3141 Results
Form:
books
books
Actions:
Form:
books
books
Publication:
Gauss PDF 2014
Gauss PDF 2014
Form:
books
books
Title:
Mountamorphosis.
Mountamorphosis.
Actions:
Description:
1 online resource.
Author:
Subject:
Publication:
[Place of publication not identified] : FHNW HGK, 2025.
[Place of publication not identified] : FHNW HGK, 2025.
Form:
books
books
Publication:
[Place of publication not identified] : FHNW HGK, 2025.
[Place of publication not identified] : FHNW HGK, 2025.
Form:
books
books
Description:
1 online resource (129 pages) : color illustrations
Author:
Subject:
- Sedgwick, Eve Kosofsky Criticism and interpretation.,
- Sedgwick, Eve Kosofsky,
- Queer theory.,
- Gay people's writings History and criticism Theory, etc.,
- Homosexuality and literature History 20th century.,
- Homosexuality and literature History 21st century.,
- Philosophy.,
- Théorie queer.,
- Écrits de personnes homosexuelles Histoire et critique Théorie, etc.,
- Homosexualité et littérature Histoire 20e siècle.,
- Homosexualité et littérature Histoire 21e siècle.,
- Philosophie.,
- philosophy.,
- Homosexuality and literature,
- difference, identification, literary studies, ontology, queer studies, queer temporality, fabric art,
- Discursive works.,
- Lecture,
- Essay,
- lectures.,
- essays.,
- Criticism, interpretation, etc.,
- Essays,
- History,
- Lectures,
- Literary criticism,
- Critiques littéraires.,
- Conférences.,
- Essais.
(See more)
Publication:
[Santa Barbara, California], Earth, Milky Way : Dead letter Office, BABEL Working Group, an imprint of punctum Books, 2021.
[Santa Barbara, California], Earth, Milky Way : Dead letter Office, BABEL Working Group, an imprint of punctum Books, 2021.
Title:
Come as you are ; After Eve Kosofsky Sedgwick / Jonathan Goldberg.
Actions:
Description:
1 online resource (129 pages) : color illustrations
Come as you are ; After Eve Kosofsky Sedgwick / Jonathan Goldberg.
Actions:
Description:
1 online resource (129 pages) : color illustrations
Form:
books
books
Publication:
[Santa Barbara, California], Earth, Milky Way : Dead letter Office, BABEL Working Group, an imprint of punctum Books, 2021.
[Santa Barbara, California], Earth, Milky Way : Dead letter Office, BABEL Working Group, an imprint of punctum Books, 2021.
Subject:
- Sedgwick, Eve Kosofsky Criticism and interpretation.,
- Sedgwick, Eve Kosofsky,
- Queer theory.,
- Gay people's writings History and criticism Theory, etc.,
- Homosexuality and literature History 20th century.,
- Homosexuality and literature History 21st century.,
- Philosophy.,
- Théorie queer.,
- Écrits de personnes homosexuelles Histoire et critique Théorie, etc.,
- Homosexualité et littérature Histoire 20e siècle.,
- Homosexualité et littérature Histoire 21e siècle.,
- Philosophie.,
- philosophy.,
- Homosexuality and literature,
- difference, identification, literary studies, ontology, queer studies, queer temporality, fabric art,
- Discursive works.,
- Lecture,
- Essay,
- lectures.,
- essays.,
- Criticism, interpretation, etc.,
- Essays,
- History,
- Lectures,
- Literary criticism,
- Critiques littéraires.,
- Conférences.,
- Essais.
(See more)
Form:
books
books
Actions:
Price:
$85.00
(available in store)
Summary:
From early reports of the invention to its wide application during World War I, the idea of photography created anticipation and participation in the modern world. The first volume of ''A History of Photography in Canada'' captures this phenomenon by looking at hundreds of photographs generated in and about Canada-in-the-making and by listening to the chords they struck(...)
$85.00
(available in store)
Summary:
From early reports of the invention to its wide application during World War I, the idea of photography created anticipation and participation in the modern world. The first volume of ''A History of Photography in Canada'' captures this phenomenon by looking at hundreds of photographs generated in and about Canada-in-the-making and by listening to the chords they struck(...)
Title:
History of photography in Canada, Volume 1
Actions:
Price:
$85.00
(available in store)
Summary:
From early reports of the invention to its wide application during World War I, the idea of photography created anticipation and participation in the modern world. The first volume of ''A History of Photography in Canada'' captures this phenomenon by looking at hundreds of photographs generated in and about Canada-in-the-making and by listening to the chords they struck in the collective imagination. Emphasizing technological readiness and cultural eagerness for the medium, Martha Langford shows how photography served ideals of progress and improvement as Canada’s settler society looked to master the world by seizing its visible traces. The imposition of these programs on Indigenous Peoples and indentured labourers is confronted throughout this volume, which offers both narratives and counternarratives of subjectification. Reproducing images of people, places, events, and objects from the unceded territories of the First Nations, Inuit, and Métis, from British North America, and from the Dominion of Canada and the Dominion of Newfoundland, Langford asks where and when photographs were taken, why, and by whom. How did the making and preservation of a photograph alter the circumstances in which it was produced, and how did this affect individual and collective consciousness? Alongside accomplished portraits, landscapes, still lifes, and their vernacular counterparts, the book draws glimmers of photographic experience from treatises and doggerel, official reports and personal diaries, newspapers, magazines, letters, and travelogues.
History of photography in Canada, Volume 1
Actions:
Price:
$85.00
(available in store)
Summary:
From early reports of the invention to its wide application during World War I, the idea of photography created anticipation and participation in the modern world. The first volume of ''A History of Photography in Canada'' captures this phenomenon by looking at hundreds of photographs generated in and about Canada-in-the-making and by listening to the chords they struck in the collective imagination. Emphasizing technological readiness and cultural eagerness for the medium, Martha Langford shows how photography served ideals of progress and improvement as Canada’s settler society looked to master the world by seizing its visible traces. The imposition of these programs on Indigenous Peoples and indentured labourers is confronted throughout this volume, which offers both narratives and counternarratives of subjectification. Reproducing images of people, places, events, and objects from the unceded territories of the First Nations, Inuit, and Métis, from British North America, and from the Dominion of Canada and the Dominion of Newfoundland, Langford asks where and when photographs were taken, why, and by whom. How did the making and preservation of a photograph alter the circumstances in which it was produced, and how did this affect individual and collective consciousness? Alongside accomplished portraits, landscapes, still lifes, and their vernacular counterparts, the book draws glimmers of photographic experience from treatises and doggerel, official reports and personal diaries, newspapers, magazines, letters, and travelogues.
Form:
books
books
Publication:
July 2025
July 2025
Subject:
Photography Collections
Photography Collections
Form:
books
books
Actions:
Price:
$68.95
(available to order)
Summary:
In "Queer moderns", Alice Friedman tells the fascinating story of the queer avant-garde of the 1920s and ’30s in New York, Paris, and Venice, as seen through the eyes of Max Ewing (1903–1934), a young musician, photographer, and man-about-town who, although virtually unknown today, moved in extraordinary circles. In his photographs and letters, we meet the rising stars of(...)
$68.95
(available to order)
Summary:
In "Queer moderns", Alice Friedman tells the fascinating story of the queer avant-garde of the 1920s and ’30s in New York, Paris, and Venice, as seen through the eyes of Max Ewing (1903–1934), a young musician, photographer, and man-about-town who, although virtually unknown today, moved in extraordinary circles. In his photographs and letters, we meet the rising stars of(...)
