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La publicación sigue las peripecias vitales de Thomas C. Roche, uno de los fotógrafos más destacados de la segunda mitad del siglo XIX en Estados Unidos, y el desarrollo de su trabajo, en el marco del cual van apareciendo las diferentes series de fotografías que integran la colección del Museo Evaristo Valle (Union Pacific Railroad, Yosemite, Canadá, Nuevo Hampshire,(...)
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La publicación sigue las peripecias vitales de Thomas C. Roche, uno de los fotógrafos más destacados de la segunda mitad del siglo XIX en Estados Unidos, y el desarrollo de su trabajo, en el marco del cual van apareciendo las diferentes series de fotografías que integran la colección del Museo Evaristo Valle (Union Pacific Railroad, Yosemite, Canadá, Nuevo Hampshire,(...)
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The American adventure 1870-1876, Thomas C. Roche
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La publicación sigue las peripecias vitales de Thomas C. Roche, uno de los fotógrafos más destacados de la segunda mitad del siglo XIX en Estados Unidos, y el desarrollo de su trabajo, en el marco del cual van apareciendo las diferentes series de fotografías que integran la colección del Museo Evaristo Valle (Union Pacific Railroad, Yosemite, Canadá, Nuevo Hampshire, Nueva York), además de otras obras suyas presentes en colecciones tan relevantes como las de la Biblioteca del Congreso de Estados Unidos, el Museo Metropolitan de Nueva York o el Museo Getty de Los Ángeles. [Bilingual edition]
The American adventure 1870-1876, Thomas C. Roche
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La publicación sigue las peripecias vitales de Thomas C. Roche, uno de los fotógrafos más destacados de la segunda mitad del siglo XIX en Estados Unidos, y el desarrollo de su trabajo, en el marco del cual van apareciendo las diferentes series de fotografías que integran la colección del Museo Evaristo Valle (Union Pacific Railroad, Yosemite, Canadá, Nuevo Hampshire, Nueva York), además de otras obras suyas presentes en colecciones tan relevantes como las de la Biblioteca del Congreso de Estados Unidos, el Museo Metropolitan de Nueva York o el Museo Getty de Los Ángeles. [Bilingual edition]
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books
books
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June 2021
June 2021
Subject:
Photography monographs
Photography monographs
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books
books
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Mamma Andersson: Skulptur
Mamma Andersson: Skulptur
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L'artiste suédoise Mamma Andersson peint des intérieurs empreints de mélancolie, exécutés avec élégance dans un style unique juxtaposant les textures et les techniques picturales. Cette série de peintures propose une variation autour de motifs sculpturaux, mis en scène dans des espaces domestiques ou cadrés en plan rapproché. Inspirées par les mises en scènes(...)
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L'artiste suédoise Mamma Andersson peint des intérieurs empreints de mélancolie, exécutés avec élégance dans un style unique juxtaposant les textures et les techniques picturales. Cette série de peintures propose une variation autour de motifs sculpturaux, mis en scène dans des espaces domestiques ou cadrés en plan rapproché. Inspirées par les mises en scènes(...)
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Mamma Andersson: Skulptur
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L'artiste suédoise Mamma Andersson peint des intérieurs empreints de mélancolie, exécutés avec élégance dans un style unique juxtaposant les textures et les techniques picturales. Cette série de peintures propose une variation autour de motifs sculpturaux, mis en scène dans des espaces domestiques ou cadrés en plan rapproché. Inspirées par les mises en scènes cinématographique et théâtrale, ou les peintures d'époque, les compositions de Karin Mamma Andersson (née en 1962, Luleå, Suède, vit et travaille à Stockholm) se caractérisent par leur sensibilité onirique et leur expressivité. Si ses références stylistiques vont de la peinture figurative nordique du début du XXe siècle à l'art populaire et vernaculaire, son utilisation de l'espace pictural et ses juxtapositions de peintures épaisses et de dessins au lavis lui sont propres. L'artiste prend régulièrement pour sujet des paysages et des intérieurs où s'expriment la mélancolie. En 2011, le travail d'Andersson a fait l'objet d'une exposition individuelle au Museum Haus Esters à Krefeld, en Allemagne. Elle a également exposé au Aspen Art Museum, Colorado, en 2010, à la Douglas Hyde Gallery, Dublin, en 2009, ainsi qu'au Moderna Museet, Stockholm, pour une rétrospective célébrée qui voyagera à la Kunsthalle Helsinki et au Camden Arts Centre de Londres. En 2006, Mamma Andersson a remporté le Carnegie Art Award, prix prestigieux consacrant la peinture nordique. Son travail a été présenté au Pavillon nordique à la 50e Biennale de Venise en 2003. Ses œuvres font partie des collections du Dallas Museum of Art, du Göteborgs Konstmuseum, (Göteborg, Suède), du Hammer Museum (Los Angeles), du Magasin 3 (Stockholm), du Malmö Konstmuseum (Suède), du Museum of Contemporary Art (Los Angeles), du Museum of Modern Art (New York), du Moderna Museet (Stockholm) et du Västerås Konstmuseum (Suède).
