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De quand date la naissance de l’observateur moderne? L’histoire culturelle et la théorie de l’art ont souvent identifié deux points d’origine : la révolution picturale des années 1860 et l’invention de la photographie quelques décennies plus tôt. Pour Jonathan Crary, c’est au tournant du XIXe siècle que s’opère, non pas une mutation de l’imagerie, mais une transformation(...)
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De quand date la naissance de l’observateur moderne? L’histoire culturelle et la théorie de l’art ont souvent identifié deux points d’origine : la révolution picturale des années 1860 et l’invention de la photographie quelques décennies plus tôt. Pour Jonathan Crary, c’est au tournant du XIXe siècle que s’opère, non pas une mutation de l’imagerie, mais une transformation(...)
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Techniques de l'observateur: vision et modernité au XIXe siècle
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De quand date la naissance de l’observateur moderne? L’histoire culturelle et la théorie de l’art ont souvent identifié deux points d’origine : la révolution picturale des années 1860 et l’invention de la photographie quelques décennies plus tôt. Pour Jonathan Crary, c’est au tournant du XIXe siècle que s’opère, non pas une mutation de l’imagerie, mais une transformation de la subjectivité, lorsque la figure de l’observateur investit le champ esthétique, la médecine et la philosophie. Bien que vieille de deux siècles, cette discrète révolution dans la culture visuelle occidentale est encore la nôtre. Elle accompagne l’essor de la société disciplinaire tout en préparant l’avènement de la société du spectacle – ainsi que de leurs prolongements actuels. En relisant Michel Foucault, Guy Debord et les penseurs critiques de la modernité, Crary nous invite à un voyage intellectuel érudit et provoquant parmi les arts et les savoirs qui l’ont construite. 'Techniques de l’observateur' opère un retour aux sources historiques de notre attention visuelle et de ses enjeux subjectifs et politiques.
Techniques de l'observateur: vision et modernité au XIXe siècle
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De quand date la naissance de l’observateur moderne? L’histoire culturelle et la théorie de l’art ont souvent identifié deux points d’origine : la révolution picturale des années 1860 et l’invention de la photographie quelques décennies plus tôt. Pour Jonathan Crary, c’est au tournant du XIXe siècle que s’opère, non pas une mutation de l’imagerie, mais une transformation de la subjectivité, lorsque la figure de l’observateur investit le champ esthétique, la médecine et la philosophie. Bien que vieille de deux siècles, cette discrète révolution dans la culture visuelle occidentale est encore la nôtre. Elle accompagne l’essor de la société disciplinaire tout en préparant l’avènement de la société du spectacle – ainsi que de leurs prolongements actuels. En relisant Michel Foucault, Guy Debord et les penseurs critiques de la modernité, Crary nous invite à un voyage intellectuel érudit et provoquant parmi les arts et les savoirs qui l’ont construite. 'Techniques de l’observateur' opère un retour aux sources historiques de notre attention visuelle et de ses enjeux subjectifs et politiques.
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books
books
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October 2016
October 2016
Subject:
Critical Theory
Critical Theory
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books
books
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$49.95
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Sprawling beneath the Acropolis, modern Athens is commonly viewed in negative terms: congested, ugly and monotonous. A Mediterranean version of "informal" urbanism prevalent throughout the so-called developing world, ''Builders, Housewives and the Construction of Modern Athens'' reassesses the explosive growth of post-war Athens through its most distinctive building type,(...)
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Sprawling beneath the Acropolis, modern Athens is commonly viewed in negative terms: congested, ugly and monotonous. A Mediterranean version of "informal" urbanism prevalent throughout the so-called developing world, ''Builders, Housewives and the Construction of Modern Athens'' reassesses the explosive growth of post-war Athens through its most distinctive building type,(...)
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Builders, housewives, and the construction of modern Athens
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Sprawling beneath the Acropolis, modern Athens is commonly viewed in negative terms: congested, ugly and monotonous. A Mediterranean version of "informal" urbanism prevalent throughout the so-called developing world, ''Builders, Housewives and the Construction of Modern Athens'' reassesses the explosive growth of post-war Athens through its most distinctive building type, the polykatoikia, a small-scale multi-storey apartment block (from poly meaning "multiple" and oikos meaning "house"). Theocharopoulou re-evaluates the polykatoikia as a low-tech, easily constructible innovation that stimulated the post-war urban economy, triggering the city's social mid-twentieth century transformation, enabling the migrants who poured into Athens to become urban citizens, aspiring to a modern life. The interiors of the polykatoikia apartments reflect a desire for modernity as marketed to housewives through film and magazines. Regular builders became unlikely allies in designing these polykatoikia interiors, enabling inhabitants to exert agency over their daily lives ?and the shape of the post-war city.
