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Viollet-le-Duc (1814–1879) was nineteenth-century France’s most prominent architect and restorer. This groundbreaking study examines how he used drawing and printmaking as a mode of seeing and thinking and as a means to intensify relationships by capturing the vitality of historical worlds and hidden analogies between human culture and the natural realm. Making sense of(...)
Viollet Le Duc: Drawing worlds
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Viollet-le-Duc (1814–1879) was nineteenth-century France’s most prominent architect and restorer. This groundbreaking study examines how he used drawing and printmaking as a mode of seeing and thinking and as a means to intensify relationships by capturing the vitality of historical worlds and hidden analogies between human culture and the natural realm. Making sense of Viollet-le-Duc’s vast graphic production, scholars consider his imaginative recreations of the most minute aspects of medieval warfare; his approach to the practical tasks of restoring very complex medieval monuments; his experiments in new means of publicly diffusing architectural ideas in the yearly Parisian salons, in didactic manuals, and in children’s books; and even a fantastic project to restitute the original structure of the formidable massif of Mont Blanc. The gamut of techniques employed by Viollet-le-Duc stretches from large painted tableaux to lithographs, steel engravings, woodcuts, gouaches, tracings, and full-scale details.
Architecture Monographs
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The December 2024 issue of a+u magazine features the work of Nikken Sekkei. Founded 125 years ago in 1900, the Nikkei Sekkei group is an organizational design firm with about 3,000 employees. Nikken Sekkei’s designers have worked on numerous building and urban design projects in Japan. When pursuing their work, what do they rely on? And what have they inherited from their(...)
Magazines
December 2024
A+U 651 24:12 Nikken 2000-2024
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The December 2024 issue of a+u magazine features the work of Nikken Sekkei. Founded 125 years ago in 1900, the Nikkei Sekkei group is an organizational design firm with about 3,000 employees. Nikken Sekkei’s designers have worked on numerous building and urban design projects in Japan. When pursuing their work, what do they rely on? And what have they inherited from their predecessors? As we edited and prepared this issue for publication, we became increasingly interested in Nikken Sekkei’s floor plans and layout plans. Many of the designers who appear in this issue stressed the importance of floor plans and layout plans as a tool that anyone working hard on a project design can use to explore the needs of society and the client. This attitude toward design may be something that they feel they must pass on from one generation to the next as they grow in influence. Every project profile in this issue includes a 1/750 scale floor and layout plan.
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Modernism, characterized by geometric shapes and flat roofs, is one of the defining architectural styles of the twentieth century throughout the world. And nowhere is it more in abundance than in Faro, capital of Portugal’s Algarve region. There are over 500 Modernist buildings in Faro, the highest concentration of these types of buildings in Southern Europe. The city now(...)
Faro Modernism: Buildings, heritage, culture
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Modernism, characterized by geometric shapes and flat roofs, is one of the defining architectural styles of the twentieth century throughout the world. And nowhere is it more in abundance than in Faro, capital of Portugal’s Algarve region. There are over 500 Modernist buildings in Faro, the highest concentration of these types of buildings in Southern Europe. The city now has a specific Modernist buildings area, through which guided tours show the full range of detached and semidetached grand houses, large-scale apartment blocks, and little roads of terraced houses that are in fact cleverly disguised maisonettes. The architectural ringleader was Manuel Gomes da Costa, an Algarvian by birth, who had gone to South America in search of work but came back in the 1950s to transform the city. Inspired by the work of earlier architects, including Le Corbusier and Oscar Niemeyer, Costa and his colleagues set about creating a Modernist paradise in the southern sun. This book will give fans of inspirational architecture the first real opportunity to delve deep into Southern Europe’s "Palm Springs."
Modernism
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This monograph is the first to document all of the built work by Morphosis, a Los Angeles-based practice headed by Thom Mayne and one of the most influential architecture firms of the past twenty years. Morphosis's unconventional geometries, sculptural models and complex, computer-generated drawings helped to usher in a new era of architectural experimentation in the(...)
Morphosis
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This monograph is the first to document all of the built work by Morphosis, a Los Angeles-based practice headed by Thom Mayne and one of the most influential architecture firms of the past twenty years. Morphosis's unconventional geometries, sculptural models and complex, computer-generated drawings helped to usher in a new era of architectural experimentation in the early 1980's. This book is comprised of bold, documentary-style colour photographs of thirty-five completed buildings presented in an almost cinematic layout, and publishes for the first time together all of Morphosis's completed work, from the early residential and restaurant projects in Los Angeles to the most recent large-scale work beyond California and the United States in Canada, Taiwan, Korea, Japan and Austria. Thom Mayne founded Morphosis in 1972 in partnership with Michael Rotondi, who now has his own firm. Over the past twenty years, Mayne's academic posts have included teaching positions at Columbia University, Harvard University, Yale University, the Berlage Institute in the Netherlands and the Bartlett School of Architecture in London.
Architecture Monographs
journals and magazines
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Breuer was extremely prolific and produced a wide-ranging output that extends from large-scale projects to furniture. A major part of his oeuvre consists of single-family dwellings, many of which are found in the United States. This issue of "2G" brings together a selection of his more important houses: from the first examples at the end of the 1930s, in which (...)
Magazines
June 2001, Barcelona
2G 17 : Marcel Breuer, American houses
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Breuer was extremely prolific and produced a wide-ranging output that extends from large-scale projects to furniture. A major part of his oeuvre consists of single-family dwellings, many of which are found in the United States. This issue of "2G" brings together a selection of his more important houses: from the first examples at the end of the 1930s, in which the influence of the Bauhaus is still very strong, to those of the 1960s in which Breuer has encountered his own highly original language. Works and projects include: Hagerty House, Cohasset; Breuer I House, Lincoln; Robinson House, Williamstown; Breuer II House, New Canaan; Breuer Cottage, Wellfleet; Kepes Cottage, Wellfleet; Stillman Beach Cottage, Wellfleet; Wise Cottage, Wellfleet; Exhibition House in the MOMA Garden; Pocantico, Tarrytown; Clark House, Orange; Pack House, Scarsdale; Grieco House, Andover; Hooper House, Baltimore; Starkey House, Duluth; Stillman II House, Lichfield. The nexus section comprises texts by Peter Smithson, Marcel, Breuer, Mathias Klotz, and Amy Lelyveld.
journals and magazines
June 2001, Barcelona
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"Water projects" presents the complete series of large-scale projects implemented or devised by Christo and Jean-Claude from 1961 to 2016. In addition to the renowned wrapped monuments, from the Kunsthalle in Bern (1967–1968) to the Reichstag in Berlin (1971–1995), the works featured include installations made of barrels and fabrics such as Wall of Oil Barrels: The Iron(...)
Christo and Jeanne-Claude: water projects
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"Water projects" presents the complete series of large-scale projects implemented or devised by Christo and Jean-Claude from 1961 to 2016. In addition to the renowned wrapped monuments, from the Kunsthalle in Bern (1967–1968) to the Reichstag in Berlin (1971–1995), the works featured include installations made of barrels and fabrics such as Wall of Oil Barrels: The Iron Curtain (Paris, 1961–1962) and Valley Curtain (Rifle, Colorado, 1970–1972); huge inflatable objects like 42,390 Cubic Feet Package (Minneapolis, 1966) and 5,600 Cubic Meter Package; the project for Documenta IV (Kassel, 1967–1968); and paths (Wrapped Walk Ways, Kansas City, 1977–1978) and portals (The Gates, New York, 1979–2005). Also included are preparatory drawings for Christo’s latest work, Floating Piers (2014–2016), a walkway stretching nearly two miles that connects two small islands in Lake Iseo, in Italy’s Lombardy region, to each other and to the mainland.
Contemporary Art Monographs
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In the 1970s, a void opened at the heart of architecture. In hotels, offices, public buildings, and commercial centers, the atrium emerged globally to challenge the modernist legacies of form and function, altering the pattern and experience of cities. While often appearing at vast scale and to striking effect, the atrium also became omnipresent and mundane. In this(...)
Atrium
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In the 1970s, a void opened at the heart of architecture. In hotels, offices, public buildings, and commercial centers, the atrium emerged globally to challenge the modernist legacies of form and function, altering the pattern and experience of cities. While often appearing at vast scale and to striking effect, the atrium also became omnipresent and mundane. In this lively critique, Charles Rice charts the atrium's appearance in the 1970s and its development through the 1980s, as it accompanied profound shifts in the discipline and practice of architecture. During this period, architectural practice especially in the United States and United Kingdom was changing rapidly, due in part to the manifold effects of deregulation. All aspects of the way buildings were designed, developed, regulated, built, managed, and occupied were being reshaped. A practice guided by the progressive tenets of modernism was being turned into a professional service fully integrated within neoliberal social and economic imperatives. As Rice shows, the atrium gives this story a distinct spatial and material figure, one that offers an inside view of architecture in transformation.
Commercial interiors, Building types
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Across Europe, cities are rapidly changing. How to account for the requirements of culture and humanity amid urban planners' brisk intentions? Hans Venhuizen is a specialist in what he calls culture-based planning, which takes existing culture - architecture, art and the contemporary culture of an area's inhabitants - as the point of departure for planning efforts.(...)
Game urbanism : manual for cultural spatial planning
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Across Europe, cities are rapidly changing. How to account for the requirements of culture and humanity amid urban planners' brisk intentions? Hans Venhuizen is a specialist in what he calls culture-based planning, which takes existing culture - architecture, art and the contemporary culture of an area's inhabitants - as the point of departure for planning efforts. Venhuizen is well known for his use of ingenious large-scale social games to identify the culture and explore the interests at stake: one such game, called "Life, the Game," involved 20 participants in reenacting the entire life cycle. This publication presents Venhuizen's working practices and shows how they can be applied by anybody (citizens, planners, artists, architects, local authorities, administrators) working in spatial planning, architecture, community arts or other creative industries. Charles Landry, author of The Creative City (2000) and The Art of City Making (2006), contributes an introduction.
Urban Theory
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This publication looks at Fez, Morocco's famous former capital and today its second-largest city. Based on a recent research program conducted by EPFL's Laboratory Basel (laba), it investigates how these clashes have marked the city's socioeconomic structure and urban fabric, and whether or not it offers alternative and relevant means of human association and(...)
Architecture since 1900, Africa
June 2020
Fez Lessons: industrious habitat
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This publication looks at Fez, Morocco's famous former capital and today its second-largest city. Based on a recent research program conducted by EPFL's Laboratory Basel (laba), it investigates how these clashes have marked the city's socioeconomic structure and urban fabric, and whether or not it offers alternative and relevant means of human association and community. Given the growing stream of large-scale international investment, the constant enticement of tourism, and a worldwide revival of nationalism, Laba's student's and researchers were looking for tiny cues, nagging doubts, and signs of the fusion between form and life, raising questions about identity, authenticity, tradition, the globalisation of culture, and the use of local resources. Their findings are visualised in the book in striking images, graphics and maps. Students' proposals for architectural interventions addressing these issues are presented through images and plans.
Architecture since 1900, Africa
Vik Muniz Verso
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When a cousin of mine told me his seven-year old could paint a Picasso, I told him probably, but he couldn't do the back," writes Brazilian conceptual artist Vik Muniz about his Verso project. The series consists of obsessively faithful three-dimensional trompe l'oeil reproductions--using period hardware in a 1:1 scale--of the backs of such iconic works as Picasso's "Les(...)
Vik Muniz Verso
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When a cousin of mine told me his seven-year old could paint a Picasso, I told him probably, but he couldn't do the back," writes Brazilian conceptual artist Vik Muniz about his Verso project. The series consists of obsessively faithful three-dimensional trompe l'oeil reproductions--using period hardware in a 1:1 scale--of the backs of such iconic works as Picasso's "Les Demoiselles d'Avignon," van Gogh's "Starry Night" and Seurat's "La Grande Jatte," including every scratch, scribble, label, trace of tape and faded pencil notation found on the original. For six years, Muniz worked in partnership with the curatorial and conservation departments of New York's MOMA and Guggenheim museums, the Art Institute of Chicago and a team of craftsman, artists, forgers and technicians to realize this project. Verso also introduces texts by essayist Luc Sante and MOMA curator Eve Respini.
Contemporary Art Monographs