Mamma Andersson: Skulptur
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L'artiste suédoise Mamma Andersson peint des intérieurs empreints de mélancolie, exécutés avec élégance dans un style unique juxtaposant les textures et les techniques picturales. Cette série de peintures propose une variation autour de motifs sculpturaux, mis en scène dans des espaces domestiques ou cadrés en plan rapproché. Inspirées par les mises en scènes cinématographique et théâtrale, ou les peintures d'époque, les compositions de Karin Mamma Andersson (née en 1962, Luleå, Suède, vit et travaille à Stockholm) se caractérisent par leur sensibilité onirique et leur expressivité. Si ses références stylistiques vont de la peinture figurative nordique du début du XXe siècle à l'art populaire et vernaculaire, son utilisation de l'espace pictural et ses juxtapositions de peintures épaisses et de dessins au lavis lui sont propres. L'artiste prend régulièrement pour sujet des paysages et des intérieurs où s'expriment la mélancolie. En 2011, le travail d'Andersson a fait l'objet d'une exposition individuelle au Museum Haus Esters à Krefeld, en Allemagne. Elle a également exposé au Aspen Art Museum, Colorado, en 2010, à la Douglas Hyde Gallery, Dublin, en 2009, ainsi qu'au Moderna Museet, Stockholm, pour une rétrospective célébrée qui voyagera à la Kunsthalle Helsinki et au Camden Arts Centre de Londres. En 2006, Mamma Andersson a remporté le Carnegie Art Award, prix prestigieux consacrant la peinture nordique. Son travail a été présenté au Pavillon nordique à la 50e Biennale de Venise en 2003. Ses œuvres font partie des collections du Dallas Museum of Art, du Göteborgs Konstmuseum, (Göteborg, Suède), du Hammer Museum (Los Angeles), du Magasin 3 (Stockholm), du Malmö Konstmuseum (Suède), du Museum of Contemporary Art (Los Angeles), du Museum of Modern Art (New York), du Moderna Museet (Stockholm) et du Västerås Konstmuseum (Suède).
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books
books
Publication:
May 2017
May 2017
Subject:
Zines
Zines
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books
books
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In April 1998, sixteen architects--Studio Works in Los Angeles, Lindy Roy in New York, Carlos Jimenez in Houston and Stanley Saitowitz in San Francisco, among others--were invited to assemble teams to design a series of single-family houses for the Fifth Ward Community Redevelopment Corporation in Houston, Texas. The goal of the Fifth Ward CRC is to provide high-quality(...)
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In April 1998, sixteen architects--Studio Works in Los Angeles, Lindy Roy in New York, Carlos Jimenez in Houston and Stanley Saitowitz in San Francisco, among others--were invited to assemble teams to design a series of single-family houses for the Fifth Ward Community Redevelopment Corporation in Houston, Texas. The goal of the Fifth Ward CRC is to provide high-quality(...)
Title:
16 Houses : designing the public's private house
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In April 1998, sixteen architects--Studio Works in Los Angeles, Lindy Roy in New York, Carlos Jimenez in Houston and Stanley Saitowitz in San Francisco, among others--were invited to assemble teams to design a series of single-family houses for the Fifth Ward Community Redevelopment Corporation in Houston, Texas. The goal of the Fifth Ward CRC is to provide high-quality affordable housing, and the architects selected responded with designs innovation in both aesthetic and financial issues. "16 Houses" documents the house proposals in striking renderings and photographs, and also addresses the question of affordable housing locally and nationally. Thus the volume provides a new model of collaborative design between institutions that can respond with innovation and vigor to federal initiatives in housing policy.
