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books
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In late 1960, in various flats in Hampstead, a loose group of people started to meet: to criticize projects, to concoct letters to the press, to make competition projects, and generally prop one another up against the boredom of working in London architectural offices. The main British magazines of the time did not publish student work and Archigram was responding to this(...)
$57.00
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In late 1960, in various flats in Hampstead, a loose group of people started to meet: to criticize projects, to concoct letters to the press, to make competition projects, and generally prop one another up against the boredom of working in London architectural offices. The main British magazines of the time did not publish student work and Archigram was responding to this(...)
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Archigram
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In late 1960, in various flats in Hampstead, a loose group of people started to meet: to criticize projects, to concoct letters to the press, to make competition projects, and generally prop one another up against the boredom of working in London architectural offices. The main British magazines of the time did not publish student work and Archigram was responding to this as much as to the sterility of the scene. The title Archigram came from the notion of a more simple and urgent item than a Journal, like a telegram or aerogramme - hence, "archi(tecture)-gram. This facsimile edition of a book originally published in 1972 is a chronicle of the work of Archigram as told by the members themselves. It includes material published in early issues of the Journal, as well as numerous essays, comics, collages, poems, and fantastical architecture projects. The book is updated with a new introduction from longtime member Mike "Spider" Webb.
Archigram
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In late 1960, in various flats in Hampstead, a loose group of people started to meet: to criticize projects, to concoct letters to the press, to make competition projects, and generally prop one another up against the boredom of working in London architectural offices. The main British magazines of the time did not publish student work and Archigram was responding to this as much as to the sterility of the scene. The title Archigram came from the notion of a more simple and urgent item than a Journal, like a telegram or aerogramme - hence, "archi(tecture)-gram. This facsimile edition of a book originally published in 1972 is a chronicle of the work of Archigram as told by the members themselves. It includes material published in early issues of the Journal, as well as numerous essays, comics, collages, poems, and fantastical architecture projects. The book is updated with a new introduction from longtime member Mike "Spider" Webb.
Form:
books
books
Publication:
September 1999, New York
September 1999, New York
Subject:
Architecture Monographs
Architecture Monographs
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books
books
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$74.95
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While this book is primarily devoted to the historical reconstruction of the formal and horticultural characteristics of "theatrical" shrubberies and flower beds, it also aims to animate the world of the eighteenth-century pleasure ground. Mark Laird shows how the unwritten lore of planting design was(...)
$74.95
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While this book is primarily devoted to the historical reconstruction of the formal and horticultural characteristics of "theatrical" shrubberies and flower beds, it also aims to animate the world of the eighteenth-century pleasure ground. Mark Laird shows how the unwritten lore of planting design was(...)
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The flowering of the landscape garden : English pleasure grounds 1720-1800
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While this book is primarily devoted to the historical reconstruction of the formal and horticultural characteristics of "theatrical" shrubberies and flower beds, it also aims to animate the world of the eighteenth-century pleasure ground. Mark Laird shows how the unwritten lore of planting design was passed down by generation after generation of gardeners and discusses the interaction of landscape designer, client, nurseryman, land agent, and gardener in modifying and transforming the geometric layouts of previous generations. He traces the development of planting design theory and practice from Batty Langley to Capability Brown and William Chambers, and demonstrates how an English mania for flowering shrubs and conifers from eastern North America helped create the distinctive planting forms of the Georgian pleasure ground. Laird offers readers a wealth of visual and literary materials - from contemporary paintings, engravings, poetry, essays, and letters to more prosaic household accounts and nursery bills - to revolutionize our understanding of the English landscape garden as a powerful cultural expression.
