DR1996:0007
Description:
- Two groups of four pastel drawings were originally produced in connection with the Village Polychrome project. The architect André Bruyère had retained one group, while the other was given to the patron and client, Francisco de Assis Chateaubriand Bandeira de Melo, who then donated it to the Sao Paolo Museum of Modern Art. Bruyère subsequently gave one of the four drawings in his group to a friend. The three remaining drawings from Bruyère's group are in the CCA Prints and Drawings collection (DR1996:0001 - DR1996:0003) ("Projet de Village Polychrome, Biot, France").
architecture, urban planning
1952-1953
Site elevation for Village Polychrome, near Biot, France
Actions:
DR1996:0007
Description:
- Two groups of four pastel drawings were originally produced in connection with the Village Polychrome project. The architect André Bruyère had retained one group, while the other was given to the patron and client, Francisco de Assis Chateaubriand Bandeira de Melo, who then donated it to the Sao Paolo Museum of Modern Art. Bruyère subsequently gave one of the four drawings in his group to a friend. The three remaining drawings from Bruyère's group are in the CCA Prints and Drawings collection (DR1996:0001 - DR1996:0003) ("Projet de Village Polychrome, Biot, France").
architecture, urban planning
DR1996:0008
Description:
- Two groups of four pastel drawings were originally produced in connection with the Village Polychrome project. The architect André Bruyère had retained one group, while the other was given to the patron and client, Francisco de Assis Chateaubriand Bandeira de Melo, who then donated it to the Sao Paolo Museum of Modern Art. Bruyère subsequently gave one of the four drawings in his group to a friend. The three remaining drawings from Bruyère's group are in the CCA Prints and Drawings collection (DR1996:0001 - DR1996:0003) ("Projet de Village Polychrome, Biot, France").
architecture
1952-1953
Plan, elevations and a section for the dormitory, Village Polychrome, near Biot, France
Actions:
DR1996:0008
Description:
- Two groups of four pastel drawings were originally produced in connection with the Village Polychrome project. The architect André Bruyère had retained one group, while the other was given to the patron and client, Francisco de Assis Chateaubriand Bandeira de Melo, who then donated it to the Sao Paolo Museum of Modern Art. Bruyère subsequently gave one of the four drawings in his group to a friend. The three remaining drawings from Bruyère's group are in the CCA Prints and Drawings collection (DR1996:0001 - DR1996:0003) ("Projet de Village Polychrome, Biot, France").
architecture
DR1996:0009
Description:
- Two groups of four pastel drawings were originally produced in connection with the Village Polychrome project. The architect André Bruyère had retained one group, while the other was given to the patron and client, Francisco de Assis Chateaubriand Bandeira de Melo, who then donated it to the Sao Paolo Museum of Modern Art. Bruyère subsequently gave one of the four drawings in his group to a friend. The three remaining drawings from Bruyère's group are in the CCA Prints and Drawings collection (DR1996:0001 - DR1996:0003) ("Projet de Village Polychrome, Biot, France").
architecture
1952-1953
Perspective for a villa with three workshops, Village Polychrome, near Biot, France
Actions:
DR1996:0009
Description:
- Two groups of four pastel drawings were originally produced in connection with the Village Polychrome project. The architect André Bruyère had retained one group, while the other was given to the patron and client, Francisco de Assis Chateaubriand Bandeira de Melo, who then donated it to the Sao Paolo Museum of Modern Art. Bruyère subsequently gave one of the four drawings in his group to a friend. The three remaining drawings from Bruyère's group are in the CCA Prints and Drawings collection (DR1996:0001 - DR1996:0003) ("Projet de Village Polychrome, Biot, France").
