3287 Results
Level of archival description:
Project
Project
Actions:
Reference number:
AP099.S1.D7
Description:
File documents Perrault et Mesnard's executed project for the Chapelle du Sacré-Coeur of Notre-Dame de Montréal. Material in this file was produced between October 1888 and June 1889. Unsigned drawings are attributed to Perrault et Mesnard based on comparisons of the drawing techniques and media used for signed and unsigned drawings. File contains drawings and a reprographic copy.
AP099.S1.D7
Description:
File documents Perrault et Mesnard's executed project for the Chapelle du Sacré-Coeur of Notre-Dame de Montréal. Material in this file was produced between October 1888 and June 1889. Unsigned drawings are attributed to Perrault et Mesnard based on comparisons of the drawing techniques and media used for signed and unsigned drawings. File contains drawings and a reprographic copy.
People:
Date:
October 1888 - June 1889
October 1888 - June 1889
Title:
Chapelle du Sacré-Coeur Construction
Actions:
AP099.S1.D7
Description:
File documents Perrault et Mesnard's executed project for the Chapelle du Sacré-Coeur of Notre-Dame de Montréal. Material in this file was produced between October 1888 and June 1889. Unsigned drawings are attributed to Perrault et Mesnard based on comparisons of the drawing techniques and media used for signed and unsigned drawings. File contains drawings and a reprographic copy.
Chapelle du Sacré-Coeur Construction
Actions:
AP099.S1.D7
Description:
File documents Perrault et Mesnard's executed project for the Chapelle du Sacré-Coeur of Notre-Dame de Montréal. Material in this file was produced between October 1888 and June 1889. Unsigned drawings are attributed to Perrault et Mesnard based on comparisons of the drawing techniques and media used for signed and unsigned drawings. File contains drawings and a reprographic copy.
Level of archival description:
File 7
File 7
Date:
October 1888 - June 1889
October 1888 - June 1889
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP056.S1.1987.PR07
Description:
This project series documents alterations to Tudhope Studios located at 284 King Street East in Toronto from 1987-1988. The office identified the project number as 18733. This project, headed by Marianne McKenna, consisted of alterations to the interiors and exterior of a two-storey building, originally constructed in 1947. The building, owned by design firm Tudhope Associates Inc., had approximately 12,758 square feet of space, 19 of which were added on the second floor during the alterations. The building's lower floor was used as a wholesale area, the first floor as offices, and the third floor as design studios and workshops. The interiors used a mix of carpeting, vinyl tiles, epoxy terrazzo and unfinished concrete for the floors. The interior walls were largely painted gypsum board while the exterior facade was masonry and stucco. The project also included the design and construction of furnishings inside the offices, such as signs, lighting fixtures, desks and the boardroom table. The project is recorded through drawings and a photograph of the finished exterior dating from 1987-1988. The drawings are mostly originals and include sketches, plans, elevations, sections, details, perspectives, axonometric and furnishing drawings for design and construction. The detail drawings are for the site, exterior, schedules, interiors, stairs and millwork.
AP056.S1.1987.PR07
Description:
This project series documents alterations to Tudhope Studios located at 284 King Street East in Toronto from 1987-1988. The office identified the project number as 18733. This project, headed by Marianne McKenna, consisted of alterations to the interiors and exterior of a two-storey building, originally constructed in 1947. The building, owned by design firm Tudhope Associates Inc., had approximately 12,758 square feet of space, 19 of which were added on the second floor during the alterations. The building's lower floor was used as a wholesale area, the first floor as offices, and the third floor as design studios and workshops. The interiors used a mix of carpeting, vinyl tiles, epoxy terrazzo and unfinished concrete for the floors. The interior walls were largely painted gypsum board while the exterior facade was masonry and stucco. The project also included the design and construction of furnishings inside the offices, such as signs, lighting fixtures, desks and the boardroom table. The project is recorded through drawings and a photograph of the finished exterior dating from 1987-1988. The drawings are mostly originals and include sketches, plans, elevations, sections, details, perspectives, axonometric and furnishing drawings for design and construction. The detail drawings are for the site, exterior, schedules, interiors, stairs and millwork.
