5574 Results
Form:
photographs
photographs
Actions:
Reference number:
PH2018:0005:028
Description:
Photograph by Stefano Graziani of the following work: Carlo Scarpa, Castelvecchio Museum, Ala della Reggia, elevation and sketches for the frame of the Madonna with the Child by Giovanni Bellini on the second floor of the Palace, inventory Number: 31805, recto, pastel red, yellow, blue two shades and lilac on cardboard, 316 x 432 mm, 1958-1961, Carlo Scarpa archive, Castevecchio Museum, Verona Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
PH2018:0005:028
Description:
Photograph by Stefano Graziani of the following work: Carlo Scarpa, Castelvecchio Museum, Ala della Reggia, elevation and sketches for the frame of the Madonna with the Child by Giovanni Bellini on the second floor of the Palace, inventory Number: 31805, recto, pastel red, yellow, blue two shades and lilac on cardboard, 316 x 432 mm, 1958-1961, Carlo Scarpa archive, Castevecchio Museum, Verona Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
People:
Date:
2017
2017
Title:
Questioning Pictures: Photograph of elevation and sketches for the frame of the Madonna with the Child by Giovanni Bellini on the second floor of the Castelvecchio Museum by Carlo Scarpa
Actions:
PH2018:0005:028
Description:
Photograph by Stefano Graziani of the following work: Carlo Scarpa, Castelvecchio Museum, Ala della Reggia, elevation and sketches for the frame of the Madonna with the Child by Giovanni Bellini on the second floor of the Palace, inventory Number: 31805, recto, pastel red, yellow, blue two shades and lilac on cardboard, 316 x 432 mm, 1958-1961, Carlo Scarpa archive, Castevecchio Museum, Verona Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
Questioning Pictures: Photograph of elevation and sketches for the frame of the Madonna with the Child by Giovanni Bellini on the second floor of the Castelvecchio Museum by Carlo Scarpa
Actions:
PH2018:0005:028
Description:
Photograph by Stefano Graziani of the following work: Carlo Scarpa, Castelvecchio Museum, Ala della Reggia, elevation and sketches for the frame of the Madonna with the Child by Giovanni Bellini on the second floor of the Palace, inventory Number: 31805, recto, pastel red, yellow, blue two shades and lilac on cardboard, 316 x 432 mm, 1958-1961, Carlo Scarpa archive, Castevecchio Museum, Verona Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
Form:
photographs
photographs
Date:
2017
2017
People:
Form:
exhibitions
exhibitions
Description:
Through objects drawn from the CCA collection, Photography and French Architectural Practice, 1839–1870 examines how photography became an integral and indispensable part of the processes of architectural design, construction, restoration, and publishing in the second half of the nineteenth century. Curated by David Harris, CCA, and Barry Bergdoll, Columbia University.
Through objects drawn from the CCA collection, Photography and French Architectural Practice, 1839–1870 examines how photography became an integral and indispensable part of the processes of architectural design, construction, restoration, and publishing in the second half of the nineteenth century. Curated by David Harris, CCA, and Barry Bergdoll, Columbia University.
Location:
Hall cases
Hall cases
Date:
25 January 1995 to 4 June 1995
25 January 1995 to 4 June 1995
Title:
Photography and French Architectural Practice, 1839-1870
Actions:
Description:
Through objects drawn from the CCA collection, Photography and French Architectural Practice, 1839–1870 examines how photography became an integral and indispensable part of the processes of architectural design, construction, restoration, and publishing in the second half of the nineteenth century. Curated by David Harris, CCA, and Barry Bergdoll, Columbia University.
Photography and French Architectural Practice, 1839-1870
Actions:
Description:
Through objects drawn from the CCA collection, Photography and French Architectural Practice, 1839–1870 examines how photography became an integral and indispensable part of the processes of architectural design, construction, restoration, and publishing in the second half of the nineteenth century. Curated by David Harris, CCA, and Barry Bergdoll, Columbia University.
Form:
exhibitions
exhibitions
Date:
25 January 1995 to
4 June 1995
25 January 1995 to
4 June 1995
Location:
Hall cases
Hall cases
Form:
exhibitions
exhibitions
Actions:
Description:
In an age of unprecedented human impact on the planet, certain countries stand out for their privileged positions and the complexity of their relationships with the land. Stories about Canada closely follow the discovery and appropriation of vast and varied natural resources as well as changing ideas of the proper relationship between people and their environment.(...)
In an age of unprecedented human impact on the planet, certain countries stand out for their privileged positions and the complexity of their relationships with the land. Stories about Canada closely follow the discovery and appropriation of vast and varied natural resources as well as changing ideas of the proper relationship between people and their environment.(...)
Date:
16 November 2016 to 9 April 2017
16 November 2016 to 9 April 2017
Title:
It’s All Happening So Fast
Actions:
Description:
In an age of unprecedented human impact on the planet, certain countries stand out for their privileged positions and the complexity of their relationships with the land. Stories about Canada closely follow the discovery and appropriation of vast and varied natural resources as well as changing ideas of the proper relationship between people and their environment.(...)
It’s All Happening So Fast
Actions:
Description:
In an age of unprecedented human impact on the planet, certain countries stand out for their privileged positions and the complexity of their relationships with the land. Stories about Canada closely follow the discovery and appropriation of vast and varied natural resources as well as changing ideas of the proper relationship between people and their environment.(...)
Form:
exhibitions
exhibitions
Date:
16 November 2016 to
9 April 2017
16 November 2016 to
9 April 2017
Form:
webpages
webpages
Actions:
Summary:
The Canadian Centre for Architecture (CCA) is launching a collaborative, multidisciplinary research project that explores the intersectional dimensions of digital design.
Title:
The Digital Now: Architecture and Intersectionality
Actions:
Summary:
The Digital Now: Architecture and Intersectionality
Actions:
Summary:
The Canadian Centre for Architecture (CCA) is launching a collaborative, multidisciplinary research project that explores the intersectional dimensions of digital design.
Form:
webpages
webpages
Form:
drawings
drawings
Actions:
Reference number:
DR1988:0361
Description:
- This drawing shows a design for improvements to a townhouse garden, including garden walls, bath and fountain. Plant species are also identified. - The style of many of these drawings and reprographic copies by Henry Hyams (DR1988:0332 - DR1988:0414) suggests that they were possibly for periodical illustrations. Hyams contributed articles to the periodicals 'The Builder' and 'The Architect'. Two objects in the CCA collections can be linked to the article "Music in Stone" published prior to 1926 in 'The Architect'; a reprographic copy (DR1988:0357) and a drawing (DR1988:0364) (Who's Who in Architecture, 161).
DR1988:0361
Description:
- This drawing shows a design for improvements to a townhouse garden, including garden walls, bath and fountain. Plant species are also identified. - The style of many of these drawings and reprographic copies by Henry Hyams (DR1988:0332 - DR1988:0414) suggests that they were possibly for periodical illustrations. Hyams contributed articles to the periodicals 'The Builder' and 'The Architect'. Two objects in the CCA collections can be linked to the article "Music in Stone" published prior to 1926 in 'The Architect'; a reprographic copy (DR1988:0357) and a drawing (DR1988:0364) (Who's Who in Architecture, 161).
People:
Subject:
landscape architecture
landscape architecture
Date:
1920s or 1930s
1920s or 1930s
Title:
Sketch sections, plan, and elevation for improvements to a town house yard
Actions:
DR1988:0361
Description:
- This drawing shows a design for improvements to a townhouse garden, including garden walls, bath and fountain. Plant species are also identified. - The style of many of these drawings and reprographic copies by Henry Hyams (DR1988:0332 - DR1988:0414) suggests that they were possibly for periodical illustrations. Hyams contributed articles to the periodicals 'The Builder' and 'The Architect'. Two objects in the CCA collections can be linked to the article "Music in Stone" published prior to 1926 in 'The Architect'; a reprographic copy (DR1988:0357) and a drawing (DR1988:0364) (Who's Who in Architecture, 161).
Sketch sections, plan, and elevation for improvements to a town house yard
Actions:
DR1988:0361
Description:
- This drawing shows a design for improvements to a townhouse garden, including garden walls, bath and fountain. Plant species are also identified. - The style of many of these drawings and reprographic copies by Henry Hyams (DR1988:0332 - DR1988:0414) suggests that they were possibly for periodical illustrations. Hyams contributed articles to the periodicals 'The Builder' and 'The Architect'. Two objects in the CCA collections can be linked to the article "Music in Stone" published prior to 1926 in 'The Architect'; a reprographic copy (DR1988:0357) and a drawing (DR1988:0364) (Who's Who in Architecture, 161).
Form:
drawings
drawings
Date:
1920s or 1930s
1920s or 1930s
People:
Subject:
landscape architecture
landscape architecture
Form:
articles
articles
Title:
Designing a Space for Home
Designing a Space for Home
Actions:
Tiffany Shaw speaks with Rafico Ruiz and Ella den Elzen about in-between spaces, exhibition design, and connections to land
Keyword(s):
Tiffany Shaw, Rafico Ruiz, Ella den Elzen, exhibition design, asinnajaq, Towards Home, Ruovttu Guvlui, ᐊᖏᕐᕋᒧᑦ
Tiffany Shaw, Rafico Ruiz, Ella den Elzen, exhibition design, asinnajaq, Towards Home, Ruovttu Guvlui, ᐊᖏᕐᕋᒧᑦ
Published:
6 September 2022
6 September 2022
Title:
Designing a Space for Home
Tiffany Shaw speaks with Rafico Ruiz and Ella den Elzen about in-between spaces, exhibition design, and connections to land
Actions:
Designing a Space for Home
Tiffany Shaw speaks with Rafico Ruiz and Ella den Elzen about in-between spaces, exhibition design, and connections to land
Actions:
Form:
drawings
drawings
Actions:
Reference number:
DR1996:0001
Description:
- Two groups of four pastel drawings were originally produced in connection with the Village Polychrome project. The architect André Bruyère had retained one group, while the other was given to the patron and client, Francisco de Assis Chateaubriand Bandeira de Melo, who then donated it to the Sao Paolo Museum of Modern Art. Bruyère subsequently gave one of the four drawings in his group to a friend. The three remaining drawings from Bruyère's group are in the CCA Prints and Drawings collection (DR1996:0001 - DR1996:0003) ("Projet de Village Polychrome, Biot, France").
DR1996:0001
Description:
- Two groups of four pastel drawings were originally produced in connection with the Village Polychrome project. The architect André Bruyère had retained one group, while the other was given to the patron and client, Francisco de Assis Chateaubriand Bandeira de Melo, who then donated it to the Sao Paolo Museum of Modern Art. Bruyère subsequently gave one of the four drawings in his group to a friend. The three remaining drawings from Bruyère's group are in the CCA Prints and Drawings collection (DR1996:0001 - DR1996:0003) ("Projet de Village Polychrome, Biot, France").
People:
Subject:
architecture
architecture
Date:
December 1952
December 1952
Title:
Perspective for a guest villa showing the terrace and the principal and lateral façades, Village Polychrome, near Biot, France
Actions:
DR1996:0001
Description:
- Two groups of four pastel drawings were originally produced in connection with the Village Polychrome project. The architect André Bruyère had retained one group, while the other was given to the patron and client, Francisco de Assis Chateaubriand Bandeira de Melo, who then donated it to the Sao Paolo Museum of Modern Art. Bruyère subsequently gave one of the four drawings in his group to a friend. The three remaining drawings from Bruyère's group are in the CCA Prints and Drawings collection (DR1996:0001 - DR1996:0003) ("Projet de Village Polychrome, Biot, France").
Perspective for a guest villa showing the terrace and the principal and lateral façades, Village Polychrome, near Biot, France
Actions:
DR1996:0001
Description:
- Two groups of four pastel drawings were originally produced in connection with the Village Polychrome project. The architect André Bruyère had retained one group, while the other was given to the patron and client, Francisco de Assis Chateaubriand Bandeira de Melo, who then donated it to the Sao Paolo Museum of Modern Art. Bruyère subsequently gave one of the four drawings in his group to a friend. The three remaining drawings from Bruyère's group are in the CCA Prints and Drawings collection (DR1996:0001 - DR1996:0003) ("Projet de Village Polychrome, Biot, France").
Form:
drawings
drawings
Date:
December 1952
December 1952
People:
Subject:
architecture
architecture
Form:
drawings
drawings
Actions:
Reference number:
DR1996:0003
Description:
- Two groups of four pastel drawings were originally produced in connection with the Village Polychrome project. The architect André Bruyère had retained one group, while the other was given to the patron and client, Francisco de Assis Chateaubriand Bandeira de Melo, who then donated it to the Sao Paolo Museum of Modern Art. Bruyère subsequently gave one of the four drawings in his group to a friend. The three remaining drawings from Bruyère's group are in the CCA Prints and Drawings collection (DR1996:0001 - DR1996:0003) ("Projet de Village Polychrome, Biot, France").
DR1996:0003
Description:
- Two groups of four pastel drawings were originally produced in connection with the Village Polychrome project. The architect André Bruyère had retained one group, while the other was given to the patron and client, Francisco de Assis Chateaubriand Bandeira de Melo, who then donated it to the Sao Paolo Museum of Modern Art. Bruyère subsequently gave one of the four drawings in his group to a friend. The three remaining drawings from Bruyère's group are in the CCA Prints and Drawings collection (DR1996:0001 - DR1996:0003) ("Projet de Village Polychrome, Biot, France").
People:
Subject:
architecture, urban planning
architecture, urban planning
Date:
1953
1953
Title:
Perspective for a villa with three workshops, Village Polychrome, near Biot, France
Actions:
DR1996:0003
Description:
- Two groups of four pastel drawings were originally produced in connection with the Village Polychrome project. The architect André Bruyère had retained one group, while the other was given to the patron and client, Francisco de Assis Chateaubriand Bandeira de Melo, who then donated it to the Sao Paolo Museum of Modern Art. Bruyère subsequently gave one of the four drawings in his group to a friend. The three remaining drawings from Bruyère's group are in the CCA Prints and Drawings collection (DR1996:0001 - DR1996:0003) ("Projet de Village Polychrome, Biot, France").
Perspective for a villa with three workshops, Village Polychrome, near Biot, France
Actions:
DR1996:0003
Description:
- Two groups of four pastel drawings were originally produced in connection with the Village Polychrome project. The architect André Bruyère had retained one group, while the other was given to the patron and client, Francisco de Assis Chateaubriand Bandeira de Melo, who then donated it to the Sao Paolo Museum of Modern Art. Bruyère subsequently gave one of the four drawings in his group to a friend. The three remaining drawings from Bruyère's group are in the CCA Prints and Drawings collection (DR1996:0001 - DR1996:0003) ("Projet de Village Polychrome, Biot, France").
Form:
drawings
drawings
Date:
1953
1953
People:
Subject:
architecture, urban planning
architecture, urban planning
Form:
drawings
drawings
Reference number:
DR1996:0004
Description:
- Two groups of four pastel drawings were originally produced in connection with the Village Polychrome project. The architect André Bruyère had retained one group, while the other was given to the patron and client, Francisco de Assis Chateaubriand Bandeira de Melo, who then donated it to the Sao Paolo Museum of Modern Art. Bruyère subsequently gave one of the four drawings in his group to a friend. The three remaining drawings from Bruyère's group are in the CCA Prints and Drawings collection (DR1996:0001 - DR1996:0003) ("Projet de Village Polychrome, Biot, France").
DR1996:0004
Description:
- Two groups of four pastel drawings were originally produced in connection with the Village Polychrome project. The architect André Bruyère had retained one group, while the other was given to the patron and client, Francisco de Assis Chateaubriand Bandeira de Melo, who then donated it to the Sao Paolo Museum of Modern Art. Bruyère subsequently gave one of the four drawings in his group to a friend. The three remaining drawings from Bruyère's group are in the CCA Prints and Drawings collection (DR1996:0001 - DR1996:0003) ("Projet de Village Polychrome, Biot, France").
People:
Subject:
architecture, urban planning
architecture, urban planning
Date:
1952-1953
1952-1953
Title:
Bird's-eye perspective for Village Polychrome, near Biot, France
Actions:
DR1996:0004
Description:
- Two groups of four pastel drawings were originally produced in connection with the Village Polychrome project. The architect André Bruyère had retained one group, while the other was given to the patron and client, Francisco de Assis Chateaubriand Bandeira de Melo, who then donated it to the Sao Paolo Museum of Modern Art. Bruyère subsequently gave one of the four drawings in his group to a friend. The three remaining drawings from Bruyère's group are in the CCA Prints and Drawings collection (DR1996:0001 - DR1996:0003) ("Projet de Village Polychrome, Biot, France").
Bird's-eye perspective for Village Polychrome, near Biot, France
Actions:
DR1996:0004
Description:
- Two groups of four pastel drawings were originally produced in connection with the Village Polychrome project. The architect André Bruyère had retained one group, while the other was given to the patron and client, Francisco de Assis Chateaubriand Bandeira de Melo, who then donated it to the Sao Paolo Museum of Modern Art. Bruyère subsequently gave one of the four drawings in his group to a friend. The three remaining drawings from Bruyère's group are in the CCA Prints and Drawings collection (DR1996:0001 - DR1996:0003) ("Projet de Village Polychrome, Biot, France").
Form:
drawings
drawings
Date:
1952-1953
1952-1953
People:
Subject:
architecture, urban planning
architecture, urban planning
Form:
drawings
drawings
Reference number:
DR1996:0005
Description:
- Two groups of four pastel drawings were originally produced in connection with the Village Polychrome project. The architect André Bruyère had retained one group, while the other was given to the patron and client, Francisco de Assis Chateaubriand Bandeira de Melo, who then donated it to the Sao Paolo Museum of Modern Art. Bruyère subsequently gave one of the four drawings in his group to a friend. The three remaining drawings from Bruyère's group are in the CCA Prints and Drawings collection (DR1996:0001 - DR1996:0003) ("Projet de Village Polychrome, Biot, France").
DR1996:0005
Description:
- Two groups of four pastel drawings were originally produced in connection with the Village Polychrome project. The architect André Bruyère had retained one group, while the other was given to the patron and client, Francisco de Assis Chateaubriand Bandeira de Melo, who then donated it to the Sao Paolo Museum of Modern Art. Bruyère subsequently gave one of the four drawings in his group to a friend. The three remaining drawings from Bruyère's group are in the CCA Prints and Drawings collection (DR1996:0001 - DR1996:0003) ("Projet de Village Polychrome, Biot, France").
People:
Subject:
architecture, urban planning
architecture, urban planning
Date:
1952-1953
1952-1953
Title:
Bird's-eye perspective for Village Polychrome, near Biot, France
Actions:
DR1996:0005
Description:
- Two groups of four pastel drawings were originally produced in connection with the Village Polychrome project. The architect André Bruyère had retained one group, while the other was given to the patron and client, Francisco de Assis Chateaubriand Bandeira de Melo, who then donated it to the Sao Paolo Museum of Modern Art. Bruyère subsequently gave one of the four drawings in his group to a friend. The three remaining drawings from Bruyère's group are in the CCA Prints and Drawings collection (DR1996:0001 - DR1996:0003) ("Projet de Village Polychrome, Biot, France").
Bird's-eye perspective for Village Polychrome, near Biot, France
Actions:
DR1996:0005
Description:
- Two groups of four pastel drawings were originally produced in connection with the Village Polychrome project. The architect André Bruyère had retained one group, while the other was given to the patron and client, Francisco de Assis Chateaubriand Bandeira de Melo, who then donated it to the Sao Paolo Museum of Modern Art. Bruyère subsequently gave one of the four drawings in his group to a friend. The three remaining drawings from Bruyère's group are in the CCA Prints and Drawings collection (DR1996:0001 - DR1996:0003) ("Projet de Village Polychrome, Biot, France").
Form:
drawings
drawings
Date:
1952-1953
1952-1953
People:
Subject:
architecture, urban planning
architecture, urban planning
