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This publication contests the tendency, still dominant in most social science, to reduce human geography to a reflective mirror, or, as Marx called it, an "unnecessary complication." Beginning with a critique of historicism and its constraining effects on the geographical imagination, Edward Soja builds on the work of Foucault, Berger, Giddens, Berman, Jameson and, above(...)
Postmodern geographies: the reassertion of space in critical social theory
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This publication contests the tendency, still dominant in most social science, to reduce human geography to a reflective mirror, or, as Marx called it, an "unnecessary complication." Beginning with a critique of historicism and its constraining effects on the geographical imagination, Edward Soja builds on the work of Foucault, Berger, Giddens, Berman, Jameson and, above all, Henri Lefebvre, to argue for a historical and geographical materialism, a radical rethinking of the dialectics of space, time and social being. The author charts the respatialization of social theory from the still unfolding encounter between Western Marxism and modern geography, through the current debates on the emergence of a postfordist regime of "flexible accumulation." The postmodern geography of Los Angeles, exposed in a provocative pair of essays, serves as a model in his account of the contemporary struggle for control over the social production of space.
Critical Theory
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This new Ed Kienholz overview casts the Los Angeles assemblage pioneer as a powerful moral force in postwar art. Kienholz (1927-1994) was a polarizing presence in American art from the start of his career, when his first large-scale installation "Roxy's" - a recreation of a brothel - was shown at the Ferus gallery in 1962 (it later caused a huge stir at Documenta 4 in(...)
Contemporary Art Monographs
February 2012
Kienholz
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This new Ed Kienholz overview casts the Los Angeles assemblage pioneer as a powerful moral force in postwar art. Kienholz (1927-1994) was a polarizing presence in American art from the start of his career, when his first large-scale installation "Roxy's" - a recreation of a brothel - was shown at the Ferus gallery in 1962 (it later caused a huge stir at Documenta 4 in 1968).War, racism, sexism and media exploitation were among his recurrent themes, and he tackled them with an ethical clarity that, at the time, was frequently mistaken for shock tactics. This substantial monograph - the first since his major touring retrospective of 1996 - includes more than 200 color plates of Kienholz's assemblages, reasserting his art as a morally driven enterprise, and pointing towards his ongoing influence among contemporary artists such as Jonathan Meese, Thomas Hirschhorn and John Bock.
Contemporary Art Monographs
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Thomas Demand’s photographic practice - the depiction of meticulously recreated life-size interiors and environments - takes on a new twist with this volume. The Getty Research Institute in Los Angeles is home to the architectural maquettes of architect John Lautner, whose buildings are highlights of Californian architecture. Lautner’s space-age structures - such as the(...)
Thomas Demand : model studies
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Thomas Demand’s photographic practice - the depiction of meticulously recreated life-size interiors and environments - takes on a new twist with this volume. The Getty Research Institute in Los Angeles is home to the architectural maquettes of architect John Lautner, whose buildings are highlights of Californian architecture. Lautner’s space-age structures - such as the legendary “Chemosphere,” a four-bedroom house resembling a flying saucer, mounted atop a 20-foot concrete pillar - are particularly toy-like in their maquette versions, and for this project, Demand photographed 12 of these models in close-up detail. Model Studies includes more than 130 color images of Lautner’s models. With this volume, Demand, who has always been concerned with the intersections of art and architecture, now looks at the architect as sculptor, paying tribute to Lautner on the centenary of the architect’s birth.
Photography monographs
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The Farming the City project began in November 2010 as an initiative of the Amsterdam-based organization CITIES, bringing city dwellers and urban farmers together to explore inspirational ways of producing, storing, cooking, preserving, distributing and sharing food. Since then, it has fostered urban farming projects all over the world, to great acclaim, and with(...)
