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Ornament & Identity is the sequel to the well-received At Work, a publication on the renowned Rotterdam-based architecture firm Neutelings Riedijk. In their new book, the firm convincingly demonstrates that buildings with a powerful expression create positive new local identities in a globalized world. Across 12 themed chapters Moiré, Image, Seam, Emblem, Letter, Pattern,(...)
Neutelings Riedijk Architects: Ornament & identity
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Ornament & Identity is the sequel to the well-received At Work, a publication on the renowned Rotterdam-based architecture firm Neutelings Riedijk. In their new book, the firm convincingly demonstrates that buildings with a powerful expression create positive new local identities in a globalized world. Across 12 themed chapters Moiré, Image, Seam, Emblem, Letter, Pattern, Frame, Ridge, Grid, Diamond, Relief and Filigree readers are guided on the exploration of the connection between form, meaning and contemporary ornaments. Realized buildings, intriguing scale models, material samples and unique ornaments designed by Neutelings Riedijk Architects illustrate the firm's craftsmanship and its search for expression and identity.
Architecture Monographs
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Etymologically the term “intensity” refers to notions of measurement and quantity as well as strength and power depending on the context in which it is used. For this exhibition at Aedes Architecture Forum, the notion of “intensity” becomes the scale applied to architecture. “IntenCity” is articulated around a current and fundamental question: How can an increasing(...)
Jean-Paul Viguier et Associés : Intencity
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Etymologically the term “intensity” refers to notions of measurement and quantity as well as strength and power depending on the context in which it is used. For this exhibition at Aedes Architecture Forum, the notion of “intensity” becomes the scale applied to architecture. “IntenCity” is articulated around a current and fundamental question: How can an increasing population and the resulting density and intensity be conducted by city planners and architects? As a way to answer this question, four key frames of intensity – history and city planning, architecture, landscape and flux – are used to highlight four projects: Espace Claude Monet in Rouen (2012), Pôle de commerces et de loisirs Confluence in Lyon (2012), Muse – Quartier de l’Amphithéâtre (2017) and Europea-Neo in Brussels (2025).
Architecture Monographs
Jeff Liao: Coney Island
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In 2010, Liao began photographing Coney Island during a period of transition, for both the place and the artist. A new incarnation of Luna Park opened to the public, the municipal government actively engaged in redevelopment, and the area visibly transformed. At the same time, Liao’s approach to picture making changed as he experimented with new strategies and techniques.(...)
Jeff Liao: Coney Island
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In 2010, Liao began photographing Coney Island during a period of transition, for both the place and the artist. A new incarnation of Luna Park opened to the public, the municipal government actively engaged in redevelopment, and the area visibly transformed. At the same time, Liao’s approach to picture making changed as he experimented with new strategies and techniques. He started the project working with traditional transparency film. Although he had always used digital technology to transform the film images into a finished image, he slowly introduced digital picture-making technology to the process of recording the scenes. The resulting large-scale prints have a visual sweep often associated with cinema, encompassing the viewer and providing a strong sense of place. Edition of 500 copies
Photography monographs
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Olafur Eliasson, one of today's most acclaimed contemporary artists, and David Adjaye, a rising architecture star, have engaged in a unique collaboration. Eliasson's light installation "Your Black Horizon," which debuted at the 2005 Venice Biennale, was conceived from the start as a hybridization of both of their practices. The piece consists of a light, representing a(...)
Architecture Monographs
October 2007, Cologne
Your black horizon art pavilion : Olafur Eliasson and David Adjaye: Thyssen-Bornemisza art contemporary
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Olafur Eliasson, one of today's most acclaimed contemporary artists, and David Adjaye, a rising architecture star, have engaged in a unique collaboration. Eliasson's light installation "Your Black Horizon," which debuted at the 2005 Venice Biennale, was conceived from the start as a hybridization of both of their practices. The piece consists of a light, representing a horizon line that emanates through a narrow gap in an architectural structure. This is the only light source, and it runs around the entire dark gallery space, without any visual obstruction. The optical illusion that is achieved is that of a reversed horizon line. This publication is presented in conjunction with the installation of this project in Croatia. Critic and curator Daniel Birnbaum, writer Eva Ebersberger and curator Daniela Zyman contribute in-depth essays, which are accompanied by large-scale spreads of the project.
Architecture Monographs
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Drawing on examples of his own user-friendly modern design, Brad Cloepfil, principal of celebrated firm Allied Works Architecture, demonstrates how to create serene havens for modern living. Allied Works Architecture: Dwelling is dedicated to the firm’s residential works, which are laboratories for experiments in form and building craft informing the firm’s growing(...)
Allied Works Architecture: dwelling
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Drawing on examples of his own user-friendly modern design, Brad Cloepfil, principal of celebrated firm Allied Works Architecture, demonstrates how to create serene havens for modern living. Allied Works Architecture: Dwelling is dedicated to the firm’s residential works, which are laboratories for experiments in form and building craft informing the firm’s growing portfolio of large-scale projects around the globe. Guided by principles of craft and innovation, Allied Works creates designs that resonate with their specificity of place and purpose. Using a research-based approach, Allied Works distills the elemental principles that drive each of their projects and transforms these into material, shape, and structure.
Architecture Monographs
books
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Freitag bags have been an overwhelming success in the struggle between brands. This "messenger Bag" created by the Swiss bothers Daniel and Markus Freitag has become an urban cult product. The bags originate in an ironc and ecologically critical approach: the bags are cut from used lorry tarpaulins and tailor-made on a small scale with used bicycle inner tubes and(...)
Freitag : individual recycled freeway bags
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Freitag bags have been an overwhelming success in the struggle between brands. This "messenger Bag" created by the Swiss bothers Daniel and Markus Freitag has become an urban cult product. The bags originate in an ironc and ecologically critical approach: the bags are cut from used lorry tarpaulins and tailor-made on a small scale with used bicycle inner tubes and safety belts. This publication describes the history of the product and asks questions about economic, ecological, and sociocultural contexts, espressing the aesthetics of a generation that is as vain as it is critical of consumerism. The book's spine is made of the same type of lorry tarpaulin as is used for the bags, thus each book's spine is unique.
books
December 2001,
Design Monographs
Supernew supergraphics
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"Supernew supergraphics" is a collection of the best architectural, environmental and interior graphic design. This all-new book shows how the current generation of designers and architects are blasting typography and graphic forms across walls – even landscapes. It shows how they are distorting space and warping entire buildings with color, typographic messages and(...)
Graphic Design and Typography
August 2015
Supernew supergraphics
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"Supernew supergraphics" is a collection of the best architectural, environmental and interior graphic design. This all-new book shows how the current generation of designers and architects are blasting typography and graphic forms across walls – even landscapes. It shows how they are distorting space and warping entire buildings with color, typographic messages and abstract shapes. The book reflects the numerous ways in which graphics are invading public spaces and disrupting the sometimes-staid world of architecture. It’s a compendium of graphic excess on a monumental scale. It features new work from around the globe, and interviews with leading practitioners Felice Varini, Sascha Lobe, Sara De Bondt, and Boa Mistura.
Graphic Design and Typography
(Re) Tokyo
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"[re]TOKYO" explores a wide, understanding vision of the transformative processes of one of the most influential and unknown metropolitan areas in the world, from large scale efforts such as Tokyo’s land engineering transformations, to smaller examples such as its capital vending machine system. Four hundred pages, compiling 400 years of history, are covered in this(...)
(Re) Tokyo
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"[re]TOKYO" explores a wide, understanding vision of the transformative processes of one of the most influential and unknown metropolitan areas in the world, from large scale efforts such as Tokyo’s land engineering transformations, to smaller examples such as its capital vending machine system. Four hundred pages, compiling 400 years of history, are covered in this uniquely Japanese complexity of social conurbation, including more than 1,400 illustrations, diagrams, photographs, and maps in order to visually support selected themes. "[re]TOKYO" develops the idea of [re]definition processes to explain what, who, when, where, and why all these changes took place, concluding with a collection of the essential processes that comprehensively elaborate Tokyo’s changes – a tool to understand its history and speculate about its future as an exciting metropolis and cultural center of the world.
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Buildings designated brutalist in style were largely built in the 1960s and 1970s, exuding an aura of daring, uncompromising design today. It is the French term "brut,“ meaning raw or unrefined, that lent its name to this particular architectural phenomenon. Vilified for decades as the step-child of modernism, brutalist architecture is now enjoying an astonishing comeback(...)
Massive, expressive, sculptural: Brutalism now and then
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Buildings designated brutalist in style were largely built in the 1960s and 1970s, exuding an aura of daring, uncompromising design today. It is the French term "brut,“ meaning raw or unrefined, that lent its name to this particular architectural phenomenon. Vilified for decades as the step-child of modernism, brutalist architecture is now enjoying an astonishing comeback as the latest discovery among digital trendsetters. As well as fascinating users across social networks, brutalism is also inspiring contemporary architecture. Large-scale sculptural forms, coarsely finished materials and floor plans that defy convention merge with contemporary design to generate enthralling new creations. This book offers a sophisticated overview of post-war and contemporary brutalist buildings and of the relationship – in appearance and design, in the grand concepts and the smallest details – between brutalism today and its ancestors.
Contemporary Architecture
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In the 1920s, the urban theory of Ludwig Hilberseimer (1885–1967) redefined architecture’s relationship to the city. His proposal for a high-rise city, where leisure, labor and circulation would be vertically integrated, both frightened his contemporaries and offered a trenchant critique of the dynamics of the capitalist metropolis. Hilberseimer’s Groszstadt-architektur(...)
Metropolisarchitecture and selected essays
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In the 1920s, the urban theory of Ludwig Hilberseimer (1885–1967) redefined architecture’s relationship to the city. His proposal for a high-rise city, where leisure, labor and circulation would be vertically integrated, both frightened his contemporaries and offered a trenchant critique of the dynamics of the capitalist metropolis. Hilberseimer’s Groszstadt-architektur (Metropolisarchitecture) is presented here for the first time in English translation. Two additional essays frame this international cross-section of metropolitan architecture: “Der Wille zur Architektur” (The Will to Architecture) and “Vorschlag zur City-Bebauung” (Proposal for City-Building). The propositions assembled here encourage us to reconsider mobility, concentration and the scale of architectural intervention in our own era of urban expansion. This is the second title in the GSAPP Sourcebooks series, devoted to recovering and translating overlooked texts on architecture and the city.
Architectural Theory