The flowering of the landscape garden : English pleasure grounds 1720-1800
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$74.95
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While this book is primarily devoted to the historical reconstruction of the formal and horticultural characteristics of "theatrical" shrubberies and flower beds, it also aims to animate the world of the eighteenth-century pleasure ground. Mark Laird shows how the unwritten lore of planting design was passed down by generation after generation of gardeners and discusses the interaction of landscape designer, client, nurseryman, land agent, and gardener in modifying and transforming the geometric layouts of previous generations. He traces the development of planting design theory and practice from Batty Langley to Capability Brown and William Chambers, and demonstrates how an English mania for flowering shrubs and conifers from eastern North America helped create the distinctive planting forms of the Georgian pleasure ground. Laird offers readers a wealth of visual and literary materials - from contemporary paintings, engravings, poetry, essays, and letters to more prosaic household accounts and nursery bills - to revolutionize our understanding of the English landscape garden as a powerful cultural expression.
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books
books
Publication:
January 1900, Philadelphia
January 1900, Philadelphia
Subject:
Gardens
Gardens
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books
books
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$64.95
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Artist and educator Lionel LeMoine FitzGerald (1890–1956) was the only member of the Group of Seven based in Western Canada. Some Magnetic Force is the first collection to gather the surviving writings by the Winnipeg artist. Spanning from 1930 to 1954, the texts gathered here begin during the mature period of his artistic development at age forty and conclude with(...)
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Artist and educator Lionel LeMoine FitzGerald (1890–1956) was the only member of the Group of Seven based in Western Canada. Some Magnetic Force is the first collection to gather the surviving writings by the Winnipeg artist. Spanning from 1930 to 1954, the texts gathered here begin during the mature period of his artistic development at age forty and conclude with(...)
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Some magnetic force: Lionel Lemoine Fitzgerald writings
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Artist and educator Lionel LeMoine FitzGerald (1890–1956) was the only member of the Group of Seven based in Western Canada. Some Magnetic Force is the first collection to gather the surviving writings by the Winnipeg artist. Spanning from 1930 to 1954, the texts gathered here begin during the mature period of his artistic development at age forty and conclude with personal reflections late in life on the nature of art and his career. Michael Parke-Taylor has uncovered and chronologically organized FitzGerald’s letters, diary, lectures, and reports to show how FitzGerald understood the development of his practice, communicated the philosophy of art to his art students, confronted challenges in his career, as well as revealing his spiritual aspirations, views about the natural world, and his private desires. These writings also elucidate the material and reputational realities of artistic production in places beyond the period’s dominant Canadian art centres of Toronto, Montreal, and Ottawa.
Some magnetic force: Lionel Lemoine Fitzgerald writings
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Summary:
Artist and educator Lionel LeMoine FitzGerald (1890–1956) was the only member of the Group of Seven based in Western Canada. Some Magnetic Force is the first collection to gather the surviving writings by the Winnipeg artist. Spanning from 1930 to 1954, the texts gathered here begin during the mature period of his artistic development at age forty and conclude with personal reflections late in life on the nature of art and his career. Michael Parke-Taylor has uncovered and chronologically organized FitzGerald’s letters, diary, lectures, and reports to show how FitzGerald understood the development of his practice, communicated the philosophy of art to his art students, confronted challenges in his career, as well as revealing his spiritual aspirations, views about the natural world, and his private desires. These writings also elucidate the material and reputational realities of artistic production in places beyond the period’s dominant Canadian art centres of Toronto, Montreal, and Ottawa.
Form:
books
books
Publication:
October 2023
October 2023
Subject:
Art Theory
Art Theory
Form:
books
books
Title:
The unknown Gertrude Jekull
The unknown Gertrude Jekull
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$43.95
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This is a selection of two hundred of the best articles and other writings by Gertrude Jekyll, who 'changed the face of England more than any save the Creator himself and, perhaps, Capability Brown'. Although Miss Jekyll designed around four hundred gardens, none remains as she intended and few exist today in any recognizable form. Her enduring influence has been achieved(...)
$43.95
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This is a selection of two hundred of the best articles and other writings by Gertrude Jekyll, who 'changed the face of England more than any save the Creator himself and, perhaps, Capability Brown'. Although Miss Jekyll designed around four hundred gardens, none remains as she intended and few exist today in any recognizable form. Her enduring influence has been achieved(...)