16 Houses : designing the public's private house
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In April 1998, sixteen architects--Studio Works in Los Angeles, Lindy Roy in New York, Carlos Jimenez in Houston and Stanley Saitowitz in San Francisco, among others--were invited to assemble teams to design a series of single-family houses for the Fifth Ward Community Redevelopment Corporation in Houston, Texas. The goal of the Fifth Ward CRC is to provide high-quality affordable housing, and the architects selected responded with designs innovation in both aesthetic and financial issues. "16 Houses" documents the house proposals in striking renderings and photographs, and also addresses the question of affordable housing locally and nationally. Thus the volume provides a new model of collaborative design between institutions that can respond with innovation and vigor to federal initiatives in housing policy.
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books
books
Publication:
August 2002, New York
August 2002, New York
Subject:
Residential Architecture
Residential Architecture
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books
books
Title:
Chris Johanson: Ants
Chris Johanson: Ants
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Chris Johanson (né en 1968 à San Jose, vit et travaille entre Los Angeles et Portland) est une figure centrale de la Mission School de San Francisco, le mouvement post-punk qui a intégré des aspects du graffiti et de l'art populaire. Sa pratique multidimensionnelle englobe la peinture, le dessin, la sculpture, le design et la musique. Incorporant des influences disparates(...)
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Chris Johanson (né en 1968 à San Jose, vit et travaille entre Los Angeles et Portland) est une figure centrale de la Mission School de San Francisco, le mouvement post-punk qui a intégré des aspects du graffiti et de l'art populaire. Sa pratique multidimensionnelle englobe la peinture, le dessin, la sculpture, le design et la musique. Incorporant des influences disparates(...)
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Chris Johanson: Ants
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Chris Johanson (né en 1968 à San Jose, vit et travaille entre Los Angeles et Portland) est une figure centrale de la Mission School de San Francisco, le mouvement post-punk qui a intégré des aspects du graffiti et de l'art populaire. Sa pratique multidimensionnelle englobe la peinture, le dessin, la sculpture, le design et la musique. Incorporant des influences disparates qui reflètent la complexité de la vie, son travail est centré sur des thèmes tels que la spiritualité, la sociologie et l'observation de l'environnement. Johanson a commencé à travailler sur des dessins figuratifs et à peindre sur des planches de skate dès son plus jeune âge. Ses compositions se veulent ouvertes à l'interprétation et invitent à la réflexion sur la vie quotidienne et la condition humaine.
Chris Johanson: Ants
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Chris Johanson (né en 1968 à San Jose, vit et travaille entre Los Angeles et Portland) est une figure centrale de la Mission School de San Francisco, le mouvement post-punk qui a intégré des aspects du graffiti et de l'art populaire. Sa pratique multidimensionnelle englobe la peinture, le dessin, la sculpture, le design et la musique. Incorporant des influences disparates qui reflètent la complexité de la vie, son travail est centré sur des thèmes tels que la spiritualité, la sociologie et l'observation de l'environnement. Johanson a commencé à travailler sur des dessins figuratifs et à peindre sur des planches de skate dès son plus jeune âge. Ses compositions se veulent ouvertes à l'interprétation et invitent à la réflexion sur la vie quotidienne et la condition humaine.
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books
books
Publication:
February 2025
February 2025
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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Published in this volume are the papers delivered at the conference, which focused on the themes of history, language, urbanism, and politics. The speakers included an exceptional array of historians and critics: Stan Allen of Princeton; Maurice Culot of the Institut Français d'Architecture, Paris; Kurt Forster of the Bauhaus University in Dessau; Phyllis Lambert of the(...)
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Published in this volume are the papers delivered at the conference, which focused on the themes of history, language, urbanism, and politics. The speakers included an exceptional array of historians and critics: Stan Allen of Princeton; Maurice Culot of the Institut Français d'Architecture, Paris; Kurt Forster of the Bauhaus University in Dessau; Phyllis Lambert of the(...)
Title:
Eisenman/Krier : two ideologies, a conference at the Yale school of architecture
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Published in this volume are the papers delivered at the conference, which focused on the themes of history, language, urbanism, and politics. The speakers included an exceptional array of historians and critics: Stan Allen of Princeton; Maurice Culot of the Institut Français d'Architecture, Paris; Kurt Forster of the Bauhaus University in Dessau; Phyllis Lambert of the Canadian Centre for Architecture; Joan Ockman and Mark Wigley of Columbia; Demetri Porphyrios and Vincent Scully of Yale; Robert Somol of the University of California, Los Angeles; Anthony Vidler of the Cooper Union; and Sarah Whiting of Harvard. Eisenman and Krier culminated the event with presentations that made evident their lifelong commitment to architectural language, to architectural scholarship, and to architecture itself as a vital element of society and culture.
