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Saarinen's buildings are famous worldwide: the Gateway Arch in St. Louis, the TWA terminal in JFK Airport, Dulles Airport, outside Washington D.C., the CBS Building in New York, the General Motors Technical Center in Michigan, the US Embassy in London, and many other landmarks. Equally celebrated are his furniture designs, including the Tulip Table and Womb Chair. While(...)
$84.00
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Summary:
Saarinen's buildings are famous worldwide: the Gateway Arch in St. Louis, the TWA terminal in JFK Airport, Dulles Airport, outside Washington D.C., the CBS Building in New York, the General Motors Technical Center in Michigan, the US Embassy in London, and many other landmarks. Equally celebrated are his furniture designs, including the Tulip Table and Womb Chair. While(...)
Title:
Eero Saarinen : an architecture of multiplicity
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$84.00
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Saarinen's buildings are famous worldwide: the Gateway Arch in St. Louis, the TWA terminal in JFK Airport, Dulles Airport, outside Washington D.C., the CBS Building in New York, the General Motors Technical Center in Michigan, the US Embassy in London, and many other landmarks. Equally celebrated are his furniture designs, including the Tulip Table and Womb Chair. While Saarinen's exuberant, even expressionistic, forms were lightning rods for many critics, his unique personal style is now much admired, making him a key figure for many designers practicing today. Saarinen's was a career of innovation. His airport terminals combined the poetry of sculpture with daring structural feats and raganizational genius; his pioneering industrial complexes for GM, IBM, and Bell Labs brought rational modernism to corporate America; and his furniture and residential buildings conveyed an optimistic, humane vision for the future. This illustrated monograph spans Saarinen's entire career, including his drawings, models, most important built works, and furniture.
Eero Saarinen : an architecture of multiplicity
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$84.00
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Summary:
Saarinen's buildings are famous worldwide: the Gateway Arch in St. Louis, the TWA terminal in JFK Airport, Dulles Airport, outside Washington D.C., the CBS Building in New York, the General Motors Technical Center in Michigan, the US Embassy in London, and many other landmarks. Equally celebrated are his furniture designs, including the Tulip Table and Womb Chair. While Saarinen's exuberant, even expressionistic, forms were lightning rods for many critics, his unique personal style is now much admired, making him a key figure for many designers practicing today. Saarinen's was a career of innovation. His airport terminals combined the poetry of sculpture with daring structural feats and raganizational genius; his pioneering industrial complexes for GM, IBM, and Bell Labs brought rational modernism to corporate America; and his furniture and residential buildings conveyed an optimistic, humane vision for the future. This illustrated monograph spans Saarinen's entire career, including his drawings, models, most important built works, and furniture.
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books
books
Publication:
January 2003, New York
January 2003, New York
Subject:
Architecture Monographs
Architecture Monographs
Form:
books
books
Title:
British council Nairobi
British council Nairobi
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A new council office, designed by Squire and Partners, opened in Nairobi in November 2004. The design utilises the local climate and orientation to passively control the building’s environment and has evolved from Squire and Partners’ ethos of contextual modernism. The practice works hard with site locations, aspect and orientation to develop proposals that are both(...)
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A new council office, designed by Squire and Partners, opened in Nairobi in November 2004. The design utilises the local climate and orientation to passively control the building’s environment and has evolved from Squire and Partners’ ethos of contextual modernism. The practice works hard with site locations, aspect and orientation to develop proposals that are both(...)
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British council Nairobi
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A new council office, designed by Squire and Partners, opened in Nairobi in November 2004. The design utilises the local climate and orientation to passively control the building’s environment and has evolved from Squire and Partners’ ethos of contextual modernism. The practice works hard with site locations, aspect and orientation to develop proposals that are both appropriate and culturally of their 'place’. The design responds specifically to both the culture of the British council in East Africa and the site context of central Nairobi to create a dramatic, beautiful space. The British Council’s Visual Arts Department commissioned a site specific work for the new building from artist David Tremlett who was invited to contribute wall drawings to the front and back elevations and to the main corridors leading to the teaching areas within the building. The drawings of rubbed pigment and varnish highlight accentuate the flat planes of the building and the colours harmonise with the vibrant richness of the Kenyan soil, vegetation and sky.
