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LONGUE DURÉE II Pt. 1.
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1 online resource
[Place of publication not identified] : Disintegrator, 2026.
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[Place of publication not identified] : Disintegrator, 2026.
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Construction on the Märkische Viertel in northern Berlin began in 1963 under the supervision of a team of nationally and internationally recognized architects. In the ensuing decades, under the management of the housing association GESOBAU AG, the Viertel evolved from a district that generated controversy throughout the Federal Republic into an exemplary large-scale(...)
Das Märkische Viertel : idee - wirklichkeit - vision
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Construction on the Märkische Viertel in northern Berlin began in 1963 under the supervision of a team of nationally and internationally recognized architects. In the ensuing decades, under the management of the housing association GESOBAU AG, the Viertel evolved from a district that generated controversy throughout the Federal Republic into an exemplary large-scale residential settlement. Architects Werner Düttmann, Hans Müller and Georg Heinrichs wanted to design a better world, with humane dwellings for both inner city residents displaced by redevelopment and evacuees from the east. The concept underlying their masterplan was to shape the landscape via architectural structures. They thought in large forms and proportions, designing a prototypical satellite town for northern Berlin that would contain 16,000 apartments for 40,000 residents, while doing justice to the varied requirements of occupants. Architects such as Oswald M. Ungers, Chen Kuen Lee, Ernst Gisel and René Gagès took part in the construction of this large-scale estate, which caused a furor simply by virtue of its immense scale, unusual for Western Europe. Already in 1964, just after the first residents moved in, the Märkische Viertel, nicknamed the "MV,” was deemed controversial. Some condemned it as a "concrete citadel launched from the drafting table,” a "stony nightmare,” or "the Parrot Estate,” while others celebrated it as a glowing example of a model large-scale settlement. Only recent years have seen an unprejudiced and discriminating appraisal of the project. The residents themselves have always seen their homes in a more positive light than outside observers. In 2003, a survey commissioned by the GESOBAU AG suggested they were perfectly comfortable in their neighborhood. And their children — and even children’s children — often remain in the district. What is the secret of the Maerkische Viertel? How was this once inhospitable bedroom community transformed into a coveted residential district, and how is the transition between generations to be accomplished? Can the Maerkische Viertel sustain itself under the altered economic situation affecting residential housing, or have drastic interventions into the existing architecture become a necessity?
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A publication surveying the diversity of urban planning in Amsterdam since 1986 and placing these developments within a historical context. Projects examined through text and images include: the transformation of the former harbour area (Oostelijk Havengebied, Westerdokseiland), urban renewal projects (Bijlmermeer, Westerlijk Tuinsteden) and Amsterdam's larger scale(...)
Impact : urban planning in Amsterdam after 1986
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A publication surveying the diversity of urban planning in Amsterdam since 1986 and placing these developments within a historical context. Projects examined through text and images include: the transformation of the former harbour area (Oostelijk Havengebied, Westerdokseiland), urban renewal projects (Bijlmermeer, Westerlijk Tuinsteden) and Amsterdam's larger scale urban projects (Noord/Zuidlijn, Zuidas and IJburg).
Urban Theory
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The Casa de Serralves is a celebrated modernist icon. Designed between Porto and Paris (1925-43), in the superimposed work of five architects, the villa is revealed through large scale photographs by João Carmo Simões and edited drawings. This referential work brings together avant-garde and traditional desires – an ambiguity that forged generations of architects.
João Carmo Simões: Casa de Serralves
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The Casa de Serralves is a celebrated modernist icon. Designed between Porto and Paris (1925-43), in the superimposed work of five architects, the villa is revealed through large scale photographs by João Carmo Simões and edited drawings. This referential work brings together avant-garde and traditional desires – an ambiguity that forged generations of architects.
Photography monographs
books
Sasha Bezzubov : wildfire
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"Wildfire", Sasha Bezzubov's first monograph, is comprised of 32 large-scale photographs of the aftermath of forest fires in California. Using the genre of landscape photography, a tradition born with, and used to celebrate, industrial expansion, these photographs evidence the fragility of the man-made as it is transformed into dreamscapes of apocalyptic proportions.
Sasha Bezzubov : wildfire
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"Wildfire", Sasha Bezzubov's first monograph, is comprised of 32 large-scale photographs of the aftermath of forest fires in California. Using the genre of landscape photography, a tradition born with, and used to celebrate, industrial expansion, these photographs evidence the fragility of the man-made as it is transformed into dreamscapes of apocalyptic proportions.
books
January 2009
Photography monographs
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Inside the postmodern wonderland of the Shonandai Cultural Center, Japan's first large-scale public facility to be designed by a female architect The first major public project by Japanese architect Itsuko Hasegawa (born 1941), the Shonandai Cultural Center is notable in its attempt to refute modernism by returning to a '60s techno-avant-garde.
Itsuko Hasegawa: Shonandai – Exposing the World. Everything without content 242
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Inside the postmodern wonderland of the Shonandai Cultural Center, Japan's first large-scale public facility to be designed by a female architect The first major public project by Japanese architect Itsuko Hasegawa (born 1941), the Shonandai Cultural Center is notable in its attempt to refute modernism by returning to a '60s techno-avant-garde.
Architecture Monographs
Exhibition design
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Exhibition design features examples of a wide variety of exhibitions from aroud the world, from major trade and commerce fairs to well-know fine-art institutioa and small-scale artist-designed display. The introduction gives an historical perspective on the development of exhibitions and museums, with particular focus on the developments of the twentieth century.
Museums and Universal Exhibitions
September 2006, New York, London
Exhibition design
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Exhibition design features examples of a wide variety of exhibitions from aroud the world, from major trade and commerce fairs to well-know fine-art institutioa and small-scale artist-designed display. The introduction gives an historical perspective on the development of exhibitions and museums, with particular focus on the developments of the twentieth century.
Museums and Universal Exhibitions
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Drawing attention to the visual quality of concentration, sensation, relations, attraction and repulsion Dutch artist Esther Tielemans presents painted panels as decor hanging on the wall, lying on the floor or hanging free in space. Taken together, these forms act almost like props, creating a large-scale abstract landscape for the viewer to wander.
Contemporary Art Monographs
September 2013
Esther Tielemans : New scenes - OMP 57
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Drawing attention to the visual quality of concentration, sensation, relations, attraction and repulsion Dutch artist Esther Tielemans presents painted panels as decor hanging on the wall, lying on the floor or hanging free in space. Taken together, these forms act almost like props, creating a large-scale abstract landscape for the viewer to wander.
Contemporary Art Monographs
Celebration at persepolis
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In 1971, the Shah of Iran held a week-long party among the ruins of Persepolis, leaving the temporary architecture behind when the celebration was done. For Art Basel 2008, "anthropologist of the avant-garde" Michael Stevenson reconstructed one of the guest tents, now a ruin itself, at scale. That project is expanded upon here.
Celebration at persepolis
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In 1971, the Shah of Iran held a week-long party among the ruins of Persepolis, leaving the temporary architecture behind when the celebration was done. For Art Basel 2008, "anthropologist of the avant-garde" Michael Stevenson reconstructed one of the guest tents, now a ruin itself, at scale. That project is expanded upon here.
Contemporary Art Monographs
Alex Plademunt: almost there
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Plademunt's images play with scale as he explores time and distance, pulling both notions in the most extreme directions. His work has always been rooted in the landscape, and in Almost There he builds on this with an interrogation of the possibilities of the photographic, pushing the boundaries of each photographic tradition he encounters.
Alex Plademunt: almost there
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$51.95
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Plademunt's images play with scale as he explores time and distance, pulling both notions in the most extreme directions. His work has always been rooted in the landscape, and in Almost There he builds on this with an interrogation of the possibilities of the photographic, pushing the boundaries of each photographic tradition he encounters.
Photography monographs