Farming the city: food as a tool for today's urbanisation
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The Farming the City project began in November 2010 as an initiative of the Amsterdam-based organization CITIES, bringing city dwellers and urban farmers together to explore inspirational ways of producing, storing, cooking, preserving, distributing and sharing food. Since then, it has fostered urban farming projects all over the world, to great acclaim, and with considerable press coverage. Farming the City looks at this booming global phenomenon, considering in detail 30 projects, from City Growers’ transformation of empty spaces in Boston to Eagle Street Rooftop Farm in New York and FarmScape in Los Angeles. 20 short essays broach related, broader topics such as the possibilities of bottom-up developments in poorer neighborhoods; the socially cohesive effects of urban farming (since nothing generates neighborhood spirit better than gardening together); new technologies of sustainism; and newly developing forms of business designed to create local wealth.
Food
Saarinen's quest a memoir
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An unprecedented glimpse behind the scenes at the practice of Eero Saarinen, one of the greats of mid-century American architecture. Covers 1957 to 1961, the period when Saarinen was working on iconic projects like Dulles International Airpot Terminal, the former TWA Terminal at Kennedy Airport and the St. Louis Arch. Richard Knight, Saarinen's "house photographer",(...)
Saarinen's quest a memoir
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An unprecedented glimpse behind the scenes at the practice of Eero Saarinen, one of the greats of mid-century American architecture. Covers 1957 to 1961, the period when Saarinen was working on iconic projects like Dulles International Airpot Terminal, the former TWA Terminal at Kennedy Airport and the St. Louis Arch. Richard Knight, Saarinen's "house photographer", documents in black and white photographs and a personal memoir the excitement of being part of this unparalleled creative team. Timed to coincide with a touring Saarinen retrospective (beginning at the Cranbrook Institute in fall 2007 and traveling to Los Angeles, Washington D.C., Minneapolis, St. Louis, New York, and New Haven), the book includes a foreward on Saarinen's artistic vision and office culture by Cesar Pelli, who began his career in the architect's office, and an afterword by architectural historian Pierluigi Serraino on the significance of large-scale model-making in Saarinen's work.
Photography monographs
The new urban house
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Architects face many challenges when designing a modern urban house. Environmental performance, aesthetics, technical logistics, material concerns, site constraints—these are all considerations that have the potential to limit what architects can achieve, but that also can inspire creative solutions. In addition, each city’s history, obstacles, and opportunities influence(...)
The new urban house
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Architects face many challenges when designing a modern urban house. Environmental performance, aesthetics, technical logistics, material concerns, site constraints—these are all considerations that have the potential to limit what architects can achieve, but that also can inspire creative solutions. In addition, each city’s history, obstacles, and opportunities influence local design approaches. Jonathan Bell and Ellie Stathaki have selected urban structures from around the world to serve as both exemplary solutions and standout works of art—in Beijing and Mexico City, Athens and Tokyo, Los Angeles and Cape Town. By examining buildings on six continents, from both emerging architects and established studios such as Zaha Hadid Architects, MVRDV, and Johnston Marklee, this stunning volume explores the many ways in which architecture can enhance the experience of dwelling in a modern city by responding to traditional styles and challenges of site and providing a broader understanding of place.
Residential Architecture
Metropolitan networks
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This book is a study of mass transit networks in urban areas and of their role in shaping the structure of the city. It establishes links between the history, planning and transport networks of eleven international cities (London, New York, Paris, Berlin, Tokyo, Los Angeles, Madrid, Barcelona, Milan, Mexico City and Singapore), in a survey which helps us bring to mind the(...)
Metropolitan networks
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This book is a study of mass transit networks in urban areas and of their role in shaping the structure of the city. It establishes links between the history, planning and transport networks of eleven international cities (London, New York, Paris, Berlin, Tokyo, Los Angeles, Madrid, Barcelona, Milan, Mexico City and Singapore), in a survey which helps us bring to mind the origins of modern means of transport: of conventional railways and their subsequent conversion into metros and tramways, and into today's high-speed trains; of the appearance in the metropolitan context of the motor car and bus, and the arrival of motorways and contemporary airports. In short, the history and morphology of transport networks in our big cities, described through the detailed study and comparative analysis of developments in each of them, all of this with a wealth of images, maps and data of interest.
Urban Theory
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Seminal Los Angeles-based artist and writer Mike Kelley has said, looking back on his career, "I didn't want to be a rock musician; I wanted to be an artist. And I think the reason I chose it was that at that time it was the most despicable thing you could be in American culture... I came from a milieu in which artists were despised, whereas rock musicians and drug(...)
Contemporary Art Monographs
January 2009, München
Mike Kelley: Goetz collection
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Seminal Los Angeles-based artist and writer Mike Kelley has said, looking back on his career, "I didn't want to be a rock musician; I wanted to be an artist. And I think the reason I chose it was that at that time it was the most despicable thing you could be in American culture... I came from a milieu in which artists were despised, whereas rock musicians and drug dealers were, you know, hipster culture heroes." Along with a selection of essays (including several by Kelley on his individual works), an extensive checklist and a glossary, this volume compiles 40 of the artist's key pieces from the last three decades from the discriminating and influential collection of Ingvild Goetz, who opened her first gallery in 1969 with groundbreaking exhibitions of leading Arte Povera artists, as well as Andy Warhol, Arakawa, Bruce Nauman, Jurgen Klauke, Jochen Gerz and Cy Twombly.
Contemporary Art Monographs
books
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"Points + Lines: Diagrams and Projects for the City" is a book of New York architect Stan Allen's writings and projects that propose new architectural strategies for the contemporary city. Organized in the form of a user's manual, it juxtaposes speculative texts outlining (...)
Points + lines : diagrams and projects for the city
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"Points + Lines: Diagrams and Projects for the City" is a book of New York architect Stan Allen's writings and projects that propose new architectural strategies for the contemporary city. Organized in the form of a user's manual, it juxtaposes speculative texts outlining Allen's general principles with specific projects created by his office. The book's title refers to this interplay of practice and theory, evoking not only the points of activity and the paths of movement found in a contemporary city but also the points of speculation and lines of argument in theoretical discourse. Projects include the Cardiff Bay Opera House, Wales; the Korean-American Museum of Art, Los Angeles; the Museo del Prado, Madrid; and White Columns Gallery, New York. Each project is accompanied by explanatory text as well as numerous drawings, models, photographs, and computer renderings. K. Michael Hays contributes an introductory essay; R. E. Somol writes the postscript.
books
January 1999, New York
Urban Theory
Log 64: summer 2025
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As guest editor Emmett Zeifman wrote in his prompt for Toward a Newer Brutalism, or the Undecorated Shed, “Log 64 appropriates New Brutalism as a found theory of architecture that looks like exactly what it is made of.” To wit, Matthew Au, David Eskenazi, Mira Henry, Mireia Luzárraga and Débora Mesa discuss the assembly of materials, while material flammability is the(...)
Log 64: summer 2025
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As guest editor Emmett Zeifman wrote in his prompt for Toward a Newer Brutalism, or the Undecorated Shed, “Log 64 appropriates New Brutalism as a found theory of architecture that looks like exactly what it is made of.” To wit, Matthew Au, David Eskenazi, Mira Henry, Mireia Luzárraga and Débora Mesa discuss the assembly of materials, while material flammability is the concern of Dan Spiegel and Megumi Aihara. Clark Thenhaus manipulates 3D printed concrete, Zak Garone Leazer and Fernando Garrido Carreras interrogate stone, Salmaan Craig addresses the properties of heat, and Andrea Machado Romero and Eric Kyle Cheung pose maintenance as a design question. The envelopes of heating and cooling plants are analyzed by Daniel Jacobs and Brittany Utting; Mohamed Sharif heralds SO – IL’s rejection of the double-loaded apartment building corridor; and Anna Neimark celebrates Gehry Associates return to a Brutalist architecture in homes for veterans in West Los Angeles.
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