British council Nairobi
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A new council office, designed by Squire and Partners, opened in Nairobi in November 2004. The design utilises the local climate and orientation to passively control the building’s environment and has evolved from Squire and Partners’ ethos of contextual modernism. The practice works hard with site locations, aspect and orientation to develop proposals that are both appropriate and culturally of their 'place’. The design responds specifically to both the culture of the British council in East Africa and the site context of central Nairobi to create a dramatic, beautiful space. The British Council’s Visual Arts Department commissioned a site specific work for the new building from artist David Tremlett who was invited to contribute wall drawings to the front and back elevations and to the main corridors leading to the teaching areas within the building. The drawings of rubbed pigment and varnish highlight accentuate the flat planes of the building and the colours harmonise with the vibrant richness of the Kenyan soil, vegetation and sky.
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books
books
Publication:
September 2005, London
September 2005, London
Subject:
small format
small format
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books
books
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$32.00
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Summary:
Take Rem Koolhaas’s lauded new Seattle Public Library, and remove it from its context. Would it be as beautiful? Would it lose something of its meaning (not to mention the books off the shelves), if you picked it up and placed it elsewhere? Is it even possible for a building to have no relation whatsoever to the place where it is erected? Is it pointless to talk about(...)
$32.00
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Take Rem Koolhaas’s lauded new Seattle Public Library, and remove it from its context. Would it be as beautiful? Would it lose something of its meaning (not to mention the books off the shelves), if you picked it up and placed it elsewhere? Is it even possible for a building to have no relation whatsoever to the place where it is erected? Is it pointless to talk about(...)
Title:
Open house : towards a new architecture
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$32.00
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Take Rem Koolhaas’s lauded new Seattle Public Library, and remove it from its context. Would it be as beautiful? Would it lose something of its meaning (not to mention the books off the shelves), if you picked it up and placed it elsewhere? Is it even possible for a building to have no relation whatsoever to the place where it is erected? Is it pointless to talk about architecture as a pure intellectual enterprise, without grounding it in its surroundings? These are among the important questions raised by the German architecture scholar Florentine Sack in this exploration of the philosophical, aesthetic, and subjective links between a building and its environment. Drawing upon traditions as old as that of the Japanese house through models of classical Western modernism, she brings the notion of unity to bear on contemporary architecture, referring to exemplary buildings by Koolhaas, Herzog & de Meuron, Peter Zumthor, Kazuyo Sejima, Ryue Nishizawa, and many others.
Open house : towards a new architecture
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$32.00
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Summary:
Take Rem Koolhaas’s lauded new Seattle Public Library, and remove it from its context. Would it be as beautiful? Would it lose something of its meaning (not to mention the books off the shelves), if you picked it up and placed it elsewhere? Is it even possible for a building to have no relation whatsoever to the place where it is erected? Is it pointless to talk about architecture as a pure intellectual enterprise, without grounding it in its surroundings? These are among the important questions raised by the German architecture scholar Florentine Sack in this exploration of the philosophical, aesthetic, and subjective links between a building and its environment. Drawing upon traditions as old as that of the Japanese house through models of classical Western modernism, she brings the notion of unity to bear on contemporary architecture, referring to exemplary buildings by Koolhaas, Herzog & de Meuron, Peter Zumthor, Kazuyo Sejima, Ryue Nishizawa, and many others.
Form:
books
books
Publication:
October 2005, Berlin
October 2005, Berlin
Subject:
Residential Architecture
Residential Architecture
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books
books
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$80.00
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The designer and architect Pierre Chareau (1883–1950) was a pivotal figure in modernism. His extraordinary Art Deco furniture is avidly collected and his visionary glass house, the Maison de Verre, is celebrated, but the breadth of his design genius has been little explored. Chareau linked architecture, fine arts, and style; designed furniture for avant-garde films and(...)
$80.00
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Summary:
The designer and architect Pierre Chareau (1883–1950) was a pivotal figure in modernism. His extraordinary Art Deco furniture is avidly collected and his visionary glass house, the Maison de Verre, is celebrated, but the breadth of his design genius has been little explored. Chareau linked architecture, fine arts, and style; designed furniture for avant-garde films and(...)
Title:
Pierre Chareau: Modern architecture and design
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The designer and architect Pierre Chareau (1883–1950) was a pivotal figure in modernism. His extraordinary Art Deco furniture is avidly collected and his visionary glass house, the Maison de Verre, is celebrated, but the breadth of his design genius has been little explored. Chareau linked architecture, fine arts, and style; designed furniture for avant-garde films and chic homes; collected artists such as Picasso and Mondrian; and was a radical innovator in the use of materials. This revealing look at the visionary French designer highlights his virtuosity and versatile creativity. Essays by leading scholars embrace the full scope of his invention, offering detailed analyses of individual projects, the interdisciplinary nature of his work, his Jewish background, his place in the avant-garde of Paris between the wars, and his more recent reception. Extensive illustrations present a rich sampling of Chareau’s furniture, architecture, interiors, fabrics, and wallpapers, as well as his own important art collection. Published in association with the Jewish Museum, New York
Pierre Chareau: Modern architecture and design
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Summary:
The designer and architect Pierre Chareau (1883–1950) was a pivotal figure in modernism. His extraordinary Art Deco furniture is avidly collected and his visionary glass house, the Maison de Verre, is celebrated, but the breadth of his design genius has been little explored. Chareau linked architecture, fine arts, and style; designed furniture for avant-garde films and chic homes; collected artists such as Picasso and Mondrian; and was a radical innovator in the use of materials. This revealing look at the visionary French designer highlights his virtuosity and versatile creativity. Essays by leading scholars embrace the full scope of his invention, offering detailed analyses of individual projects, the interdisciplinary nature of his work, his Jewish background, his place in the avant-garde of Paris between the wars, and his more recent reception. Extensive illustrations present a rich sampling of Chareau’s furniture, architecture, interiors, fabrics, and wallpapers, as well as his own important art collection. Published in association with the Jewish Museum, New York
Form:
books
books
Publication:
June 2024
June 2024
Subject:
Architecture Monographs
Architecture Monographs
Form:
books
books
Title:
Domus volume 2 1940-1949
Domus volume 2 1940-1949
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1940-1949: Destruction and Reconstruction. This volume covers the 1940s, when fascism came to a climax and World War II led to the extensive destruction of Europe. But the second half of this decade was also a time of reconstruction, democratization, and the related search for new social values. Unlike in Nazi Germany, in fascist Italy Modernism was able to advance in(...)
$79.95
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Summary:
1940-1949: Destruction and Reconstruction. This volume covers the 1940s, when fascism came to a climax and World War II led to the extensive destruction of Europe. But the second half of this decade was also a time of reconstruction, democratization, and the related search for new social values. Unlike in Nazi Germany, in fascist Italy Modernism was able to advance in(...)
Title:
Domus volume 2 1940-1949
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$79.95
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Summary:
1940-1949: Destruction and Reconstruction. This volume covers the 1940s, when fascism came to a climax and World War II led to the extensive destruction of Europe. But the second half of this decade was also a time of reconstruction, democratization, and the related search for new social values. Unlike in Nazi Germany, in fascist Italy Modernism was able to advance in architecture and design - as proved impressively by the buildings and designs by Carlo Mollino, Gian Luigi Banfi, Franco Albini, and Giuseppe Terragni that are documented herein. After the war, Organic Design emerged alongside the International style. This edition reflects upon the economic, social, and cultural problems of the time, but also shows how the force of the avant-garde continued to thrive in Italy, Switzerland, Scandinavia and the USA. Reports and features on modern industrial design and furniture, as well as domestic and business interiors stand side by side with articles about novel prefabricated houses
Domus volume 2 1940-1949
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$79.95
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Summary:
1940-1949: Destruction and Reconstruction. This volume covers the 1940s, when fascism came to a climax and World War II led to the extensive destruction of Europe. But the second half of this decade was also a time of reconstruction, democratization, and the related search for new social values. Unlike in Nazi Germany, in fascist Italy Modernism was able to advance in architecture and design - as proved impressively by the buildings and designs by Carlo Mollino, Gian Luigi Banfi, Franco Albini, and Giuseppe Terragni that are documented herein. After the war, Organic Design emerged alongside the International style. This edition reflects upon the economic, social, and cultural problems of the time, but also shows how the force of the avant-garde continued to thrive in Italy, Switzerland, Scandinavia and the USA. Reports and features on modern industrial design and furniture, as well as domestic and business interiors stand side by side with articles about novel prefabricated houses
Form:
books
books
Publication:
October 2008
October 2008
Subject:
Interior Design
Interior Design
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books
books
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$45.50
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Summary:
Saarinen's buildings are famous worldwide: the Gateway Arch in St. Louis, the TWA terminal in JFK Airport, Dulles Airport, outside Washington D.C., the CBS Building in New York, the General Motors Technical Center in Michigan, the US Embassy in London, and many other landmarks. Equally celebrated are his furniture designs, including the Tulip Table and Womb Chair. While(...)
$45.50
(available to order)
Summary:
Saarinen's buildings are famous worldwide: the Gateway Arch in St. Louis, the TWA terminal in JFK Airport, Dulles Airport, outside Washington D.C., the CBS Building in New York, the General Motors Technical Center in Michigan, the US Embassy in London, and many other landmarks. Equally celebrated are his furniture designs, including the Tulip Table and Womb Chair. While(...)
Title:
Eero Saarinen : an architecture of multiplicity
Actions:
Price:
$45.50
(available to order)
Summary:
Saarinen's buildings are famous worldwide: the Gateway Arch in St. Louis, the TWA terminal in JFK Airport, Dulles Airport, outside Washington D.C., the CBS Building in New York, the General Motors Technical Center in Michigan, the US Embassy in London, and many other landmarks. Equally celebrated are his furniture designs, including the Tulip Table and Womb Chair. While Saarinen's exuberant, even expressionistic, forms were lightning rods for many critics, his unique personal style is now much admired, making him a key figure for many designers practicing today. Saarinen's was a career of innovation. His airport terminals combined the poetry of sculpture with daring structural feats and raganizational genius; his pioneering industrial complexes for GM, IBM, and Bell Labs brought rational modernism to corporate America; and his furniture and residential buildings conveyed an optimistic, humane vision for the future. This illustrated monograph spans Saarinen's entire career, including his drawings, models, most important built works, and furniture.
Eero Saarinen : an architecture of multiplicity
Actions:
Price:
$45.50
(available to order)
Summary:
Saarinen's buildings are famous worldwide: the Gateway Arch in St. Louis, the TWA terminal in JFK Airport, Dulles Airport, outside Washington D.C., the CBS Building in New York, the General Motors Technical Center in Michigan, the US Embassy in London, and many other landmarks. Equally celebrated are his furniture designs, including the Tulip Table and Womb Chair. While Saarinen's exuberant, even expressionistic, forms were lightning rods for many critics, his unique personal style is now much admired, making him a key figure for many designers practicing today. Saarinen's was a career of innovation. His airport terminals combined the poetry of sculpture with daring structural feats and raganizational genius; his pioneering industrial complexes for GM, IBM, and Bell Labs brought rational modernism to corporate America; and his furniture and residential buildings conveyed an optimistic, humane vision for the future. This illustrated monograph spans Saarinen's entire career, including his drawings, models, most important built works, and furniture.
Form:
books
books
Publication:
July 2006, New York
July 2006, New York
Subject:
Architecture Monographs
Architecture Monographs
Form:
books
books
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Price:
$81.50
(available in store)
Summary:
In this volume, twenty scholars explore the work of two of the twentieth century’s greatest architectural historians: the American Henry-Russell Hitchcock (1903–1987) and the Englishman Sir John Summerson (1904–1992). Both men undertook architectural training and became key polemical figures in the establishment of Modernism in the 1930s. After the war, and especially in(...)
$81.50
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Summary:
In this volume, twenty scholars explore the work of two of the twentieth century’s greatest architectural historians: the American Henry-Russell Hitchcock (1903–1987) and the Englishman Sir John Summerson (1904–1992). Both men undertook architectural training and became key polemical figures in the establishment of Modernism in the 1930s. After the war, and especially in(...)
Title:
Summersopn and Hitchcock : centenary essays on architectural historiography
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$81.50
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In this volume, twenty scholars explore the work of two of the twentieth century’s greatest architectural historians: the American Henry-Russell Hitchcock (1903–1987) and the Englishman Sir John Summerson (1904–1992). Both men undertook architectural training and became key polemical figures in the establishment of Modernism in the 1930s. After the war, and especially in the 1950s, both turned more exclusively to historical research and writing. While their areas of interest overlapped, their approaches greatly differed. The contributors to the book investigate the work and methodologies of Summerson and Hitchcock, from their interests in the Northern European (as opposed to Italian) Renaissance, through their studies of the nineteenth century as a precursor to their own times, to their involvement in contemporary issues of design and conservation. The book enhances our understanding of the influences that shaped these two important figures and of the place of architecture within the social and cultural environment.
Summersopn and Hitchcock : centenary essays on architectural historiography
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Price:
$81.50
(available in store)
Summary:
In this volume, twenty scholars explore the work of two of the twentieth century’s greatest architectural historians: the American Henry-Russell Hitchcock (1903–1987) and the Englishman Sir John Summerson (1904–1992). Both men undertook architectural training and became key polemical figures in the establishment of Modernism in the 1930s. After the war, and especially in the 1950s, both turned more exclusively to historical research and writing. While their areas of interest overlapped, their approaches greatly differed. The contributors to the book investigate the work and methodologies of Summerson and Hitchcock, from their interests in the Northern European (as opposed to Italian) Renaissance, through their studies of the nineteenth century as a precursor to their own times, to their involvement in contemporary issues of design and conservation. The book enhances our understanding of the influences that shaped these two important figures and of the place of architecture within the social and cultural environment.
Form:
books
books
Publication:
January 2006, New Haven, London
January 2006, New Haven, London
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
Title:
Clark and Menefee
Clark and Menefee
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$56.00
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Architects W.G. Clark and Charles Menefee III, inspired by the "thin shacks and sheds of insubstantial beauty" of the Southern vernacular building tradition, are known for structures that are at once modest, rigorous, and economical in detail. They blend the ease (...)
$56.00
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Architects W.G. Clark and Charles Menefee III, inspired by the "thin shacks and sheds of insubstantial beauty" of the Southern vernacular building tradition, are known for structures that are at once modest, rigorous, and economical in detail. They blend the ease (...)
Title:
Clark and Menefee
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$56.00
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Architects W.G. Clark and Charles Menefee III, inspired by the "thin shacks and sheds of insubstantial beauty" of the Southern vernacular building tradition, are known for structures that are at once modest, rigorous, and economical in detail. They blend the ease and informality of the architecture of the historic South with the elegance of end-of-the-century modernism. This balance between continuity and change is evident throughout their work. This monograph of 13 projects--eight built, five unbuilt--reveals the architects' ideas and intentions while reflecting the spirit they bring to each design. Projects such as Middleton Inn, Croffead House, Lucy Daniels Foundation, Charleston Bus Stops, and 8 Bedon's Alley are presented through duotone photographs and drawings, which exemplify the simplicity and rigor of the architects' work. The author's critical analysis of each project highlights associations to vernacular buildings and the local historic context. Clark and Menefee dissolved their professional practice last year, making this book the complete and only overview of their work.
Clark and Menefee
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$56.00
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Architects W.G. Clark and Charles Menefee III, inspired by the "thin shacks and sheds of insubstantial beauty" of the Southern vernacular building tradition, are known for structures that are at once modest, rigorous, and economical in detail. They blend the ease and informality of the architecture of the historic South with the elegance of end-of-the-century modernism. This balance between continuity and change is evident throughout their work. This monograph of 13 projects--eight built, five unbuilt--reveals the architects' ideas and intentions while reflecting the spirit they bring to each design. Projects such as Middleton Inn, Croffead House, Lucy Daniels Foundation, Charleston Bus Stops, and 8 Bedon's Alley are presented through duotone photographs and drawings, which exemplify the simplicity and rigor of the architects' work. The author's critical analysis of each project highlights associations to vernacular buildings and the local historic context. Clark and Menefee dissolved their professional practice last year, making this book the complete and only overview of their work.
Form:
books
books
Publication:
January 1960, New York
January 1960, New York
Subject:
Architecture Monographs
Architecture Monographs
Form:
books
books
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$65.00
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Summary:
The Purist movement in art, founded by Charles-Édouard Jeanneret (better known as Le Corbusier) and Amedée Ozenfant, championed a traditional classicism while it simultaneously embraced new technologies and materials. The only book on Purism, "L'Esprit Nouveau" is a key contribution to(...)
$65.00
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Summary:
The Purist movement in art, founded by Charles-Édouard Jeanneret (better known as Le Corbusier) and Amedée Ozenfant, championed a traditional classicism while it simultaneously embraced new technologies and materials. The only book on Purism, "L'Esprit Nouveau" is a key contribution to(...)
Subject:
Architecture since 1900, Europe
Architecture since 1900, Europe
Publication:
April 2001, New York
April 2001, New York
Title:
L'Esprit Nouveau: Purism in Paris, 1918-1925
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$65.00
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Summary:
The Purist movement in art, founded by Charles-Édouard Jeanneret (better known as Le Corbusier) and Amedée Ozenfant, championed a traditional classicism while it simultaneously embraced new technologies and materials. The only book on Purism, "L'Esprit Nouveau" is a key contribution to the study of classic 20th-century modernism in painting and architecture. The book serves as the catalogue for an exhibition at the Los Angeles County Museum of Art. The title examines over 75 paintings by Le Corbusier, Ozenfant, and their closest colleague, Fernand Léger. At the heart of the study lies a single work: Le Corbusier's striking design of the Pavillon de l'Esprit Nouveau for the 1925 Exposition Internationale des Arts Décoratifs, at which the term "Art Deco" was coined. The architecture of Le Corbusier's pavilion, along with its interior decoration - paintings, sculpture, furniture, glassware, rugs, and other objects - offers a complete summation of Purist aesthetics. Included here too is the full translated text of Le Corbusier's and Ozenfant's 1918 manifesto, "Après le cubisme".
L'Esprit Nouveau: Purism in Paris, 1918-1925
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$65.00
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Summary:
The Purist movement in art, founded by Charles-Édouard Jeanneret (better known as Le Corbusier) and Amedée Ozenfant, championed a traditional classicism while it simultaneously embraced new technologies and materials. The only book on Purism, "L'Esprit Nouveau" is a key contribution to the study of classic 20th-century modernism in painting and architecture. The book serves as the catalogue for an exhibition at the Los Angeles County Museum of Art. The title examines over 75 paintings by Le Corbusier, Ozenfant, and their closest colleague, Fernand Léger. At the heart of the study lies a single work: Le Corbusier's striking design of the Pavillon de l'Esprit Nouveau for the 1925 Exposition Internationale des Arts Décoratifs, at which the term "Art Deco" was coined. The architecture of Le Corbusier's pavilion, along with its interior decoration - paintings, sculpture, furniture, glassware, rugs, and other objects - offers a complete summation of Purist aesthetics. Included here too is the full translated text of Le Corbusier's and Ozenfant's 1918 manifesto, "Après le cubisme".
Form:
books
books
Publication:
April 2001, New York
April 2001, New York
Subject:
Architecture since 1900, Europe
Architecture since 1900, Europe
Form:
journals and magazines
journals and magazines
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$29.95
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Summary:
"Perspecta 34" explores the temporary relationship between architecture and the larger contexts within which social crisis and cultural transformation take place. The issue examines many questions associated with modernism, including the limits of utopian urban planning, and considers alternatives to space as the dominant organizing concept for architecture. It views the(...)
$29.95
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Summary:
"Perspecta 34" explores the temporary relationship between architecture and the larger contexts within which social crisis and cultural transformation take place. The issue examines many questions associated with modernism, including the limits of utopian urban planning, and considers alternatives to space as the dominant organizing concept for architecture. It views the(...)
Subject:
Magazines
Magazines
Publication:
June 2003, New Haven
June 2003, New Haven
Title:
Perspecta 34 : temporary architecture
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$29.95
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Summary:
"Perspecta 34" explores the temporary relationship between architecture and the larger contexts within which social crisis and cultural transformation take place. The issue examines many questions associated with modernism, including the limits of utopian urban planning, and considers alternatives to space as the dominant organizing concept for architecture. It views the contemporary as a fluid practice in which games, intuition, collective imagination, and style emerge alongside conventional architectural approaches as ways to comprehend and shape the temporary landscape. Case studies--on the Olympics, Belgrade protests, refugee housing--ask how temporary events intensify the possibilities and limitations for architectural innovation. Perspecta 34 also explores the built environment as an ecology of change consisting of dynamic economies, movements of people, and overlapping systems of authority. The issue includes a portfolio of twentieth-century temporary projects that reflect changing ideas of fabrication, the deployment of the architectural object, and architecture's relationship to social and cultural practices.
Perspecta 34 : temporary architecture
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$29.95
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Summary:
"Perspecta 34" explores the temporary relationship between architecture and the larger contexts within which social crisis and cultural transformation take place. The issue examines many questions associated with modernism, including the limits of utopian urban planning, and considers alternatives to space as the dominant organizing concept for architecture. It views the contemporary as a fluid practice in which games, intuition, collective imagination, and style emerge alongside conventional architectural approaches as ways to comprehend and shape the temporary landscape. Case studies--on the Olympics, Belgrade protests, refugee housing--ask how temporary events intensify the possibilities and limitations for architectural innovation. Perspecta 34 also explores the built environment as an ecology of change consisting of dynamic economies, movements of people, and overlapping systems of authority. The issue includes a portfolio of twentieth-century temporary projects that reflect changing ideas of fabrication, the deployment of the architectural object, and architecture's relationship to social and cultural practices.
Form:
journals and magazines
journals and magazines
Publication:
June 2003, New Haven
June 2003, New Haven
Subject:
Magazines
Magazines
