number 84. Abalos & Herreros worked with collaborators Ángel Borrego, Pilar González Santoyo and Rafael Hernández. The firm's entry proposed “[…] the most advanced experiences in preservation, restoration and reconversion of environmental heritage in the contemporary tourist offer : Access to the Dune Park and Matalascañas; Atlantic balcony[?]; Beach and naturist colony; Park.” (ARCH277386) Documenting this project are conceptual and presentation drawings, cartographic, graphic, photographic and reference materials, project descriptions, dummies and a poster.
AP164.S1.1993.D6
Description:
The project series documents the competition entry for the plan and design of the “Dune Park,” in the Doñana National Park. The competition was organised by the Consejeria de Obras Públicas y Transportes, Junta de Andalucia, Spain. The firm identified this project as number 84. Abalos & Herreros worked with collaborators Ángel Borrego, Pilar González Santoyo and Rafael Hernández. The firm's entry proposed “[…] the most advanced experiences in preservation, restoration and reconversion of environmental heritage in the contemporary tourist offer : Access to the Dune Park and Matalascañas; Atlantic balcony[?]; Beach and naturist colony; Park.” (ARCH277386) Documenting this project are conceptual and presentation drawings, cartographic, graphic, photographic and reference materials, project descriptions, dummies and a poster.
People:
Date:
circa 1992-1993
circa 1992-1993
Title:
Parque Dunar, Doñana National Park, Spain
Actions:
AP164.S1.1993.D6
Description:
The project series documents the competition entry for the plan and design of the “Dune Park,” in the Doñana National Park. The competition was organised by the Consejeria de Obras Públicas y Transportes, Junta de Andalucia, Spain. The firm identified this project as number 84. Abalos & Herreros worked with collaborators Ángel Borrego, Pilar González Santoyo and Rafael Hernández. The firm's entry proposed “[…] the most advanced experiences in preservation, restoration and reconversion of environmental heritage in the contemporary tourist offer : Access to the Dune Park and Matalascañas; Atlantic balcony[?]; Beach and naturist colony; Park.” (ARCH277386) Documenting this project are conceptual and presentation drawings, cartographic, graphic, photographic and reference materials, project descriptions, dummies and a poster.
Parque Dunar, Doñana National Park, Spain
Actions:
AP164.S1.1993.D6
Description:
The project series documents the competition entry for the plan and design of the “Dune Park,” in the Doñana National Park. The competition was organised by the Consejeria de Obras Públicas y Transportes, Junta de Andalucia, Spain. The firm identified this project as number 84. Abalos & Herreros worked with collaborators Ángel Borrego, Pilar González Santoyo and Rafael Hernández. The firm's entry proposed “[…] the most advanced experiences in preservation, restoration and reconversion of environmental heritage in the contemporary tourist offer : Access to the Dune Park and Matalascañas; Atlantic balcony[?]; Beach and naturist colony; Park.” (ARCH277386) Documenting this project are conceptual and presentation drawings, cartographic, graphic, photographic and reference materials, project descriptions, dummies and a poster.
Level of archival description:
Project
Project
Date:
circa 1992-1993
circa 1992-1993
People:
Level of archival description:
Project
Project
Title:
Canadian Coast Guard College, Revisions to Physical Training Facilities, Sydney, Nova Scotia (1982)
Canadian Coast Guard College, Revisions to Physical Training Facilities, Sydney, Nova Scotia (1982)
Actions:
Reference number:
AP018.S1.1982.PR13
Description:
This project series documents revisions made to the physical training facilities at the Canadian Coast Guard College in Sydney, Nova Scotia in 1982. The office identified the project number as 8215. The physical training facilities, constructed by Parkin Architects Planners in 1981, consisted primarily of a swimming pool, gymnasium and change rooms, among other spaces. This project documents revisions made to that building, including alterations to the west entrance, alterations to the women's change room and the installation of new lockers. The project is recorded through drawings and textual records dating from 1982. The drawings are of details and are arranged within the textual materials. The textual records include meeting and site reports and correspondence.
