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Between 1973 and ’76, Mitch Epstein (born 1952) photographed in American cities- New York, Los Angeles and New Orleans, among others. He was initially shooting in black and white as a student of Garry Winogrand, when he asked his teacher, ''Why not color?'' With Winogrand’s blessing, Epstein shot his first rolls of Kodachrome. ''Silver + Chrome'' is a chronicle of his(...)
Mitch Epstein: Silver + Chrome
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Between 1973 and ’76, Mitch Epstein (born 1952) photographed in American cities- New York, Los Angeles and New Orleans, among others. He was initially shooting in black and white as a student of Garry Winogrand, when he asked his teacher, ''Why not color?'' With Winogrand’s blessing, Epstein shot his first rolls of Kodachrome. ''Silver + Chrome'' is a chronicle of his three years alternating between color and black and white, before eventually committing to color. This book contains Epstein’s earliest work, virtually none of which has been seen before. In these kinetic tableaux, the artist’s exuberance is tamed, just barely, by his formal intelligence. He depicts American city life as it undergoes taboo-shattering sexual liberation, economic crises and the repercussions of a boondoggle war in Vietnam, immersing us in the urban chaos of this complicated time.
Photography monographs
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Inspired by the symmetrical, Jeffersonian layout of the American Pavilion’s neoclassical architecture, and by Thomas Cole's cycle of the same name, Ed Ruscha installed this ten-painting exhibition titled "Course of empire" at the 2005 Venice biennale. Five pieces are painted in color and five in black and white. The artist paired each work from his 1992 Blue collar series(...)
Contemporary Art Monographs
September 2005, New York
Course of empire : paintings of Ed Ruscha, United State pavilion, 51st Venice biennale, 2005
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Inspired by the symmetrical, Jeffersonian layout of the American Pavilion’s neoclassical architecture, and by Thomas Cole's cycle of the same name, Ed Ruscha installed this ten-painting exhibition titled "Course of empire" at the 2005 Venice biennale. Five pieces are painted in color and five in black and white. The artist paired each work from his 1992 Blue collar series with a new color canvas depicting the future of the same urban landscape, some deteriorated, some growing and changing, some seemingly gentrifying. The exhibition will travel in 2006 to The Whitney museum of American art in New York. Essays from Linda Norden, the U.S. commissioner for the Venice Biennale, and artist Frances Stark celebrate the work, while Joan Didion’s coolly written but deeply felt piece about her own brokenhearted longing for Los Angeles hits a perfect note.
Contemporary Art Monographs
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Frank Lloyd Wright is not only synonymous with architecture, his name is also synonymous with the American house in the twentieth century. In particular, his residential work has been the subject of continuing interest and controversy. Wright's Fallingwater (1935), the seminal masterpiece perched over a waterfall deep in the Pennsylvania highlands, is perhaps the(...)
Frank Lloyd Wright : the houses
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Frank Lloyd Wright is not only synonymous with architecture, his name is also synonymous with the American house in the twentieth century. In particular, his residential work has been the subject of continuing interest and controversy. Wright's Fallingwater (1935), the seminal masterpiece perched over a waterfall deep in the Pennsylvania highlands, is perhaps the best-known private house in the history of the world. In fact, Wright's houses-from his Prairie style Robie House (1906) in Chicago, to the Storer (1923) and Freeman (1923) houses in Los Angeles, and Taliesen West (1937) in the Arizona desert-are all touchstones of modern architecture. For the first time, all 289 extant houses are shown here in color photographs. Along with Weintraub's photos and a selection of floor plans and archival images, the book includes text and essays by several Wright scholars.
Architecture Monographs
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These elaborate CAD-reconstructions, developed by Darmstadt Technical University, provide a representative survey of the architecture of synagogues in Germany before their destruction. What is more, they convey visual impressions of the diversity, the splendour and the significance of the synagogue in the history of German urban architecture from the early nineteenth(...)
