3396 Results
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Wayfarers' Chapel fonds
Wayfarers' Chapel fonds
Reference number:
AP151
Synopsis:
The Wayfarers' Chapel fonds documents Lloyd Wright's design of this executed project, its additions, as well as related unbuilt projects. The fonds contains over 300 drawings and reprographic copies and 1.7 l.m. of textual records, including correspondence and photographs. Material in the fonds was produced between 1937 and 1979.
AP151
Synopsis:
The Wayfarers' Chapel fonds documents Lloyd Wright's design of this executed project, its additions, as well as related unbuilt projects. The fonds contains over 300 drawings and reprographic copies and 1.7 l.m. of textual records, including correspondence and photographs. Material in the fonds was produced between 1937 and 1979.
People:
Date:
1937-1979
1937-1979
Title:
Wayfarers' Chapel fonds
Actions:
AP151
Synopsis:
The Wayfarers' Chapel fonds documents Lloyd Wright's design of this executed project, its additions, as well as related unbuilt projects. The fonds contains over 300 drawings and reprographic copies and 1.7 l.m. of textual records, including correspondence and photographs. Material in the fonds was produced between 1937 and 1979.
Wayfarers' Chapel fonds
Actions:
AP151
Synopsis:
The Wayfarers' Chapel fonds documents Lloyd Wright's design of this executed project, its additions, as well as related unbuilt projects. The fonds contains over 300 drawings and reprographic copies and 1.7 l.m. of textual records, including correspondence and photographs. Material in the fonds was produced between 1937 and 1979.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1937-1979
1937-1979
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP206.S1.2000.PR01
Description:
This project series documents buildings for the Guru Jambheshwar University of Science and Technology in Hisar, India around 2000. The project consisted of the design of many new campus buildings, including the Administrative Block, offices, Health Centre, student and employee hostels, professors' houses and VIP houses, the Teaching Block, cafeteria, library, and University Works buildings. The University, previously known as Punjab Agricultural University, was established in 1995 by the Haryana state government and had a campus that sprawled over 372 acres. By 2007, around 200 acres had been developed with buildings and landscaping. Prakash had previously worked on projects for this campus, formerly known as the Punjab Agricultural University, in the 1960s. This project series contains the records for three buildings: the library, the Health Centre, and the Sports Hall. The library was notable for it's round shape, large entrance arch and domed skylight ceiling. The materials also emphasize the development of a large mural in the library depicting the astrological signs. The Health Centre was a diamond shaped building with an outdoor courtyard at its centre. The Sports Hall was a rectangular building with a trussed roof consisting primarily of an open, multipurpose space. This project is recorded through drawings, photographs of the finished buildings, and textual records dating from 2000-2007. The drawings are largely originals and include plans, sections, elevations, perspectives and details. The textual records consist of correspondence and a brochure on the campus construction program.
AP206.S1.2000.PR01
Description:
This project series documents buildings for the Guru Jambheshwar University of Science and Technology in Hisar, India around 2000. The project consisted of the design of many new campus buildings, including the Administrative Block, offices, Health Centre, student and employee hostels, professors' houses and VIP houses, the Teaching Block, cafeteria, library, and University Works buildings. The University, previously known as Punjab Agricultural University, was established in 1995 by the Haryana state government and had a campus that sprawled over 372 acres. By 2007, around 200 acres had been developed with buildings and landscaping. Prakash had previously worked on projects for this campus, formerly known as the Punjab Agricultural University, in the 1960s. This project series contains the records for three buildings: the library, the Health Centre, and the Sports Hall. The library was notable for it's round shape, large entrance arch and domed skylight ceiling. The materials also emphasize the development of a large mural in the library depicting the astrological signs. The Health Centre was a diamond shaped building with an outdoor courtyard at its centre. The Sports Hall was a rectangular building with a trussed roof consisting primarily of an open, multipurpose space. This project is recorded through drawings, photographs of the finished buildings, and textual records dating from 2000-2007. The drawings are largely originals and include plans, sections, elevations, perspectives and details. The textual records consist of correspondence and a brochure on the campus construction program.
People:
Date:
2000-2007
2000-2007
Title:
Guru Jambheshwar University of Science and Technology, Hisar, India (2000-2004)
Actions:
AP206.S1.2000.PR01
Description:
This project series documents buildings for the Guru Jambheshwar University of Science and Technology in Hisar, India around 2000. The project consisted of the design of many new campus buildings, including the Administrative Block, offices, Health Centre, student and employee hostels, professors' houses and VIP houses, the Teaching Block, cafeteria, library, and University Works buildings. The University, previously known as Punjab Agricultural University, was established in 1995 by the Haryana state government and had a campus that sprawled over 372 acres. By 2007, around 200 acres had been developed with buildings and landscaping. Prakash had previously worked on projects for this campus, formerly known as the Punjab Agricultural University, in the 1960s. This project series contains the records for three buildings: the library, the Health Centre, and the Sports Hall. The library was notable for it's round shape, large entrance arch and domed skylight ceiling. The materials also emphasize the development of a large mural in the library depicting the astrological signs. The Health Centre was a diamond shaped building with an outdoor courtyard at its centre. The Sports Hall was a rectangular building with a trussed roof consisting primarily of an open, multipurpose space. This project is recorded through drawings, photographs of the finished buildings, and textual records dating from 2000-2007. The drawings are largely originals and include plans, sections, elevations, perspectives and details. The textual records consist of correspondence and a brochure on the campus construction program.
Guru Jambheshwar University of Science and Technology, Hisar, India (2000-2004)
Actions:
AP206.S1.2000.PR01
Description:
This project series documents buildings for the Guru Jambheshwar University of Science and Technology in Hisar, India around 2000. The project consisted of the design of many new campus buildings, including the Administrative Block, offices, Health Centre, student and employee hostels, professors' houses and VIP houses, the Teaching Block, cafeteria, library, and University Works buildings. The University, previously known as Punjab Agricultural University, was established in 1995 by the Haryana state government and had a campus that sprawled over 372 acres. By 2007, around 200 acres had been developed with buildings and landscaping. Prakash had previously worked on projects for this campus, formerly known as the Punjab Agricultural University, in the 1960s. This project series contains the records for three buildings: the library, the Health Centre, and the Sports Hall. The library was notable for it's round shape, large entrance arch and domed skylight ceiling. The materials also emphasize the development of a large mural in the library depicting the astrological signs. The Health Centre was a diamond shaped building with an outdoor courtyard at its centre. The Sports Hall was a rectangular building with a trussed roof consisting primarily of an open, multipurpose space. This project is recorded through drawings, photographs of the finished buildings, and textual records dating from 2000-2007. The drawings are largely originals and include plans, sections, elevations, perspectives and details. The textual records consist of correspondence and a brochure on the campus construction program.
Level of archival description:
Project
Project
Date:
2000-2007
2000-2007
People:
Level of archival description:
Project
Project
Title:
Human Wall (2012)
Human Wall (2012)
Actions:
Reference number:
AP207.S1.2012.PR07
Description:
The project series documents "Human Wall", an installation by Pettena presented at the Galleria Federico Luger in Milan, in 2012. The installation consists of a large rectangular surface handmade with clay and covered in imprints of hands and fingers. "A wall that is described as "human," certainly not just because it is made by man, but rather because the latter's intervention find expression in the choice of a natural material and in the sign that he leaves on its surface with his fingers." [1] Other editions of this installation were also presented at the Utah Museum of Contemporary Art in Salt Lake City, in 2012, and the exhibition "Architetture Naturali/Gianni Pettena" at the Kunst Meran/Merano Arte in Meran, in 2017. The project series contains design studies for the texturing of the wall, photographs of the installation, a video of the montage of the installation in Milan in 2011. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-human-wall-2012-1/ (last accessed 27 January 2020)
AP207.S1.2012.PR07
Description:
The project series documents "Human Wall", an installation by Pettena presented at the Galleria Federico Luger in Milan, in 2012. The installation consists of a large rectangular surface handmade with clay and covered in imprints of hands and fingers. "A wall that is described as "human," certainly not just because it is made by man, but rather because the latter's intervention find expression in the choice of a natural material and in the sign that he leaves on its surface with his fingers." [1] Other editions of this installation were also presented at the Utah Museum of Contemporary Art in Salt Lake City, in 2012, and the exhibition "Architetture Naturali/Gianni Pettena" at the Kunst Meran/Merano Arte in Meran, in 2017. The project series contains design studies for the texturing of the wall, photographs of the installation, a video of the montage of the installation in Milan in 2011. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-human-wall-2012-1/ (last accessed 27 January 2020)
People:
Date:
2012-2018
2012-2018
Title:
Human Wall (2012)
Actions:
AP207.S1.2012.PR07
Description:
The project series documents "Human Wall", an installation by Pettena presented at the Galleria Federico Luger in Milan, in 2012. The installation consists of a large rectangular surface handmade with clay and covered in imprints of hands and fingers. "A wall that is described as "human," certainly not just because it is made by man, but rather because the latter's intervention find expression in the choice of a natural material and in the sign that he leaves on its surface with his fingers." [1] Other editions of this installation were also presented at the Utah Museum of Contemporary Art in Salt Lake City, in 2012, and the exhibition "Architetture Naturali/Gianni Pettena" at the Kunst Meran/Merano Arte in Meran, in 2017. The project series contains design studies for the texturing of the wall, photographs of the installation, a video of the montage of the installation in Milan in 2011. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-human-wall-2012-1/ (last accessed 27 January 2020)
Human Wall (2012)
Actions:
AP207.S1.2012.PR07
Description:
The project series documents "Human Wall", an installation by Pettena presented at the Galleria Federico Luger in Milan, in 2012. The installation consists of a large rectangular surface handmade with clay and covered in imprints of hands and fingers. "A wall that is described as "human," certainly not just because it is made by man, but rather because the latter's intervention find expression in the choice of a natural material and in the sign that he leaves on its surface with his fingers." [1] Other editions of this installation were also presented at the Utah Museum of Contemporary Art in Salt Lake City, in 2012, and the exhibition "Architetture Naturali/Gianni Pettena" at the Kunst Meran/Merano Arte in Meran, in 2017. The project series contains design studies for the texturing of the wall, photographs of the installation, a video of the montage of the installation in Milan in 2011. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-human-wall-2012-1/ (last accessed 27 January 2020)
Level of archival description:
Project
Project
Date:
2012-2018
2012-2018
People:
Form:
photographs
photographs
Title:
Max Wiederanders, München
Max Wiederanders, München
Actions:
Reference number:
PH1980:1015:237
Description:
Sign on building reads: 'Wurst u. Fleischaren-Fabrik München-Süd A. Hastreiter'.
PH1980:1015:237
Description:
Sign on building reads: 'Wurst u. Fleischaren-Fabrik München-Süd A. Hastreiter'.
People:
Subject:
architecture
architecture
Date:
1920s
1920s
Title:
Max Wiederanders, München
Actions:
PH1980:1015:237
Description:
Sign on building reads: 'Wurst u. Fleischaren-Fabrik München-Süd A. Hastreiter'.
Max Wiederanders, München
Actions:
PH1980:1015:237
Description:
Sign on building reads: 'Wurst u. Fleischaren-Fabrik München-Süd A. Hastreiter'.
Form:
photographs
photographs
Date:
1920s
1920s
People:
Subject:
architecture
architecture
Form:
photographs
photographs
Actions:
Reference number:
PH1983:0042.06:035
Description:
A sign posted on a tree near the tent reads "Tente / Tapis / [des?] / Nomades"
PH1983:0042.06:035
Description:
A sign posted on a tree near the tent reads "Tente / Tapis / [des?] / Nomades"
People:
Date:
1900
1900
Title:
View of Bedouin tent with two men seated at entrance, Tunisian section, Exposition universelle, 1900, Paris, France
Actions:
PH1983:0042.06:035
Description:
A sign posted on a tree near the tent reads "Tente / Tapis / [des?] / Nomades"
View of Bedouin tent with two men seated at entrance, Tunisian section, Exposition universelle, 1900, Paris, France
Actions:
PH1983:0042.06:035
Description:
A sign posted on a tree near the tent reads "Tente / Tapis / [des?] / Nomades"
Form:
photographs
photographs
Date:
1900
1900
People:
Level of archival description:
Project
Project
Reference number:
AP148.S1.1971.PR01
Description:
The project series comprises material related to a competition for an extension of a cemetery in Modena. Poli notes that this project was published in Casabella Magazine (no. 372 in 1972 and no. 380/81 in 1973). Some works are signed Alessandro Poli-Superstudio and these are noted at the file level. The main feature of the project material are the presentation panels on cardstock, which feature drawings and texts, including a quote by Louis Kahn. There is also a folder of material, which appear to be copies or variations on many of the drawings included on the presentation panels. Also included are the original competition poster and original competition documentation folder.