AP018.S1.1982.PR13
Description:
This project series documents revisions made to the physical training facilities at the Canadian Coast Guard College in Sydney, Nova Scotia in 1982. The office identified the project number as 8215. The physical training facilities, constructed by Parkin Architects Planners in 1981, consisted primarily of a swimming pool, gymnasium and change rooms, among other spaces. This project documents revisions made to that building, including alterations to the west entrance, alterations to the women's change room and the installation of new lockers. The project is recorded through drawings and textual records dating from 1982. The drawings are of details and are arranged within the textual materials. The textual records include meeting and site reports and correspondence.
People:
Date:
1982
1982
Title:
Canadian Coast Guard College, Revisions to Physical Training Facilities, Sydney, Nova Scotia (1982)
Actions:
AP018.S1.1982.PR13
Description:
This project series documents revisions made to the physical training facilities at the Canadian Coast Guard College in Sydney, Nova Scotia in 1982. The office identified the project number as 8215. The physical training facilities, constructed by Parkin Architects Planners in 1981, consisted primarily of a swimming pool, gymnasium and change rooms, among other spaces. This project documents revisions made to that building, including alterations to the west entrance, alterations to the women's change room and the installation of new lockers. The project is recorded through drawings and textual records dating from 1982. The drawings are of details and are arranged within the textual materials. The textual records include meeting and site reports and correspondence.
Canadian Coast Guard College, Revisions to Physical Training Facilities, Sydney, Nova Scotia (1982)
Actions:
AP018.S1.1982.PR13
Description:
This project series documents revisions made to the physical training facilities at the Canadian Coast Guard College in Sydney, Nova Scotia in 1982. The office identified the project number as 8215. The physical training facilities, constructed by Parkin Architects Planners in 1981, consisted primarily of a swimming pool, gymnasium and change rooms, among other spaces. This project documents revisions made to that building, including alterations to the west entrance, alterations to the women's change room and the installation of new lockers. The project is recorded through drawings and textual records dating from 1982. The drawings are of details and are arranged within the textual materials. The textual records include meeting and site reports and correspondence.
Level of archival description:
Project
Project
Date:
1982
1982
People:
Level of archival description:
Sub-series
Sub-series
Title:
Office Operations
Office Operations
Actions:
Reference number:
AP032.S2.SS2.D1
Description:
This sub-series documents Goldsmith’s work at the Chicago office of the architectural firm Skidmore, Owings & Merrill from 1956 – 1986. The sub-series consists of textual records, drawings, and photographic material and includes material related to administrative activities, architectural projects, and research and reference.
AP032.S2.SS2.D1
Description:
This sub-series documents Goldsmith’s work at the Chicago office of the architectural firm Skidmore, Owings & Merrill from 1956 – 1986. The sub-series consists of textual records, drawings, and photographic material and includes material related to administrative activities, architectural projects, and research and reference.
People:
Date:
1956-1986
1956-1986
Title:
Office Operations
Actions:
AP032.S2.SS2.D1
Description:
This sub-series documents Goldsmith’s work at the Chicago office of the architectural firm Skidmore, Owings & Merrill from 1956 – 1986. The sub-series consists of textual records, drawings, and photographic material and includes material related to administrative activities, architectural projects, and research and reference.
Office Operations
Actions:
AP032.S2.SS2.D1
Description:
This sub-series documents Goldsmith’s work at the Chicago office of the architectural firm Skidmore, Owings & Merrill from 1956 – 1986. The sub-series consists of textual records, drawings, and photographic material and includes material related to administrative activities, architectural projects, and research and reference.