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The unknown Gertrude Jekull
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$43.95
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This is a selection of two hundred of the best articles and other writings by Gertrude Jekyll, who 'changed the face of England more than any save the Creator himself and, perhaps, Capability Brown'. Although Miss Jekyll designed around four hundred gardens, none remains as she intended and few exist today in any recognizable form. Her enduring influence has been achieved not through her spade but through her pen. She published fifteen books and contributed well over a thousand articles, notes and letters to numerous magazines and newspapers. But although the books are well known, until now, all but a handful of her other writings have been accessible only to scholars - a situation that this selection redresses. This book covers themes that include garden planning, wild and woodland gardening, climbing plants, water gardening and garden ornament, and includes selected articles. This is a gem of garden writing that all who are interested in Jekyll, planting and design will be delighted to discover.
The unknown Gertrude Jekull
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$43.95
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Summary:
This is a selection of two hundred of the best articles and other writings by Gertrude Jekyll, who 'changed the face of England more than any save the Creator himself and, perhaps, Capability Brown'. Although Miss Jekyll designed around four hundred gardens, none remains as she intended and few exist today in any recognizable form. Her enduring influence has been achieved not through her spade but through her pen. She published fifteen books and contributed well over a thousand articles, notes and letters to numerous magazines and newspapers. But although the books are well known, until now, all but a handful of her other writings have been accessible only to scholars - a situation that this selection redresses. This book covers themes that include garden planning, wild and woodland gardening, climbing plants, water gardening and garden ornament, and includes selected articles. This is a gem of garden writing that all who are interested in Jekyll, planting and design will be delighted to discover.
Form:
books
books
Publication:
January 2007, London
January 2007, London
Subject:
Gardens
Gardens
Form:
books
books
Title:
Visions and ecstasies
Visions and ecstasies
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$20.00
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While H.D. is best known for her elemental poetry, which draws heavily on the imagery of natural and ancient worlds, her critical writings remain a largely underexplored and unpublished part of her oeuvre. Crucial to understanding both the formative contexts surrounding her departure from Imagism following the First World War and her own remarkable creative vision, "Notes(...)
$20.00
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Summary:
While H.D. is best known for her elemental poetry, which draws heavily on the imagery of natural and ancient worlds, her critical writings remain a largely underexplored and unpublished part of her oeuvre. Crucial to understanding both the formative contexts surrounding her departure from Imagism following the First World War and her own remarkable creative vision, "Notes(...)
Title:
Visions and ecstasies
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$20.00
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Summary:
While H.D. is best known for her elemental poetry, which draws heavily on the imagery of natural and ancient worlds, her critical writings remain a largely underexplored and unpublished part of her oeuvre. Crucial to understanding both the formative contexts surrounding her departure from Imagism following the First World War and her own remarkable creative vision, "Notes on Thought and Vision," written in 1918, is one of the central works in this collection. H.D. guides her reader to the untamed shores of the Scilly Isles, where we hear of powerful, transformative experiences and of her intense relationship with the paintings of Leonardo da Vinci. The accompanying essays, many published here for the first time, help colour H.D.’s astute critical engagement with the past, from the city of Athens and the poetry of ancient Greece. Like Letters to a Young Painter (2017), also published in the ekphrasis series, this collection is essential reading for anyone interested in the creative process.
Visions and ecstasies
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$20.00
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Summary:
While H.D. is best known for her elemental poetry, which draws heavily on the imagery of natural and ancient worlds, her critical writings remain a largely underexplored and unpublished part of her oeuvre. Crucial to understanding both the formative contexts surrounding her departure from Imagism following the First World War and her own remarkable creative vision, "Notes on Thought and Vision," written in 1918, is one of the central works in this collection. H.D. guides her reader to the untamed shores of the Scilly Isles, where we hear of powerful, transformative experiences and of her intense relationship with the paintings of Leonardo da Vinci. The accompanying essays, many published here for the first time, help colour H.D.’s astute critical engagement with the past, from the city of Athens and the poetry of ancient Greece. Like Letters to a Young Painter (2017), also published in the ekphrasis series, this collection is essential reading for anyone interested in the creative process.
Form:
books
books
Publication:
November 2019
November 2019
Subject:
Art Theory
Art Theory
Form:
books
books
Title:
The first six books of the elements of Euclid : facsimile of the famous first edition of 1847
The first six books of the elements of Euclid : facsimile of the famous first edition of 1847
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$64.99
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Summary:
Red, yellow, blue – and of course black – are the colours that Oliver Byrne employs for the figures and diagrams in his most unusual 1847 edition of Euclid, published by William Pickering and printed by Chiswick Press, and which prompt the surprised reader to think of Mondrian. The author makes it clear in his subtitle that this is a didactic measure intended to(...)
$64.99
(available to order)
Summary:
Red, yellow, blue – and of course black – are the colours that Oliver Byrne employs for the figures and diagrams in his most unusual 1847 edition of Euclid, published by William Pickering and printed by Chiswick Press, and which prompt the surprised reader to think of Mondrian. The author makes it clear in his subtitle that this is a didactic measure intended to(...)
Title:
The first six books of the elements of Euclid : facsimile of the famous first edition of 1847
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$64.99
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Summary:
Red, yellow, blue – and of course black – are the colours that Oliver Byrne employs for the figures and diagrams in his most unusual 1847 edition of Euclid, published by William Pickering and printed by Chiswick Press, and which prompt the surprised reader to think of Mondrian. The author makes it clear in his subtitle that this is a didactic measure intended to distinguish his edition from all others: "The Elements of Euclid in which coloured diagrams and symbols are used instead of letters for the greater ease of learners." Byrne is not content to trust solely in the supposed intuitive "logical" structure of Euclid's axioms and theorems – who doesn't know the first famous sentences of Euclid's Elements: "I. A point is that which has no parts. II. A line is length without breadth"? –, but translates them into colourful diagrams and symbols. He thereby thinks in terms of the school classroom : he compares his colours to the dyed chalks in which figures are drawn on the blackboard.
The first six books of the elements of Euclid : facsimile of the famous first edition of 1847
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Price:
$64.99
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Summary:
Red, yellow, blue – and of course black – are the colours that Oliver Byrne employs for the figures and diagrams in his most unusual 1847 edition of Euclid, published by William Pickering and printed by Chiswick Press, and which prompt the surprised reader to think of Mondrian. The author makes it clear in his subtitle that this is a didactic measure intended to distinguish his edition from all others: "The Elements of Euclid in which coloured diagrams and symbols are used instead of letters for the greater ease of learners." Byrne is not content to trust solely in the supposed intuitive "logical" structure of Euclid's axioms and theorems – who doesn't know the first famous sentences of Euclid's Elements: "I. A point is that which has no parts. II. A line is length without breadth"? –, but translates them into colourful diagrams and symbols. He thereby thinks in terms of the school classroom : he compares his colours to the dyed chalks in which figures are drawn on the blackboard.
Form:
books
books
Publication:
July 2010
July 2010
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
Title:
A museum of one's own
A museum of one's own
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$54.95
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Summary:
When French revolutionaries sacked royal holdings at the end of the 18th century, they began the largest transfer of artistic goods in world history. By 1850 many "repossessed" treasures had come to rest in a new institution, the public museum, where they were assigned educational tasks. Anne Higonnet's book begins at this turning point in the history of art, but it looks(...)
$54.95
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Summary:
When French revolutionaries sacked royal holdings at the end of the 18th century, they began the largest transfer of artistic goods in world history. By 1850 many "repossessed" treasures had come to rest in a new institution, the public museum, where they were assigned educational tasks. Anne Higonnet's book begins at this turning point in the history of art, but it looks(...)
Title:
A museum of one's own
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$54.95
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When French revolutionaries sacked royal holdings at the end of the 18th century, they began the largest transfer of artistic goods in world history. By 1850 many "repossessed" treasures had come to rest in a new institution, the public museum, where they were assigned educational tasks. Anne Higonnet's book begins at this turning point in the history of art, but it looks instead at another new institution, the collection museum. Emerging in London with the Wallace Collection, the collection museum spread rapidly in Gilded Age America. To the discontent of many Europeans, cash-flush Americans like J.P. Morgan and Henry Clay Frick went on collecting campaigns that netted masterpiece after masterpiece, along with the furniture and fittings of dozens of aristocratic residences. Higonnet weaves letters, auction records and photographs into an engrossing account of the founding of both renowned and obscure collection museums. She also explores how these collectors stoked the tremendous values accorded paintings by Raphael, Titian, Rembrandt, Vermeer, Velazquez, Gainsborough and Reynolds.
A museum of one's own
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$54.95
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Summary:
When French revolutionaries sacked royal holdings at the end of the 18th century, they began the largest transfer of artistic goods in world history. By 1850 many "repossessed" treasures had come to rest in a new institution, the public museum, where they were assigned educational tasks. Anne Higonnet's book begins at this turning point in the history of art, but it looks instead at another new institution, the collection museum. Emerging in London with the Wallace Collection, the collection museum spread rapidly in Gilded Age America. To the discontent of many Europeans, cash-flush Americans like J.P. Morgan and Henry Clay Frick went on collecting campaigns that netted masterpiece after masterpiece, along with the furniture and fittings of dozens of aristocratic residences. Higonnet weaves letters, auction records and photographs into an engrossing account of the founding of both renowned and obscure collection museums. She also explores how these collectors stoked the tremendous values accorded paintings by Raphael, Titian, Rembrandt, Vermeer, Velazquez, Gainsborough and Reynolds.
Form:
books
books
Publication:
May 2010
May 2010
Subject:
Museums and Universal Exhibitions
Museums and Universal Exhibitions
Form:
audio
audio
Description:
1 online resource.
Author:
Subject:
Publication:
[Place of publication not identified] : Whitney Museum of American Art, 2024.
[Place of publication not identified] : Whitney Museum of American Art, 2024.
Title:
Cannupa Hanska Luger on his 2024 Whitney Biennial Artwork.
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Description:
1 online resource.
Cannupa Hanska Luger on his 2024 Whitney Biennial Artwork.
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Description:
1 online resource.
Form:
audio
audio
Publication:
[Place of publication not identified] : Whitney Museum of American Art, 2024.
[Place of publication not identified] : Whitney Museum of American Art, 2024.
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books
books
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Description:
128 pages : illustrations (some color), plans ; 20 cm
Description:
128 pages : illustrations (some color), plans ; 20 cm
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Subject:
Publication:
Montreal : The Architecture Observer, c2016.
Montreal : The Architecture Observer, c2016.
Title:
Rise and sprawl : the condominiumization of Toronto / Hans Ibelings and PARTISANS ; edited by Nicola Spunt.
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Description:
128 pages : illustrations (some color), plans ; 20 cm
Rise and sprawl : the condominiumization of Toronto / Hans Ibelings and PARTISANS ; edited by Nicola Spunt.
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Description:
128 pages : illustrations (some color), plans ; 20 cm
Form:
books
books
Publication:
Montreal : The Architecture Observer, c2016.
Montreal : The Architecture Observer, c2016.
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Form:
journals and magazines
journals and magazines
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1 online resource (volumes)
Author:
Subject:
Publication:
Pisa : La Scuola, 1971-
Pisa : La Scuola, 1971-
Title:
Annali della Scuola normale superiore di Pisa, Classe di lettere e filosofia.
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Description:
1 online resource (volumes)
Annali della Scuola normale superiore di Pisa, Classe di lettere e filosofia.
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Description:
1 online resource (volumes)
Form:
journals and magazines
journals and magazines
Publication:
Pisa : La Scuola, 1971-
Pisa : La Scuola, 1971-
Author:
Subject:
