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Despite its importance to place-making, urban planning, and the environment, landscape design has often played an inferior role to architecture. Typically, as little as three percent of a project's construction budget is allocated to the space that surrounds a building, but that is changing. A greater desire to blend buildings into their contexts, ecological(...)
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Despite its importance to place-making, urban planning, and the environment, landscape design has often played an inferior role to architecture. Typically, as little as three percent of a project's construction budget is allocated to the space that surrounds a building, but that is changing. A greater desire to blend buildings into their contexts, ecological(...)
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Digital landscape architecture now
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Despite its importance to place-making, urban planning, and the environment, landscape design has often played an inferior role to architecture. Typically, as little as three percent of a project's construction budget is allocated to the space that surrounds a building, but that is changing. A greater desire to blend buildings into their contexts, ecological considerations, legislation, and new definitions of "scaping" have opened up exciting possibilities. Coinciding with heightened social sensitivities, advances in material application, data-driven mapping techniques, and digital technologies and construction methods, landscape designers are producing a new wave of work around the world, reshaping gardens, public squares, leisure areas, and industrial parks. Among the practices included in this survey are designers who have bridged modernism with newer forms (Emergent, West 8); architects whose work fuses with the earth's contours (Zaha Hadid, MVRDV); and a generation of designers only just emerging from universities. Nadia Amoroso is Professor of Landscape Architecture at the University of Toronto and has lectured at Harvard and Cornell universities.
Digital landscape architecture now
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Despite its importance to place-making, urban planning, and the environment, landscape design has often played an inferior role to architecture. Typically, as little as three percent of a project's construction budget is allocated to the space that surrounds a building, but that is changing. A greater desire to blend buildings into their contexts, ecological considerations, legislation, and new definitions of "scaping" have opened up exciting possibilities. Coinciding with heightened social sensitivities, advances in material application, data-driven mapping techniques, and digital technologies and construction methods, landscape designers are producing a new wave of work around the world, reshaping gardens, public squares, leisure areas, and industrial parks. Among the practices included in this survey are designers who have bridged modernism with newer forms (Emergent, West 8); architects whose work fuses with the earth's contours (Zaha Hadid, MVRDV); and a generation of designers only just emerging from universities. Nadia Amoroso is Professor of Landscape Architecture at the University of Toronto and has lectured at Harvard and Cornell universities.
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books
books
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October 2012
October 2012
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books
books
Title:
Ezra Stoller, photographer
Ezra Stoller, photographer
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Ezra Stoller's iconic photographs of 20th-century architectural masterpieces, such as Frank Lloyd Wright's Fallingwater and Mies van der Rohe's Seagram Building, are often cited in aiding the rise of modernism in America. Stoller (1915–2004) elevated architectural photography to an art form, capturing the mood of numerous buildings in their best light. Living and(...)
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Ezra Stoller's iconic photographs of 20th-century architectural masterpieces, such as Frank Lloyd Wright's Fallingwater and Mies van der Rohe's Seagram Building, are often cited in aiding the rise of modernism in America. Stoller (1915–2004) elevated architectural photography to an art form, capturing the mood of numerous buildings in their best light. Living and(...)
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Ezra Stoller, photographer
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Ezra Stoller's iconic photographs of 20th-century architectural masterpieces, such as Frank Lloyd Wright's Fallingwater and Mies van der Rohe's Seagram Building, are often cited in aiding the rise of modernism in America. Stoller (1915–2004) elevated architectural photography to an art form, capturing the mood of numerous buildings in their best light. Living and working in New York from the early 1940s to the mid-1970s, Stoller photographed buildings by such architects as Alvar Aalto, Eero Saarinen, Marcel Breuer, Paul Rudolph, and Louis I. Kahn. His striking images earned him the admiration of critics and contemporaries, but few people are aware of the stunning breadth of his oeuvre, which also included domestic and industrial spaces and important editorial depictions of American labor in the 1950s and 1960s. Ezra Stoller, Photographer, a survey of Stoller's artistic accomplishments, examines the photographer's full range with a fresh eye and unprecedented scope, offering a unique commentary on postwar America's changing landscape.
Ezra Stoller, photographer
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Ezra Stoller's iconic photographs of 20th-century architectural masterpieces, such as Frank Lloyd Wright's Fallingwater and Mies van der Rohe's Seagram Building, are often cited in aiding the rise of modernism in America. Stoller (1915–2004) elevated architectural photography to an art form, capturing the mood of numerous buildings in their best light. Living and working in New York from the early 1940s to the mid-1970s, Stoller photographed buildings by such architects as Alvar Aalto, Eero Saarinen, Marcel Breuer, Paul Rudolph, and Louis I. Kahn. His striking images earned him the admiration of critics and contemporaries, but few people are aware of the stunning breadth of his oeuvre, which also included domestic and industrial spaces and important editorial depictions of American labor in the 1950s and 1960s. Ezra Stoller, Photographer, a survey of Stoller's artistic accomplishments, examines the photographer's full range with a fresh eye and unprecedented scope, offering a unique commentary on postwar America's changing landscape.
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books
books
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November 2012
November 2012
Subject:
Photography monographs
Photography monographs
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books
books
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$22.95
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The newest volume in the Conversations series features Japanese architect Tadao Ando. One of the most celebrated living architects, Ando is best known for crafting serenely austere structures that fuse Japanese building traditions with Western modernism. His minimalist masterworks, geometric forms clad in silky-smooth exposed concrete, are suffused with natural light and(...)
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The newest volume in the Conversations series features Japanese architect Tadao Ando. One of the most celebrated living architects, Ando is best known for crafting serenely austere structures that fuse Japanese building traditions with Western modernism. His minimalist masterworks, geometric forms clad in silky-smooth exposed concrete, are suffused with natural light and(...)
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Tadao Ando : conversations with students
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The newest volume in the Conversations series features Japanese architect Tadao Ando. One of the most celebrated living architects, Ando is best known for crafting serenely austere structures that fuse Japanese building traditions with Western modernism. His minimalist masterworks, geometric forms clad in silky-smooth exposed concrete, are suffused with natural light and set in perfect harmony with the landscape. In these highlights from lectures delivered at the University of Tokyos Graduate School of Architecture, Ando candidly describes his experiences as a largely self-taught practitioner, tracing his development from an early interest in the traditional building craft of his native Japan through his political awakening in the turbulent 1960s to his current stature as one of the worlds foremost architects. In addition to exploring his aesthetic influences and working process, Ando offers students a road map not only for maintaining professional integrity, but also for becoming effective agents of change in the world
Tadao Ando : conversations with students
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The newest volume in the Conversations series features Japanese architect Tadao Ando. One of the most celebrated living architects, Ando is best known for crafting serenely austere structures that fuse Japanese building traditions with Western modernism. His minimalist masterworks, geometric forms clad in silky-smooth exposed concrete, are suffused with natural light and set in perfect harmony with the landscape. In these highlights from lectures delivered at the University of Tokyos Graduate School of Architecture, Ando candidly describes his experiences as a largely self-taught practitioner, tracing his development from an early interest in the traditional building craft of his native Japan through his political awakening in the turbulent 1960s to his current stature as one of the worlds foremost architects. In addition to exploring his aesthetic influences and working process, Ando offers students a road map not only for maintaining professional integrity, but also for becoming effective agents of change in the world
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books
books
Publication:
November 2012
November 2012
Subject:
Architecture Monographs
Architecture Monographs
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books
books
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$60.00
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Kenz Tange (1913–2005) is a peerless figure among twentieth-century Japanese architects, unmatched in his talent, influence, and versatility. A leading force of the Metabolist movement, he was the first non-Western architect whose works would be embraced as universal in value. This unique assemblage of new scholarship by an international team of experts reframes Tange(...)
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Kenz Tange (1913–2005) is a peerless figure among twentieth-century Japanese architects, unmatched in his talent, influence, and versatility. A leading force of the Metabolist movement, he was the first non-Western architect whose works would be embraced as universal in value. This unique assemblage of new scholarship by an international team of experts reframes Tange(...)
Title:
Kenz Tange: architecture for the world
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Kenz Tange (1913–2005) is a peerless figure among twentieth-century Japanese architects, unmatched in his talent, influence, and versatility. A leading force of the Metabolist movement, he was the first non-Western architect whose works would be embraced as universal in value. This unique assemblage of new scholarship by an international team of experts reframes Tange according to the contingencies of Japanese modernism as well as contemporary discourses of cultural identity, technology, urbanization, and the synthesis of the arts. Case studies on celebrated works—Hiroshima, Tokyo Bay Plan, and Yoyogi Stadiums—clarify Tange’s wide-ranging interests and design methodology. Illustrated with archival drawings and period photographs, this volume provides fresh and compelling perspectives on the practices, discourses, and production contexts of Tange’s work as well as the architecture and urbanism of postwar Japan. Kenz Tange—Architecture for the World represents the most serious and comprehensive reassessment of Tange in the English language in decades.
Kenz Tange: architecture for the world
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Kenz Tange (1913–2005) is a peerless figure among twentieth-century Japanese architects, unmatched in his talent, influence, and versatility. A leading force of the Metabolist movement, he was the first non-Western architect whose works would be embraced as universal in value. This unique assemblage of new scholarship by an international team of experts reframes Tange according to the contingencies of Japanese modernism as well as contemporary discourses of cultural identity, technology, urbanization, and the synthesis of the arts. Case studies on celebrated works—Hiroshima, Tokyo Bay Plan, and Yoyogi Stadiums—clarify Tange’s wide-ranging interests and design methodology. Illustrated with archival drawings and period photographs, this volume provides fresh and compelling perspectives on the practices, discourses, and production contexts of Tange’s work as well as the architecture and urbanism of postwar Japan. Kenz Tange—Architecture for the World represents the most serious and comprehensive reassessment of Tange in the English language in decades.
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books
books
Publication:
November 2012
November 2012
Subject:
Architecture Monographs
Architecture Monographs
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books
books
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$99.00
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Denmark’s best-known photographer Keld Helmer-Petersen published his first photobook, 122 Colour Photographs, in 1948. His work was immediately notable for its inventive composition, which turned landscapes and buildings into abstract patterns, and for the photographer’s embrace of color at a time when only black-and-white photography was considered serious. When Life(...)
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Denmark’s best-known photographer Keld Helmer-Petersen published his first photobook, 122 Colour Photographs, in 1948. His work was immediately notable for its inventive composition, which turned landscapes and buildings into abstract patterns, and for the photographer’s embrace of color at a time when only black-and-white photography was considered serious. When Life(...)
Title:
Keld Helmer-Petersen: photographs 1941-2013
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Denmark’s best-known photographer Keld Helmer-Petersen published his first photobook, 122 Colour Photographs, in 1948. His work was immediately notable for its inventive composition, which turned landscapes and buildings into abstract patterns, and for the photographer’s embrace of color at a time when only black-and-white photography was considered serious. When Life magazine reproduced several pages from the book in 1949, Helmer-Petersen’s vision found a wide, international audience for the first time. Helmer-Petersen’s style was experimental modernism tempered by a lyrical simplicity and a sense of keen, quiet observation. By isolating details and compressing visual space, the photographer turned the real world into vibrant, graphic pattern. “The pictures aim at illustrating nothing whatever beyond the fact that we are surrounded by many beautiful and exciting things,” Helmer-Petersen said. “And that there can be a great deal of pleasure in spotting them and capturing their beauty by means of color photography.”
Keld Helmer-Petersen: photographs 1941-2013
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Denmark’s best-known photographer Keld Helmer-Petersen published his first photobook, 122 Colour Photographs, in 1948. His work was immediately notable for its inventive composition, which turned landscapes and buildings into abstract patterns, and for the photographer’s embrace of color at a time when only black-and-white photography was considered serious. When Life magazine reproduced several pages from the book in 1949, Helmer-Petersen’s vision found a wide, international audience for the first time. Helmer-Petersen’s style was experimental modernism tempered by a lyrical simplicity and a sense of keen, quiet observation. By isolating details and compressing visual space, the photographer turned the real world into vibrant, graphic pattern. “The pictures aim at illustrating nothing whatever beyond the fact that we are surrounded by many beautiful and exciting things,” Helmer-Petersen said. “And that there can be a great deal of pleasure in spotting them and capturing their beauty by means of color photography.”
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books
books
Publication:
March 2020
March 2020
Subject:
Photography monographs
Photography monographs
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books
books
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$55.00
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Built between 1957 and 1958, Le Corbusier’s Unité d’habitation in Berlin stands as an exceptional work of postwar architecture in Berlin. Although it follows the basic concept of a “vertical village” as envisioned by the architect, the gigantic block, containing 530 apartments, clearly differs from the Marseille original. However, as a result of modifications required by(...)
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Built between 1957 and 1958, Le Corbusier’s Unité d’habitation in Berlin stands as an exceptional work of postwar architecture in Berlin. Although it follows the basic concept of a “vertical village” as envisioned by the architect, the gigantic block, containing 530 apartments, clearly differs from the Marseille original. However, as a result of modifications required by(...)
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Le Corbusier: unité d'habitation, Typ Berlin: construction and context
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Built between 1957 and 1958, Le Corbusier’s Unité d’habitation in Berlin stands as an exceptional work of postwar architecture in Berlin. Although it follows the basic concept of a “vertical village” as envisioned by the architect, the gigantic block, containing 530 apartments, clearly differs from the Marseille original. However, as a result of modifications required by the client, the construction occupies the position of an outsider in Le Corbusier’s oeuvre. Authors from the fields of architecture, urbanism, art history and cultural studies precisely set out the genesis of the listed building for the first time. In addition, they investigate the development of the Unité d’habitation model, and the Berlin variant’s unique color concept, and carry out a comparison with the four typologically related buildings in France. In looking at the significance, ingenuity and creative impact of Le Corbusier’s unique creation in Berlin, the so-called Corbusierhaus, the publication fills a gap in the literature on postwar modernism and the architect’s body of work.
Le Corbusier: unité d'habitation, Typ Berlin: construction and context
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Built between 1957 and 1958, Le Corbusier’s Unité d’habitation in Berlin stands as an exceptional work of postwar architecture in Berlin. Although it follows the basic concept of a “vertical village” as envisioned by the architect, the gigantic block, containing 530 apartments, clearly differs from the Marseille original. However, as a result of modifications required by the client, the construction occupies the position of an outsider in Le Corbusier’s oeuvre. Authors from the fields of architecture, urbanism, art history and cultural studies precisely set out the genesis of the listed building for the first time. In addition, they investigate the development of the Unité d’habitation model, and the Berlin variant’s unique color concept, and carry out a comparison with the four typologically related buildings in France. In looking at the significance, ingenuity and creative impact of Le Corbusier’s unique creation in Berlin, the so-called Corbusierhaus, the publication fills a gap in the literature on postwar modernism and the architect’s body of work.
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books
books
Publication:
September 2019
September 2019
Subject:
Architecture Monographs
Architecture Monographs
Form:
books
books
Title:
Essays on Adolf Loos
Essays on Adolf Loos
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In this collection of essays, noted architectural historian and University of Texas professor Christopher Long (author of Adolf Loos on Trial) examines some of the many influences that shaped the work of the great architect Adolf Loos (1870–1933). Long’s finely tuned essays on subjects such as Loos' time in America, his famous essay "Ornament and Crime" and other(...)
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In this collection of essays, noted architectural historian and University of Texas professor Christopher Long (author of Adolf Loos on Trial) examines some of the many influences that shaped the work of the great architect Adolf Loos (1870–1933). Long’s finely tuned essays on subjects such as Loos' time in America, his famous essay "Ornament and Crime" and other(...)
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Essays on Adolf Loos
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In this collection of essays, noted architectural historian and University of Texas professor Christopher Long (author of Adolf Loos on Trial) examines some of the many influences that shaped the work of the great architect Adolf Loos (1870–1933). Long’s finely tuned essays on subjects such as Loos' time in America, his famous essay "Ornament and Crime" and other subjects, are at once brief excursions into Loos’ rich and complex intellectual world, and an attempt to shed light on an important time in the history of architecture and design. Long is deeply interested in Loos as an architect, but he is even more drawn to his profound and unique intellect, and to the clarity of mind with which Loos managed to probe and understand the realities of modern life. Loos, as Long writes, saw that “the problem of modernism was not the problem of style, but the problem of understanding how the world was changing.”
Essays on Adolf Loos
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In this collection of essays, noted architectural historian and University of Texas professor Christopher Long (author of Adolf Loos on Trial) examines some of the many influences that shaped the work of the great architect Adolf Loos (1870–1933). Long’s finely tuned essays on subjects such as Loos' time in America, his famous essay "Ornament and Crime" and other subjects, are at once brief excursions into Loos’ rich and complex intellectual world, and an attempt to shed light on an important time in the history of architecture and design. Long is deeply interested in Loos as an architect, but he is even more drawn to his profound and unique intellect, and to the clarity of mind with which Loos managed to probe and understand the realities of modern life. Loos, as Long writes, saw that “the problem of modernism was not the problem of style, but the problem of understanding how the world was changing.”
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books
books
Publication:
April 2020
April 2020
Subject:
Architectural Theory
Architectural Theory
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books
books
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$67.50
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Founded in North Carolina in 1933, Black Mountain College ranks alongside the Bauhaus as one of the most innovative schools of the 20th century. Inspired by the forward-thinking pedagogical ideas of philosopher John Dewey, the experimental, interdisciplinary college combined the ideas of radical European modernism with the philosophy of American pragmatism and teaching(...)
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Founded in North Carolina in 1933, Black Mountain College ranks alongside the Bauhaus as one of the most innovative schools of the 20th century. Inspired by the forward-thinking pedagogical ideas of philosopher John Dewey, the experimental, interdisciplinary college combined the ideas of radical European modernism with the philosophy of American pragmatism and teaching(...)
Title:
Black Mountain: an interdisciplinary experiment 1933-1957
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Founded in North Carolina in 1933, Black Mountain College ranks alongside the Bauhaus as one of the most innovative schools of the 20th century. Inspired by the forward-thinking pedagogical ideas of philosopher John Dewey, the experimental, interdisciplinary college combined the ideas of radical European modernism with the philosophy of American pragmatism and teaching methods designed to encourage personal initiative as well as the social competence of the individual. Visual arts, economics, physics, dance, architecture and music were all taught on an equal footing, and teachers and students lived together in a democratically organized community. The second director of the school was Josef Albers, and John Cage, Merce Cunningham, Buckminster Fuller, Walter Gropius, Franz Kline and Charles Olson were among its teachers. As a result, the college played a foundational role in the development of a range of avant-garde practices, and exerted an enormous influence on the development of the arts in the second half of the 20th century.
Black Mountain: an interdisciplinary experiment 1933-1957
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Founded in North Carolina in 1933, Black Mountain College ranks alongside the Bauhaus as one of the most innovative schools of the 20th century. Inspired by the forward-thinking pedagogical ideas of philosopher John Dewey, the experimental, interdisciplinary college combined the ideas of radical European modernism with the philosophy of American pragmatism and teaching methods designed to encourage personal initiative as well as the social competence of the individual. Visual arts, economics, physics, dance, architecture and music were all taught on an equal footing, and teachers and students lived together in a democratically organized community. The second director of the school was Josef Albers, and John Cage, Merce Cunningham, Buckminster Fuller, Walter Gropius, Franz Kline and Charles Olson were among its teachers. As a result, the college played a foundational role in the development of a range of avant-garde practices, and exerted an enormous influence on the development of the arts in the second half of the 20th century.
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books
books
Publication:
December 2019
December 2019
Subject:
Art Theory
Art Theory
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books
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$56.95
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This book tells the story of the architects and buildings that have defined Australia’s architectural culture since the founding of the modern nation through Federation in 1901. That year marked the beginning of a search for better city forms and buildings to accommodate the changing realities of Australian life and to express an emerging, distinctive, and, eventually,(...)
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This book tells the story of the architects and buildings that have defined Australia’s architectural culture since the founding of the modern nation through Federation in 1901. That year marked the beginning of a search for better city forms and buildings to accommodate the changing realities of Australian life and to express an emerging, distinctive, and, eventually,(...)
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Australia: modern architectures in history
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This book tells the story of the architects and buildings that have defined Australia’s architectural culture since the founding of the modern nation through Federation in 1901. That year marked the beginning of a search for better city forms and buildings to accommodate the changing realities of Australian life and to express an emerging, distinctive, and, eventually, confident Australian identity. While Sydney and Melbourne were the settings for many of the major buildings, all states and territories developed architectural traditions based on distinctive histories and climates. Harry Margalit explores the flowering of these many architectural variants, from the bid to create a model city in Canberra, through the stylistic battles that opened a space for modernism, to the idealism of postwar reconstruction, and beyond to the new millennium. Australia reveals a vibrant and influential culture of the built environment, at its best when it matches civic idealism with the sensuality of a country of stunning light and landscapes.
Australia: modern architectures in history
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This book tells the story of the architects and buildings that have defined Australia’s architectural culture since the founding of the modern nation through Federation in 1901. That year marked the beginning of a search for better city forms and buildings to accommodate the changing realities of Australian life and to express an emerging, distinctive, and, eventually, confident Australian identity. While Sydney and Melbourne were the settings for many of the major buildings, all states and territories developed architectural traditions based on distinctive histories and climates. Harry Margalit explores the flowering of these many architectural variants, from the bid to create a model city in Canberra, through the stylistic battles that opened a space for modernism, to the idealism of postwar reconstruction, and beyond to the new millennium. Australia reveals a vibrant and influential culture of the built environment, at its best when it matches civic idealism with the sensuality of a country of stunning light and landscapes.
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books
books
Publication:
December 2019
December 2019
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books
books
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$70.00
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As a pioneer of modern design, Willy Guhl created world-famous furniture such as the Eternit garden chair or Europe’s first plastic shell chair. In the tradition of modernism and against the traditional “Heimatstil”, he developed a holistic design approach oriented to human beings and their needs. Functionality and reduction to the essential characterize his everyday(...)
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As a pioneer of modern design, Willy Guhl created world-famous furniture such as the Eternit garden chair or Europe’s first plastic shell chair. In the tradition of modernism and against the traditional “Heimatstil”, he developed a holistic design approach oriented to human beings and their needs. Functionality and reduction to the essential characterize his everyday(...)
Title:
Willy Guhl: Thinking with your hands
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As a pioneer of modern design, Willy Guhl created world-famous furniture such as the Eternit garden chair or Europe’s first plastic shell chair. In the tradition of modernism and against the traditional “Heimatstil”, he developed a holistic design approach oriented to human beings and their needs. Functionality and reduction to the essential characterize his everyday objects. For companies such as Dietiker, Eternit and Aebi, Willy Guhl designed seating furniture, planters and mowing machines. Guhl’s designs and his teaching methods bear witness to the innovations of the booming design industry of the post-war period and the changing professional image of the industrial designer. As a teacher, he influenced generations of Swiss designers. This first comprehensive monograph illuminates Willy Guhl’s legacy in the context of this design and teaching practice as well as current theories of the design discipline. As a thematically structured catalog of works, it offers a complete index of all design projects.
Willy Guhl: Thinking with your hands
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As a pioneer of modern design, Willy Guhl created world-famous furniture such as the Eternit garden chair or Europe’s first plastic shell chair. In the tradition of modernism and against the traditional “Heimatstil”, he developed a holistic design approach oriented to human beings and their needs. Functionality and reduction to the essential characterize his everyday objects. For companies such as Dietiker, Eternit and Aebi, Willy Guhl designed seating furniture, planters and mowing machines. Guhl’s designs and his teaching methods bear witness to the innovations of the booming design industry of the post-war period and the changing professional image of the industrial designer. As a teacher, he influenced generations of Swiss designers. This first comprehensive monograph illuminates Willy Guhl’s legacy in the context of this design and teaching practice as well as current theories of the design discipline. As a thematically structured catalog of works, it offers a complete index of all design projects.
Form:
books
books
Publication:
February 2022
February 2022
Subject:
Design Monographs
Design Monographs