Title:
Queer moderns: Max Ewing's jazz age New York
Actions:
Price:
$68.95
(available to order)
Summary:
In "Queer moderns", Alice Friedman tells the fascinating story of the queer avant-garde of the 1920s and ’30s in New York, Paris, and Venice, as seen through the eyes of Max Ewing (1903–1934), a young musician, photographer, and man-about-town who, although virtually unknown today, moved in extraordinary circles. In his photographs and letters, we meet the rising stars of modern art, music, dance, and literature and enter a world of interracial friendship, "queer space," and experimentation that shone brightly before being swept away by the Depression. It is a remarkable story that reveals that the history of modernism is more queer and more Black than previously recognized. In the 1920s, Ewing became part of an international coterie of artists led by Carl Van Vechten and Muriel Draper. In Europe, he was entertained by Gertrude Stein, met Stravinsky, and took a road trip with Romaine Brooks and Natalie Barney. In 1928, in a closet in his apartment, Ewing created the "Gallery of extraordinary portraits", an installation of photos of his favorite celebrities—Black and white, clothed and nude. For his "Carnival of Venice", he took portraits of more than a hundred friends—including Paul Robeson, Berenice Abbott, Isamu Noguchi, Agnes de Mille, and E. E. Cummings—posed in front of a backdrop of Saint Mark’s Square.
Queer moderns: Max Ewing's jazz age New York
Actions:
Price:
$68.95
(available to order)
Summary:
In "Queer moderns", Alice Friedman tells the fascinating story of the queer avant-garde of the 1920s and ’30s in New York, Paris, and Venice, as seen through the eyes of Max Ewing (1903–1934), a young musician, photographer, and man-about-town who, although virtually unknown today, moved in extraordinary circles. In his photographs and letters, we meet the rising stars of modern art, music, dance, and literature and enter a world of interracial friendship, "queer space," and experimentation that shone brightly before being swept away by the Depression. It is a remarkable story that reveals that the history of modernism is more queer and more Black than previously recognized. In the 1920s, Ewing became part of an international coterie of artists led by Carl Van Vechten and Muriel Draper. In Europe, he was entertained by Gertrude Stein, met Stravinsky, and took a road trip with Romaine Brooks and Natalie Barney. In 1928, in a closet in his apartment, Ewing created the "Gallery of extraordinary portraits", an installation of photos of his favorite celebrities—Black and white, clothed and nude. For his "Carnival of Venice", he took portraits of more than a hundred friends—including Paul Robeson, Berenice Abbott, Isamu Noguchi, Agnes de Mille, and E. E. Cummings—posed in front of a backdrop of Saint Mark’s Square.
Form:
books
books
Publication:
May 2025
May 2025
Subject:
Art Theory
Art Theory
Form:
books
books
Price:
$37.50
(available to order)
Summary:
Ed Ruscha is one of the first Americans to introduce a critique of popular culture and an examination of language into the visual arts. Although he first made his reputation as a painter, Ruscha is also celebrated for his drawings (made both with conventional materials and with food, blood, gunpowder, and shellac), prints, films, photographs, and books. He is often(...)
$37.50
(available to order)
Summary:
Ed Ruscha is one of the first Americans to introduce a critique of popular culture and an examination of language into the visual arts. Although he first made his reputation as a painter, Ruscha is also celebrated for his drawings (made both with conventional materials and with food, blood, gunpowder, and shellac), prints, films, photographs, and books. He is often(...)
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Publication:
April 2004, Cambridge, Mass.
April 2004, Cambridge, Mass.
Title:
Leave any information at the signal : writings, interviews, bits, pages
Actions:
Price:
$37.50
(available to order)
Summary:
Ed Ruscha is one of the first Americans to introduce a critique of popular culture and an examination of language into the visual arts. Although he first made his reputation as a painter, Ruscha is also celebrated for his drawings (made both with conventional materials and with food, blood, gunpowder, and shellac), prints, films, photographs, and books. He is often associated with Los Angeles as a Pop and Conceptualist hub, but tends to regard such labels with a satirical, if not jaundiced, eye. Indeed, his work is characterized by the tensions between high and low, solemn and irreverent, and serious and nonsensical, and it draws on popular culture as well as Western art traditions. "Leave Any Information at the Signal" not only documents the work of this influential artist as he rose to prominence but also contains his writings and commentaries on other artistic developments of the period. The book is divided into three parts, each of which is arranged chronologically. Part one contains statements, letters, and other writings. Part two consists of more than fifty interviews, some of which have never before been published or translated into English. Part three contains sketchbook pages, word groupings, and other notes that chart how Ruscha develops ideas and solves artistic problems. They are published here for the first time. The book also contains more than eighty illustrations, selected and arranged by the artist.
Leave any information at the signal : writings, interviews, bits, pages
Actions:
Price:
$37.50
(available to order)
Summary:
Ed Ruscha is one of the first Americans to introduce a critique of popular culture and an examination of language into the visual arts. Although he first made his reputation as a painter, Ruscha is also celebrated for his drawings (made both with conventional materials and with food, blood, gunpowder, and shellac), prints, films, photographs, and books. He is often associated with Los Angeles as a Pop and Conceptualist hub, but tends to regard such labels with a satirical, if not jaundiced, eye. Indeed, his work is characterized by the tensions between high and low, solemn and irreverent, and serious and nonsensical, and it draws on popular culture as well as Western art traditions. "Leave Any Information at the Signal" not only documents the work of this influential artist as he rose to prominence but also contains his writings and commentaries on other artistic developments of the period. The book is divided into three parts, each of which is arranged chronologically. Part one contains statements, letters, and other writings. Part two consists of more than fifty interviews, some of which have never before been published or translated into English. Part three contains sketchbook pages, word groupings, and other notes that chart how Ruscha develops ideas and solves artistic problems. They are published here for the first time. The book also contains more than eighty illustrations, selected and arranged by the artist.
Form:
books
books
Publication:
April 2004, Cambridge, Mass.
April 2004, Cambridge, Mass.
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
Actions:
Holdings:
Description:
187 pages : chiefly illustrations (some color) ; 40 cm
Description:
187 pages : chiefly illustrations (some color) ; 40 cm
Author:
Subject:
Publication:
São Paulo : [publisher not identified], 2018.
São Paulo : [publisher not identified], 2018.
Title:
Hans Broos : memória de uma arquitetura / [edição e autoria] André Luis de Lima, Guilherme Freitas Grad, João Paulo Serraglio ; tradução, Aita Di Marco, An Puntch = Hans Broos : memory of an architecture / [edition and authorship] André Luis de Lima, Guilherme Freitas Grad, João Paulo Serraglio ; translation, Anita Di Marco, Ann Puntch.
Actions:
Holdings:
Description:
187 pages : chiefly illustrations (some color) ; 40 cm
Hans Broos : memória de uma arquitetura / [edição e autoria] André Luis de Lima, Guilherme Freitas Grad, João Paulo Serraglio ; tradução, Aita Di Marco, An Puntch = Hans Broos : memory of an architecture / [edition and authorship] André Luis de Lima, Guilherme Freitas Grad, João Paulo Serraglio ; translation, Anita Di Marco, Ann Puntch.
Actions:
Holdings:
Description:
187 pages : chiefly illustrations (some color) ; 40 cm
Form:
books
books
Publication:
São Paulo : [publisher not identified], 2018.
São Paulo : [publisher not identified], 2018.
Form:
books
books
Actions:
Holdings:
Description:
313 pages : illustrations (some color), facsimiles, plans, portraits ; 31 cm
Description:
313 pages : illustrations (some color), facsimiles, plans, portraits ; 31 cm
Subject:
- Women architects Biography Exhibitions.,
- Architecture, Modern 20th century Exhibitions.,
- Femmes architectes Biographies Expositions.,
- Architecture 20e siècle Expositions.,
- Architecture, Modern,
- Women architects,
- Women architects Biography.,
- Architecture, Modern 20th century.,
- Biography,
- Exhibition catalogs.,
- Biographies
(See more)
Publication:
Tübingen : Wasmuth, ©2017.
Tübingen : Wasmuth, ©2017.
Title:
Frau Architekt : seit mehr als 100 Jahren : Frauen im Architektenberuf = over 100 years of women as professional architects / Herausgeber*innen, Mary Pepchinski [and three others] ; Übersetzungen, Jeremy Gaines, Christiane Court, Sylvia Lyschik.
Actions:
Holdings:
Description:
313 pages : illustrations (some color), facsimiles, plans, portraits ; 31 cm
Frau Architekt : seit mehr als 100 Jahren : Frauen im Architektenberuf = over 100 years of women as professional architects / Herausgeber*innen, Mary Pepchinski [and three others] ; Übersetzungen, Jeremy Gaines, Christiane Court, Sylvia Lyschik.
Actions:
Holdings:
Description:
313 pages : illustrations (some color), facsimiles, plans, portraits ; 31 cm
Form:
books
books
Publication:
Tübingen : Wasmuth, ©2017.
Tübingen : Wasmuth, ©2017.
Subject:
- Women architects Biography Exhibitions.,
- Architecture, Modern 20th century Exhibitions.,
- Femmes architectes Biographies Expositions.,
- Architecture 20e siècle Expositions.,
- Architecture, Modern,
- Women architects,
- Women architects Biography.,
- Architecture, Modern 20th century.,
- Biography,
- Exhibition catalogs.,
- Biographies
(See more)
Form:
books
books
Holdings:
Description:
66 unnumbered pages : chiefly color illustrations ; 28 cm
Description:
66 unnumbered pages : chiefly color illustrations ; 28 cm
Subject:
- Beretta, Adriana, 1950-,
- Photography, Artistic 20th century.,
- Storms Niger Niamey Pictorial works.,
- House construction Niger Iférouane.,
- Photographie artistique 20e siècle.,
- Tempêtes Niger Niamey Ouvrages illustrés.,
- House construction,
- Photography, Artistic,
- Storms,
- Niamey (Niger) Pictorial works.,
- Niger Niamey,
- artists' books (books),
- Artists' books,
- Pictorial works,
- Photographies.,
- Livres d'artistes.
(See more)
Publication:
Lugano : Artphilein Editions, [2014], ©2014
Lugano : Artphilein Editions, [2014], ©2014
Title:
Niamey Iférouane ((petites histoires incertaines)) / Adriana Beretta.
Actions:
Holdings:
Description:
66 unnumbered pages : chiefly color illustrations ; 28 cm
Niamey Iférouane ((petites histoires incertaines)) / Adriana Beretta.
Actions:
Holdings:
Description:
66 unnumbered pages : chiefly color illustrations ; 28 cm
Form:
books
books
Publication:
Lugano : Artphilein Editions, [2014], ©2014
Lugano : Artphilein Editions, [2014], ©2014
Subject:
- Beretta, Adriana, 1950-,
- Photography, Artistic 20th century.,
- Storms Niger Niamey Pictorial works.,
- House construction Niger Iférouane.,
- Photographie artistique 20e siècle.,
- Tempêtes Niger Niamey Ouvrages illustrés.,
- House construction,
- Photography, Artistic,
- Storms,
- Niamey (Niger) Pictorial works.,
- Niger Niamey,
- artists' books (books),
- Artists' books,
- Pictorial works,
- Photographies.,
- Livres d'artistes.
(See more)
Form:
books
books
Title:
Alabama.
Alabama.
Actions:
Description:
1 online resource
Author:
Subject:
Publication:
[Place of publication not identified] : Pumflet, 2016., [Place of publication not identified] : Wolff Architects, 2016.
[Place of publication not identified] : Pumflet, 2016., [Place of publication not identified] : Wolff Architects, 2016.
Form:
books
books
Publication:
[Place of publication not identified] : Pumflet, 2016., [Place of publication not identified] : Wolff Architects, 2016.
[Place of publication not identified] : Pumflet, 2016., [Place of publication not identified] : Wolff Architects, 2016.
