Project
McAppy
AP144.S2.D89
Description:
File documents a design programme undertaken for construction company, Sir Robert McAlpine & Sons Ltd., in London, England. The aim was to increase the efficiency of production and improve labour relations by producing enclosures, equipment, material, and information systems that would improve safety, on-site communication, and job satisfaction. Cedric Price's office produced 2 report volumes, a Portable Enclosures Programme (PEP) and used at least one construction site, at Angel Court, as a test site for the proposals. Diagrams and flow charts show preliminary planning and programming design decisions and show the relationship between present and future factors. A flow chart illustrates the scope of the program. Charts and diagrams map the relative time scale of parts of the programme over various development phases. An axonometric and cutaway drawing show the interior construction of a pedestrian walkway. Data showing both the projected and real results of a site test application of McAppy planning and equipment from 1974 to 1975 was collected and presented as a broadside. A large number of original drawings are included within the textual records. Material in this file was produced between 1955 and 1987. Zisman, Bowyer & Partners provided consultation services. File contains design development drawings, model, photographic materials, presentation drawings, and textual records.
1955-1987, predominant 1973-1976
McAppy
Actions:
AP144.S2.D89
Description:
File documents a design programme undertaken for construction company, Sir Robert McAlpine & Sons Ltd., in London, England. The aim was to increase the efficiency of production and improve labour relations by producing enclosures, equipment, material, and information systems that would improve safety, on-site communication, and job satisfaction. Cedric Price's office produced 2 report volumes, a Portable Enclosures Programme (PEP) and used at least one construction site, at Angel Court, as a test site for the proposals. Diagrams and flow charts show preliminary planning and programming design decisions and show the relationship between present and future factors. A flow chart illustrates the scope of the program. Charts and diagrams map the relative time scale of parts of the programme over various development phases. An axonometric and cutaway drawing show the interior construction of a pedestrian walkway. Data showing both the projected and real results of a site test application of McAppy planning and equipment from 1974 to 1975 was collected and presented as a broadside. A large number of original drawings are included within the textual records. Material in this file was produced between 1955 and 1987. Zisman, Bowyer & Partners provided consultation services. File contains design development drawings, model, photographic materials, presentation drawings, and textual records.
File 89
1955-1987, predominant 1973-1976
Project
AP056.S1.1989.PR07
Description:
This project series documents the interiors of the Creeds store in Toronto from 1989-1990. The office identified the project number as 8926. This project consisted of renovations to the interiors of the high-end retail store located in Toronto's Manulife Centre at the corner of Bloor and Bay Streets. The store, with entrances from the mall and street, included several smaller boutiques divided by designer, a large fur storage area and work room, a fur salon, a stock room and changing rooms. A major part of this renovation was the creation of a multifunctional court space connected to the rest of the linear boutiquerie via two small staircases. This court could be used for fashion shows, presentations, season displays, and social events. The court had a circular ceiling light fixture, stone-clad piers, stained cherry wood panels and sandblasted steel details. The floors, patterned with black slate and granite, were complimentary to the boutique's concrete and black and silver glass tile floors. Also central to this project was the creation of the Christian Dior boutique at the street entrance. The project is recorded through drawings and photographs dating from 1989-1990. The drawings, mostly originals, consist of sketches, axonometric drawings, sections, plans, elevations, details and schedules. The photographs show the completed store interiors.
1989-1990
Creeds Store, Toronto (1989-1990)
Actions:
AP056.S1.1989.PR07
Description:
This project series documents the interiors of the Creeds store in Toronto from 1989-1990. The office identified the project number as 8926. This project consisted of renovations to the interiors of the high-end retail store located in Toronto's Manulife Centre at the corner of Bloor and Bay Streets. The store, with entrances from the mall and street, included several smaller boutiques divided by designer, a large fur storage area and work room, a fur salon, a stock room and changing rooms. A major part of this renovation was the creation of a multifunctional court space connected to the rest of the linear boutiquerie via two small staircases. This court could be used for fashion shows, presentations, season displays, and social events. The court had a circular ceiling light fixture, stone-clad piers, stained cherry wood panels and sandblasted steel details. The floors, patterned with black slate and granite, were complimentary to the boutique's concrete and black and silver glass tile floors. Also central to this project was the creation of the Christian Dior boutique at the street entrance. The project is recorded through drawings and photographs dating from 1989-1990. The drawings, mostly originals, consist of sketches, axonometric drawings, sections, plans, elevations, details and schedules. The photographs show the completed store interiors.
Project
1989-1990
drawings
Quantity:
22 presentation drawing(s)
AP140.S2.SS1.D36.P34
Description:
site plans, floor and roof plans, elevations, and cross and longitudinal sections, cutaway plan oblique for the teaching wing of the Training Centre, cutaway plan oblique for the multiuse room and glazed entrance link, exploded axonometric for the roof and retractable walls of the multiuse room, and sectional perspectives for the multiuse room and classroom wing
Site plans, floor and roof plans, elevations, and cross and longitudinal sections
Actions:
AP140.S2.SS1.D36.P34
Description:
site plans, floor and roof plans, elevations, and cross and longitudinal sections, cutaway plan oblique for the teaching wing of the Training Centre, cutaway plan oblique for the multiuse room and glazed entrance link, exploded axonometric for the roof and retractable walls of the multiuse room, and sectional perspectives for the multiuse room and classroom wing
drawings
Quantity:
22 presentation drawing(s)
Project
AP056.S1.1991.PR03
Description:
This project series documents planning for the Westnor Development Project, later called Wittington Place, in North York, Ontario from 1991-1997. The office identified the project number as 9106. This project consisted of a competition entry to develop the area above Highway 401 next to Yonge Street. The large plot of land would be a mix of residential, retail, hotel, office and outdoor spaces. The competition also called for the creation of a sports arena, Canada Coliseum, to be used for professional basketball and hockey. This entry was proposed by New York based firm Ehrenkrantz Eckstut and Whitelaw Architects, working with KPMB, among others.[1] The development was to be carried out in multiple phases, divided by city blocks. The drawings present different schemes for this development, most of which include a large park at its centre. This project was never built. The project is recorded through drawings and a site plan painting dating from 1991-1997. The large part of these drawings are originals and include sketches, model drawings, site plans and surveys, elevations, sections, perspectives and axonometric drawings. These drawings focus primarily on the development of the area as a whole and less on individual buildings. [1] Mark Osbaldeston, Unbuilt Toronto 2: More of the City That Might Have Been (Toronto: Dundurn Press, 2001), 160.
1991-1997
The Westnor Development Project, North York, Ontario (1991-1997)
Actions:
AP056.S1.1991.PR03
Description:
This project series documents planning for the Westnor Development Project, later called Wittington Place, in North York, Ontario from 1991-1997. The office identified the project number as 9106. This project consisted of a competition entry to develop the area above Highway 401 next to Yonge Street. The large plot of land would be a mix of residential, retail, hotel, office and outdoor spaces. The competition also called for the creation of a sports arena, Canada Coliseum, to be used for professional basketball and hockey. This entry was proposed by New York based firm Ehrenkrantz Eckstut and Whitelaw Architects, working with KPMB, among others.[1] The development was to be carried out in multiple phases, divided by city blocks. The drawings present different schemes for this development, most of which include a large park at its centre. This project was never built. The project is recorded through drawings and a site plan painting dating from 1991-1997. The large part of these drawings are originals and include sketches, model drawings, site plans and surveys, elevations, sections, perspectives and axonometric drawings. These drawings focus primarily on the development of the area as a whole and less on individual buildings. [1] Mark Osbaldeston, Unbuilt Toronto 2: More of the City That Might Have Been (Toronto: Dundurn Press, 2001), 160.
Project
1991-1997
Project
AP056.S1.1991.PR08
Description:
This project series documents an expansion of the Marc Laurent store at 110 Bloor Street West in Toronto in 1989. The office identified the project number as 9109. This project consisted of the expansion of the high-end retail store whose original design was completed prior to the founding of KPMB, by Bruce Kuwabara and Thomas Payne in 1986. The new space was made to accommodate the Hugo Boss Store within the Marc Laurent Store. The store consisted of a street level space connected by stairs to a lower concourse level, with the new store space added at the street level. The new space extended the architectural style already established in earlier phases of the store's development. The new area had granite and honed area stone flooring, aluminum racks and display cases, sandblasted glass display walls, and imbuya veneer change rooms and panel doors. This project is considered Phase 4 of the store's development, with 1 future phase to be completed by KPMB Architects soon after. The project is recorded through drawings dating from 1991-1992. The drawings are mostly originals and include sections, elevations, floor and ceiling plans, details, axonometric studies and perspectives. Also present are drawings of custom furnishings designed for the store such as display cases, racks and counters, and architectural elements such as walls, doors and stairs.
1991-1992
Marc Laurent Store, Phase 4 Hugo Boss Store, Toronto (1991-1992)
Actions:
AP056.S1.1991.PR08
Description:
This project series documents an expansion of the Marc Laurent store at 110 Bloor Street West in Toronto in 1989. The office identified the project number as 9109. This project consisted of the expansion of the high-end retail store whose original design was completed prior to the founding of KPMB, by Bruce Kuwabara and Thomas Payne in 1986. The new space was made to accommodate the Hugo Boss Store within the Marc Laurent Store. The store consisted of a street level space connected by stairs to a lower concourse level, with the new store space added at the street level. The new space extended the architectural style already established in earlier phases of the store's development. The new area had granite and honed area stone flooring, aluminum racks and display cases, sandblasted glass display walls, and imbuya veneer change rooms and panel doors. This project is considered Phase 4 of the store's development, with 1 future phase to be completed by KPMB Architects soon after. The project is recorded through drawings dating from 1991-1992. The drawings are mostly originals and include sections, elevations, floor and ceiling plans, details, axonometric studies and perspectives. Also present are drawings of custom furnishings designed for the store such as display cases, racks and counters, and architectural elements such as walls, doors and stairs.
Project
1991-1992
Project
AP056.S1.1993.PR07
Description:
This project series documents a new building for the Fields Institute of Research in Mathematical Sciences at the University of Toronto from 1993-1995. The office identified the project number as 9318. This project consisted of a four-storey building, characterized by a rusticated limestone and red-brick exterior, located at 222 College Street. The building's layout consisted of offices, conference rooms, classrooms, resource centres, computer training facilities, a library, and the main lobby and reception. At the core was a grand atrium with a wood-lined helical staircase that ran the height of the building, a stucco fireplace and an elliptical reception desk. Designed to encourage spontaneous thought and interaction, the institute featured slate chalkboards throughout. The roof was comprised of a Douglas fir deck on metal trusses, while the interior finishes included tiles, carpet, wood, metal, stone and concrete.[1] The project is recorded through drawings, photographic materials, a presentation painting and textual records dating from 1993-1996. The drawings are mostly originals and include sketches, presentation drawings, plans, elevations, sections, details, perspectives and axonometric drawings. The photographic materials include images for presentation and research, while the textual records document completion schedules. [1] "Fields Institute Facilities." The Fields Institute for Research in Mathematical Sciences. Accessed April 29, 2019. http://www.fields.utoronto.ca/resources/fields-institute-facilities
1993-1996
The Fields Institute for Research in Mathematical Sciences, University of Toronto (1993-1995)
Actions:
AP056.S1.1993.PR07
Description:
This project series documents a new building for the Fields Institute of Research in Mathematical Sciences at the University of Toronto from 1993-1995. The office identified the project number as 9318. This project consisted of a four-storey building, characterized by a rusticated limestone and red-brick exterior, located at 222 College Street. The building's layout consisted of offices, conference rooms, classrooms, resource centres, computer training facilities, a library, and the main lobby and reception. At the core was a grand atrium with a wood-lined helical staircase that ran the height of the building, a stucco fireplace and an elliptical reception desk. Designed to encourage spontaneous thought and interaction, the institute featured slate chalkboards throughout. The roof was comprised of a Douglas fir deck on metal trusses, while the interior finishes included tiles, carpet, wood, metal, stone and concrete.[1] The project is recorded through drawings, photographic materials, a presentation painting and textual records dating from 1993-1996. The drawings are mostly originals and include sketches, presentation drawings, plans, elevations, sections, details, perspectives and axonometric drawings. The photographic materials include images for presentation and research, while the textual records document completion schedules. [1] "Fields Institute Facilities." The Fields Institute for Research in Mathematical Sciences. Accessed April 29, 2019. http://www.fields.utoronto.ca/resources/fields-institute-facilities
Project
1993-1996
Project
AP056.S1.1988.PR08
Description:
This project series documents the Dome Productions offices and studio in Toronto from 1988-1989. The office identified the project number as 8804. This project consisted of a two-level office and studio area inside Toronto's SkyDome for the production company that was owned by The Sports Network (TSN). The main purpose of this space was to broadcast sports live from the stadium, but offices for producing, accounting, and marketing were also included. The two floors followed the curved shape of the stadium and were connected to one another by staircases. Visitors entered via large, glass doors into the reception area on the lower level, where they could move to the main lounge with its curved cappuccino bar, integrated into the main staircase. The lower level also held equipment rooms, fan rooms, editing areas, storage and offices. The upper level included two announcing booths, video editing suites, production spaces and conference rooms. The walls were composed of painted gypsum board but granite touches throughout stayed true to the concrete look of the stadium. Aluminum, steel, wood and sandblasted glass were also featured heavily throughout. The project is recorded through drawings and photographs dating from 1988-1989. The drawings are mostly originals and include sketches, presentation drawings, plans, details, elevations, sections, axonometric drawings, and structural drawings. The photographs show the finished interiors of the project.
1988-1989
Dome Productions Offices and Studios, Toronto (1988-1989)
Actions:
AP056.S1.1988.PR08
Description:
This project series documents the Dome Productions offices and studio in Toronto from 1988-1989. The office identified the project number as 8804. This project consisted of a two-level office and studio area inside Toronto's SkyDome for the production company that was owned by The Sports Network (TSN). The main purpose of this space was to broadcast sports live from the stadium, but offices for producing, accounting, and marketing were also included. The two floors followed the curved shape of the stadium and were connected to one another by staircases. Visitors entered via large, glass doors into the reception area on the lower level, where they could move to the main lounge with its curved cappuccino bar, integrated into the main staircase. The lower level also held equipment rooms, fan rooms, editing areas, storage and offices. The upper level included two announcing booths, video editing suites, production spaces and conference rooms. The walls were composed of painted gypsum board but granite touches throughout stayed true to the concrete look of the stadium. Aluminum, steel, wood and sandblasted glass were also featured heavily throughout. The project is recorded through drawings and photographs dating from 1988-1989. The drawings are mostly originals and include sketches, presentation drawings, plans, details, elevations, sections, axonometric drawings, and structural drawings. The photographs show the finished interiors of the project.
Project
1988-1989
drawings
DR1995:0302:001-001
Description:
This project is apparently for an illuminated, revolving sign and display stand for Granwood Flooring Company. The reprographic copy shows a layout of a 60sq. ft. showroom and display area, as well as brief fabrication instructions for the stand. Further research is required to establish the scope of this project. Design drawing shows sketch plans, elevations, perspective and axonometric views.
1960-1985 ?
Proposed exhibition stand for Granwood Flooring Company: Design drawing
Actions:
DR1995:0302:001-001
Description:
This project is apparently for an illuminated, revolving sign and display stand for Granwood Flooring Company. The reprographic copy shows a layout of a 60sq. ft. showroom and display area, as well as brief fabrication instructions for the stand. Further research is required to establish the scope of this project. Design drawing shows sketch plans, elevations, perspective and axonometric views.
drawings
1960-1985 ?
Project
Tone Vale Hospital, Taunton
AP144.S2.D47
Description:
File documents an executed renovation project for the Tone Vale Hospital in Taunton, Somerset, England, United Kingdom. The clients are the South Western Regional Hospital Board and the Tone Vale Group Hospital Management Committee. The renovation includes modifications to the entrance, lobby, and several corridors of the Hospital. Existing conditions drawings, survey drawings, and field notes include a ground plan of the hospital and dimensioned drawings of hospital office furniture and cabinets. Design development and working drawings show alterations to the corridors, the main entrance hall, and porch. Other drawings include: axonometric drawings for the main entrance hall and corridors; perspectives of corridors and proposed alterations, main entrance hall and porch; and interior elevations of new display and notice boards. Detail drawings include an elevation of recessed display areas for the corridor walls, a new freestanding information booth, and lighting reflectors for the corridors. Also included are three sets of annotated reprographic copies which may have been used by consulting engineers for preliminary review and reference purposes (DR1995:0210:061-063); annotated reprographic copies of original design development and working drawings; and a mock-up of details for publication, with dimensions for reduction purposes (DR1995:0210:088). Material in this file was produced between 1962 and 1967. A 1963 invoice by Cedric Price is on Lyster & Grillet letterhead. File contains measured drawings, design development drawings, working drawings, photographic materials, and textual records.