Arch Middle East
March 2004, Basel
Synagogues in Germany : a virtual reconstruction
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These elaborate CAD-reconstructions, developed by Darmstadt Technical University, provide a representative survey of the architecture of synagogues in Germany before their destruction. What is more, they convey visual impressions of the diversity, the splendour and the significance of the synagogue in the history of German urban architecture from the early nineteenth century until 1938. In doing so, they also demonstrate the potential of such media to contribute to a new culture of remembrance. Reactions to the first exhibition in 2000 in Bonn, Germany, were resounding, with international praise for the quality of the simulations and their value as an instrument in the service of historical truth. This publication presents the results for the first time in print, to coincide with the launching of an exhibition in Tel Aviv which will travel to New York, Los Angeles and further international venues.
Arch Middle East
Border crossings issue 143
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In this issue of Bordercrossings, "Painting", we talk with two artists who look to history to structure the endeavours of their conceptual pursuits. For Canada’s 150th birthday, we mark the complicated anniversary with an in-depth interview with Indigenous artist Kent Monkman. Monkman, of Cree and Irish ancestry, works in a variety of media from painting, film and video(...)
Border crossings issue 143
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In this issue of Bordercrossings, "Painting", we talk with two artists who look to history to structure the endeavours of their conceptual pursuits. For Canada’s 150th birthday, we mark the complicated anniversary with an in-depth interview with Indigenous artist Kent Monkman. Monkman, of Cree and Irish ancestry, works in a variety of media from painting, film and video work, to installation. In our interviews, Border Crossings also features the work of New York-based artist, Lisa Yuskavage, who played an influential role in the establishment of a new genre of figuration, as well as feature interviews with six young contemporary artists who all employ paint as their primary artistic medium; Toronto-based artist Patrick Cruz, Brenda Draney who lives in Edmonton, Benjamin Klein from Montreal, Los Angeles-based Sojourner Truth-Parsons, Julie Beugin in Berlin, and John Eisler in Toronto.
Magazines
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Architects Mikael Bergquist and Olof Michélsen explore the evolution of Frank’s designs for single-family homes over the years, and they investigate the influences that shaped his work, such as Adolf Loos’s “spatial plan” concept, Le Corbusier’s ideas, and Hermann Muthesius’s groundbreaking book The English House. The authors also look at Frank’s architectural concepts of(...)
Josef Frank: Spaces. Case studies of six single-family houses
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Architects Mikael Bergquist and Olof Michélsen explore the evolution of Frank’s designs for single-family homes over the years, and they investigate the influences that shaped his work, such as Adolf Loos’s “spatial plan” concept, Le Corbusier’s ideas, and Hermann Muthesius’s groundbreaking book The English House. The authors also look at Frank’s architectural concepts of movement and his use of stairs in residential buildings. The book also includes an in-depth examination of six of Frank’s houses, including both built projects— the Villas Claëson and Wehtje in Falsterbo, Sweden, and Villa Beer in Vienna—and unrealized ones—House for Vienna XIII, House MS in Los Angeles, and Fantasy House 9 (Accidental House). This section includes images and plans of each of the houses and a close analysis of their specific characteristics. A complete catalog of Frank’s single-family houses rounds out the book.
Architecture Monographs
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This book is the outgrowth of the Fourth National Forum on Historic Preservation Practice, held at Goucher College in Towson, Maaryland, in March 2004. The papers presented at the conference were chosen from a large number of abstracts sent in response to a widely distributed call. Preservation has traditionally focused on saving prominent buildings of historical or(...)
Cultural Landscapes: balancing nature and heritage in preservation practice
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This book is the outgrowth of the Fourth National Forum on Historic Preservation Practice, held at Goucher College in Towson, Maaryland, in March 2004. The papers presented at the conference were chosen from a large number of abstracts sent in response to a widely distributed call. Preservation has traditionally focused on saving prominent buildings of historical or architectural significance. Preserving cultural landscapes-the combined fabric of the natural and man-made environments-is a relatively new and often misunderstood idea among preservationists, but it is of increasing importance. The essays collected in this volume-case studies that include the Little Tokyo neighborhood in Los Angeles, the Cross Bronx Expressway, and a rural island in Puget Sound-underscore how this approach can be fruitfully applied. Together, they make clear that a cultural landscape perspective can be an essential underpinning for all historic preservation projects.
Urban Theory
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The Funambulist, issue 20. ''Settler Colonialism in Turtle Island'' is a first ever issue of The Funambulist that was guest-edited. This issue was edited by Turtle Island Indigenous scholars and activists Melanie K. Yazzie and Nick Estes (who had contributed twice to the magazine in the past). The issue proposes several facets of Indigenous struggles in Turtle Island(...)
The Funambulist 20, November/December
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The Funambulist, issue 20. ''Settler Colonialism in Turtle Island'' is a first ever issue of The Funambulist that was guest-edited. This issue was edited by Turtle Island Indigenous scholars and activists Melanie K. Yazzie and Nick Estes (who had contributed twice to the magazine in the past). The issue proposes several facets of Indigenous struggles in Turtle Island (what many people call ''North America''.) Most of them depict Native lives in spaces that are not the reservations where the colonial narrative usually situates them. Whether in large cities such as Los Angeles or Saskatoon, or settler border towns in the periphery of reservations, the urban dimension of the first half of the dossier is omnipresent. The second half is dedicated to various forms of Indigenous resistance through space-making, anti-colonial solidarities, representative transgression, or architecture researches/projects.
Magazines
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Since the mid-19th century, the idea of California has lured many waves of migrants. Here, writer and editor Lyra Kilston explores a less examined attraction: the region’s promise of better health. From ailing families seeking a miracle climate cure to iconoclasts and dropouts pursuing a remedy to societal corruption, the abundance of sunshine and untamed nature around(...)
Sun seekers: the cure of California
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Since the mid-19th century, the idea of California has lured many waves of migrants. Here, writer and editor Lyra Kilston explores a less examined attraction: the region’s promise of better health. From ailing families seeking a miracle climate cure to iconoclasts and dropouts pursuing a remedy to societal corruption, the abundance of sunshine and untamed nature around the small but growing Los Angeles area offered them refuge and inspiration. In the wild west of medical practice, eclectic nature-cure treatments gained popularity. The source for this trend can be traced to the mountains and cold-water springs of Europe, where early sanatoriums were built to offer the natural cures of sun, air, water and diet; this sanatorium architecture was exported to the West Coast from Central Europe, and began to impact other types of building.
Architectural Theory
books
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Frank Gehry's startling architecture for the Walt Disney Concert Hall in Los Angeles has been depicted in two other books by Balcony Press (Iron and Frozen Music). This new release describes the daring and skill that produced the pipe organ which is the visual focus of the auditorium. This book gives honor to the creativity and craftsmanship of those who designed,(...)
Commercial interiors, Building types
March 2007, Los Angeles
A forest of pipes : the story of the walt disney concert hall organ
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Frank Gehry's startling architecture for the Walt Disney Concert Hall in Los Angeles has been depicted in two other books by Balcony Press (Iron and Frozen Music). This new release describes the daring and skill that produced the pipe organ which is the visual focus of the auditorium. This book gives honor to the creativity and craftsmanship of those who designed, fabricated, and installed this instrument. (Façade design by Frank Gehry, tonal design by Manuel Rosales, construction of complex components by Glatter-Götz Orgelbau). It also pays tribute to the artistry of the organists who inaugurated it. The generous quantity and quality of the color photographs are balanced with a readable text that describes the development of this pipe organ from initial sketches, to models, to the completed instrument. Included are interesting interviews with designers, builders and musicians.
books
March 2007, Los Angeles
Commercial interiors, Building types