Level of archival description:
File 1
File 1
Date:
1956-1986
1956-1986
People:
Level of archival description:
Series
Series
Reference number:
AP168.S1
Description:
The Project records from Neil Denari series, 1994 – 2004, consists of records produced by Denari for his show “Interrupted Projections” at Gallery MA in Tokyo, Japan. It documents the development and final design for the principal architectural installation built on the third level of the gallery, as well as related materials displayed on the gallery’s fourth floor. The series also contains photographic and video documentation of the exhibit, the show catalogue, and promotional materials. The series includes 4003 digital files (1 GB), 53 slides, 21 transparencies, seven drawings and/or reprographic copies, two VHS video cassettes, one exhibition catalogue, and a small amount of promotional material comprising one large and two small posters, one postcard, and one t-shirt. The majority of records date from 1994-1996. Denari used a combination of physical drawings and digital modelling to draft the design for Interrupted Projections. The series contains one ink drawing and one transfer print with plans and sections of the third floor gallery space, two reprographic copies of drawings with elevations and plans of existing conditions of the third and fourth floors at Gallery MA, and three graphite hand drawings of the installation. Digital files in the series include two original Softimage databases containing full and partial 3D models of the installation, as well as one forward-migrated database containing models compiled from the two original databases. The original models were created in Softimage ’95 on Windows NT and will not open in contemporary versions of Autodesk Softimage. The forward-migrated model database was created by members of Autodesk’s Montreal office for the Archaeology of the Digital exhibition Complexity and Convention and will open in Softimage 2014. Each Softimage model database is made up of several directories that contain information necessary to render all models and their animation into a “scene” (such as textures, lighting, camera movements, etc.). When the Interrupted Projections models were migrated, the information from all directories in both original databases was compiled into the Scenes directory of a single database. These updated scene files (SCN) contain all the elements needed to render the models without the need for additional directories. Each scene file has a corresponding scene TOC file (scene table of content), which can be used to further modify the information in the scene. Scene files in the migrated database contain full and partial models for Interrupted Projections, including one animated scene that follows a camera path through the interior and exterior of the final model. These files document the various stages of design work for the project, as well as Denari’s use of animation features in Softimage to visualize and study the spatial character of his drawings. Project collaborator Duks Koschitz created additional animations of the model that were edited and shown on the fourth floor of the exhibition. A compilation of his work is included on a VHS tape in the archive. The video, which spans one minute 16 seconds, contains four animations that move around the 3D gallery space. Koschitz attempted to reflect the concerns of the project in the movements of the camera, focusing on details such as the fictional company logos or curvatures in the surface of the model. The majority of photographic materials in the series are digital renderings of the model, comprising 38 slides, 14 diapositives, and seven digital images. Photographic materials also include images of the completed show, including seven diapositives that document the built work from various views on the third floor of Gallery MA, as well as the exhibition of materials on the fourth floor. A small number of slides document the exhibit open to the public, and include images of visitors interacting with the Sony Navicam. Most of the diapositive photographs and a small number of slides were taken by Fujitsuka Mitsumasa, a photographer of architecture based in Tokyo. A second VHS tape in the archive provides in-depth documentation of the Interrupted Projections exhibition, containing 45 minutes of raw video footage that explores Gallery MA and surrounding areas of Tokyo. The Interrupted Projections book contains in print the text and images from the installation and website. It was written by Denari and designed by Michiharu Shimoda, a graphic designer and underground trip-hop artist who was also responsible for the design of the fictional logos used in the exhibit. The book acts as an extension of the content of the show, as well as exhibition catalogue, and covers Denari’s other projects represented in the show. The series also contains a small amount of promotional media for Interrupted Projections, including one large and two small posters, a postcard, and a t-shirt.
