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John M. Lyle (18721945) was an anomaly among architects: a Beaux-Arts classicist who nevertheless found much inspiration in modernism, allowing his own traditionalist practice to be affected in form and detail by a brave new emphasis on minimalism and indigenous influence. With ornamentation showcasing local flora and fauna and a turn to native landscape for inspiration,(...)
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John M. Lyle (18721945) was an anomaly among architects: a Beaux-Arts classicist who nevertheless found much inspiration in modernism, allowing his own traditionalist practice to be affected in form and detail by a brave new emphasis on minimalism and indigenous influence. With ornamentation showcasing local flora and fauna and a turn to native landscape for inspiration,(...)
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A progressive traditionalist: John M. Lyle, architect
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John M. Lyle (18721945) was an anomaly among architects: a Beaux-Arts classicist who nevertheless found much inspiration in modernism, allowing his own traditionalist practice to be affected in form and detail by a brave new emphasis on minimalism and indigenous influence. With ornamentation showcasing local flora and fauna and a turn to native landscape for inspiration, his innumerable buildings contributed to a burgeoning nationalism in the field. A Progressive Traditionalist traces this aesthetic trajectory, documenting Lyles training at Yale and in Paris, his early career in New York and his later success in Toronto, including countless legendary banks and residences and the iconic Union Station. Part biography and part architectural history, and extensively illustrated with colour photographs and drawings throughout, this book is the first to examine in depth the important contributions of one of the early twentieth centurys foremost architects.
A progressive traditionalist: John M. Lyle, architect
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John M. Lyle (18721945) was an anomaly among architects: a Beaux-Arts classicist who nevertheless found much inspiration in modernism, allowing his own traditionalist practice to be affected in form and detail by a brave new emphasis on minimalism and indigenous influence. With ornamentation showcasing local flora and fauna and a turn to native landscape for inspiration, his innumerable buildings contributed to a burgeoning nationalism in the field. A Progressive Traditionalist traces this aesthetic trajectory, documenting Lyles training at Yale and in Paris, his early career in New York and his later success in Toronto, including countless legendary banks and residences and the iconic Union Station. Part biography and part architectural history, and extensively illustrated with colour photographs and drawings throughout, this book is the first to examine in depth the important contributions of one of the early twentieth centurys foremost architects.
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books
books
Publication:
March 2009
March 2009
Subject:
Architecture in Canada
Architecture in Canada
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journals and magazines
journals and magazines
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$18.50
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22 GAMMA Grid, 1953. The End of CIAM and the Bidonvilles of Casablanca For a short time in the 1950s the planning practices of European architects in North Africa and their studies of everyday life in the bidonvilles were of central importance in the CIAM debates about a redefinition of the modern movement. In spite of their great interest in the reality of life in(...)
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22 GAMMA Grid, 1953. The End of CIAM and the Bidonvilles of Casablanca For a short time in the 1950s the planning practices of European architects in North Africa and their studies of everyday life in the bidonvilles were of central importance in the CIAM debates about a redefinition of the modern movement. In spite of their great interest in the reality of life in(...)
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Anarchitektur: produktion und gebrauch gebauter umwelt
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22 GAMMA Grid, 1953. The End of CIAM and the Bidonvilles of Casablanca For a short time in the 1950s the planning practices of European architects in North Africa and their studies of everyday life in the bidonvilles were of central importance in the CIAM debates about a redefinition of the modern movement. In spite of their great interest in the reality of life in Casablanca´s bidonvilles as analyzed in the GAMMA grid, the architects ignored the colonial conditions of their research: the repressive nature of the regime as well as the anti-colonial struggles. While opening up a discussion about an architecture that includes the local and thinks about processes and users, this study is also exemplary for the dilemma of post-war modernism, that of giving mainly aesthetic answers to social and political questions.
Anarchitektur: produktion und gebrauch gebauter umwelt
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22 GAMMA Grid, 1953. The End of CIAM and the Bidonvilles of Casablanca For a short time in the 1950s the planning practices of European architects in North Africa and their studies of everyday life in the bidonvilles were of central importance in the CIAM debates about a redefinition of the modern movement. In spite of their great interest in the reality of life in Casablanca´s bidonvilles as analyzed in the GAMMA grid, the architects ignored the colonial conditions of their research: the repressive nature of the regime as well as the anti-colonial struggles. While opening up a discussion about an architecture that includes the local and thinks about processes and users, this study is also exemplary for the dilemma of post-war modernism, that of giving mainly aesthetic answers to social and political questions.
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journals and magazines
journals and magazines
Publication:
November 2008, Berlin
November 2008, Berlin
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Magazines
Magazines
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books
books
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This layered, intertextual, cultural history examines humankind’s relationship with glass and the ways in which glass has transformed society and the constructed world. ''Remaking the crust of the earth'' considers glass in its myriad guises: from the modular prefabrication of Joseph Paxton's Crystal Palace to the utopian optimism of Paul Scheerbart's Glasarchitektur,(...)
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This layered, intertextual, cultural history examines humankind’s relationship with glass and the ways in which glass has transformed society and the constructed world. ''Remaking the crust of the earth'' considers glass in its myriad guises: from the modular prefabrication of Joseph Paxton's Crystal Palace to the utopian optimism of Paul Scheerbart's Glasarchitektur,(...)
Title:
Remaking the crust of the earth
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This layered, intertextual, cultural history examines humankind’s relationship with glass and the ways in which glass has transformed society and the constructed world. ''Remaking the crust of the earth'' considers glass in its myriad guises: from the modular prefabrication of Joseph Paxton's Crystal Palace to the utopian optimism of Paul Scheerbart's Glasarchitektur, both of which paved a way for modernism, the curtain wall and the 20th-century glass house. Traversing time and space, the book includes archival material (in particular the encyclopaedic 1937 publication Glass in Architecture and Decoration by Raymond McGrath and A.C. Frost); excerpts from the film ''Remaking the crust of the earth''; a series of restaged photographic glass tests conducted by Gavin Murphy and Louis Haugh; essays by Marysia Wieckiewicz-Carroll and Chris Fite-Wassilak; and reproductions from the Raymond McGrath collection in the Irish Architectural Archive.
Remaking the crust of the earth
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This layered, intertextual, cultural history examines humankind’s relationship with glass and the ways in which glass has transformed society and the constructed world. ''Remaking the crust of the earth'' considers glass in its myriad guises: from the modular prefabrication of Joseph Paxton's Crystal Palace to the utopian optimism of Paul Scheerbart's Glasarchitektur, both of which paved a way for modernism, the curtain wall and the 20th-century glass house. Traversing time and space, the book includes archival material (in particular the encyclopaedic 1937 publication Glass in Architecture and Decoration by Raymond McGrath and A.C. Frost); excerpts from the film ''Remaking the crust of the earth''; a series of restaged photographic glass tests conducted by Gavin Murphy and Louis Haugh; essays by Marysia Wieckiewicz-Carroll and Chris Fite-Wassilak; and reproductions from the Raymond McGrath collection in the Irish Architectural Archive.
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books
books
Publication:
August 2023
August 2023
Subject:
Design Theory
Design Theory
Form:
books
books
Title:
Huguette Caland
Huguette Caland
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Lebanese-born artist, Huguette Caland (1931–2019) was a path-breaking figure in late modernism. The only daughter of the first Lebanese president, Bechara El Khoury, she produced a singular body of art that spanned media and continents. Working for more than five decades, her art is recognized for its embodied aesthetic and its unique sensuality. In this searching(...)
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Lebanese-born artist, Huguette Caland (1931–2019) was a path-breaking figure in late modernism. The only daughter of the first Lebanese president, Bechara El Khoury, she produced a singular body of art that spanned media and continents. Working for more than five decades, her art is recognized for its embodied aesthetic and its unique sensuality. In this searching(...)
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Huguette Caland
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Lebanese-born artist, Huguette Caland (1931–2019) was a path-breaking figure in late modernism. The only daughter of the first Lebanese president, Bechara El Khoury, she produced a singular body of art that spanned media and continents. Working for more than five decades, her art is recognized for its embodied aesthetic and its unique sensuality. In this searching critical biography, author and curator, Omar Kholeif, disentangles the seeming madness, velocity, and the interiority of Caland’s life. Both an epistolary memoir and a biography, Kholeif, interleaves the affective experience of encountering the artist over a period of 18 years, as readers are summoned on a journey through clouds of bristling color. Here, Caland’s fields of light are set to lyric prose and poetry, fashioning a scene for looking at and experiencing the erotics of art anew.
Huguette Caland
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Lebanese-born artist, Huguette Caland (1931–2019) was a path-breaking figure in late modernism. The only daughter of the first Lebanese president, Bechara El Khoury, she produced a singular body of art that spanned media and continents. Working for more than five decades, her art is recognized for its embodied aesthetic and its unique sensuality. In this searching critical biography, author and curator, Omar Kholeif, disentangles the seeming madness, velocity, and the interiority of Caland’s life. Both an epistolary memoir and a biography, Kholeif, interleaves the affective experience of encountering the artist over a period of 18 years, as readers are summoned on a journey through clouds of bristling color. Here, Caland’s fields of light are set to lyric prose and poetry, fashioning a scene for looking at and experiencing the erotics of art anew.
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books
books
Publication:
December 2025
December 2025
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
Title:
Ando Tadao
Ando Tadao
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Philippe Starck describes him as a "mystic in a country which is no longer mystic." Drew Philip calls his buildings "land art" that "struggle to emerge from the earth." He is the only architect to have won the discipline`s four most prestigious prizes: the Pritzker, Carlsberg, Praemium Imperiale, and Kyoto Prize. His name is Tadao Ando, and he is one of the world`s(...)
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Philippe Starck describes him as a "mystic in a country which is no longer mystic." Drew Philip calls his buildings "land art" that "struggle to emerge from the earth." He is the only architect to have won the discipline`s four most prestigious prizes: the Pritzker, Carlsberg, Praemium Imperiale, and Kyoto Prize. His name is Tadao Ando, and he is one of the world`s(...)
Subject:
Architecture Monographs
Architecture Monographs
Publication:
January 1900, Hong Kong, Köln, London, Los Angeles, Madrid
January 1900, Hong Kong, Köln, London, Los Angeles, Madrid
Title:
Ando Tadao
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Philippe Starck describes him as a "mystic in a country which is no longer mystic." Drew Philip calls his buildings "land art" that "struggle to emerge from the earth." He is the only architect to have won the discipline`s four most prestigious prizes: the Pritzker, Carlsberg, Praemium Imperiale, and Kyoto Prize. His name is Tadao Ando, and he is one of the world`s greatest living architects. Combining influences from Japanese tradition with the best of Modernism, Ando has developed a completely unique building aesthetic that makes use of concrete, wood, water, light, space, and nature in a way that has never been witnessed elsewhere in architecture. This book provides the perfect introduction to Ando`s work, including private homes, churches, museums, apartment complexes, and cultural spaces throughout Japan, and in France, Italy, Spain, and the USA.
Ando Tadao
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Philippe Starck describes him as a "mystic in a country which is no longer mystic." Drew Philip calls his buildings "land art" that "struggle to emerge from the earth." He is the only architect to have won the discipline`s four most prestigious prizes: the Pritzker, Carlsberg, Praemium Imperiale, and Kyoto Prize. His name is Tadao Ando, and he is one of the world`s greatest living architects. Combining influences from Japanese tradition with the best of Modernism, Ando has developed a completely unique building aesthetic that makes use of concrete, wood, water, light, space, and nature in a way that has never been witnessed elsewhere in architecture. This book provides the perfect introduction to Ando`s work, including private homes, churches, museums, apartment complexes, and cultural spaces throughout Japan, and in France, Italy, Spain, and the USA.
Form:
books
books
Publication:
January 1900, Hong Kong, Köln, London, Los Angeles, Madrid
January 1900, Hong Kong, Köln, London, Los Angeles, Madrid
Subject:
Architecture Monographs
Architecture Monographs
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books
books
Title:
Super Superstudio
Super Superstudio
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Superstudio (1966–86), a group of Florence-based architects comprising Adolfo Natalini, Cristiano Toraldo di Francia, Roberto Magris, Gian Piero Frassinelli, Alessandro Magris and, from 1970 to 1972, Alessandro Poli, were among the leading radical architects of the 1960s. Almost 50 years after the group’s establishment, their designs are gathered for the first time in(...)
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Superstudio (1966–86), a group of Florence-based architects comprising Adolfo Natalini, Cristiano Toraldo di Francia, Roberto Magris, Gian Piero Frassinelli, Alessandro Magris and, from 1970 to 1972, Alessandro Poli, were among the leading radical architects of the 1960s. Almost 50 years after the group’s establishment, their designs are gathered for the first time in(...)
Subject:
Architecture Monographs
Architecture Monographs
Publication:
February 2016
February 2016
Title:
Super Superstudio
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Superstudio (1966–86), a group of Florence-based architects comprising Adolfo Natalini, Cristiano Toraldo di Francia, Roberto Magris, Gian Piero Frassinelli, Alessandro Magris and, from 1970 to 1972, Alessandro Poli, were among the leading radical architects of the 1960s. Almost 50 years after the group’s establishment, their designs are gathered for the first time in this volume, which contextualizes the firm’s works with that of contemporary artists, including Danai Anesiadou, Alexandra Bachzetsis, Ila Beka and Louise Lemoine, Pablo Bronstein and Stefano Graziani, among many others. This catalogue compiles Superstudio’s documents—including images, collages, critical writings and storyboards—drawn from the archive, and includes critical contributions from curators Andreas Angelidakis, Vittorio Pizzigoni and Valer Scelsi. Super Superstudio is an important tribute to an assault on modernism, that, as the volume reveals, remained and remains relevant for generations to come.
Super Superstudio
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Superstudio (1966–86), a group of Florence-based architects comprising Adolfo Natalini, Cristiano Toraldo di Francia, Roberto Magris, Gian Piero Frassinelli, Alessandro Magris and, from 1970 to 1972, Alessandro Poli, were among the leading radical architects of the 1960s. Almost 50 years after the group’s establishment, their designs are gathered for the first time in this volume, which contextualizes the firm’s works with that of contemporary artists, including Danai Anesiadou, Alexandra Bachzetsis, Ila Beka and Louise Lemoine, Pablo Bronstein and Stefano Graziani, among many others. This catalogue compiles Superstudio’s documents—including images, collages, critical writings and storyboards—drawn from the archive, and includes critical contributions from curators Andreas Angelidakis, Vittorio Pizzigoni and Valer Scelsi. Super Superstudio is an important tribute to an assault on modernism, that, as the volume reveals, remained and remains relevant for generations to come.
Form:
books
books
Publication:
February 2016
February 2016
Subject:
Architecture Monographs
Architecture Monographs
Form:
books
books
Title:
Dudok by Iwan Baan
Dudok by Iwan Baan
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$84.00
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The celebrated Dutch architectural photographer Iwan Baan (born 1975) has dedicated his career to capturing the stories told by buildings. This publication compiles his series on Willem Marinus Dudok (1884–1974), known as the father of Dutch modernism. Decades after their construction, Dudok’s designs remain keenly relevant for their exceptional spatial sensitivity. In(...)
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The celebrated Dutch architectural photographer Iwan Baan (born 1975) has dedicated his career to capturing the stories told by buildings. This publication compiles his series on Willem Marinus Dudok (1884–1974), known as the father of Dutch modernism. Decades after their construction, Dudok’s designs remain keenly relevant for their exceptional spatial sensitivity. In(...)
Title:
Dudok by Iwan Baan
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$84.00
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The celebrated Dutch architectural photographer Iwan Baan (born 1975) has dedicated his career to capturing the stories told by buildings. This publication compiles his series on Willem Marinus Dudok (1884–1974), known as the father of Dutch modernism. Decades after their construction, Dudok’s designs remain keenly relevant for their exceptional spatial sensitivity. In this series, Baan expands his lens to encompass Dudok as a designer not only of singular buildings but of whole landscapes in which people are able to live, work and learn. Through impressive aerial and street photography, Baan conveys the breadth of Dudok’s practice as an urban designer, focusing in particular on his ability to expand metropolitan neighborhoods in a way that felt entirely natural. Additional insight into Dudok’s craft and its lasting influence on contemporary European architecture is provided by architectural historian Lara Voerman.
Dudok by Iwan Baan
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$84.00
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Summary:
The celebrated Dutch architectural photographer Iwan Baan (born 1975) has dedicated his career to capturing the stories told by buildings. This publication compiles his series on Willem Marinus Dudok (1884–1974), known as the father of Dutch modernism. Decades after their construction, Dudok’s designs remain keenly relevant for their exceptional spatial sensitivity. In this series, Baan expands his lens to encompass Dudok as a designer not only of singular buildings but of whole landscapes in which people are able to live, work and learn. Through impressive aerial and street photography, Baan conveys the breadth of Dudok’s practice as an urban designer, focusing in particular on his ability to expand metropolitan neighborhoods in a way that felt entirely natural. Additional insight into Dudok’s craft and its lasting influence on contemporary European architecture is provided by architectural historian Lara Voerman.
Form:
books
books
Publication:
June 2021
June 2021
Subject:
Photography monographs
Photography monographs
Form:
books
books
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$69.00
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The architecture of Geoffrey Bawa (1919-2003) was revolutionary. The Sri Lankan architect succeeded in fusing sensitivity for local context with the technological discoveries and design principles of modernism in his work. A pioneer of bioclimatic architecture, Bawa incorporated materials and layouts specific to Sri Lanka’s monsoon climate and storied architectural(...)
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The architecture of Geoffrey Bawa (1919-2003) was revolutionary. The Sri Lankan architect succeeded in fusing sensitivity for local context with the technological discoveries and design principles of modernism in his work. A pioneer of bioclimatic architecture, Bawa incorporated materials and layouts specific to Sri Lanka’s monsoon climate and storied architectural(...)
Title:
Drawings from the Geoffrey Bawa archives
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The architecture of Geoffrey Bawa (1919-2003) was revolutionary. The Sri Lankan architect succeeded in fusing sensitivity for local context with the technological discoveries and design principles of modernism in his work. A pioneer of bioclimatic architecture, Bawa incorporated materials and layouts specific to Sri Lanka’s monsoon climate and storied architectural history into his modernist designs. Although he never built outside Asia, his work and way of thinking resonate far beyond the region. Gathering essays by scholars and writers across a multitude of disciplines, this volume spotlights the beautiful architectural drawings of Bawa’s practice. Illustrated with more than 200 drawings and photographs, many of which published for the first time, the book delves into the central, multipronged role of the medium in Bawa’s work. It also explores the identity of post-independence Sri Lanka, which Bawa helped to shape aesthetically and ideologically.
Drawings from the Geoffrey Bawa archives
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The architecture of Geoffrey Bawa (1919-2003) was revolutionary. The Sri Lankan architect succeeded in fusing sensitivity for local context with the technological discoveries and design principles of modernism in his work. A pioneer of bioclimatic architecture, Bawa incorporated materials and layouts specific to Sri Lanka’s monsoon climate and storied architectural history into his modernist designs. Although he never built outside Asia, his work and way of thinking resonate far beyond the region. Gathering essays by scholars and writers across a multitude of disciplines, this volume spotlights the beautiful architectural drawings of Bawa’s practice. Illustrated with more than 200 drawings and photographs, many of which published for the first time, the book delves into the central, multipronged role of the medium in Bawa’s work. It also explores the identity of post-independence Sri Lanka, which Bawa helped to shape aesthetically and ideologically.
Form:
books
books
Publication:
December 2022
December 2022
Subject:
Architecture Monographs
Architecture Monographs
Form:
books
books
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$44.95
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Summary:
The Villa Tugendhat, designed by Mies van der Rohe in 1928, is an icon of architectural modernism and a UNESCO World Heritage site. This book tells the true story of the large family connected to it, who rose to prominence through industrial textile manufacturing. It traces the transformations in the life of the family, from their roots in a Jewish ghetto to part of the(...)
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The Villa Tugendhat, designed by Mies van der Rohe in 1928, is an icon of architectural modernism and a UNESCO World Heritage site. This book tells the true story of the large family connected to it, who rose to prominence through industrial textile manufacturing. It traces the transformations in the life of the family, from their roots in a Jewish ghetto to part of the(...)
Title:
Behind the glass: The Villa Tugendhat and its family
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The Villa Tugendhat, designed by Mies van der Rohe in 1928, is an icon of architectural modernism and a UNESCO World Heritage site. This book tells the true story of the large family connected to it, who rose to prominence through industrial textile manufacturing. It traces the transformations in the life of the family, from their roots in a Jewish ghetto to part of the wealthy bourgeoisie in the Austro-Hungarian Empire to adaptation in interwar independent Czechoslovakia and flight in the face of Nazi invasion. Michael Lambek examines the generation born in the first decade of the twentieth century, especially Grete Tugendhat – Lambek’s maternal grandmother – who commissioned, inhabited, championed, and relinquished the distinctive modern house.The book also provides unpublished correspondence between Martin Heidegger and Ernst Tugendhat, Grete’s son, as well as a description of the impact of a 2017 family reunion.
Behind the glass: The Villa Tugendhat and its family
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Summary:
The Villa Tugendhat, designed by Mies van der Rohe in 1928, is an icon of architectural modernism and a UNESCO World Heritage site. This book tells the true story of the large family connected to it, who rose to prominence through industrial textile manufacturing. It traces the transformations in the life of the family, from their roots in a Jewish ghetto to part of the wealthy bourgeoisie in the Austro-Hungarian Empire to adaptation in interwar independent Czechoslovakia and flight in the face of Nazi invasion. Michael Lambek examines the generation born in the first decade of the twentieth century, especially Grete Tugendhat – Lambek’s maternal grandmother – who commissioned, inhabited, championed, and relinquished the distinctive modern house.The book also provides unpublished correspondence between Martin Heidegger and Ernst Tugendhat, Grete’s son, as well as a description of the impact of a 2017 family reunion.
Form:
books
books
Publication:
November 2022
November 2022
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
Title:
Brutal north
Brutal north
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$38.50
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Summary:
During the post-war years the North of England saw the building of some of the most aspirational, enlightened and successful modernist architecture in the world. For the first time, a single photographic book captures those buildings, in all their power and progressive ambition. Over the last few years acclaimed photographer Simon Phipps has travelled and sought out the(...)
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Summary:
During the post-war years the North of England saw the building of some of the most aspirational, enlightened and successful modernist architecture in the world. For the first time, a single photographic book captures those buildings, in all their power and progressive ambition. Over the last few years acclaimed photographer Simon Phipps has travelled and sought out the(...)
Title:
Brutal north
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$38.50
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During the post-war years the North of England saw the building of some of the most aspirational, enlightened and successful modernist architecture in the world. For the first time, a single photographic book captures those buildings, in all their power and progressive ambition. Over the last few years acclaimed photographer Simon Phipps has travelled and sought out the publicly commissioned architecture of the post-war North. From Newcastle’s Byker Wall Estate, voted the best neighbourhood in the UK, to the extraordinary Park Hill Estate in Sheffield, from Preston’s sweeping bus station and Liverpool’s Royal Insurance Building, these structures have seen off threats to their survival and are rightly celebrated for the imprint they leave upon the skyline and the cultural life of their cities. This inspiring invitation to explore northern modernism includes maps and detailed information about all the architecture photographed.
Brutal north
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During the post-war years the North of England saw the building of some of the most aspirational, enlightened and successful modernist architecture in the world. For the first time, a single photographic book captures those buildings, in all their power and progressive ambition. Over the last few years acclaimed photographer Simon Phipps has travelled and sought out the publicly commissioned architecture of the post-war North. From Newcastle’s Byker Wall Estate, voted the best neighbourhood in the UK, to the extraordinary Park Hill Estate in Sheffield, from Preston’s sweeping bus station and Liverpool’s Royal Insurance Building, these structures have seen off threats to their survival and are rightly celebrated for the imprint they leave upon the skyline and the cultural life of their cities. This inspiring invitation to explore northern modernism includes maps and detailed information about all the architecture photographed.
Form:
books
books
Publication:
June 2021
June 2021
Subject:
Brutalism
Brutalism