Builders, housewives, and the construction of modern Athens
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Sprawling beneath the Acropolis, modern Athens is commonly viewed in negative terms: congested, ugly and monotonous. A Mediterranean version of "informal" urbanism prevalent throughout the so-called developing world, ''Builders, Housewives and the Construction of Modern Athens'' reassesses the explosive growth of post-war Athens through its most distinctive building type, the polykatoikia, a small-scale multi-storey apartment block (from poly meaning "multiple" and oikos meaning "house"). Theocharopoulou re-evaluates the polykatoikia as a low-tech, easily constructible innovation that stimulated the post-war urban economy, triggering the city's social mid-twentieth century transformation, enabling the migrants who poured into Athens to become urban citizens, aspiring to a modern life. The interiors of the polykatoikia apartments reflect a desire for modernity as marketed to housewives through film and magazines. Regular builders became unlikely allies in designing these polykatoikia interiors, enabling inhabitants to exert agency over their daily lives ?and the shape of the post-war city.
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books
books
Publication:
January 2017
January 2017
Subject:
Collective Housing
Collective Housing
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books
books
Title:
Urban China in transition
Urban China in transition
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Using an innovative approach, this book interprets the unprecedented transformation of contemporary China's major cities. It highlights a diversity of trends in the areas of migration, criminal victimization, gated communities, and the status of women, suburbanization, and neighbourhood associations. Each chapter includes input from both an expert on urban life in China(...)
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Using an innovative approach, this book interprets the unprecedented transformation of contemporary China's major cities. It highlights a diversity of trends in the areas of migration, criminal victimization, gated communities, and the status of women, suburbanization, and neighbourhood associations. Each chapter includes input from both an expert on urban life in China(...)
Publication:
August 2008, Malden, Oxford, Victoria
August 2008, Malden, Oxford, Victoria
Title:
Urban China in transition
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Using an innovative approach, this book interprets the unprecedented transformation of contemporary China's major cities. It highlights a diversity of trends in the areas of migration, criminal victimization, gated communities, and the status of women, suburbanization, and neighbourhood associations. Each chapter includes input from both an expert on urban life in China and an 'outside' expert from the fields of sociology, geography, economics, planning, political science, history, demography, architecture, or anthropology. John R. Logan is the founder of the Urban China Research Network, supported by the Andrew W. Mellon Foundation and a member of the editorial boards of Journal of Urban Affairs and City and Community. He was chosen Distinguished Professor of Sociology at the University at Albany, SUNY, as well as Director of the Lewis Mumford Center for Comparative Urban and Regional Research. In April 2003 he was selected by American Demographics magazine as one of five social demographers whose work has most influenced his field in the last 25 years.
Urban China in transition
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Using an innovative approach, this book interprets the unprecedented transformation of contemporary China's major cities. It highlights a diversity of trends in the areas of migration, criminal victimization, gated communities, and the status of women, suburbanization, and neighbourhood associations. Each chapter includes input from both an expert on urban life in China and an 'outside' expert from the fields of sociology, geography, economics, planning, political science, history, demography, architecture, or anthropology. John R. Logan is the founder of the Urban China Research Network, supported by the Andrew W. Mellon Foundation and a member of the editorial boards of Journal of Urban Affairs and City and Community. He was chosen Distinguished Professor of Sociology at the University at Albany, SUNY, as well as Director of the Lewis Mumford Center for Comparative Urban and Regional Research. In April 2003 he was selected by American Demographics magazine as one of five social demographers whose work has most influenced his field in the last 25 years.
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books
books
Publication:
August 2008, Malden, Oxford, Victoria
August 2008, Malden, Oxford, Victoria
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books
books
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$96.00
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Michel Desvigne est certainement l’architecte paysagiste français le plus marquant sur la scène internationale. Il collabore avec des architectes tels que Richard Rogers, Norman Forster, Renzo Piano, Ieoh Ming Pei, Herzog et de Meuron ou encore Jean Nouvel, et ses projets dotés d’une forte composante conceptuelle sont intimement liés à la notion de géographie. La notion(...)
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Michel Desvigne est certainement l’architecte paysagiste français le plus marquant sur la scène internationale. Il collabore avec des architectes tels que Richard Rogers, Norman Forster, Renzo Piano, Ieoh Ming Pei, Herzog et de Meuron ou encore Jean Nouvel, et ses projets dotés d’une forte composante conceptuelle sont intimement liés à la notion de géographie. La notion(...)
Title:
Natures intermédiaires: les paysages de Michel Desvigne
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Michel Desvigne est certainement l’architecte paysagiste français le plus marquant sur la scène internationale. Il collabore avec des architectes tels que Richard Rogers, Norman Forster, Renzo Piano, Ieoh Ming Pei, Herzog et de Meuron ou encore Jean Nouvel, et ses projets dotés d’une forte composante conceptuelle sont intimement liés à la notion de géographie. La notion de circulation joue également un grand rôle dans son travail, soulignant l’importance stratégique de l’architecture du paysage dans le domaine de l’urbanisme. Cette monographie thématique analyse les éléments clés du travail de Desvigne à travers différents chapitres consacrés au processus de transformation, à la géographie, au territoire, aux structures urbaines et aux places publiques. Ces notions sont toujours clairement illustrées par une sélection de projets, notamment le Walker Art Center à Minneapolis, le Dallas Center for the Performing Arts, le jardin du ministère de la Culture à Paris et le jardin japonais de la Keio University à Tokyo.
Natures intermédiaires: les paysages de Michel Desvigne
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Michel Desvigne est certainement l’architecte paysagiste français le plus marquant sur la scène internationale. Il collabore avec des architectes tels que Richard Rogers, Norman Forster, Renzo Piano, Ieoh Ming Pei, Herzog et de Meuron ou encore Jean Nouvel, et ses projets dotés d’une forte composante conceptuelle sont intimement liés à la notion de géographie. La notion de circulation joue également un grand rôle dans son travail, soulignant l’importance stratégique de l’architecture du paysage dans le domaine de l’urbanisme. Cette monographie thématique analyse les éléments clés du travail de Desvigne à travers différents chapitres consacrés au processus de transformation, à la géographie, au territoire, aux structures urbaines et aux places publiques. Ces notions sont toujours clairement illustrées par une sélection de projets, notamment le Walker Art Center à Minneapolis, le Dallas Center for the Performing Arts, le jardin du ministère de la Culture à Paris et le jardin japonais de la Keio University à Tokyo.
Form:
books
books
Publication:
December 2008
December 2008
Subject:
Landscape Architecture, Monographs
Landscape Architecture, Monographs
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books
books
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In "From Counterculture to Cyberculture", Fred Turner details the previously untold story of a highly influential group of San Francisco Bay Area entrepreneurs: Stewart Brand and the Whole Earth network. Between 1968 and 1998, via such familiar venues as the National Book Award - winning "Whole Earth Catalog", the computer-conferencing system known as WELL, and,(...)
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In "From Counterculture to Cyberculture", Fred Turner details the previously untold story of a highly influential group of San Francisco Bay Area entrepreneurs: Stewart Brand and the Whole Earth network. Between 1968 and 1998, via such familiar venues as the National Book Award - winning "Whole Earth Catalog", the computer-conferencing system known as WELL, and,(...)
Title:
From counterculture to cyberculture
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In "From Counterculture to Cyberculture", Fred Turner details the previously untold story of a highly influential group of San Francisco Bay Area entrepreneurs: Stewart Brand and the Whole Earth network. Between 1968 and 1998, via such familiar venues as the National Book Award - winning "Whole Earth Catalog", the computer-conferencing system known as WELL, and, ultimately, the launch of the wildly successful Wired magazine, Brand and his colleagues brokered a long-running collaboration between San Francisco flower power and the emerging technological hub of Silicon Valley. Thanks to their vision, counterculturalists and technologists alike joined together to reimagine computers as tools for personal liberation, the building of virtual and decidedly alternative communities, and the exploration of bold new social frontiers.While tracing the extraordinary transformation of how our networked culture came to be, Turner's fascinating book reminds us that the distance between the Grateful Dead and Google, between Ken Kesey and the computer itself, is not as great as we might think.
From counterculture to cyberculture
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In "From Counterculture to Cyberculture", Fred Turner details the previously untold story of a highly influential group of San Francisco Bay Area entrepreneurs: Stewart Brand and the Whole Earth network. Between 1968 and 1998, via such familiar venues as the National Book Award - winning "Whole Earth Catalog", the computer-conferencing system known as WELL, and, ultimately, the launch of the wildly successful Wired magazine, Brand and his colleagues brokered a long-running collaboration between San Francisco flower power and the emerging technological hub of Silicon Valley. Thanks to their vision, counterculturalists and technologists alike joined together to reimagine computers as tools for personal liberation, the building of virtual and decidedly alternative communities, and the exploration of bold new social frontiers.While tracing the extraordinary transformation of how our networked culture came to be, Turner's fascinating book reminds us that the distance between the Grateful Dead and Google, between Ken Kesey and the computer itself, is not as great as we might think.
Form:
books
books
Publication:
April 2008, Chicago
April 2008, Chicago
Subject:
Epistemology
Epistemology
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books
books
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$65.99
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Despite the intolerable costs of climate change and inevitably declining oil, natural gas and uranium reserves, the vast majority of cities and urban communities are planned and managed as if such existential crises did not exist. Hence the transition from fossil fuel dominated cities to an urban future marked by a radically new, renewable energy infrastructure requires(...)
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Despite the intolerable costs of climate change and inevitably declining oil, natural gas and uranium reserves, the vast majority of cities and urban communities are planned and managed as if such existential crises did not exist. Hence the transition from fossil fuel dominated cities to an urban future marked by a radically new, renewable energy infrastructure requires(...)
Title:
Renewable city : a comprehensive guide to an urban revolution
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Despite the intolerable costs of climate change and inevitably declining oil, natural gas and uranium reserves, the vast majority of cities and urban communities are planned and managed as if such existential crises did not exist. Hence the transition from fossil fuel dominated cities to an urban future marked by a radically new, renewable energy infrastructure requires entirely new tools and frames of decision-making. This is an original guide to an entirely unprecedented urban transformation, to cities and towns powered by renewable energy. Squarely focused on action, it supports design, planning and management decisions and serves as a practical guide to practitioners, academics and political leaders in communities and cities worldwide, as a useful and well-structured reference text. It is built on the most successful of past and present urban sustainability trends and emerging infrastructure directions, presenting renewable energy applications as offering new and inevitable approaches to urban infrastructure planning and the design of cities.
Renewable city : a comprehensive guide to an urban revolution
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$65.99
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Summary:
Despite the intolerable costs of climate change and inevitably declining oil, natural gas and uranium reserves, the vast majority of cities and urban communities are planned and managed as if such existential crises did not exist. Hence the transition from fossil fuel dominated cities to an urban future marked by a radically new, renewable energy infrastructure requires entirely new tools and frames of decision-making. This is an original guide to an entirely unprecedented urban transformation, to cities and towns powered by renewable energy. Squarely focused on action, it supports design, planning and management decisions and serves as a practical guide to practitioners, academics and political leaders in communities and cities worldwide, as a useful and well-structured reference text. It is built on the most successful of past and present urban sustainability trends and emerging infrastructure directions, presenting renewable energy applications as offering new and inevitable approaches to urban infrastructure planning and the design of cities.
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books
books
Publication:
January 2007, Chichester
January 2007, Chichester
Subject:
Green Architecture
Green Architecture
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books
books
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$21.50
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In the Bubble is about a world based less on stuff and more on people. Thackara describes a transformation that is taking place now -- not in a remote science fiction future; it's not about, as he puts it, "the schlock of the new" but about radical innovation already emerging in daily life. We are regaining respect for what people can do that technology can't. In the(...)
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In the Bubble is about a world based less on stuff and more on people. Thackara describes a transformation that is taking place now -- not in a remote science fiction future; it's not about, as he puts it, "the schlock of the new" but about radical innovation already emerging in daily life. We are regaining respect for what people can do that technology can't. In the(...)
Title:
In the bubble : designing in a complex world
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In the Bubble is about a world based less on stuff and more on people. Thackara describes a transformation that is taking place now -- not in a remote science fiction future; it's not about, as he puts it, "the schlock of the new" but about radical innovation already emerging in daily life. We are regaining respect for what people can do that technology can't. In the Bubble describes services designed to help people carry out daily activities in new ways. Many of these services involve technology -- ranging from body implants to wide-bodied jets. But objects and systems play a supporting role in a people-centered world. The design focus is on services, not things. And new principles -- above all, lightness -- inform the way these services are designed and used. At the heart of In the Bubble is a belief, informed by a wealth of real-world examples, that ethics and responsibility can inform design decisions without impeding social and technical innovation.
In the bubble : designing in a complex world
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In the Bubble is about a world based less on stuff and more on people. Thackara describes a transformation that is taking place now -- not in a remote science fiction future; it's not about, as he puts it, "the schlock of the new" but about radical innovation already emerging in daily life. We are regaining respect for what people can do that technology can't. In the Bubble describes services designed to help people carry out daily activities in new ways. Many of these services involve technology -- ranging from body implants to wide-bodied jets. But objects and systems play a supporting role in a people-centered world. The design focus is on services, not things. And new principles -- above all, lightness -- inform the way these services are designed and used. At the heart of In the Bubble is a belief, informed by a wealth of real-world examples, that ethics and responsibility can inform design decisions without impeding social and technical innovation.
Form:
books
books
Publication:
April 2006, Cambridge, Mass.
April 2006, Cambridge, Mass.
Subject:
Interior Design
Interior Design
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books
books
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$40.00
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Last 2007 La Casa Encendida organised the Sueño de Casa Propia (Dream of a Home of One’s Own) exhibition, curated by María Inés Rodríguez, in which a series of reflections on housing by artists, designers and architects served as the basis for an analysis of how different contexts produce different strategies for resolving the issue of access to housing. Parallel to the(...)
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Last 2007 La Casa Encendida organised the Sueño de Casa Propia (Dream of a Home of One’s Own) exhibition, curated by María Inés Rodríguez, in which a series of reflections on housing by artists, designers and architects served as the basis for an analysis of how different contexts produce different strategies for resolving the issue of access to housing. Parallel to the(...)
Title:
Housing and domestic space in the XXI century
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Last 2007 La Casa Encendida organised the Sueño de Casa Propia (Dream of a Home of One’s Own) exhibition, curated by María Inés Rodríguez, in which a series of reflections on housing by artists, designers and architects served as the basis for an analysis of how different contexts produce different strategies for resolving the issue of access to housing. Parallel to the exhibition, a seminar entitled Housing and Domestic Space in the 21st Century was organised. Coordinated by Juan Herreros, an architect and lecturer at the Madrid University School of Architecture, the seminar brought together a group of intellectuals from both Spain and abroad for discussions on this theme. The ultimate aim of the seminar was to raise awareness about architecture’s potential role in the current and evident transformation of lifestyles. With the collaboration of: Raúl Cárdenas, María Auxiliadora Gálvez, Vicente Guallart, Hans-Walter Müller, Philippe Rahm, Alejandro Aravena, Robert Kronenburg, Colin Davies and Enric Ruiz-Geli.
Housing and domestic space in the XXI century
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Last 2007 La Casa Encendida organised the Sueño de Casa Propia (Dream of a Home of One’s Own) exhibition, curated by María Inés Rodríguez, in which a series of reflections on housing by artists, designers and architects served as the basis for an analysis of how different contexts produce different strategies for resolving the issue of access to housing. Parallel to the exhibition, a seminar entitled Housing and Domestic Space in the 21st Century was organised. Coordinated by Juan Herreros, an architect and lecturer at the Madrid University School of Architecture, the seminar brought together a group of intellectuals from both Spain and abroad for discussions on this theme. The ultimate aim of the seminar was to raise awareness about architecture’s potential role in the current and evident transformation of lifestyles. With the collaboration of: Raúl Cárdenas, María Auxiliadora Gálvez, Vicente Guallart, Hans-Walter Müller, Philippe Rahm, Alejandro Aravena, Robert Kronenburg, Colin Davies and Enric Ruiz-Geli.
Form:
books
books
Publication:
January 2009
January 2009
Subject:
Collective Housing
Collective Housing
Form:
books
books
Title:
La ville-paysage
La ville-paysage
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L'urbanisation accélérée de notre globe lance un défi inédit aux disciplines relatives à la transformation du cadre de vie. Aménagement du territoire, urbanisme et architecture sont confrontés à l'installation de nouvelles populations dans des territoires de plus en plus étendus, à l'artificialisation accrue du sol, à la domestication de la nature. Le phénomène, critiqué(...)
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L'urbanisation accélérée de notre globe lance un défi inédit aux disciplines relatives à la transformation du cadre de vie. Aménagement du territoire, urbanisme et architecture sont confrontés à l'installation de nouvelles populations dans des territoires de plus en plus étendus, à l'artificialisation accrue du sol, à la domestication de la nature. Le phénomène, critiqué(...)
Title:
La ville-paysage
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L'urbanisation accélérée de notre globe lance un défi inédit aux disciplines relatives à la transformation du cadre de vie. Aménagement du territoire, urbanisme et architecture sont confrontés à l'installation de nouvelles populations dans des territoires de plus en plus étendus, à l'artificialisation accrue du sol, à la domestication de la nature. Le phénomène, critiqué pour ses désavantages écologiques et exorcisé comme copie conforme de l'urban sprawl américain, est néanmoins fermement ancré dans le passé de la ville européenne. Au fait, la dissolution urbaine s'avère avant tout un projet spatial finement élaboré, une vision de société élaborée au sein de notre modernité. Cet ouvrage entreprend sa mise en perspective, notamment à travers l'œuvre de Rudolf Schwarz (1897-1962), personnalité exceptionnelle dans l'histoire de l'architecture et de l'urbanisme. Son projet de Stadtlandschaft, visant à la fois une fusion de la ville dans la nature et la citadinité étalée dans l'ensemble du territoire, exemplifie la recherche pour la forme d'une véritable et durable ville-paysage.
La ville-paysage
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L'urbanisation accélérée de notre globe lance un défi inédit aux disciplines relatives à la transformation du cadre de vie. Aménagement du territoire, urbanisme et architecture sont confrontés à l'installation de nouvelles populations dans des territoires de plus en plus étendus, à l'artificialisation accrue du sol, à la domestication de la nature. Le phénomène, critiqué pour ses désavantages écologiques et exorcisé comme copie conforme de l'urban sprawl américain, est néanmoins fermement ancré dans le passé de la ville européenne. Au fait, la dissolution urbaine s'avère avant tout un projet spatial finement élaboré, une vision de société élaborée au sein de notre modernité. Cet ouvrage entreprend sa mise en perspective, notamment à travers l'œuvre de Rudolf Schwarz (1897-1962), personnalité exceptionnelle dans l'histoire de l'architecture et de l'urbanisme. Son projet de Stadtlandschaft, visant à la fois une fusion de la ville dans la nature et la citadinité étalée dans l'ensemble du territoire, exemplifie la recherche pour la forme d'une véritable et durable ville-paysage.
Form:
books
books
Publication:
November 2008
November 2008
Subject:
Landscape Theory
Landscape Theory
Form:
books
books
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$33.95
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In City/Art anthropologists, literary and cultural critics, a philosopher, and an architect explore how creative practices continually reconstruct the urban scene in Latin America. The contributors, all Latin Americanists, describe how creativity—broadly conceived to encompass urban design, museums, graffiti, film, music, literature, architecture, performance art, and(...)
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In City/Art anthropologists, literary and cultural critics, a philosopher, and an architect explore how creative practices continually reconstruct the urban scene in Latin America. The contributors, all Latin Americanists, describe how creativity—broadly conceived to encompass urban design, museums, graffiti, film, music, literature, architecture, performance art, and(...)
Title:
City/art: the urban scene in Latin America
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In City/Art anthropologists, literary and cultural critics, a philosopher, and an architect explore how creative practices continually reconstruct the urban scene in Latin America. The contributors, all Latin Americanists, describe how creativity—broadly conceived to encompass urban design, museums, graffiti, film, music, literature, architecture, performance art, and more—combines with nationalist rhetoric and historical discourse to define Latin American cities. Taken together, the essays model different ways of approaching Latin America’s urban centers not only as places that inspire and house creative practices but also as ongoing collective creative endeavors themselves. The essays range from an examination of how differences of scale and point of view affect people’s experience of everyday life in Mexico City to a reflection on the transformation of a prison into a shopping mall in Uruguay, and from an analysis of Buenos Aires’ preoccupation with its own status and cultural identity to a consideration of what Miami means to Cubans in the United States.
City/art: the urban scene in Latin America
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In City/Art anthropologists, literary and cultural critics, a philosopher, and an architect explore how creative practices continually reconstruct the urban scene in Latin America. The contributors, all Latin Americanists, describe how creativity—broadly conceived to encompass urban design, museums, graffiti, film, music, literature, architecture, performance art, and more—combines with nationalist rhetoric and historical discourse to define Latin American cities. Taken together, the essays model different ways of approaching Latin America’s urban centers not only as places that inspire and house creative practices but also as ongoing collective creative endeavors themselves. The essays range from an examination of how differences of scale and point of view affect people’s experience of everyday life in Mexico City to a reflection on the transformation of a prison into a shopping mall in Uruguay, and from an analysis of Buenos Aires’ preoccupation with its own status and cultural identity to a consideration of what Miami means to Cubans in the United States.
Form:
books
books
Publication:
July 2009
July 2009
Subject:
Public Space
Public Space