Eisenman/Krier : two ideologies, a conference at the Yale school of architecture
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Published in this volume are the papers delivered at the conference, which focused on the themes of history, language, urbanism, and politics. The speakers included an exceptional array of historians and critics: Stan Allen of Princeton; Maurice Culot of the Institut Français d'Architecture, Paris; Kurt Forster of the Bauhaus University in Dessau; Phyllis Lambert of the Canadian Centre for Architecture; Joan Ockman and Mark Wigley of Columbia; Demetri Porphyrios and Vincent Scully of Yale; Robert Somol of the University of California, Los Angeles; Anthony Vidler of the Cooper Union; and Sarah Whiting of Harvard. Eisenman and Krier culminated the event with presentations that made evident their lifelong commitment to architectural language, to architectural scholarship, and to architecture itself as a vital element of society and culture.
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books
books
Publication:
May 2004, New York
May 2004, New York
Subject:
sale books
sale books
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books
books
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Born in Canada, but trained at the California Institute of the Arts, McFetridge won public acclaim as a designer when he was still a student. For two years, he was art director of the famous underground Beastie Boys magazine Grand Royal. Since then he has worked for numerous clients ranging from Nike, Pepsi, and Stuessy to Burton, Girl and 2K/Gingham. He made clips for(...)
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Born in Canada, but trained at the California Institute of the Arts, McFetridge won public acclaim as a designer when he was still a student. For two years, he was art director of the famous underground Beastie Boys magazine Grand Royal. Since then he has worked for numerous clients ranging from Nike, Pepsi, and Stuessy to Burton, Girl and 2K/Gingham. He made clips for(...)
Title:
Geoff McFetridge. Bend the void
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Born in Canada, but trained at the California Institute of the Arts, McFetridge won public acclaim as a designer when he was still a student. For two years, he was art director of the famous underground Beastie Boys magazine Grand Royal. Since then he has worked for numerous clients ranging from Nike, Pepsi, and Stuessy to Burton, Girl and 2K/Gingham. He made clips for Plaid, Simian, and recently also for The Whitest Boy Alive, and he created film title sequences for The Virgin Suicides and Adaptation. He is one of the Beautiful Losers, and makes solo exhibitions from Los Angeles to Paris and from London to Tokyo. "Bend the Void. The Space between Yeah and Yes" is his first large solo exhibition in the Netherlands.
Geoff McFetridge. Bend the void
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Born in Canada, but trained at the California Institute of the Arts, McFetridge won public acclaim as a designer when he was still a student. For two years, he was art director of the famous underground Beastie Boys magazine Grand Royal. Since then he has worked for numerous clients ranging from Nike, Pepsi, and Stuessy to Burton, Girl and 2K/Gingham. He made clips for Plaid, Simian, and recently also for The Whitest Boy Alive, and he created film title sequences for The Virgin Suicides and Adaptation. He is one of the Beautiful Losers, and makes solo exhibitions from Los Angeles to Paris and from London to Tokyo. "Bend the Void. The Space between Yeah and Yes" is his first large solo exhibition in the Netherlands.
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books
books
Publication:
March 2007, Zurich
March 2007, Zurich
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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journals and magazines
journals and magazines
Title:
Arkitip 50 André Balazs
Arkitip 50 André Balazs
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André Balazs Properties owns and operates eight hotels in the US, including properties in New York, Miami and Los Angeles. His residential projects include 40 Mercer Residences in Soho, designed by architect Jean Nouvel; One Kenmare Square with Richard Gluckman and William Beaver House designed by Calvin Tsao. This issue focusses on the creative side of his work, paying(...)
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André Balazs Properties owns and operates eight hotels in the US, including properties in New York, Miami and Los Angeles. His residential projects include 40 Mercer Residences in Soho, designed by architect Jean Nouvel; One Kenmare Square with Richard Gluckman and William Beaver House designed by Calvin Tsao. This issue focusses on the creative side of his work, paying(...)
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Arkitip 50 André Balazs
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André Balazs Properties owns and operates eight hotels in the US, including properties in New York, Miami and Los Angeles. His residential projects include 40 Mercer Residences in Soho, designed by architect Jean Nouvel; One Kenmare Square with Richard Gluckman and William Beaver House designed by Calvin Tsao. This issue focusses on the creative side of his work, paying attention to the way he 'pays attention' to details, his inspirations, as well as some of his obsessions. In addition, Andrew Holder contributes a series of illustrations of Balazs' prestigious and most well known properties for a series of four Surface Mats. One of each that accompanies each issue edition. The signed Surface Mats are useable as a table, desk top accessory or suitable for framing.
Arkitip 50 André Balazs
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André Balazs Properties owns and operates eight hotels in the US, including properties in New York, Miami and Los Angeles. His residential projects include 40 Mercer Residences in Soho, designed by architect Jean Nouvel; One Kenmare Square with Richard Gluckman and William Beaver House designed by Calvin Tsao. This issue focusses on the creative side of his work, paying attention to the way he 'pays attention' to details, his inspirations, as well as some of his obsessions. In addition, Andrew Holder contributes a series of illustrations of Balazs' prestigious and most well known properties for a series of four Surface Mats. One of each that accompanies each issue edition. The signed Surface Mats are useable as a table, desk top accessory or suitable for framing.
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journals and magazines
journals and magazines
Publication:
January 1900, Hollywood
January 1900, Hollywood
Subject:
Magazines
Magazines
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books
books
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Avec Notre histoire lue du ciel, le lecteur accède au plus spectaculaire des voyages que l'on puisse faire dans un livre. Ce cinquième volume, consacré aux prouesses architecturales min XXe siècle, est un tour du monde des plus étonnantes réalisations de l'architecture moderne: des tours et des gratte-ciel la tour Eiffel, le Chrysler Building de New York ou la Swiss Re de(...)
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Avec Notre histoire lue du ciel, le lecteur accède au plus spectaculaire des voyages que l'on puisse faire dans un livre. Ce cinquième volume, consacré aux prouesses architecturales min XXe siècle, est un tour du monde des plus étonnantes réalisations de l'architecture moderne: des tours et des gratte-ciel la tour Eiffel, le Chrysler Building de New York ou la Swiss Re de(...)
Title:
Prouesses du 20e siècle: notre histoire lue du ciel
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Avec Notre histoire lue du ciel, le lecteur accède au plus spectaculaire des voyages que l'on puisse faire dans un livre. Ce cinquième volume, consacré aux prouesses architecturales min XXe siècle, est un tour du monde des plus étonnantes réalisations de l'architecture moderne: des tours et des gratte-ciel la tour Eiffel, le Chrysler Building de New York ou la Swiss Re de Londres - des musées - le Guggenheim de Bilbao ou le Getty Center de Los Angeles -, des spectaculaires salles de concerts comme l'opéra de Sydney ou le centre des Arts orientaux de Shanghai, des ponts monumentaux tels le Golden Gate de San Francisco ou le viaduc de Millau, des sanctuaires même avec la Sagrada Ramifia de Barcelone ou le temple du Lotus de Delhi.
Prouesses du 20e siècle: notre histoire lue du ciel
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Avec Notre histoire lue du ciel, le lecteur accède au plus spectaculaire des voyages que l'on puisse faire dans un livre. Ce cinquième volume, consacré aux prouesses architecturales min XXe siècle, est un tour du monde des plus étonnantes réalisations de l'architecture moderne: des tours et des gratte-ciel la tour Eiffel, le Chrysler Building de New York ou la Swiss Re de Londres - des musées - le Guggenheim de Bilbao ou le Getty Center de Los Angeles -, des spectaculaires salles de concerts comme l'opéra de Sydney ou le centre des Arts orientaux de Shanghai, des ponts monumentaux tels le Golden Gate de San Francisco ou le viaduc de Millau, des sanctuaires même avec la Sagrada Ramifia de Barcelone ou le temple du Lotus de Delhi.
Form:
books
books
Publication:
November 2008, Paris
November 2008, Paris
Subject:
Architecture since 1900, Europe
Architecture since 1900, Europe
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books
books
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$85.00
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Summary:
Although architecture alone cannot solve the problem of homelessness, the question arises: What and which roles can it play? How can architecture collaborate with other disciplines in developing ways to permanently house those who do not have a home? This volume seeks to explore and understand a reality that involves the expertise of national, regional, and city agencies,(...)
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Although architecture alone cannot solve the problem of homelessness, the question arises: What and which roles can it play? How can architecture collaborate with other disciplines in developing ways to permanently house those who do not have a home? This volume seeks to explore and understand a reality that involves the expertise of national, regional, and city agencies,(...)
Title:
Who's next: homelessness, architecture and cities
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Although architecture alone cannot solve the problem of homelessness, the question arises: What and which roles can it play? How can architecture collaborate with other disciplines in developing ways to permanently house those who do not have a home? This volume seeks to explore and understand a reality that involves the expertise of national, regional, and city agencies, nongovernmental organizations, health-care fields, and academic disciplines. Through scholarly essays, interviews, analyses of architectural case studies, and research on the historical and current situation in Los Angeles, Moscow, Mumbai, New York, São Paulo, San Francisco, Shanghai, and Tokyo, this book unfolds different entry points toward understanding homelessness and some of the many related problems. The publication accompanies the exhibition “Who’s Next” by the Architekturmuseum München in Munich, Germany.
Who's next: homelessness, architecture and cities
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Although architecture alone cannot solve the problem of homelessness, the question arises: What and which roles can it play? How can architecture collaborate with other disciplines in developing ways to permanently house those who do not have a home? This volume seeks to explore and understand a reality that involves the expertise of national, regional, and city agencies, nongovernmental organizations, health-care fields, and academic disciplines. Through scholarly essays, interviews, analyses of architectural case studies, and research on the historical and current situation in Los Angeles, Moscow, Mumbai, New York, São Paulo, San Francisco, Shanghai, and Tokyo, this book unfolds different entry points toward understanding homelessness and some of the many related problems. The publication accompanies the exhibition “Who’s Next” by the Architekturmuseum München in Munich, Germany.
Form:
books
books
Publication:
January 2022
January 2022
Subject:
Humans and cities
Humans and cities
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journals and magazines
journals and magazines
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Valerio Olgiati (b 1958) studied architecture at ETH in Zürich and lived and worked first in Zürich and later in Los Angeles for some years. In 1996 he opened his own practice in Zürich and in 2008 with his wife Tamara Olgiati in Flims. Projects include a school in Paspels, the Lake Cauma Project in Flims, the Bardill Studio in Scharans, the Visiting Center of the Swiss(...)
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Valerio Olgiati (b 1958) studied architecture at ETH in Zürich and lived and worked first in Zürich and later in Los Angeles for some years. In 1996 he opened his own practice in Zürich and in 2008 with his wife Tamara Olgiati in Flims. Projects include a school in Paspels, the Lake Cauma Project in Flims, the Bardill Studio in Scharans, the Visiting Center of the Swiss(...)
Title:
El croquis 156: Valerio Olgiati 1996-2011
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Valerio Olgiati (b 1958) studied architecture at ETH in Zürich and lived and worked first in Zürich and later in Los Angeles for some years. In 1996 he opened his own practice in Zürich and in 2008 with his wife Tamara Olgiati in Flims. Projects include a school in Paspels, the Lake Cauma Project in Flims, the Bardill Studio in Scharans, the Visiting Center of the Swiss National Park in Zernez, the white concrete Projection Room Gornergrat located 3100 meter above sea level in Zermatt, Olgiati’s own office in Flims, the Learning Center EPFL in Lausanne, and the new entrance of the Grisons Parliament Building in Chur. Also includes an iconographic autobiography of important images stored in Olgiati’s head. Interview with Olgiati by Markus Breitschmid.
El croquis 156: Valerio Olgiati 1996-2011
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Valerio Olgiati (b 1958) studied architecture at ETH in Zürich and lived and worked first in Zürich and later in Los Angeles for some years. In 1996 he opened his own practice in Zürich and in 2008 with his wife Tamara Olgiati in Flims. Projects include a school in Paspels, the Lake Cauma Project in Flims, the Bardill Studio in Scharans, the Visiting Center of the Swiss National Park in Zernez, the white concrete Projection Room Gornergrat located 3100 meter above sea level in Zermatt, Olgiati’s own office in Flims, the Learning Center EPFL in Lausanne, and the new entrance of the Grisons Parliament Building in Chur. Also includes an iconographic autobiography of important images stored in Olgiati’s head. Interview with Olgiati by Markus Breitschmid.
Form:
journals and magazines
journals and magazines
Publication:
September 2011
September 2011
Subject:
Architecture Monographs
Architecture Monographs