AP168.S1
Description:
The Project records from Neil Denari series, 1994 – 2004, consists of records produced by Denari for his show “Interrupted Projections” at Gallery MA in Tokyo, Japan. It documents the development and final design for the principal architectural installation built on the third level of the gallery, as well as related materials displayed on the gallery’s fourth floor. The series also contains photographic and video documentation of the exhibit, the show catalogue, and promotional materials. The series includes 4003 digital files (1 GB), 53 slides, 21 transparencies, seven drawings and/or reprographic copies, two VHS video cassettes, one exhibition catalogue, and a small amount of promotional material comprising one large and two small posters, one postcard, and one t-shirt. The majority of records date from 1994-1996. Denari used a combination of physical drawings and digital modelling to draft the design for Interrupted Projections. The series contains one ink drawing and one transfer print with plans and sections of the third floor gallery space, two reprographic copies of drawings with elevations and plans of existing conditions of the third and fourth floors at Gallery MA, and three graphite hand drawings of the installation. Digital files in the series include two original Softimage databases containing full and partial 3D models of the installation, as well as one forward-migrated database containing models compiled from the two original databases. The original models were created in Softimage ’95 on Windows NT and will not open in contemporary versions of Autodesk Softimage. The forward-migrated model database was created by members of Autodesk’s Montreal office for the Archaeology of the Digital exhibition Complexity and Convention and will open in Softimage 2014. Each Softimage model database is made up of several directories that contain information necessary to render all models and their animation into a “scene” (such as textures, lighting, camera movements, etc.). When the Interrupted Projections models were migrated, the information from all directories in both original databases was compiled into the Scenes directory of a single database. These updated scene files (SCN) contain all the elements needed to render the models without the need for additional directories. Each scene file has a corresponding scene TOC file (scene table of content), which can be used to further modify the information in the scene. Scene files in the migrated database contain full and partial models for Interrupted Projections, including one animated scene that follows a camera path through the interior and exterior of the final model. These files document the various stages of design work for the project, as well as Denari’s use of animation features in Softimage to visualize and study the spatial character of his drawings. Project collaborator Duks Koschitz created additional animations of the model that were edited and shown on the fourth floor of the exhibition. A compilation of his work is included on a VHS tape in the archive. The video, which spans one minute 16 seconds, contains four animations that move around the 3D gallery space. Koschitz attempted to reflect the concerns of the project in the movements of the camera, focusing on details such as the fictional company logos or curvatures in the surface of the model. The majority of photographic materials in the series are digital renderings of the model, comprising 38 slides, 14 diapositives, and seven digital images. Photographic materials also include images of the completed show, including seven diapositives that document the built work from various views on the third floor of Gallery MA, as well as the exhibition of materials on the fourth floor. A small number of slides document the exhibit open to the public, and include images of visitors interacting with the Sony Navicam. Most of the diapositive photographs and a small number of slides were taken by Fujitsuka Mitsumasa, a photographer of architecture based in Tokyo. A second VHS tape in the archive provides in-depth documentation of the Interrupted Projections exhibition, containing 45 minutes of raw video footage that explores Gallery MA and surrounding areas of Tokyo. The Interrupted Projections book contains in print the text and images from the installation and website. It was written by Denari and designed by Michiharu Shimoda, a graphic designer and underground trip-hop artist who was also responsible for the design of the fictional logos used in the exhibit. The book acts as an extension of the content of the show, as well as exhibition catalogue, and covers Denari’s other projects represented in the show. The series also contains a small amount of promotional media for Interrupted Projections, including one large and two small posters, a postcard, and a t-shirt.
People:
Date:
1994 - 2004
1994 - 2004
Title:
Project records from Neil Denari
Actions:
AP168.S1
Description:
The Project records from Neil Denari series, 1994 – 2004, consists of records produced by Denari for his show “Interrupted Projections” at Gallery MA in Tokyo, Japan. It documents the development and final design for the principal architectural installation built on the third level of the gallery, as well as related materials displayed on the gallery’s fourth floor. The series also contains photographic and video documentation of the exhibit, the show catalogue, and promotional materials. The series includes 4003 digital files (1 GB), 53 slides, 21 transparencies, seven drawings and/or reprographic copies, two VHS video cassettes, one exhibition catalogue, and a small amount of promotional material comprising one large and two small posters, one postcard, and one t-shirt. The majority of records date from 1994-1996. Denari used a combination of physical drawings and digital modelling to draft the design for Interrupted Projections. The series contains one ink drawing and one transfer print with plans and sections of the third floor gallery space, two reprographic copies of drawings with elevations and plans of existing conditions of the third and fourth floors at Gallery MA, and three graphite hand drawings of the installation. Digital files in the series include two original Softimage databases containing full and partial 3D models of the installation, as well as one forward-migrated database containing models compiled from the two original databases. The original models were created in Softimage ’95 on Windows NT and will not open in contemporary versions of Autodesk Softimage. The forward-migrated model database was created by members of Autodesk’s Montreal office for the Archaeology of the Digital exhibition Complexity and Convention and will open in Softimage 2014. Each Softimage model database is made up of several directories that contain information necessary to render all models and their animation into a “scene” (such as textures, lighting, camera movements, etc.). When the Interrupted Projections models were migrated, the information from all directories in both original databases was compiled into the Scenes directory of a single database. These updated scene files (SCN) contain all the elements needed to render the models without the need for additional directories. Each scene file has a corresponding scene TOC file (scene table of content), which can be used to further modify the information in the scene. Scene files in the migrated database contain full and partial models for Interrupted Projections, including one animated scene that follows a camera path through the interior and exterior of the final model. These files document the various stages of design work for the project, as well as Denari’s use of animation features in Softimage to visualize and study the spatial character of his drawings. Project collaborator Duks Koschitz created additional animations of the model that were edited and shown on the fourth floor of the exhibition. A compilation of his work is included on a VHS tape in the archive. The video, which spans one minute 16 seconds, contains four animations that move around the 3D gallery space. Koschitz attempted to reflect the concerns of the project in the movements of the camera, focusing on details such as the fictional company logos or curvatures in the surface of the model. The majority of photographic materials in the series are digital renderings of the model, comprising 38 slides, 14 diapositives, and seven digital images. Photographic materials also include images of the completed show, including seven diapositives that document the built work from various views on the third floor of Gallery MA, as well as the exhibition of materials on the fourth floor. A small number of slides document the exhibit open to the public, and include images of visitors interacting with the Sony Navicam. Most of the diapositive photographs and a small number of slides were taken by Fujitsuka Mitsumasa, a photographer of architecture based in Tokyo. A second VHS tape in the archive provides in-depth documentation of the Interrupted Projections exhibition, containing 45 minutes of raw video footage that explores Gallery MA and surrounding areas of Tokyo. The Interrupted Projections book contains in print the text and images from the installation and website. It was written by Denari and designed by Michiharu Shimoda, a graphic designer and underground trip-hop artist who was also responsible for the design of the fictional logos used in the exhibit. The book acts as an extension of the content of the show, as well as exhibition catalogue, and covers Denari’s other projects represented in the show. The series also contains a small amount of promotional media for Interrupted Projections, including one large and two small posters, a postcard, and a t-shirt.
Project records from Neil Denari
Actions:
AP168.S1
Description:
The Project records from Neil Denari series, 1994 – 2004, consists of records produced by Denari for his show “Interrupted Projections” at Gallery MA in Tokyo, Japan. It documents the development and final design for the principal architectural installation built on the third level of the gallery, as well as related materials displayed on the gallery’s fourth floor. The series also contains photographic and video documentation of the exhibit, the show catalogue, and promotional materials. The series includes 4003 digital files (1 GB), 53 slides, 21 transparencies, seven drawings and/or reprographic copies, two VHS video cassettes, one exhibition catalogue, and a small amount of promotional material comprising one large and two small posters, one postcard, and one t-shirt. The majority of records date from 1994-1996. Denari used a combination of physical drawings and digital modelling to draft the design for Interrupted Projections. The series contains one ink drawing and one transfer print with plans and sections of the third floor gallery space, two reprographic copies of drawings with elevations and plans of existing conditions of the third and fourth floors at Gallery MA, and three graphite hand drawings of the installation. Digital files in the series include two original Softimage databases containing full and partial 3D models of the installation, as well as one forward-migrated database containing models compiled from the two original databases. The original models were created in Softimage ’95 on Windows NT and will not open in contemporary versions of Autodesk Softimage. The forward-migrated model database was created by members of Autodesk’s Montreal office for the Archaeology of the Digital exhibition Complexity and Convention and will open in Softimage 2014. Each Softimage model database is made up of several directories that contain information necessary to render all models and their animation into a “scene” (such as textures, lighting, camera movements, etc.). When the Interrupted Projections models were migrated, the information from all directories in both original databases was compiled into the Scenes directory of a single database. These updated scene files (SCN) contain all the elements needed to render the models without the need for additional directories. Each scene file has a corresponding scene TOC file (scene table of content), which can be used to further modify the information in the scene. Scene files in the migrated database contain full and partial models for Interrupted Projections, including one animated scene that follows a camera path through the interior and exterior of the final model. These files document the various stages of design work for the project, as well as Denari’s use of animation features in Softimage to visualize and study the spatial character of his drawings. Project collaborator Duks Koschitz created additional animations of the model that were edited and shown on the fourth floor of the exhibition. A compilation of his work is included on a VHS tape in the archive. The video, which spans one minute 16 seconds, contains four animations that move around the 3D gallery space. Koschitz attempted to reflect the concerns of the project in the movements of the camera, focusing on details such as the fictional company logos or curvatures in the surface of the model. The majority of photographic materials in the series are digital renderings of the model, comprising 38 slides, 14 diapositives, and seven digital images. Photographic materials also include images of the completed show, including seven diapositives that document the built work from various views on the third floor of Gallery MA, as well as the exhibition of materials on the fourth floor. A small number of slides document the exhibit open to the public, and include images of visitors interacting with the Sony Navicam. Most of the diapositive photographs and a small number of slides were taken by Fujitsuka Mitsumasa, a photographer of architecture based in Tokyo. A second VHS tape in the archive provides in-depth documentation of the Interrupted Projections exhibition, containing 45 minutes of raw video footage that explores Gallery MA and surrounding areas of Tokyo. The Interrupted Projections book contains in print the text and images from the installation and website. It was written by Denari and designed by Michiharu Shimoda, a graphic designer and underground trip-hop artist who was also responsible for the design of the fictional logos used in the exhibit. The book acts as an extension of the content of the show, as well as exhibition catalogue, and covers Denari’s other projects represented in the show. The series also contains a small amount of promotional media for Interrupted Projections, including one large and two small posters, a postcard, and a t-shirt.
Level of archival description:
Series
Series
Date:
1994 - 2004
1994 - 2004
People:
Level of archival description:
Project
Project
Title:
Economy Houses
Economy Houses
Reference number:
AP145.S2.D6
Description:
File documents three related projects Friedlander House (also known as Economy studio), Economy House I, and Economy House II. Economy House I was the only one of the three projects that was executed. Material in this file was produced between 1954 and 1963. The Friedlander House was an unexecuted [?] project for a studio house in Waverly, New York. Material related to this project consists of presentation drawings produced in 1959. Economy House I was an executed project for a house in Locust Valley, New York. Material related to this project consists of 2 presentation drawings produced in 1960. Economy House II was an unexecuted [?] project for a house in an unknown location. Material related to this project consits of presentation drawings produced between 1954 and 1963.
AP145.S2.D6
Description:
File documents three related projects Friedlander House (also known as Economy studio), Economy House I, and Economy House II. Economy House I was the only one of the three projects that was executed. Material in this file was produced between 1954 and 1963. The Friedlander House was an unexecuted [?] project for a studio house in Waverly, New York. Material related to this project consists of presentation drawings produced in 1959. Economy House I was an executed project for a house in Locust Valley, New York. Material related to this project consists of 2 presentation drawings produced in 1960. Economy House II was an unexecuted [?] project for a house in an unknown location. Material related to this project consits of presentation drawings produced between 1954 and 1963.
People:
Date:
[1954 and 1963]
[1954 and 1963]
Title:
Economy Houses
Actions:
AP145.S2.D6
Description:
File documents three related projects Friedlander House (also known as Economy studio), Economy House I, and Economy House II. Economy House I was the only one of the three projects that was executed. Material in this file was produced between 1954 and 1963. The Friedlander House was an unexecuted [?] project for a studio house in Waverly, New York. Material related to this project consists of presentation drawings produced in 1959. Economy House I was an executed project for a house in Locust Valley, New York. Material related to this project consists of 2 presentation drawings produced in 1960. Economy House II was an unexecuted [?] project for a house in an unknown location. Material related to this project consits of presentation drawings produced between 1954 and 1963.
Economy Houses
Actions:
AP145.S2.D6
Description:
File documents three related projects Friedlander House (also known as Economy studio), Economy House I, and Economy House II. Economy House I was the only one of the three projects that was executed. Material in this file was produced between 1954 and 1963. The Friedlander House was an unexecuted [?] project for a studio house in Waverly, New York. Material related to this project consists of presentation drawings produced in 1959. Economy House I was an executed project for a house in Locust Valley, New York. Material related to this project consists of 2 presentation drawings produced in 1960. Economy House II was an unexecuted [?] project for a house in an unknown location. Material related to this project consits of presentation drawings produced between 1954 and 1963.
Level of archival description:
File 6
File 6
Date:
[1954 and 1963]
[1954 and 1963]
People:
Form:
textual records
textual records
Actions:
Reference number:
ARCH258714
Description:
Documents de la firme Damien Boileau Limitée, incluant une copie du contrat, des listes de travaux exécutés, des listes de matériaux, des factures, des entrevues avec l'entrepreneur. Comprend aussi des procès-verbaux de la société d'administration, des rapports, études, et mémoires sur les coûts des travaux.
ARCH258714
Description:
Documents de la firme Damien Boileau Limitée, incluant une copie du contrat, des listes de travaux exécutés, des listes de matériaux, des factures, des entrevues avec l'entrepreneur. Comprend aussi des procès-verbaux de la société d'administration, des rapports, études, et mémoires sur les coûts des travaux.
People:
Date:
1934-1944
1934-1944
Title:
Copie de contrat, comptabilité, procès-verbaux et rapports
Actions:
ARCH258714
Description:
Documents de la firme Damien Boileau Limitée, incluant une copie du contrat, des listes de travaux exécutés, des listes de matériaux, des factures, des entrevues avec l'entrepreneur. Comprend aussi des procès-verbaux de la société d'administration, des rapports, études, et mémoires sur les coûts des travaux.
Copie de contrat, comptabilité, procès-verbaux et rapports
Actions:
ARCH258714
Description:
Documents de la firme Damien Boileau Limitée, incluant une copie du contrat, des listes de travaux exécutés, des listes de matériaux, des factures, des entrevues avec l'entrepreneur. Comprend aussi des procès-verbaux de la société d'administration, des rapports, études, et mémoires sur les coûts des travaux.
Form:
textual records
textual records
Date:
1934-1944
1934-1944
People:
Level of archival description:
Project
Project
Title:
Hotel Scheveningen (2000)
Hotel Scheveningen (2000)
Actions:
Reference number:
AP173.S1.2000.D1
Description:
Series documents Lars Spuybroek's project Hotel Scheveningen. Material in this series was produced around 2000. The series contains a presentation booklet of the project. This project may also include digital design material, which has yet to be processed and which will available for consultation in 2017.
AP173.S1.2000.D1
Description:
Series documents Lars Spuybroek's project Hotel Scheveningen. Material in this series was produced around 2000. The series contains a presentation booklet of the project. This project may also include digital design material, which has yet to be processed and which will available for consultation in 2017.
People:
Date:
ca. 2000
ca. 2000
Title:
Hotel Scheveningen (2000)
Actions:
AP173.S1.2000.D1
Description:
Series documents Lars Spuybroek's project Hotel Scheveningen. Material in this series was produced around 2000. The series contains a presentation booklet of the project. This project may also include digital design material, which has yet to be processed and which will available for consultation in 2017.
Hotel Scheveningen (2000)
Actions:
AP173.S1.2000.D1
Description:
Series documents Lars Spuybroek's project Hotel Scheveningen. Material in this series was produced around 2000. The series contains a presentation booklet of the project. This project may also include digital design material, which has yet to be processed and which will available for consultation in 2017.
Level of archival description:
Project
Project
Date:
ca. 2000
ca. 2000
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP143.S4.D105
Description:
File documents the unexecuted project for the Tours Regional Music Conservatory and Contemporary Arts Center, Tours, France. Material in this file was produced between 1993 and 1994. File contains design development drawings, photographic material, presentation drawings, reference drawings, textual records, and a model.
AP143.S4.D105
Description:
File documents the unexecuted project for the Tours Regional Music Conservatory and Contemporary Arts Center, Tours, France. Material in this file was produced between 1993 and 1994. File contains design development drawings, photographic material, presentation drawings, reference drawings, textual records, and a model.
People:
Date:
1993-1994
1993-1994
Title:
Tours Regional Music Conservatory and Contemporary Arts Center
Actions:
AP143.S4.D105
Description:
File documents the unexecuted project for the Tours Regional Music Conservatory and Contemporary Arts Center, Tours, France. Material in this file was produced between 1993 and 1994. File contains design development drawings, photographic material, presentation drawings, reference drawings, textual records, and a model.
Tours Regional Music Conservatory and Contemporary Arts Center
Actions:
AP143.S4.D105
Description:
File documents the unexecuted project for the Tours Regional Music Conservatory and Contemporary Arts Center, Tours, France. Material in this file was produced between 1993 and 1994. File contains design development drawings, photographic material, presentation drawings, reference drawings, textual records, and a model.
Level of archival description:
File 105
File 105
Date:
1993-1994
1993-1994
People:
Level of archival description:
Sub-series
Sub-series
Actions:
Reference number:
AP116.S2.SS11.D1
Description:
File documents the planning of the Anything Conference and the accompanying exhibition "Eavesdropping on Architecture." Material in file was produced between 1999 and 2000. File contains correspondence, funding requests, conference schedules, budgets, travel arrangements, participant lists, clippings, publicity material, receipts, and zip disk.
AP116.S2.SS11.D1
Description:
File documents the planning of the Anything Conference and the accompanying exhibition "Eavesdropping on Architecture." Material in file was produced between 1999 and 2000. File contains correspondence, funding requests, conference schedules, budgets, travel arrangements, participant lists, clippings, publicity material, receipts, and zip disk.
People:
Date:
1999-2000
1999-2000
Title:
Anything Conference - General
Actions:
AP116.S2.SS11.D1
Description:
File documents the planning of the Anything Conference and the accompanying exhibition "Eavesdropping on Architecture." Material in file was produced between 1999 and 2000. File contains correspondence, funding requests, conference schedules, budgets, travel arrangements, participant lists, clippings, publicity material, receipts, and zip disk.
Anything Conference - General
Actions:
AP116.S2.SS11.D1
Description:
File documents the planning of the Anything Conference and the accompanying exhibition "Eavesdropping on Architecture." Material in file was produced between 1999 and 2000. File contains correspondence, funding requests, conference schedules, budgets, travel arrangements, participant lists, clippings, publicity material, receipts, and zip disk.
Level of archival description:
File 1
File 1
Date:
1999-2000
1999-2000
People:
Level of archival description:
Project
Project
Title:
South Bank II
South Bank II
Actions:
Reference number:
AP144.S2.D167
Description:
File documents an unsuccessful entry in a competition for improvement of the South Bank site in Lambeth, London, England. File also contains material relating to two exhibitions featuring material from Cedric Price's earlier project for the South Bank, organized by the Architecture Foundation and South Bank Centre and entitled "Building the South Bank: Architectural Projects for the South Bank 1753-1993" and "Designs on the Future - Architecture on the South Bank". Material in this file was produced in 1994. File contains a presentation panel and textual records.
AP144.S2.D167
Description:
File documents an unsuccessful entry in a competition for improvement of the South Bank site in Lambeth, London, England. File also contains material relating to two exhibitions featuring material from Cedric Price's earlier project for the South Bank, organized by the Architecture Foundation and South Bank Centre and entitled "Building the South Bank: Architectural Projects for the South Bank 1753-1993" and "Designs on the Future - Architecture on the South Bank". Material in this file was produced in 1994. File contains a presentation panel and textual records.
People:
Date:
1994
1994
Title:
South Bank II
Actions:
AP144.S2.D167
Description:
File documents an unsuccessful entry in a competition for improvement of the South Bank site in Lambeth, London, England. File also contains material relating to two exhibitions featuring material from Cedric Price's earlier project for the South Bank, organized by the Architecture Foundation and South Bank Centre and entitled "Building the South Bank: Architectural Projects for the South Bank 1753-1993" and "Designs on the Future - Architecture on the South Bank". Material in this file was produced in 1994. File contains a presentation panel and textual records.
South Bank II
Actions:
AP144.S2.D167
Description:
File documents an unsuccessful entry in a competition for improvement of the South Bank site in Lambeth, London, England. File also contains material relating to two exhibitions featuring material from Cedric Price's earlier project for the South Bank, organized by the Architecture Foundation and South Bank Centre and entitled "Building the South Bank: Architectural Projects for the South Bank 1753-1993" and "Designs on the Future - Architecture on the South Bank". Material in this file was produced in 1994. File contains a presentation panel and textual records.
Level of archival description:
File 167
File 167
Date:
1994
1994
People:
