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This volume, "Grace Wales Bonner: Dream in the rhythm—visions of sound and spirit in the MoMA Collection", is an artist’s book created by the acclaimed London-based designer Grace Wales Bonner as “an archive of soulful expression.” Through an extraordinary selection of nearly 80 works from The Museum of Modern Art’s collection and archives, this unique volume draws(...)
January 2024
Grace Wales Bonner: Dream in the rhythm. Visions of sound and spirit in the MoMA Collection
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This volume, "Grace Wales Bonner: Dream in the rhythm—visions of sound and spirit in the MoMA Collection", is an artist’s book created by the acclaimed London-based designer Grace Wales Bonner as “an archive of soulful expression.” Through an extraordinary selection of nearly 80 works from The Museum of Modern Art’s collection and archives, this unique volume draws multisensory connections between pictures and poems, music and performance, hearing and touch, gestures and vibrations, and bodies in motion. Photographs, scores and films by artists such as Dawoud Bey, Mark Bradford, Roy DeCarava, Lee Friedlander, David Hammons, Glenn Ligon, Steve McQueen, Lorna Simpson and Ming Smith, among others, are juxtaposed with signal texts by Black authors spanning the past century, including Amiri Baraka, Nikki Giovanni, Langston Hughes, June Jordan, Robin Coste Lewis, Ishmael Reed, Greg Tate, Jean Toomer, Quincy Troupe and Lynette Yiadom-Boakye. Published on the occasion of the exhibition "Artist’s Choice: Grace Wales Bonner—Spirit Movers", this resplendent publication is a deeply personal meditation on and around modern Black expression that echoes Wales Bonner’s own vibrant, virtuosic designs.
Painting in New York 1971-83
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Published to follow the landmark exhibition at Karma Gallery, New York, this catalog unites the works of 30 women painters who were active in New York City during the 1970s. The collection showcases the diverse practices and backgrounds of these artists, all of whom were deeply influenced by the transformative legacy of second-wave feminism. During this period, a new form(...)
December 2023
Painting in New York 1971-83
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Published to follow the landmark exhibition at Karma Gallery, New York, this catalog unites the works of 30 women painters who were active in New York City during the 1970s. The collection showcases the diverse practices and backgrounds of these artists, all of whom were deeply influenced by the transformative legacy of second-wave feminism. During this period, a new form of painting emerged, fusing elements of sculpture and textile into the medium while reevaluating its role through innovative art historical methodologies. Amid debates about the relevance of painting, women artists revitalized the practice, coinciding with a shifting political landscape characterized by the global revolt of women against their marginalized status.
Figures seules
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Lee Ufan Arles invite Philippe Dagen, historien de l’art, critique et commissaire d’exposition à imaginer pour l’été 2023 la première exposition temporaire de l’Espace MA.Philippe Dagen, proche du travail de Lee Ufan depuis de nombreuses années, a réuni cinq artistes plasticiens travaillant en France - Brigitte Aubignac, Ymane Chabi-Gara, Marc Desgrandchamps Tim Eitel et(...)
November 2023
Figures seules
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Lee Ufan Arles invite Philippe Dagen, historien de l’art, critique et commissaire d’exposition à imaginer pour l’été 2023 la première exposition temporaire de l’Espace MA.Philippe Dagen, proche du travail de Lee Ufan depuis de nombreuses années, a réuni cinq artistes plasticiens travaillant en France - Brigitte Aubignac, Ymane Chabi-Gara, Marc Desgrandchamps Tim Eitel et Djamel Tatah - qui interrogent et représentent la figure humaine. Celle-ci se présente seule, non pour des raisons formelles, mais parce que cette solitude renvoie à des situations aux significations sociales et psychiques qui caractérisent particulièrement notre époque: l’enfermement en soi, l’absence de l’autre, la mélancolie, l'exclusion ou le deuil.L'exposition « Figures seules » sera présentée à l’Espace MA de Lee Ufan Arles du 1er Juillet au 24 septembre 2023.
Wendat women's arts
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A richly illustrated history of Wendat women’s embroidery traditions, from the eighteenth century to the present, interwoven with the stories of the artists. For centuries, women artists of the Wendat First Nation of Wendake in Quebec have created artworks of intricate design and complex meaning in moosehair and quill embroidery. Their work records and transmits ancestral(...)
April 2022
Wendat women's arts
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A richly illustrated history of Wendat women’s embroidery traditions, from the eighteenth century to the present, interwoven with the stories of the artists. For centuries, women artists of the Wendat First Nation of Wendake in Quebec have created artworks of intricate design and complex meaning in moosehair and quill embroidery. Their work records and transmits ancestral knowledge across generations of artists and remains a vibrant and important practice today. Breaking new ground in Indigenous art histories, "Wendat women’s arts" is the first book to bring together a full history of the Wendat embroidery art form.
The gatherers
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Accompanying the major exhibition at MoMA PS1, The Gatherers brings together original texts on issues relating to waste, accumulation and excess. In a time when social and political lives are shaped by the glut of garbage and information, the exhibition draws methodological parallels between 14 artists across four continents. This compendium features full-color(...)
The gatherers
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Accompanying the major exhibition at MoMA PS1, The Gatherers brings together original texts on issues relating to waste, accumulation and excess. In a time when social and political lives are shaped by the glut of garbage and information, the exhibition draws methodological parallels between 14 artists across four continents. This compendium features full-color illustrations of their artworks, which span sculptural installation, assemblage, painting, video and performance. In a longform essay, Ruba Katrib contextualizes their practices within the promises and failures of neoliberalism, the shifting constructions of East and West and the explosion of new technologies. Additionally, the catalog situates their practices within larger art historical trends, from Greek asàrotos òikos and Dutch still lifes, to 20th-century Surrealism and postwar assemblage. With newly commissioned texts on each of the participating artists by leading curators, theorists and writers from across the globe, the catalog offers incisive critical writing on issues in contemporary art and the 21st century.
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The book ''Archive of Dreams'' is published in conjunction with the exhibition of the same name that will open the ''Archiv der Avantgarden''. Marking the hundredth anniversary of the first surrealist manifesto and the founding of the Bureau of Surrealist Research in Paris in 1924, the volume is dedicated to the surrealist movement as well as the networks it engendered(...)
December 2025
Archive of dreams: A surrealist impulse
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The book ''Archive of Dreams'' is published in conjunction with the exhibition of the same name that will open the ''Archiv der Avantgarden''. Marking the hundredth anniversary of the first surrealist manifesto and the founding of the Bureau of Surrealist Research in Paris in 1924, the volume is dedicated to the surrealist movement as well as the networks it engendered and the artistic stimuli it provided in the twentieth century. The idea was for the Bureau to collect dream testimonies in whatever form, not only to preserve and analyse them but also to give active expression to them in artistic processes. The publication shows how the practices of the avantgardes blurred the boundaries between dream and reality, between the traditional, passive notion of the archive and the idea of active, innovative artistic experiment — and thus ultimately also between the past, the present, and possible futures. Works and documents from the period before, during, and after the Second World War shed light on the working methods of international artists and the global network they were involved in. They are complemented by diverse reflections on global protest movements and the traumas of war, thus connecting, too, to everyday experiences in a Europe beset by warfare.
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Qillaniq nous offre un art polyphonique et multidisciplinaire, riche d’improvisations. Un art inspiré des valeurs autochtones qui privilégient l’apport au bien commun sous toutes les formes. Un art qui exprime une joie profonde, le message d’artistes qui voient tous les possibles dans nos communautés, qui fait place aux gens qui font évoluer notre monde en faisant fi des(...)
Qillaniq
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Qillaniq nous offre un art polyphonique et multidisciplinaire, riche d’improvisations. Un art inspiré des valeurs autochtones qui privilégient l’apport au bien commun sous toutes les formes. Un art qui exprime une joie profonde, le message d’artistes qui voient tous les possibles dans nos communautés, qui fait place aux gens qui font évoluer notre monde en faisant fi des normes dictées par la colonisation. C’est, surtout, un art qui célèbre ceux et celles qui brandissent l’amour devant les écueils.// The art in Qillaniq is multi-vocal, multi-disciplinary, and improvisational; it’s inspired by Indigenous values of contributing to community in as many ways as possible. It’s also an expression of radical joy, an exploration of what the artists tell us is possible in our communities, of holding space for the people who change our world – despite not always fitting into the norms of colonizing institutions. Most of all, it celebrates those who share love as an answer to difficulty. Qillaniq – that shimmering, bright light – honours the circumpolar world’s badass artists who tell us all that our existence is enough.
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The exhibition "Design en main. Du langage à l'objet" [Design in Hand. From Language to Object] is built around six popular expressions related to the hand. Placed within the field of design, these expressions reveal an intimate relationship between language and form. Words and objects converse, whether they pertain to everyday use or iconic creations. Enhanced by essays(...)
June 2026
Design en main : Du langage à l'objet – Galerie nationale du design, Saint-Étienne
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The exhibition "Design en main. Du langage à l'objet" [Design in Hand. From Language to Object] is built around six popular expressions related to the hand. Placed within the field of design, these expressions reveal an intimate relationship between language and form. Words and objects converse, whether they pertain to everyday use or iconic creations. Enhanced by essays from international authors, punctuated by comments from designers, explanatory notes, and rich iconography, this book, along with the materials it contains, can be held in hand before being shared.
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Dans l'effervescence qui suit l'indépendance du Maroc en 1956, les artistes-enseignants et les étudiants de l'école des beaux-arts de Casablanca repensent radicalement l'art et l'enseignement artistique de leur pays. « C.A.S.A – Casablanca Art School Archives » retrace la période allant de 1960, date à laquelle l'école est rénovée par l'artiste Maurice Arama en passant(...)
June 2026
C.A.S.A. : Casablanca Art School Archives
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Dans l'effervescence qui suit l'indépendance du Maroc en 1956, les artistes-enseignants et les étudiants de l'école des beaux-arts de Casablanca repensent radicalement l'art et l'enseignement artistique de leur pays. « C.A.S.A – Casablanca Art School Archives » retrace la période allant de 1960, date à laquelle l'école est rénovée par l'artiste Maurice Arama en passant par 1962 où l'artiste Farid Belkahia prend la direction de l'école, jusqu'à 1987, période à laquelle les initiatives réunissant les membres de la révolution éducative se font de plus en plus rare, marquant ainsi sa fin.
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Some, like the Tasmanian tiger, are considered extinct--yet sightings are still reported. Some, like the giant squid, existed only as rumors until hard evidence finally appeared. And then there are the others, who roam a shadowy realm between myth, hucksterism and science--for example, Bigfoot and the Loch Ness Monster. Cryptozoology is the quest for unidentified and(...)
February 2007, Zurich
Cryptology : out of the place scale
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Some, like the Tasmanian tiger, are considered extinct--yet sightings are still reported. Some, like the giant squid, existed only as rumors until hard evidence finally appeared. And then there are the others, who roam a shadowy realm between myth, hucksterism and science--for example, Bigfoot and the Loch Ness Monster. Cryptozoology is the quest for unidentified and elusive species, and as such is often treated as a marginalized science more akin to farcical adventure. However, the subject makes for a perfectly fascinating zone of inquiry for contemporary artists interested in the fertile edges of the history of science and museums, taxonomy, myth, spectacle and fraud. Cryptozoology: Out of Time Place Scale mines the theoretical and design terrains of the twenty-first-century graphic novel and the medieval curio cabinet or Wunderkammer, exploring cryptozoology in art and popular culture. Originally exhibited at Maine's Bates College Museum of Art, it begins with Mark Dion's installation of a bureaucratic government agency, the Federal Wildlife Commission's Department of Cryptozoology, Bureau for the Investigation of Paranormal Phenomena and National Institute of Comparative Astrobiology, and features drawings, paintings, dioramas, taxidermy and performative photos by artists Rachel Berwick, Sarina Brewer, Walmor Correa, Ellen Lesperance, Robert Marbury, Jill Miller, Vic Muniz, Jeanine Oleson, Rosamond Purcell, Alexis Rockman, Marc Swanson, Jeffrey Vallance and Jamie Wyeth.