1962-1967
Tone Vale Hospital, Taunton
Actions:
AP144.S2.D47
Description:
File documents an executed renovation project for the Tone Vale Hospital in Taunton, Somerset, England, United Kingdom. The clients are the South Western Regional Hospital Board and the Tone Vale Group Hospital Management Committee. The renovation includes modifications to the entrance, lobby, and several corridors of the Hospital. Existing conditions drawings, survey drawings, and field notes include a ground plan of the hospital and dimensioned drawings of hospital office furniture and cabinets. Design development and working drawings show alterations to the corridors, the main entrance hall, and porch. Other drawings include: axonometric drawings for the main entrance hall and corridors; perspectives of corridors and proposed alterations, main entrance hall and porch; and interior elevations of new display and notice boards. Detail drawings include an elevation of recessed display areas for the corridor walls, a new freestanding information booth, and lighting reflectors for the corridors. Also included are three sets of annotated reprographic copies which may have been used by consulting engineers for preliminary review and reference purposes (DR1995:0210:061-063); annotated reprographic copies of original design development and working drawings; and a mock-up of details for publication, with dimensions for reduction purposes (DR1995:0210:088). Material in this file was produced between 1962 and 1967. A 1963 invoice by Cedric Price is on Lyster & Grillet letterhead. File contains measured drawings, design development drawings, working drawings, photographic materials, and textual records.
File 47
1962-1967
Project
AP178.S1.1983.PR02
Description:
The project series documents the 1983 design entry for the competition of the Prinz-Albrecht-Palais Monument to Gestapo victims. While the records were held in the office’s archives this project was assigned the number 18/80. The office assigned the date 1983 for this project. This project was submitted to the International Architectural Exhibition Berlin competition (International Bauaustellung, IBA, circa 1979-1987), an urban renewal strategy for West Berlin, Germany. Siza had previously submitted four other projects to this competition: the Görtlitzer Bad swimming pool, Block 70 and 89 (Fränkelufer residential complex), Bonjour Tristesse (Block 121), and Block 11-12. He would also submit a design proposal to the IBA competition for the Kulturforum. According to the documentation from the IBA competition, entries for the memorial were to include a pedestrian walkway that cut through the memorial parallel to Schöneberger strasse leading to Kochstrasse. Entries were also to include a playground and along Stresemann strasse there was to be the addition of a two storey building and a corner building. Other requested components included a parking lot and a partial reconstruction of the Fine Arts School. Documenting the design proposal are conceptual and design development drawings, including studies, a site axonometric drawing, ground plan, site plan and north, south, and east elevations. Also included is textual documentation on the competition as well as correspondence from IBA officials such as Marion Wilbert. Photographic materials consist of slides of plans, sections and elevations.
1983-1984
Monumento às vítimas da Gestapo [Monument to Gestapo victims], Prinz-Albrecht-Palais, Berlin, Germany (1983)
Actions:
AP178.S1.1983.PR02
Description:
The project series documents the 1983 design entry for the competition of the Prinz-Albrecht-Palais Monument to Gestapo victims. While the records were held in the office’s archives this project was assigned the number 18/80. The office assigned the date 1983 for this project. This project was submitted to the International Architectural Exhibition Berlin competition (International Bauaustellung, IBA, circa 1979-1987), an urban renewal strategy for West Berlin, Germany. Siza had previously submitted four other projects to this competition: the Görtlitzer Bad swimming pool, Block 70 and 89 (Fränkelufer residential complex), Bonjour Tristesse (Block 121), and Block 11-12. He would also submit a design proposal to the IBA competition for the Kulturforum. According to the documentation from the IBA competition, entries for the memorial were to include a pedestrian walkway that cut through the memorial parallel to Schöneberger strasse leading to Kochstrasse. Entries were also to include a playground and along Stresemann strasse there was to be the addition of a two storey building and a corner building. Other requested components included a parking lot and a partial reconstruction of the Fine Arts School. Documenting the design proposal are conceptual and design development drawings, including studies, a site axonometric drawing, ground plan, site plan and north, south, and east elevations. Also included is textual documentation on the competition as well as correspondence from IBA officials such as Marion Wilbert. Photographic materials consist of slides of plans, sections and elevations.
Project
1983-1984