People:
Date:
1987-1988
1987-1988
Title:
Tudhope Studios, Toronto (1987-1988)
Actions:
AP056.S1.1987.PR07
Description:
This project series documents alterations to Tudhope Studios located at 284 King Street East in Toronto from 1987-1988. The office identified the project number as 18733. This project, headed by Marianne McKenna, consisted of alterations to the interiors and exterior of a two-storey building, originally constructed in 1947. The building, owned by design firm Tudhope Associates Inc., had approximately 12,758 square feet of space, 19 of which were added on the second floor during the alterations. The building's lower floor was used as a wholesale area, the first floor as offices, and the third floor as design studios and workshops. The interiors used a mix of carpeting, vinyl tiles, epoxy terrazzo and unfinished concrete for the floors. The interior walls were largely painted gypsum board while the exterior facade was masonry and stucco. The project also included the design and construction of furnishings inside the offices, such as signs, lighting fixtures, desks and the boardroom table. The project is recorded through drawings and a photograph of the finished exterior dating from 1987-1988. The drawings are mostly originals and include sketches, plans, elevations, sections, details, perspectives, axonometric and furnishing drawings for design and construction. The detail drawings are for the site, exterior, schedules, interiors, stairs and millwork.
Tudhope Studios, Toronto (1987-1988)
Actions:
AP056.S1.1987.PR07
Description:
This project series documents alterations to Tudhope Studios located at 284 King Street East in Toronto from 1987-1988. The office identified the project number as 18733. This project, headed by Marianne McKenna, consisted of alterations to the interiors and exterior of a two-storey building, originally constructed in 1947. The building, owned by design firm Tudhope Associates Inc., had approximately 12,758 square feet of space, 19 of which were added on the second floor during the alterations. The building's lower floor was used as a wholesale area, the first floor as offices, and the third floor as design studios and workshops. The interiors used a mix of carpeting, vinyl tiles, epoxy terrazzo and unfinished concrete for the floors. The interior walls were largely painted gypsum board while the exterior facade was masonry and stucco. The project also included the design and construction of furnishings inside the offices, such as signs, lighting fixtures, desks and the boardroom table. The project is recorded through drawings and a photograph of the finished exterior dating from 1987-1988. The drawings are mostly originals and include sketches, plans, elevations, sections, details, perspectives, axonometric and furnishing drawings for design and construction. The detail drawings are for the site, exterior, schedules, interiors, stairs and millwork.
Level of archival description:
Project
Project
Date:
1987-1988
1987-1988
People:
Form:
exhibitions
exhibitions
Actions:
Description:
Dieter Appelt: The Catastrophe of Things presents images of the attic of the Künstlerhaus Bethanien in Berlin. Fascinated by sites charged with history, German artist Dieter Appelt uses his examination of the attic to inquire into the invisible, mysterious, and indefinite forces of decay that lie beyond everyday experience. By concentrating on structural details, and by(...)
Dieter Appelt: The Catastrophe of Things presents images of the attic of the Künstlerhaus Bethanien in Berlin. Fascinated by sites charged with history, German artist Dieter Appelt uses his examination of the attic to inquire into the invisible, mysterious, and indefinite forces of decay that lie beyond everyday experience. By concentrating on structural details, and by(...)
Location:
Octagonal gallery
Octagonal gallery
Date:
17 April 1996 to 4 August 1996
17 April 1996 to 4 August 1996
Title:
Dieter Appelt: The Catastrophe of Things
Actions:
Description:
Dieter Appelt: The Catastrophe of Things presents images of the attic of the Künstlerhaus Bethanien in Berlin. Fascinated by sites charged with history, German artist Dieter Appelt uses his examination of the attic to inquire into the invisible, mysterious, and indefinite forces of decay that lie beyond everyday experience. By concentrating on structural details, and by(...)
Dieter Appelt: The Catastrophe of Things
Actions:
Description:
Dieter Appelt: The Catastrophe of Things presents images of the attic of the Künstlerhaus Bethanien in Berlin. Fascinated by sites charged with history, German artist Dieter Appelt uses his examination of the attic to inquire into the invisible, mysterious, and indefinite forces of decay that lie beyond everyday experience. By concentrating on structural details, and by(...)
Form:
exhibitions
exhibitions
Date:
17 April 1996 to
4 August 1996
17 April 1996 to
4 August 1996
Location:
Octagonal gallery
Octagonal gallery
Level of archival description:
Project
Project
Title:
Parc
Parc
Reference number:
AP144.S2.D119
Description:
File documents an unsuccessful entry in an international competition for a master plan for the Parc de la Villette, Paris, France. File also includes drawings related to a "Parc des Chevaux de Paris", signed "Zenghelis". Material in this file was produced in 1969 and between 1982 and 1985, but predominantly in 1982. File contains design development drawings, presentation drawings, reference drawings, other drawings, photographic materials, and textual records.
AP144.S2.D119
Description:
File documents an unsuccessful entry in an international competition for a master plan for the Parc de la Villette, Paris, France. File also includes drawings related to a "Parc des Chevaux de Paris", signed "Zenghelis". Material in this file was produced in 1969 and between 1982 and 1985, but predominantly in 1982. File contains design development drawings, presentation drawings, reference drawings, other drawings, photographic materials, and textual records.
People:
Date:
1969, 1982-1985, predominant 1982
1969, 1982-1985, predominant 1982
Title:
Parc
Actions:
AP144.S2.D119
Description:
File documents an unsuccessful entry in an international competition for a master plan for the Parc de la Villette, Paris, France. File also includes drawings related to a "Parc des Chevaux de Paris", signed "Zenghelis". Material in this file was produced in 1969 and between 1982 and 1985, but predominantly in 1982. File contains design development drawings, presentation drawings, reference drawings, other drawings, photographic materials, and textual records.
Parc
Actions:
AP144.S2.D119
Description:
File documents an unsuccessful entry in an international competition for a master plan for the Parc de la Villette, Paris, France. File also includes drawings related to a "Parc des Chevaux de Paris", signed "Zenghelis". Material in this file was produced in 1969 and between 1982 and 1985, but predominantly in 1982. File contains design development drawings, presentation drawings, reference drawings, other drawings, photographic materials, and textual records.
Level of archival description:
File 119
File 119
Date:
1969, 1982-1985, predominant 1982
1969, 1982-1985, predominant 1982
People:
Form:
drawings
drawings
Title:
Détails décoratifs
Détails décoratifs
Actions:
Reference number:
ARCH277072
Description:
Détails de panneaux et esquisses des signes du zodiaque.
ARCH277072
Description:
Détails de panneaux et esquisses des signes du zodiaque.
People:
Date:
1923 - 1929
1923 - 1929
Title:
Détails décoratifs
Actions:
ARCH277072
Description:
Détails de panneaux et esquisses des signes du zodiaque.
Détails décoratifs
Actions:
ARCH277072
Description:
Détails de panneaux et esquisses des signes du zodiaque.
Form:
drawings
drawings
Date:
1923 - 1929
1923 - 1929
People:
Form:
photographs
photographs
Actions:
Reference number:
PH1987:1195
Description:
- Building in right foreground bears business sign dated 1875.
PH1987:1195
Description:
- Building in right foreground bears business sign dated 1875.
People:
Date:
between 1875 and 1882
between 1875 and 1882
Title:
View from Observatory, Lemon Hill, East Fairmount Park
Actions:
PH1987:1195
Description:
- Building in right foreground bears business sign dated 1875.
View from Observatory, Lemon Hill, East Fairmount Park
Actions:
PH1987:1195
Description:
- Building in right foreground bears business sign dated 1875.
Form:
photographs
photographs
Date:
between 1875 and 1882
between 1875 and 1882
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Wayfarers' Chapel fonds
Wayfarers' Chapel fonds
Reference number:
AP151
Synopsis:
The Wayfarers' Chapel fonds documents Lloyd Wright's design of this executed project, its additions, as well as related unbuilt projects. The fonds contains over 300 drawings and reprographic copies and 1.7 l.m. of textual records, including correspondence and photographs. Material in the fonds was produced between 1937 and 1979.
AP151
Synopsis:
The Wayfarers' Chapel fonds documents Lloyd Wright's design of this executed project, its additions, as well as related unbuilt projects. The fonds contains over 300 drawings and reprographic copies and 1.7 l.m. of textual records, including correspondence and photographs. Material in the fonds was produced between 1937 and 1979.
People:
Date:
1937-1979
1937-1979
Title:
Wayfarers' Chapel fonds
Actions:
AP151
Synopsis:
The Wayfarers' Chapel fonds documents Lloyd Wright's design of this executed project, its additions, as well as related unbuilt projects. The fonds contains over 300 drawings and reprographic copies and 1.7 l.m. of textual records, including correspondence and photographs. Material in the fonds was produced between 1937 and 1979.
Wayfarers' Chapel fonds
Actions:
AP151
Synopsis:
The Wayfarers' Chapel fonds documents Lloyd Wright's design of this executed project, its additions, as well as related unbuilt projects. The fonds contains over 300 drawings and reprographic copies and 1.7 l.m. of textual records, including correspondence and photographs. Material in the fonds was produced between 1937 and 1979.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1937-1979
1937-1979
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP206.S1.2000.PR01
Description:
This project series documents buildings for the Guru Jambheshwar University of Science and Technology in Hisar, India around 2000. The project consisted of the design of many new campus buildings, including the Administrative Block, offices, Health Centre, student and employee hostels, professors' houses and VIP houses, the Teaching Block, cafeteria, library, and University Works buildings. The University, previously known as Punjab Agricultural University, was established in 1995 by the Haryana state government and had a campus that sprawled over 372 acres. By 2007, around 200 acres had been developed with buildings and landscaping. Prakash had previously worked on projects for this campus, formerly known as the Punjab Agricultural University, in the 1960s. This project series contains the records for three buildings: the library, the Health Centre, and the Sports Hall. The library was notable for it's round shape, large entrance arch and domed skylight ceiling. The materials also emphasize the development of a large mural in the library depicting the astrological signs. The Health Centre was a diamond shaped building with an outdoor courtyard at its centre. The Sports Hall was a rectangular building with a trussed roof consisting primarily of an open, multipurpose space. This project is recorded through drawings, photographs of the finished buildings, and textual records dating from 2000-2007. The drawings are largely originals and include plans, sections, elevations, perspectives and details. The textual records consist of correspondence and a brochure on the campus construction program.
AP206.S1.2000.PR01
Description:
This project series documents buildings for the Guru Jambheshwar University of Science and Technology in Hisar, India around 2000. The project consisted of the design of many new campus buildings, including the Administrative Block, offices, Health Centre, student and employee hostels, professors' houses and VIP houses, the Teaching Block, cafeteria, library, and University Works buildings. The University, previously known as Punjab Agricultural University, was established in 1995 by the Haryana state government and had a campus that sprawled over 372 acres. By 2007, around 200 acres had been developed with buildings and landscaping. Prakash had previously worked on projects for this campus, formerly known as the Punjab Agricultural University, in the 1960s. This project series contains the records for three buildings: the library, the Health Centre, and the Sports Hall. The library was notable for it's round shape, large entrance arch and domed skylight ceiling. The materials also emphasize the development of a large mural in the library depicting the astrological signs. The Health Centre was a diamond shaped building with an outdoor courtyard at its centre. The Sports Hall was a rectangular building with a trussed roof consisting primarily of an open, multipurpose space. This project is recorded through drawings, photographs of the finished buildings, and textual records dating from 2000-2007. The drawings are largely originals and include plans, sections, elevations, perspectives and details. The textual records consist of correspondence and a brochure on the campus construction program.
People:
Date:
2000-2007
2000-2007
Title:
Guru Jambheshwar University of Science and Technology, Hisar, India (2000-2004)
Actions:
AP206.S1.2000.PR01
Description:
This project series documents buildings for the Guru Jambheshwar University of Science and Technology in Hisar, India around 2000. The project consisted of the design of many new campus buildings, including the Administrative Block, offices, Health Centre, student and employee hostels, professors' houses and VIP houses, the Teaching Block, cafeteria, library, and University Works buildings. The University, previously known as Punjab Agricultural University, was established in 1995 by the Haryana state government and had a campus that sprawled over 372 acres. By 2007, around 200 acres had been developed with buildings and landscaping. Prakash had previously worked on projects for this campus, formerly known as the Punjab Agricultural University, in the 1960s. This project series contains the records for three buildings: the library, the Health Centre, and the Sports Hall. The library was notable for it's round shape, large entrance arch and domed skylight ceiling. The materials also emphasize the development of a large mural in the library depicting the astrological signs. The Health Centre was a diamond shaped building with an outdoor courtyard at its centre. The Sports Hall was a rectangular building with a trussed roof consisting primarily of an open, multipurpose space. This project is recorded through drawings, photographs of the finished buildings, and textual records dating from 2000-2007. The drawings are largely originals and include plans, sections, elevations, perspectives and details. The textual records consist of correspondence and a brochure on the campus construction program.
Guru Jambheshwar University of Science and Technology, Hisar, India (2000-2004)
Actions:
AP206.S1.2000.PR01
Description:
This project series documents buildings for the Guru Jambheshwar University of Science and Technology in Hisar, India around 2000. The project consisted of the design of many new campus buildings, including the Administrative Block, offices, Health Centre, student and employee hostels, professors' houses and VIP houses, the Teaching Block, cafeteria, library, and University Works buildings. The University, previously known as Punjab Agricultural University, was established in 1995 by the Haryana state government and had a campus that sprawled over 372 acres. By 2007, around 200 acres had been developed with buildings and landscaping. Prakash had previously worked on projects for this campus, formerly known as the Punjab Agricultural University, in the 1960s. This project series contains the records for three buildings: the library, the Health Centre, and the Sports Hall. The library was notable for it's round shape, large entrance arch and domed skylight ceiling. The materials also emphasize the development of a large mural in the library depicting the astrological signs. The Health Centre was a diamond shaped building with an outdoor courtyard at its centre. The Sports Hall was a rectangular building with a trussed roof consisting primarily of an open, multipurpose space. This project is recorded through drawings, photographs of the finished buildings, and textual records dating from 2000-2007. The drawings are largely originals and include plans, sections, elevations, perspectives and details. The textual records consist of correspondence and a brochure on the campus construction program.
Level of archival description:
Project
Project
Date:
2000-2007
2000-2007
People:
Form:
photographs
photographs
Title:
Max Wiederanders, München
Max Wiederanders, München
Actions:
Reference number:
PH1980:1015:237
Description:
Sign on building reads: 'Wurst u. Fleischaren-Fabrik München-Süd A. Hastreiter'.
PH1980:1015:237
Description:
Sign on building reads: 'Wurst u. Fleischaren-Fabrik München-Süd A. Hastreiter'.
People:
Subject:
architecture
architecture
Date:
1920s
1920s
Title:
Max Wiederanders, München
Actions:
PH1980:1015:237
Description:
Sign on building reads: 'Wurst u. Fleischaren-Fabrik München-Süd A. Hastreiter'.
Max Wiederanders, München
Actions:
PH1980:1015:237
Description:
Sign on building reads: 'Wurst u. Fleischaren-Fabrik München-Süd A. Hastreiter'.
Form:
photographs
photographs
Date:
1920s
1920s
People:
Subject:
architecture
architecture
Level of archival description:
Project
Project
Title:
Human Wall (2012)
Human Wall (2012)
Actions:
Reference number:
AP207.S1.2012.PR07
Description:
The project series documents "Human Wall", an installation by Pettena presented at the Galleria Federico Luger in Milan, in 2012. The installation consists of a large rectangular surface handmade with clay and covered in imprints of hands and fingers. "A wall that is described as "human," certainly not just because it is made by man, but rather because the latter's intervention find expression in the choice of a natural material and in the sign that he leaves on its surface with his fingers." [1] Other editions of this installation were also presented at the Utah Museum of Contemporary Art in Salt Lake City, in 2012, and the exhibition "Architetture Naturali/Gianni Pettena" at the Kunst Meran/Merano Arte in Meran, in 2017. The project series contains design studies for the texturing of the wall, photographs of the installation, a video of the montage of the installation in Milan in 2011. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-human-wall-2012-1/ (last accessed 27 January 2020)
AP207.S1.2012.PR07
Description:
The project series documents "Human Wall", an installation by Pettena presented at the Galleria Federico Luger in Milan, in 2012. The installation consists of a large rectangular surface handmade with clay and covered in imprints of hands and fingers. "A wall that is described as "human," certainly not just because it is made by man, but rather because the latter's intervention find expression in the choice of a natural material and in the sign that he leaves on its surface with his fingers." [1] Other editions of this installation were also presented at the Utah Museum of Contemporary Art in Salt Lake City, in 2012, and the exhibition "Architetture Naturali/Gianni Pettena" at the Kunst Meran/Merano Arte in Meran, in 2017. The project series contains design studies for the texturing of the wall, photographs of the installation, a video of the montage of the installation in Milan in 2011. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-human-wall-2012-1/ (last accessed 27 January 2020)
People:
Date:
2012-2018
2012-2018
Title:
Human Wall (2012)
Actions:
AP207.S1.2012.PR07
Description:
The project series documents "Human Wall", an installation by Pettena presented at the Galleria Federico Luger in Milan, in 2012. The installation consists of a large rectangular surface handmade with clay and covered in imprints of hands and fingers. "A wall that is described as "human," certainly not just because it is made by man, but rather because the latter's intervention find expression in the choice of a natural material and in the sign that he leaves on its surface with his fingers." [1] Other editions of this installation were also presented at the Utah Museum of Contemporary Art in Salt Lake City, in 2012, and the exhibition "Architetture Naturali/Gianni Pettena" at the Kunst Meran/Merano Arte in Meran, in 2017. The project series contains design studies for the texturing of the wall, photographs of the installation, a video of the montage of the installation in Milan in 2011. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-human-wall-2012-1/ (last accessed 27 January 2020)
Human Wall (2012)
Actions:
AP207.S1.2012.PR07
Description:
The project series documents "Human Wall", an installation by Pettena presented at the Galleria Federico Luger in Milan, in 2012. The installation consists of a large rectangular surface handmade with clay and covered in imprints of hands and fingers. "A wall that is described as "human," certainly not just because it is made by man, but rather because the latter's intervention find expression in the choice of a natural material and in the sign that he leaves on its surface with his fingers." [1] Other editions of this installation were also presented at the Utah Museum of Contemporary Art in Salt Lake City, in 2012, and the exhibition "Architetture Naturali/Gianni Pettena" at the Kunst Meran/Merano Arte in Meran, in 2017. The project series contains design studies for the texturing of the wall, photographs of the installation, a video of the montage of the installation in Milan in 2011. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-human-wall-2012-1/ (last accessed 27 January 2020)
Level of archival description:
Project
Project
Date:
2012-2018
2012-2018
People:
