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The artist’s workplace has always been an idealized utopia as well as the domain of dirty, backbreaking work. Written descriptions, paintings, prints, and even photographs of the artist’s atelier distort as much as they document. This illuminating cultural history of the artist’s studio charts the myth and reality of the creative space from Ancient Greece to the(...)
The artist's studio: A cultural history
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The artist’s workplace has always been an idealized utopia as well as the domain of dirty, backbreaking work. Written descriptions, paintings, prints, and even photographs of the artist’s atelier distort as much as they document. This illuminating cultural history of the artist’s studio charts the myth and reality of the creative space from Ancient Greece to the present. Tracing a history that extends far beyond the bohemian, romantic, and renaissance cults of the artist, each chapter focuses on key developments of the studio space as seen in a variety of familiar and unfamiliar images. Mythical and divine makers and some amateurs are included, alongside craftspeople— potters, illuminators, weavers, embroiderers, and architects— along with artists such as Artemisia Gentileschi, Claude Monet, Michelangelo, Rosa Bonheur, and Diego Rivera. Each carefully chosen example places the studio within a cultural and political context, with the aim of correcting the historical imbalance that has distorted the picture by leaving out the many artisans who collaborated with artists. Leading authority James Hall also extends the discussion to the artist’s museum and the artist’s house, as well as the development of portable studios, with sections on ''plein air'' painting and drawing in the East.
Art Theory
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From Egypt and Classical Greece and Rome through the building booms of the Gothic era and the Renaissance, and from the Industrial Revolution to the present era of digital modeling, "Building : 3,000 Years of Design, Engineering, and Construction", charts centuries of innovations in engineering and building construction. This comprehensive and heavily illustrated volume,(...)
Building : 3000 years of design engineering and construction
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From Egypt and Classical Greece and Rome through the building booms of the Gothic era and the Renaissance, and from the Industrial Revolution to the present era of digital modeling, "Building : 3,000 Years of Design, Engineering, and Construction", charts centuries of innovations in engineering and building construction. This comprehensive and heavily illustrated volume, aimed at students and young professionals as well as general readers, explores the materials, classic texts, instruments, and theories that have propelled modern engineering, and the famous and not-so-famous buildings designed through the ages, from the Parthenon to Chartes Cathedral and the dome of St. Peter's, from eighteenth-century silk mills in England to the Crystal Palace, and on to the first Chicago high-rises, the Sydney Opera House, and the latest "green" skyscrapers. The book concentrates on developments since the industrial and scientific revolutions of the seventeenth and eighteenth centuries. Incorporated within the continuous narrative are sidebars with short biographies of eminent engineers, excerpts from classic texts, stories of individual projects of major importance, and brief histories of key concepts such as calculus. Also included are extensive reference materials: appendices, a glossary, bibliography, and index.
Engineering Structures
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From its beginnings in the 1840s, one of the earliest uses of photography was to use the camera to record and distribute images of exotic countries or locales. These photographs provided a glimpse of the world to a curious public, few of whom could ever hope to visit those places in person. In addition to such obvious photographic destinations as the temples and monuments(...)
February 2004, San Francisco
Reverie and reality : nineteenth-century photographs of India from the Ehrenfeld Collection
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From its beginnings in the 1840s, one of the earliest uses of photography was to use the camera to record and distribute images of exotic countries or locales. These photographs provided a glimpse of the world to a curious public, few of whom could ever hope to visit those places in person. In addition to such obvious photographic destinations as the temples and monuments of Egypt, Greece, and Italy were added the mysterious and exotic attractions of India. In "Reverie and Reality", a visual history of India in the 19th century unfolds. Images by some of the earliest and most significant practitioners of the medium will be on view in this exhibition, including Linnaeus Tripe, Samuel Bourne, John Murray, and the Indian Lala Din Dayal. The subject matter ranges from famous architectural monuments to images of the natural landscape. The variety of humanity that inhabited this country during the time period is recorded in a series of photographs that range from scenes of daily life in villages to sumptuous and formal visits of foreign royalty. Essays accompany the lavish illustrations in this catalogue to the exhibition drawing on images from the Ehrenfeld Collection.
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Cities in transition
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***ÉPUISÉE / OUT OF PRINT*** "Cities in transition" deals with the effects of globalization and internationalization in relation to urbanism and critical assessment in contemporary theory. The book brings together internationally known authors from many countries including England, the USA, Germany, Greece, Italy, Japan and the Netherlands. A diversity of critical(...)
Cities in transition
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***ÉPUISÉE / OUT OF PRINT*** "Cities in transition" deals with the effects of globalization and internationalization in relation to urbanism and critical assessment in contemporary theory. The book brings together internationally known authors from many countries including England, the USA, Germany, Greece, Italy, Japan and the Netherlands. A diversity of critical positions on spatial and social questions is discussed on an international level. The theme of globalization is queried concerning the relation of urban and port developments in Tokyo's Bay Area and in Rotterdam. Cities have historically allowed the coming about of national economies, politics and societies we can think of as centralized. In several contributions this aspect is examined from the viewpoint of the flâneur, a creature of the metropolis, Parisian above all. As for their present day economic function, cities provide agglomeration economies, with a massive concentration of information on the latest developments. The book argues for a new reflexivity related to both economic and cultural understanding of our world. Cities in Transition is the third volume in the "Stylos critical landscape" series, issued by the Faculty of architecture of Delft university of technology.
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March 2001, Rotterdam
Urban Theory
Thee Display
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From its situation in Ancient Greece through the various rewritings and commentaries and interventions of the last 2500 years, there is certainly no book being transmitted in the anything-but-unbroken and often comic transmission of The Phaenomena, a long didactic poem enumerating the constellations and their movement through the skies. There is certainly no origin(...)
Thee Display
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From its situation in Ancient Greece through the various rewritings and commentaries and interventions of the last 2500 years, there is certainly no book being transmitted in the anything-but-unbroken and often comic transmission of The Phaenomena, a long didactic poem enumerating the constellations and their movement through the skies. There is certainly no origin apparent in such a transmission, even as the layers of compaction that this text attempts to unfold are themselves arguments about origin, plaintive debates about the irresolvable contradiction of a “first copier.” But what does it mean to give up the constellation, the relation, the durability that relation promises to guarantee, without being able to retreat into the security of origin or determinate meaning? What do you do then? This is to rephrase the question: what do we – “we,” obstinately – fail to see when we see the shapes of the stars so well? Thee Display is a collection of poems written during an engagement with this ongoing transmission. It is a book about this, and a book about the horizon of communism, and a book about transition, and a book about a companionship characterized by a weird and sad kind of cheer.
Literature and poetry
Photography and travel
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Photography and travel have been linked since 1839, when Daguerre and Talbot first made their inventions known to the public. The inventors and their advocates immediately recognised photography’s capability to vividly represent the spectacles of the world, and make them accessible to the general public in the comfort of their homes. The unquestionable connection between(...)
Photography and travel
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Photography and travel have been linked since 1839, when Daguerre and Talbot first made their inventions known to the public. The inventors and their advocates immediately recognised photography’s capability to vividly represent the spectacles of the world, and make them accessible to the general public in the comfort of their homes. The unquestionable connection between photography and travel remains vital today. In Photography and Travel, Graham Smith provides a lively account of this partnership, discussing the diverse applications of photography to travel during the nineteenth century, in destinations as exotic as France, Italy, Greece, Egypt, Japan and North America. He then moves to the twentieth century, ranging from seaside excursions to transcontinental travel by rail, road and air. As it has become more democratized, the methods and experiences of travel have developed in many unexpected directions, all of which have created their own new photographic narratives.Photography and Travel shows that photographers have often gone to great lengths – at considerable personal danger – to record exotic destinations, from the ice caves and crevasses of the Mer de Glace to the maw of Vesuvius, from the summit of Mount Everest to the pock-marked surface of the moon.
Theory of Photography
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183 p. : illustrations (some color) ; 24 cm
Monaco ; [Paris] : Éditions du Rocher, ©2000.
Le labyrinthe, un fil d'Ariane / Myriam Philibert.
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183 p. : illustrations (some color) ; 24 cm
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Monaco ; [Paris] : Éditions du Rocher, ©2000.
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202 pages : illustrations ; 30 cm.
Lyon : GIS-Maison de l'Orient ; Paris : Co-diffusion, Boccard, 1984.
Temples et sanctuaires : séminaire de recherche 1981-1983 / sous la direction de G. Roux.
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202 pages : illustrations ; 30 cm.
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Lyon : GIS-Maison de l'Orient ; Paris : Co-diffusion, Boccard, 1984.
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xi, 340 pages : illustrations ; 24 cm.
Tucson : University of Arizona Press, ©1987.
The Sanctuary of Apollo Hylates at Kourion, Cyprus / edited by David Soren.
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xi, 340 pages : illustrations ; 24 cm.
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Tucson : University of Arizona Press, ©1987.
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150 pages : illustrations (some color), maps ; 23 cm
Taranto, Italy : Scorpione editrice, ©1996.
Archaeological and historical guide to the excavations, the museum and the antiquities of Poseidonia Paestum / Emanuele Greco, Ilaria D'Ambrosio, Dinu Theodorescu ; [translation: Barbara Marenco, Vanda Romanò].
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150 pages : illustrations (some color), maps ; 23 cm
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Taranto, Italy : Scorpione editrice, ©1996.