architecture
DR1996:0010
Description:
- Two groups of four pastel drawings were originally produced in connection with the Village Polychrome project. The architect André Bruyère had retained one group, while the other was given to the patron and client, Francisco de Assis Chateaubriand Bandeira de Melo, who then donated it to the Sao Paolo Museum of Modern Art. Bruyère subsequently gave one of the four drawings in his group to a friend. The three remaining drawings from Bruyère's group are in the CCA Prints and Drawings collection (DR1996:0001 - DR1996:0003) ("Projet de Village Polychrome, Biot, France").
architecture
1952-1953
Perspective for a guest villa showing the terrace and the principal and lateral façades, Village Polychrome, near Biot, France
Actions:
DR1996:0010
Description:
- Two groups of four pastel drawings were originally produced in connection with the Village Polychrome project. The architect André Bruyère had retained one group, while the other was given to the patron and client, Francisco de Assis Chateaubriand Bandeira de Melo, who then donated it to the Sao Paolo Museum of Modern Art. Bruyère subsequently gave one of the four drawings in his group to a friend. The three remaining drawings from Bruyère's group are in the CCA Prints and Drawings collection (DR1996:0001 - DR1996:0003) ("Projet de Village Polychrome, Biot, France").
architecture
DR1996:0012
Description:
- Two groups of four pastel drawings were originally produced in connection with the Village Polychrome project. The architect André Bruyère had retained one group, while the other was given to the patron and client, Francisco de Assis Chateaubriand Bandeira de Melo, who then donated it to the Sao Paolo Museum of Modern Art. Bruyère subsequently gave one of the four drawings in his group to a friend. The three remaining drawings from Bruyère's group are in the CCA Prints and Drawings collection (DR1996:0001 - DR1996:0003) ("Projet de Village Polychrome, Biot, France").
architecture
May 1953
Specifications for Village Polychrome, near Biot, France
Actions:
DR1996:0012
Description:
- Two groups of four pastel drawings were originally produced in connection with the Village Polychrome project. The architect André Bruyère had retained one group, while the other was given to the patron and client, Francisco de Assis Chateaubriand Bandeira de Melo, who then donated it to the Sao Paolo Museum of Modern Art. Bruyère subsequently gave one of the four drawings in his group to a friend. The three remaining drawings from Bruyère's group are in the CCA Prints and Drawings collection (DR1996:0001 - DR1996:0003) ("Projet de Village Polychrome, Biot, France").
architecture
Melvin Charney 1935–2012
The artist and theorist Melvin Charney, who died earlier this year, made significant contributions to the CCA and the city of Montreal as a whole. Throughout a long and varied career, Charney championed the public role of the architect in the wider built environment, enforcing the idea that the street is the primary resource of the city. The CCA is celebrating Charney’s(...)
Hall cases
24 October 2012 to 14 April 2013
Melvin Charney 1935–2012
Actions:
Description:
The artist and theorist Melvin Charney, who died earlier this year, made significant contributions to the CCA and the city of Montreal as a whole. Throughout a long and varied career, Charney championed the public role of the architect in the wider built environment, enforcing the idea that the street is the primary resource of the city. The CCA is celebrating Charney’s(...)
Hall cases
An Atlas. A Bricolage. A Compendium of different elements and strategies for understanding the city. ABC : MTL is an urban abecedary and open-source initiative that maps contemporary Montreal in a diversity of ways and media. Over ninety contributions including photography, music videos, sculptures and installations, drawings, models, workshops, lectures, and performances(...)
Main galleries
13 November 2012 to 31 March 2013
ABC : MTL – A Self-Portrait of Montréal
Actions:
Description:
An Atlas. A Bricolage. A Compendium of different elements and strategies for understanding the city. ABC : MTL is an urban abecedary and open-source initiative that maps contemporary Montreal in a diversity of ways and media. Over ninety contributions including photography, music videos, sculptures and installations, drawings, models, workshops, lectures, and performances(...)
Main galleries
DR1988:0291:001
Description:
This drawing is one of a group of 45 drawings and 4 collages, DR1988:0291:001 - DR1988:0291:049, for John Hejduk's 'Lancaster/Hanover Masque'. These include nine large, final drawings, DR1988:0291:041 - DR1988:0291:049, in which all of the structures that constitute the masque are represented, and forty smaller sketches and collages, DR1988:0291:001 - DR1988:0291:040, mostly for individual structures. All of the drawings and collages are published and illustrated, along with Hejduk's descriptions of the structures, in 'The Lancaster/Hanover Masque' (London: Architectural Association and Montréal: CCA, 1992).
1980-1982
Carpenter's, Mason's, Fabricator's, Repairman's, Chiropractor's, Butcher's and Baker's Place
Actions:
DR1988:0291:001
Description:
This drawing is one of a group of 45 drawings and 4 collages, DR1988:0291:001 - DR1988:0291:049, for John Hejduk's 'Lancaster/Hanover Masque'. These include nine large, final drawings, DR1988:0291:041 - DR1988:0291:049, in which all of the structures that constitute the masque are represented, and forty smaller sketches and collages, DR1988:0291:001 - DR1988:0291:040, mostly for individual structures. All of the drawings and collages are published and illustrated, along with Hejduk's descriptions of the structures, in 'The Lancaster/Hanover Masque' (London: Architectural Association and Montréal: CCA, 1992).
Widow's House
DR1988:0291:002
Description:
This drawing is one of a group of 45 drawings and 4 collages, DR1988:0291:001 - DR1988:0291:049, for John Hejduk's 'Lancaster/Hanover Masque'. These include nine large, final drawings, DR1988:0291:041 - DR1988:0291:049, in which all of the structures that constitute the masque are represented, and forty smaller sketches and collages, DR1988:0291:001 - DR1988:0291:040, mostly for individual structures. All of the drawings and collages are published and illustrated, along with Hejduk's descriptions of the structures, in 'The Lancaster/Hanover Masque' (London: Architectural Association and Montréal: CCA, 1992).
1980-1982
Widow's House
Actions:
DR1988:0291:002
Description:
This drawing is one of a group of 45 drawings and 4 collages, DR1988:0291:001 - DR1988:0291:049, for John Hejduk's 'Lancaster/Hanover Masque'. These include nine large, final drawings, DR1988:0291:041 - DR1988:0291:049, in which all of the structures that constitute the masque are represented, and forty smaller sketches and collages, DR1988:0291:001 - DR1988:0291:040, mostly for individual structures. All of the drawings and collages are published and illustrated, along with Hejduk's descriptions of the structures, in 'The Lancaster/Hanover Masque' (London: Architectural Association and Montréal: CCA, 1992).
DR1988:0291:003
Description:
- This drawing is one of a group of 45 drawings and 4 collages, DR1988:0291:001 - DR1988:0291:049, for John Hejduk's 'Lancaster/Hanover Masque'. These include nine large, final drawings, DR1988:0291:041 - DR1988:0291:049, in which all of the structures that constitute the masque are represented, and forty smaller sketches and collages, DR1988:0291:001 - DR1988:0291:040, mostly for individual structures. All of the drawings and collages are published and illustrated, along with Hejduk's descriptions of the structures, in 'The Lancaster/Hanover Masque' (London: Architectural Association and Montréal: CCA, 1992).
architecture, theatre design
1980-1982
Store House, Scarecrow House and Weather Station
Actions:
DR1988:0291:003
Description:
- This drawing is one of a group of 45 drawings and 4 collages, DR1988:0291:001 - DR1988:0291:049, for John Hejduk's 'Lancaster/Hanover Masque'. These include nine large, final drawings, DR1988:0291:041 - DR1988:0291:049, in which all of the structures that constitute the masque are represented, and forty smaller sketches and collages, DR1988:0291:001 - DR1988:0291:040, mostly for individual structures. All of the drawings and collages are published and illustrated, along with Hejduk's descriptions of the structures, in 'The Lancaster/Hanover Masque' (London: Architectural Association and Montréal: CCA, 1992).
architecture, theatre design