AP148.S1.1971.PR01
Description:
The project series comprises material related to a competition for an extension of a cemetery in Modena. Poli notes that this project was published in Casabella Magazine (no. 372 in 1972 and no. 380/81 in 1973). Some works are signed Alessandro Poli-Superstudio and these are noted at the file level. The main feature of the project material are the presentation panels on cardstock, which feature drawings and texts, including a quote by Louis Kahn. There is also a folder of material, which appear to be copies or variations on many of the drawings included on the presentation panels. Also included are the original competition poster and original competition documentation folder.
People:
Date:
ca. 1971
ca. 1971
Title:
Modena cemetery competition, Modena, Italy (1971)
Actions:
AP148.S1.1971.PR01
Description:
The project series comprises material related to a competition for an extension of a cemetery in Modena. Poli notes that this project was published in Casabella Magazine (no. 372 in 1972 and no. 380/81 in 1973). Some works are signed Alessandro Poli-Superstudio and these are noted at the file level. The main feature of the project material are the presentation panels on cardstock, which feature drawings and texts, including a quote by Louis Kahn. There is also a folder of material, which appear to be copies or variations on many of the drawings included on the presentation panels. Also included are the original competition poster and original competition documentation folder.
Modena cemetery competition, Modena, Italy (1971)
Actions:
AP148.S1.1971.PR01
Description:
The project series comprises material related to a competition for an extension of a cemetery in Modena. Poli notes that this project was published in Casabella Magazine (no. 372 in 1972 and no. 380/81 in 1973). Some works are signed Alessandro Poli-Superstudio and these are noted at the file level. The main feature of the project material are the presentation panels on cardstock, which feature drawings and texts, including a quote by Louis Kahn. There is also a folder of material, which appear to be copies or variations on many of the drawings included on the presentation panels. Also included are the original competition poster and original competition documentation folder.
Level of archival description:
Project
Project
Date:
ca. 1971
ca. 1971
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP066.S3.D11
Description:
Le dossier documente la soumission pour le concours sur invitation pour le Monument pour les fêtes du 350 ième anniversaire de Montréal tenu en 1993, de mars à juin. Le dossier contient des dessins, des maquettes et des documents textuels. Objectifs du concours: "La Ville de Montréal et la Corporation des célébrations du 350e anniversaire ont convenu de faire réaliser un monument destiné à rappeler aux générations futures les fêtes qui ont entouré le 350e anniversaire de la fondation de Montréal." Extrait du "Cahier des charges" (66-C011-002T). Description du projet par l'architecte: "Sur la paroi externe du Monument seront posés 18 panneaux d'émail de porcelaine dont un certain nombre communiqueront des archétypes de la fête en quelques sortes de signes compris par tous comme des éléments appelant des humeurs propres à l'état de fête." Jacques Rousseau, extrait de "À la recherche de l'esprit de la fête", texte manuscrit faisant partie du cahier de croquis (66-A011-001T).
AP066.S3.D11
Description:
Le dossier documente la soumission pour le concours sur invitation pour le Monument pour les fêtes du 350 ième anniversaire de Montréal tenu en 1993, de mars à juin. Le dossier contient des dessins, des maquettes et des documents textuels. Objectifs du concours: "La Ville de Montréal et la Corporation des célébrations du 350e anniversaire ont convenu de faire réaliser un monument destiné à rappeler aux générations futures les fêtes qui ont entouré le 350e anniversaire de la fondation de Montréal." Extrait du "Cahier des charges" (66-C011-002T). Description du projet par l'architecte: "Sur la paroi externe du Monument seront posés 18 panneaux d'émail de porcelaine dont un certain nombre communiqueront des archétypes de la fête en quelques sortes de signes compris par tous comme des éléments appelant des humeurs propres à l'état de fête." Jacques Rousseau, extrait de "À la recherche de l'esprit de la fête", texte manuscrit faisant partie du cahier de croquis (66-A011-001T).
People:
Date:
1993
1993
Title:
Monument pour les fêtes du 350ième anniversaire de Montréal
Actions:
AP066.S3.D11
Description:
Le dossier documente la soumission pour le concours sur invitation pour le Monument pour les fêtes du 350 ième anniversaire de Montréal tenu en 1993, de mars à juin. Le dossier contient des dessins, des maquettes et des documents textuels. Objectifs du concours: "La Ville de Montréal et la Corporation des célébrations du 350e anniversaire ont convenu de faire réaliser un monument destiné à rappeler aux générations futures les fêtes qui ont entouré le 350e anniversaire de la fondation de Montréal." Extrait du "Cahier des charges" (66-C011-002T). Description du projet par l'architecte: "Sur la paroi externe du Monument seront posés 18 panneaux d'émail de porcelaine dont un certain nombre communiqueront des archétypes de la fête en quelques sortes de signes compris par tous comme des éléments appelant des humeurs propres à l'état de fête." Jacques Rousseau, extrait de "À la recherche de l'esprit de la fête", texte manuscrit faisant partie du cahier de croquis (66-A011-001T).
Monument pour les fêtes du 350ième anniversaire de Montréal
Actions:
AP066.S3.D11
Description:
Le dossier documente la soumission pour le concours sur invitation pour le Monument pour les fêtes du 350 ième anniversaire de Montréal tenu en 1993, de mars à juin. Le dossier contient des dessins, des maquettes et des documents textuels. Objectifs du concours: "La Ville de Montréal et la Corporation des célébrations du 350e anniversaire ont convenu de faire réaliser un monument destiné à rappeler aux générations futures les fêtes qui ont entouré le 350e anniversaire de la fondation de Montréal." Extrait du "Cahier des charges" (66-C011-002T). Description du projet par l'architecte: "Sur la paroi externe du Monument seront posés 18 panneaux d'émail de porcelaine dont un certain nombre communiqueront des archétypes de la fête en quelques sortes de signes compris par tous comme des éléments appelant des humeurs propres à l'état de fête." Jacques Rousseau, extrait de "À la recherche de l'esprit de la fête", texte manuscrit faisant partie du cahier de croquis (66-A011-001T).
Level of archival description:
Dossier 11
Dossier 11
Date:
1993
1993
People:
Form:
drawings, textual records
drawings, textual records
Actions:
Reference number:
AP018.S1.1969.PR01.044
Description:
This is a box of correspondence on possible benefactors, a museum location report, documentation on the opening of Stage I, project summaries and proposals, press kit materials, correspondence with Henry Moore, meeting minutes, design notes and calculations for Areas B and C, correspondence and reports on Phase 3, and drawings of graphics and signs for the gallery. It should be noted that these materials span the scope of multiple Art Gallery of Ontario projects completed by Parkin Architects Planners. They have been left together here to reflect their original order and context.
AP018.S1.1969.PR01.044
Description:
This is a box of correspondence on possible benefactors, a museum location report, documentation on the opening of Stage I, project summaries and proposals, press kit materials, correspondence with Henry Moore, meeting minutes, design notes and calculations for Areas B and C, correspondence and reports on Phase 3, and drawings of graphics and signs for the gallery. It should be noted that these materials span the scope of multiple Art Gallery of Ontario projects completed by Parkin Architects Planners. They have been left together here to reflect their original order and context.
People:
Date:
1968-1986
1968-1986
Title:
Project documentation, Henry Moore Sculpture Centre, Art Gallery of Ontario, Stage I Expansion, Toronto
Actions:
AP018.S1.1969.PR01.044
Description:
This is a box of correspondence on possible benefactors, a museum location report, documentation on the opening of Stage I, project summaries and proposals, press kit materials, correspondence with Henry Moore, meeting minutes, design notes and calculations for Areas B and C, correspondence and reports on Phase 3, and drawings of graphics and signs for the gallery. It should be noted that these materials span the scope of multiple Art Gallery of Ontario projects completed by Parkin Architects Planners. They have been left together here to reflect their original order and context.
Project documentation, Henry Moore Sculpture Centre, Art Gallery of Ontario, Stage I Expansion, Toronto
Actions:
AP018.S1.1969.PR01.044
Description:
This is a box of correspondence on possible benefactors, a museum location report, documentation on the opening of Stage I, project summaries and proposals, press kit materials, correspondence with Henry Moore, meeting minutes, design notes and calculations for Areas B and C, correspondence and reports on Phase 3, and drawings of graphics and signs for the gallery. It should be noted that these materials span the scope of multiple Art Gallery of Ontario projects completed by Parkin Architects Planners. They have been left together here to reflect their original order and context.
Form:
drawings, textual records
drawings, textual records
Date:
1968-1986
1968-1986
People:
Level of archival description:
Project
Project
Reference number:
AP148.S1.1968.PR03
Description:
The project series consists of design work for an unidentified furniture design competition. Material in this project series was originally housed in a folder marked "Concorso Mobili anno 1968", and Poli mentions in his inventory that the project was in collaboration with Roberto Gherardi. The material in this series consists of drawings of a wide clock cabinet, each identified with the note "Motto autunno" (autumn theme). A similar theme is echoed in the caption of one of the photomontages: "Un mobile per tutte le stagioni" (furniture for all seasons). The photomontages feature this cabinet and other elements, such as a table, with photographic portraits of women and children. In his inventory, Poli notes that the photographs are of presentation panels, which were not received with the fonds. A number of items in this series are signed by Poli.
AP148.S1.1968.PR03
Description:
The project series consists of design work for an unidentified furniture design competition. Material in this project series was originally housed in a folder marked "Concorso Mobili anno 1968", and Poli mentions in his inventory that the project was in collaboration with Roberto Gherardi. The material in this series consists of drawings of a wide clock cabinet, each identified with the note "Motto autunno" (autumn theme). A similar theme is echoed in the caption of one of the photomontages: "Un mobile per tutte le stagioni" (furniture for all seasons). The photomontages feature this cabinet and other elements, such as a table, with photographic portraits of women and children. In his inventory, Poli notes that the photographs are of presentation panels, which were not received with the fonds. A number of items in this series are signed by Poli.
People:
Date:
1968-1970
1968-1970
Title:
Furniture design competition (1968)
Actions:
AP148.S1.1968.PR03
Description:
The project series consists of design work for an unidentified furniture design competition. Material in this project series was originally housed in a folder marked "Concorso Mobili anno 1968", and Poli mentions in his inventory that the project was in collaboration with Roberto Gherardi. The material in this series consists of drawings of a wide clock cabinet, each identified with the note "Motto autunno" (autumn theme). A similar theme is echoed in the caption of one of the photomontages: "Un mobile per tutte le stagioni" (furniture for all seasons). The photomontages feature this cabinet and other elements, such as a table, with photographic portraits of women and children. In his inventory, Poli notes that the photographs are of presentation panels, which were not received with the fonds. A number of items in this series are signed by Poli.
Furniture design competition (1968)
Actions:
AP148.S1.1968.PR03
Description:
The project series consists of design work for an unidentified furniture design competition. Material in this project series was originally housed in a folder marked "Concorso Mobili anno 1968", and Poli mentions in his inventory that the project was in collaboration with Roberto Gherardi. The material in this series consists of drawings of a wide clock cabinet, each identified with the note "Motto autunno" (autumn theme). A similar theme is echoed in the caption of one of the photomontages: "Un mobile per tutte le stagioni" (furniture for all seasons). The photomontages feature this cabinet and other elements, such as a table, with photographic portraits of women and children. In his inventory, Poli notes that the photographs are of presentation panels, which were not received with the fonds. A number of items in this series are signed by Poli.
Level of archival description:
Project
Project
Date:
1968-1970
1968-1970
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Stelco fonds
Stelco fonds
Actions:
Reference number:
AP017
Synopsis:
The Stelco fonds, 1902-1982, documents the buildings of the Steel Company of Canada’s two Montréal sites, located on Notre-Dame street in Little Burgundy and in Saint-Henri. The fond is composed of drawings showing site plans and elevations.
AP017
Synopsis:
The Stelco fonds, 1902-1982, documents the buildings of the Steel Company of Canada’s two Montréal sites, located on Notre-Dame street in Little Burgundy and in Saint-Henri. The fond is composed of drawings showing site plans and elevations.
People:
Date:
1902-1982
1902-1982
Title:
Stelco fonds
Actions:
AP017
Synopsis:
The Stelco fonds, 1902-1982, documents the buildings of the Steel Company of Canada’s two Montréal sites, located on Notre-Dame street in Little Burgundy and in Saint-Henri. The fond is composed of drawings showing site plans and elevations.
Stelco fonds
Actions:
AP017
Synopsis:
The Stelco fonds, 1902-1982, documents the buildings of the Steel Company of Canada’s two Montréal sites, located on Notre-Dame street in Little Burgundy and in Saint-Henri. The fond is composed of drawings showing site plans and elevations.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1902-1982
1902-1982
People:
