Dogma: Living and working
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Despite the increasing numbers of people who now work from home, in the popular imagination the home is still understood as the sanctuary of privacy and intimacy. Living is conceptually and definitively separated from work. This book argues against such a separation, countering the prevailing ideology of domesticity with a series of architectural projects that illustrate(...)
Architecture Monographs
June 2022
Dogma: Living and working
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Despite the increasing numbers of people who now work from home, in the popular imagination the home is still understood as the sanctuary of privacy and intimacy. Living is conceptually and definitively separated from work. This book argues against such a separation, countering the prevailing ideology of domesticity with a series of architectural projects that illustrate alternative approaches. Less a monograph than a treatise, richly illustrated, the book combines historical research and design proposals to reenvision home as a cooperative structure in which it is possible to live and work and in which labor is socialized beyond the family—freeing inhabitants from the sense of property and the burden of domestic labor.
Architecture Monographs
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Urban planning means far more than the design of land, property, and housing complexes. The visions of town planners and their clients —whether they are technical, artistic, political, or social — communicate, more or less clearly, the universal pursuit of happiness. However, the planners’ notions of "happiness" and those of future users are not always the same : often(...)
Urban planning and the pursuit of happiness : european variations on a universal theme (18th-21st centuries)
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Urban planning means far more than the design of land, property, and housing complexes. The visions of town planners and their clients —whether they are technical, artistic, political, or social — communicate, more or less clearly, the universal pursuit of happiness. However, the planners’ notions of "happiness" and those of future users are not always the same : often enough, the way in which residents use their city represents a complete contrast to the planner’s original ideas. Taking twelve European examples — urban planning projects seen from the viewpoint of planners and users — this book sheds some light on both sides of the "pursuit of happiness" — in urban planning projects seen from the viewpoint of planners and users.
The power of maps
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This volume ventures into terrain where even the most sophisticated map fails to lead--through the mapmaker's bias. Denis Wood shows how maps are not impartial reference objects, but rather instruments of communication, persuasion, and power. Like paintings, they express a point of view. By connecting us to a reality that could not exist in the absence of maps--a world of(...)
The power of maps
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This volume ventures into terrain where even the most sophisticated map fails to lead--through the mapmaker's bias. Denis Wood shows how maps are not impartial reference objects, but rather instruments of communication, persuasion, and power. Like paintings, they express a point of view. By connecting us to a reality that could not exist in the absence of maps--a world of property lines and voting rights, taxation districts and enterprise zones--they embody and project the interests of their creators. Sampling the scope of maps available today, illustrations include Peter Gould's AIDS map, Tom Van Sant's map of the earth, U.S. Geological Survey maps, and a child's drawing of the world.
Architectural Plans and Cartography
books
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153 pages, 7 unnumbered pages : illustrations (chiefly color), plans, color portraits ; 24 cm
[Buffalo, N.Y.] : Architectural Ceramic Assemblies Workshop, [2017], Hong Kong : Printed by Regal Printing, ©2017
Architectural Ceramic Assemblies Workshop : Bioclimatic Ceramic Assemblies II / edited by Laura Garófalo and Omar Khan.
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153 pages, 7 unnumbered pages : illustrations (chiefly color), plans, color portraits ; 24 cm
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[Buffalo, N.Y.] : Architectural Ceramic Assemblies Workshop, [2017], Hong Kong : Printed by Regal Printing, ©2017
audio
Nick Evans: Solar Eyes.
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1 online resource
[Place of publication not identified] : Tramway, 2013.
audio
[Place of publication not identified] : Tramway, 2013.
books
Printed Matter 2011
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Printed Matter 2011
Who owns antiquity?
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Whether antiquities should be returned to the countries where they were found is one of the most urgent and controversial issues in the art world today, and it has pitted museums, private collectors, and dealers against source countries, archaeologists, and academics. Maintaining that the acquisition of undocumented antiquities by museums encourages the looting of(...)
Who owns antiquity?
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Whether antiquities should be returned to the countries where they were found is one of the most urgent and controversial issues in the art world today, and it has pitted museums, private collectors, and dealers against source countries, archaeologists, and academics. Maintaining that the acquisition of undocumented antiquities by museums encourages the looting of archaeological sites, countries such as Italy, Greece, Egypt, Turkey, and China have claimed ancient artifacts as state property, called for their return from museums around the world, and passed laws against their future export. But in Who Owns Antiquity?, one of the world's leading museum directors vigorously challenges this nationalistic position, arguing that it is damaging and often disingenuous. "Antiquities," James Cuno argues, "are the cultural property of all humankind," "evidence of the world's ancient past and not that of a particular modern nation. They comprise antiquity, and antiquity knows no borders." Cuno argues that nationalistic retention and reclamation policies impede common access to this common heritage and encourage a dubious and dangerous politicization of antiquities--and of culture itself. Antiquities need to be protected from looting but also from nationalistic identity politics. To do this, Cuno calls for measures to broaden rather than restrict international access to antiquities. He advocates restoration of the system under which source countries would share newly discovered artifacts in exchange for archaeological help, and he argues that museums should again be allowed reasonable ways to acquire undocumented antiquities. The first extended defense of the side of museums in the struggle over antiquities, Who Owns Antiquity? is sure to be as important as it is controversial.
Museology
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Envisioned as a new urban model for sculpture parks, the Seattle Art Museum’s Olympic Sculpture Park is located on the city’s last undeveloped waterfront property—a nine-acre industrial site sliced by train tracks and an arterial road. New York–based architecture, landscape, and urban design firm Weiss/Manfredi has created a continuous constructed landscape for art that(...)
Olympic sculpture park for the Seattle Art Museum Weiss/Manfredi
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Envisioned as a new urban model for sculpture parks, the Seattle Art Museum’s Olympic Sculpture Park is located on the city’s last undeveloped waterfront property—a nine-acre industrial site sliced by train tracks and an arterial road. New York–based architecture, landscape, and urban design firm Weiss/Manfredi has created a continuous constructed landscape for art that rises over the existing infrastructure to reconnect Seattle’s urban core to the revitalized waterfront. The park not only brings art outside the museum walls but also brings the park itself into the landscape of the city. This study offers an opportunity to take a fresh look at the city and explore some hypotheses about the wider meaning of an urban design project.
Landscape Architecture, Monographs
books
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214 pages ; 22 cm
New York : Astra House, [2026]
Dream facades : the cruel architecture of reality TV / Jack Balderrama Morley.
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214 pages ; 22 cm
books
New York : Astra House, [2026]
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''Dwelling in the World'' considers family, house, and home in Tianjin to explore how tempos and structures of everyday life changed with the fall of the Qing Empire and the rise of a colonized city. Elizabeth LaCouture argues that the intimate ideas and practices of the modern home were more important in shaping the gender and status identities of Tianjin’s urban elites(...)
Dwelling in the world: family, house, and home in Tianjin, China, 1860-1960
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''Dwelling in the World'' considers family, house, and home in Tianjin to explore how tempos and structures of everyday life changed with the fall of the Qing Empire and the rise of a colonized city. Elizabeth LaCouture argues that the intimate ideas and practices of the modern home were more important in shaping the gender and status identities of Tianjin’s urban elites than the new public ideology of the nation. Placing the Chinese home in a global context, she challenges Euro-American historical notions that the private sphere emerged from industrialization. She argues that concepts of individual property rights that emerged during the Republican era became foundational to state-society relations in early Communist housing reforms and in today’s middle-class real estate boom.
History until 1900, Asia