Fairy tale architecture
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Little Red Riding Hood, Baba Yaga, Rapunzel, Jack and the Beanstalk, The Snow Queen: these and more than fifteen other stories designed by Bernheimer Architecture, Snøhetta, Rural Studio, LEVENBETTS, and LTL Architects and many other international vanguards have created stunning works for this groundbreaking collection of architectural fairy tales. Story by story, Andrew(...)
Fairy tale architecture
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Little Red Riding Hood, Baba Yaga, Rapunzel, Jack and the Beanstalk, The Snow Queen: these and more than fifteen other stories designed by Bernheimer Architecture, Snøhetta, Rural Studio, LEVENBETTS, and LTL Architects and many other international vanguards have created stunning works for this groundbreaking collection of architectural fairy tales. Story by story, Andrew Bernheimer and Kate Bernheimer- a brother and sister team as in an old fairy tale- have built the ultimate home for lovers of fiction and design. Snow girls and spinning houses. Paper capes and engineered hair braids. Resin bee hives and infinite libraries. Here are futuristic structures made from traditional stories, inspired by everything from Hans Christian Andersen’s The Snow Queen and The Little Match Girl to the Brothers Grimm’s Rapunzel and The Juniper Tree to fairy tales by Jorge Luis Borges and Joy Williams and from China, Japan, Russia, Nigeria, and Mexico. A desire for story and shelter counts as among our most ancient instincts, and this dual desire continues to inspire our most imaginative architects and authors today. ''Fairy Tale Architecture'' invites the reader into a space of wonder, into a new form that will endure ever after.
Architectural Theory
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“A terrible mechanism [is] on the march, its gears multiplying.” So begins the 48th issue of Harvard Design Magazine, guest edited by Mark Lee, chair of the department of architecture at the Harvard Graduate School of Design, and Florencia Rodriguez, editorial director of -Ness Magazine. The issue takes as its theme the slippery and ambiguous figure of “America,” seen(...)
Harvard Design Magazine 48 : America
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“A terrible mechanism [is] on the march, its gears multiplying.” So begins the 48th issue of Harvard Design Magazine, guest edited by Mark Lee, chair of the department of architecture at the Harvard Graduate School of Design, and Florencia Rodriguez, editorial director of -Ness Magazine. The issue takes as its theme the slippery and ambiguous figure of “America,” seen through the lens of the built and unbuilt environment. Americanization—once the “terrible mechanism” bent on pressing capitalist values on emerging economies everywhere—is now in retreat, eclipsed by the more urgent domestic concerns of pandemic and climate change, racial injustice and domestic radicalization. The very notion of what constitutes America is ripe for redefinition. The America Issue of Harvard Design Magazine, featuring a new design and art direction by Alexis Mark, invites historians, architects, landscape architects, urban designers, theorists, curators, artists, and planners to reflect on the country’s past and present, and to imagine sustainable futures. Projects, taxonomies, dialogues, essays, and spatial interpretations explore possible Americas. They allow us to delve into issues relevant to small cities, towns, and rural areas—as well as major urban centers—and to study barriers and opportunities facing communities across the country.
Magazines
Walker Evans
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Walker Evans (1903-1975) is best known for documenting the people and living conditions of the American South during the Great Depression. But his photographic accomplishments were much broader than these famous images: modernist views of New York City, such as his Flatiron Building, New York (1928-29) and Brooklyn Bridge (1929); architectural studies of Victorian homes(...)
Walker Evans
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Walker Evans (1903-1975) is best known for documenting the people and living conditions of the American South during the Great Depression. But his photographic accomplishments were much broader than these famous images: modernist views of New York City, such as his Flatiron Building, New York (1928-29) and Brooklyn Bridge (1929); architectural studies of Victorian homes and other buildings in Boston, Cape Cod, Saratoga Springs, and small towns in upstate New York; a series of spontaneous and surreptitious portraits taken on the Manhattan subway; scenes from Cuba in the 1930s; and his commercial assignments as a staff photographer and writer for Fortune magazine. The familiar work from his Farm Security Administration project is also here-views of the rural South immortalized in his collaborative book with James Agee, Let Us Now Praise Famous Men, along with urban images from New Orleans and Savannah. Essays by Christian A. Peterson, associate curator of photography at The Minneapolis Institute of Arts, describe Evans's photographic vision and include information about the acquisition history of many of the photographs in this book. Illustrated with almost one hundred high-quality black-and-white photographs, Walker Evans presents the full breadth of Evans's expansive and varied photographic art.
Photography monographs
books
Description:
224 pages : illustrations ; 29 cm
New York : Mayflower Books, ©1980.
The Golden age of the country house / [compiled by] Christopher Simon Sykes ; foreword by Nigel Nicolson.
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224 pages : illustrations ; 29 cm
books
New York : Mayflower Books, ©1980.
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A dacha is a country house, made of wood, used by Soviet citizens to escape the rigors of the city for a rural idyll. Widespread in the countries of the former USSR, this important cultural and architectural form has been largely ignored academically. In ''Dacha'', Fyodor Savintsev documents this particularly Russian phenomenon. His photographs constitute a unique record(...)
Commercial interiors, Building types
September 2023
Dacha: the soviet country cottage
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A dacha is a country house, made of wood, used by Soviet citizens to escape the rigors of the city for a rural idyll. Widespread in the countries of the former USSR, this important cultural and architectural form has been largely ignored academically. In ''Dacha'', Fyodor Savintsev documents this particularly Russian phenomenon. His photographs constitute a unique record of a rapidly vanishing fairy-tale wooden world. The word ''dacha'' has been used to describe constructions ranging from grand imperial villas to small sheds. Originally bestowed by the Tsar to reward courtiers, this custom continued following the revolution, with Soviet cooperatives building dachas for their members. Supposedly for the benefit of laborers, in reality they were destined for those favored by the State, including famous writers, architects and artists from Pasternak to Prokofiev. The fall of the Soviet Union accelerated their use, as economic uncertainty forced city dwellers toward self-sufficiency. The dacha tradition has survived revolution, war and the collapse of Communism, becoming an integral part of life in the process. Using contemporary photographs to showcase these uniquely individual buildings for the first time, alongside an introduction explaining their historical and cultural context, Dacha is the only publication of its kind.
Commercial interiors, Building types
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This is the second publication in ''The Walther Collection Books series'' at Steidl, focusing on a dialogue between two of the most important South African photographers of the twentieth century—David Goldblatt (1930–2018) and Santu Mofokeng (1956–2020). There are both profound similarities and differences between the two artists’ work. Goldblatt documented the ways in(...)
Beyond the binary: Santu Mofokeng and David Goldblatt
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This is the second publication in ''The Walther Collection Books series'' at Steidl, focusing on a dialogue between two of the most important South African photographers of the twentieth century—David Goldblatt (1930–2018) and Santu Mofokeng (1956–2020). There are both profound similarities and differences between the two artists’ work. Goldblatt documented the ways in which architecture and spatial planning reflect the ideology of apartheid, and how the land continues to bear its legacy in post-apartheid South Africa. His investigations explore both actual structures and how mental constructs reveal how ideology has shaped our landscape. Mofokeng’s photo essays shed light on everyday life in South Africa, beyond the stereotypical news pictures of Soweto depicting violence or poverty. Deeply personal, they record communities in townships and rural areas, religious rituals and landscapes imbued not only with historical significance but spiritual meaning, memory and trauma. The approach of Tamar Garb in Beyond the Binary is both daring and inquisitive—she “scrambles” and reassembles Mofokeng’s and Goldblatt’s photographs, blurring the boundaries between them and creates juxtapositions and insights that challenge prevailing views of these established images. By delineating 15 viewpoints around the themes of “Earthscapes,” “Edifices,” and “Sociality,” Garb decontextualizes the work and creates a platform for comparing and rethinking the artists’ practices.
Photography monographs
books
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Grande voie de communication traversant du nord au sud le cœur géographique de Montréal, le boulevard Saint-Laurent témoigne de plus de trois siècles d’histoire dans la ville. En une cascade de transformations et de renversements spectaculaires, l’artère a incarné successivement toutes les facettes de la montréalité, du rural à l’urbain, des formes primitives(...)
Saint-Laurent : la Main de Montréal
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Grande voie de communication traversant du nord au sud le cœur géographique de Montréal, le boulevard Saint-Laurent témoigne de plus de trois siècles d’histoire dans la ville. En une cascade de transformations et de renversements spectaculaires, l’artère a incarné successivement toutes les facettes de la montréalité, du rural à l’urbain, des formes primitives d’industrialisation au multimédia. Porte d’entrée de l’immigration, fenêtre ouverte sur le monde, refuge de toutes les marginalités, la "Main" a aussi été le creuset où ont été incarnés pour la première fois au Québec la rencontre des cultures et le métissage des identités. À travers ce vaste et profond brassage d’idées, dont le boulevard Saint-Laurent a été porteur tout au long de son histoire, se profile le passage de Montréal et du Québec tout entier à la modernité. Dans le brouhaha de ses trottoirs et la cohue de ses intersections sont en effet apparus de grands courants de société dont nous sommes aujourd’hui les héritiers, comme la libération des femmes, la syndicalisation des ouvriers et la lutte pour la dignité humaine. La "Main" a aussi été un réservoir de talents artistiques et un terrain d’expérimentation pour de nouvelles formes d’expression comme le cinéma, le théâtre yiddish, la chanson francophone et le burlesque québécois.
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May 2002, Sillery
Architecture de Montréal
books
Toronto sprawls
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With a landmass spanning approximately 7000 square kilometres and a population of roughly five million, the Greater Toronto Area is Canada’s largest metropolitan centre. How did a small nineteenth-century colonial capital become this sprawling urban giant, and how did government policies shape the contours of its landscape? In Toronto Sprawls, Lawrence Solomon examines(...)
Toronto sprawls
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With a landmass spanning approximately 7000 square kilometres and a population of roughly five million, the Greater Toronto Area is Canada’s largest metropolitan centre. How did a small nineteenth-century colonial capital become this sprawling urban giant, and how did government policies shape the contours of its landscape? In Toronto Sprawls, Lawrence Solomon examines the great migration from farm to the city that occurred in the last half of the nineteenth century. During this period, a disproportionate number of single women came to Toronto, while at the same time, immigration from abroad was swelling the city’s urban boundaries. Labour unions were also increasingly successful in recruiting urban workers in these years. Governments responded to these perceived threats with a series of policies designed to foster order. To promote single family dwellings conducive to the traditional family, buildings in high-density areas were razed and apartment buildings banned. To discourage returning First World War veterans from settling in cities, the government offered grants to spur rural settlement. These policies and others dispersed the city’s population and promoted sprawl. An illuminating read, Toronto Sprawls makes a convincing case that urban sprawl in Toronto was not caused by market forces, but rather policies and programs designed to disperse Toronto’s urban population.
books
April 2007, Toronto
Architecture in Canada
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To think through soil is to engage with some of the most critical issues of our time. In addition to its agricultural role in feeding eight billion people, soil has become the primary agent of carbon storage in global climate models, and it is crucial for biodiversity, flood control, and freshwater resources. Perhaps no other material is asked to do so much for the human(...)
Architecture ecologies
June 2025
Thinking through soil: Wastewater agriculture in the Mezquital Valley
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To think through soil is to engage with some of the most critical issues of our time. In addition to its agricultural role in feeding eight billion people, soil has become the primary agent of carbon storage in global climate models, and it is crucial for biodiversity, flood control, and freshwater resources. Perhaps no other material is asked to do so much for the human environment, and yet our basic conceptual model of what soil is and how it works remains surprisingly vague. In cities, soil occupies a blurry category whose boundaries are both empirically uncertain and politically contested. Soil functions as a nexus for environmental processes through which the planet’s most fundamental material transformations occur, but conjuring what it actually is serves as a useful exercise in reframing environmental thought, design thinking, and city and regional planning toward a healthier, more ethical, and more sustainable future. Through a sustained analysis of the world’s largest wastewater agricultural system, located in the Mexico City–Mezquital hydrological region, ''Thinking Through Soil'' imagines what a better environmental future might look like in central Mexico. More broadly, this case study offers a new image of soil that captures its shifting identity, explains its profound importance to rural and urban life, and argues for its capacity to save our planet.
Architecture ecologies
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“Memoryscapes,” the second volume in the “Architecture Connecting” series, co-published with the Louisiana Museum of Modern Art, examines the role of human narratives in shaping the spaces of tomorrow. Focusing on the intersections of architecture with anthropology, archaeology and geology, the book presents the work of two studios whose practices engage deeply with the(...)
Architecture Monographs
April 2026
Architecture connecting: Xu Tiantian & Tsuyoshi Tane
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“Memoryscapes,” the second volume in the “Architecture Connecting” series, co-published with the Louisiana Museum of Modern Art, examines the role of human narratives in shaping the spaces of tomorrow. Focusing on the intersections of architecture with anthropology, archaeology and geology, the book presents the work of two studios whose practices engage deeply with the past through both broad investigative research and precise architectural responses. Bound back-to-back, the publication comprises two volumes presenting the distinct approaches of DnA Architecture and Design (Beijing) and Atelier Tsuyoshi Tane Architects (ATTA, Tokyo and Paris). DnA’s practice of “architectural acupuncture” focuses on the social and economic regeneration of rural Chinese communities through targeted interventions that revive long-standing cultural practices, while ATTA’s “Archaeology of the Future” draws on the layered memories of places to create future possibilities across architecture, urban planning and exhibition design, in an international context. Led by Xu Tiantian and Tsuyoshi Tane, respectively, the two studios share an approach that connects social traditions, cultural heritage, craftsmanship and production conditions within complex, site-specific frameworks. Through illustrated essays and project dossiers, the publication traces how these practices draw on lived histories and place-based knowledge to generate new architectural narratives, bridging the past and the future in response to contemporary needs.
Architecture Monographs