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Reyner Banham (1922-88) was one of the most influential writers on architecture, design, and popular culture from the mid-1950s to the late 1980s. Trained in mechanical engineering and art history, he was convinced that technology was making society not only more exciting but more democratic. His combination of academic rigor and pop culture sensibility put him in(...)
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Reyner Banham (1922-88) was one of the most influential writers on architecture, design, and popular culture from the mid-1950s to the late 1980s. Trained in mechanical engineering and art history, he was convinced that technology was making society not only more exciting but more democratic. His combination of academic rigor and pop culture sensibility put him in(...)
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Reyner Banham : historian of the immediate future
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Reyner Banham (1922-88) was one of the most influential writers on architecture, design, and popular culture from the mid-1950s to the late 1980s. Trained in mechanical engineering and art history, he was convinced that technology was making society not only more exciting but more democratic. His combination of academic rigor and pop culture sensibility put him in opposition to both traditionalists and orthodox Modernists, but placed him in a unique position to understand the cultural, social, and political implications of the visual arts in the postwar period. His first book, "Theory and Design in the First Machine Age", was central to the overhaul of Modernism, and it gave Futurism and Expressionism credibility amid the dynamism and change of the 1960s. This intellectual biography is the first comprehensive critical examination of Banham’s theories and ideas, not only on architecture but also on the wide variety of subjects that interested him. It covers the full range of his oeuvre and discusses the values, enthusiasms, and influences that formed his thinking.
Reyner Banham : historian of the immediate future
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Reyner Banham (1922-88) was one of the most influential writers on architecture, design, and popular culture from the mid-1950s to the late 1980s. Trained in mechanical engineering and art history, he was convinced that technology was making society not only more exciting but more democratic. His combination of academic rigor and pop culture sensibility put him in opposition to both traditionalists and orthodox Modernists, but placed him in a unique position to understand the cultural, social, and political implications of the visual arts in the postwar period. His first book, "Theory and Design in the First Machine Age", was central to the overhaul of Modernism, and it gave Futurism and Expressionism credibility amid the dynamism and change of the 1960s. This intellectual biography is the first comprehensive critical examination of Banham’s theories and ideas, not only on architecture but also on the wide variety of subjects that interested him. It covers the full range of his oeuvre and discusses the values, enthusiasms, and influences that formed his thinking.
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books
books
Publication:
October 2001, Cambridge, MA
October 2001, Cambridge, MA
Subject:
Architectural Theory
Architectural Theory
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books
books
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$66.00
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Paul Rudolph, one of the 20th century's most iconoclastic architects, is best known -- and most maligned--for his large "brutalist" buildings, like the Yale Art and Architecture Building. So it will surprise many to learn that early in his career he developed a series of houses that represent the unrivaled possibilities of a modest American modernism. With their(...)
$66.00
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Summary:
Paul Rudolph, one of the 20th century's most iconoclastic architects, is best known -- and most maligned--for his large "brutalist" buildings, like the Yale Art and Architecture Building. So it will surprise many to learn that early in his career he developed a series of houses that represent the unrivaled possibilities of a modest American modernism. With their(...)
Subject:
Architecture Monographs
Architecture Monographs
Publication:
January 2002, New York
January 2002, New York
Title:
Paul Rudolph : the Florida houses
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Paul Rudolph, one of the 20th century's most iconoclastic architects, is best known -- and most maligned--for his large "brutalist" buildings, like the Yale Art and Architecture Building. So it will surprise many to learn that early in his career he developed a series of houses that represent the unrivaled possibilities of a modest American modernism. With their distinctive natural landscapes, local architectural precedents, and exploitation of innovative construction materials, the Florida houses, some eighty projects built between 1946 and 1961, brought modern architectural form into a gracious subtropical world of natural abundance. Like the locally inspired desert houses of another modern master, Albert Frey, Rudolph's Florida houses represent a distillation and reinterpretation of traditional architectural ideas developed to a high pitch of stylistic refinement. "Paul Rudolph: The Florida Houses" reveals all of Rudolph's early residential work. Along with Rudolph's personal essays and renderings, duotone photographs by Ezra Stoller and Joseph Molitor, and text by Joseph King and Christopher Domin, this new book conveys the lightness, timelessness, strength, materiality, and transcendency of Rudolph's work.
Paul Rudolph : the Florida houses
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Paul Rudolph, one of the 20th century's most iconoclastic architects, is best known -- and most maligned--for his large "brutalist" buildings, like the Yale Art and Architecture Building. So it will surprise many to learn that early in his career he developed a series of houses that represent the unrivaled possibilities of a modest American modernism. With their distinctive natural landscapes, local architectural precedents, and exploitation of innovative construction materials, the Florida houses, some eighty projects built between 1946 and 1961, brought modern architectural form into a gracious subtropical world of natural abundance. Like the locally inspired desert houses of another modern master, Albert Frey, Rudolph's Florida houses represent a distillation and reinterpretation of traditional architectural ideas developed to a high pitch of stylistic refinement. "Paul Rudolph: The Florida Houses" reveals all of Rudolph's early residential work. Along with Rudolph's personal essays and renderings, duotone photographs by Ezra Stoller and Joseph Molitor, and text by Joseph King and Christopher Domin, this new book conveys the lightness, timelessness, strength, materiality, and transcendency of Rudolph's work.
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books
books
Publication:
January 2002, New York
January 2002, New York
Subject:
Architecture Monographs
Architecture Monographs
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books
books
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Among distinguished contemporary designers, Alessandro Mendini is perhaps most deserving of the overused title of Renaissance man. Painter, writer, architect, theorist, designer: his work in all these fields has influenced generations of other artists and craftsmen and delighted even those who don’t know his name but have entered his spaces (like his stores for Alessi and(...)
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Among distinguished contemporary designers, Alessandro Mendini is perhaps most deserving of the overused title of Renaissance man. Painter, writer, architect, theorist, designer: his work in all these fields has influenced generations of other artists and craftsmen and delighted even those who don’t know his name but have entered his spaces (like his stores for Alessi and(...)
Title:
Pulviscoli : 2469 drawings of Alessandro Mendini
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Among distinguished contemporary designers, Alessandro Mendini is perhaps most deserving of the overused title of Renaissance man. Painter, writer, architect, theorist, designer: his work in all these fields has influenced generations of other artists and craftsmen and delighted even those who don’t know his name but have entered his spaces (like his stores for Alessi and Swatch), sipped from his espresso cups, and rested in his chairs. Through his work as a founder of Studio Alchimia in 1979 and editor of the magazines Casabella, Modo, and domus, Mendini has fought the strictures of modernism and championed the expressive value of decoration, which is the foundation for the development of his designs. This book offers a window into Mendini's working methods by presenting some 2,000 of his introductory designs, sketches, and texts that would eventually be realized as objects and buildings. This one-of-a-kind archive is both an important contribution to the history of design for scholars and students and a source of inspiration for designers and artists.
Pulviscoli : 2469 drawings of Alessandro Mendini
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Among distinguished contemporary designers, Alessandro Mendini is perhaps most deserving of the overused title of Renaissance man. Painter, writer, architect, theorist, designer: his work in all these fields has influenced generations of other artists and craftsmen and delighted even those who don’t know his name but have entered his spaces (like his stores for Alessi and Swatch), sipped from his espresso cups, and rested in his chairs. Through his work as a founder of Studio Alchimia in 1979 and editor of the magazines Casabella, Modo, and domus, Mendini has fought the strictures of modernism and championed the expressive value of decoration, which is the foundation for the development of his designs. This book offers a window into Mendini's working methods by presenting some 2,000 of his introductory designs, sketches, and texts that would eventually be realized as objects and buildings. This one-of-a-kind archive is both an important contribution to the history of design for scholars and students and a source of inspiration for designers and artists.
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books
books
Publication:
October 2005, Milano
October 2005, Milano
Subject:
Design Monographs
Design Monographs
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books
books
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$57.00
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Summary:
Paul Rudolph, one of the 20th century's most iconoclastic architects, is best known—and most maligned—for his large "brutalist" buildings, like the Yale art and architecture building. So it will surprise many to learn that early in his career he developed a series of houses that represent the unrivaled possibilities of a modest American modernism. With their distinctive(...)
$57.00
(available to order)
Summary:
Paul Rudolph, one of the 20th century's most iconoclastic architects, is best known—and most maligned—for his large "brutalist" buildings, like the Yale art and architecture building. So it will surprise many to learn that early in his career he developed a series of houses that represent the unrivaled possibilities of a modest American modernism. With their distinctive(...)
Subject:
Architecture Monographs
Architecture Monographs
Publication:
September 2005, New York
September 2005, New York
Title:
Paul Rudolph : the Florida houses
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$57.00
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Summary:
Paul Rudolph, one of the 20th century's most iconoclastic architects, is best known—and most maligned—for his large "brutalist" buildings, like the Yale art and architecture building. So it will surprise many to learn that early in his career he developed a series of houses that represent the unrivaled possibilities of a modest American modernism. With their distinctive natural landscapes, local architectural precedents, and exploitation of innovative construction materials, the Florida houses, some eighty projects built between 1946 and 1961, brought modern architectural form into a gracious subtropical world of natural abundance. Like the locally inspired desert houses of another modern master, Albert Frey, Rudolph's Florida houses represent a distillation and reinterpretation of traditional architectural ideas developed to a high pitch of stylistic refinement. "Paul Rudolph : the Florida houses" reveals all of Rudolph's early residential work. Along with Rudolph's personal essays and renderings, duotone photographs by Ezra Stoller and Joseph Molitor, and text by Joseph King and Christopher Domin, this new book conveys the lightness, timelessness, strength, materiality, and transcendency of Rudolph's work.
Paul Rudolph : the Florida houses
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$57.00
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Summary:
Paul Rudolph, one of the 20th century's most iconoclastic architects, is best known—and most maligned—for his large "brutalist" buildings, like the Yale art and architecture building. So it will surprise many to learn that early in his career he developed a series of houses that represent the unrivaled possibilities of a modest American modernism. With their distinctive natural landscapes, local architectural precedents, and exploitation of innovative construction materials, the Florida houses, some eighty projects built between 1946 and 1961, brought modern architectural form into a gracious subtropical world of natural abundance. Like the locally inspired desert houses of another modern master, Albert Frey, Rudolph's Florida houses represent a distillation and reinterpretation of traditional architectural ideas developed to a high pitch of stylistic refinement. "Paul Rudolph : the Florida houses" reveals all of Rudolph's early residential work. Along with Rudolph's personal essays and renderings, duotone photographs by Ezra Stoller and Joseph Molitor, and text by Joseph King and Christopher Domin, this new book conveys the lightness, timelessness, strength, materiality, and transcendency of Rudolph's work.
Form:
books
books
Publication:
September 2005, New York
September 2005, New York
Subject:
Architecture Monographs
Architecture Monographs
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books
books
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$39.95
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In 1960, before his skyscrapers and teapots made him a household name, Michael Graves set out on a journey once considered obligatory for a young architect: a grand tour of the great monuments of Europe. As a recipient of the prestigious Prix de Rome, Graves traveled through Italy, Greece, Turkey, Spain, England, Germany, and France, studying and recording the masterworks(...)
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In 1960, before his skyscrapers and teapots made him a household name, Michael Graves set out on a journey once considered obligatory for a young architect: a grand tour of the great monuments of Europe. As a recipient of the prestigious Prix de Rome, Graves traveled through Italy, Greece, Turkey, Spain, England, Germany, and France, studying and recording the masterworks(...)
Title:
Michael Graves : images of a grand tour
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In 1960, before his skyscrapers and teapots made him a household name, Michael Graves set out on a journey once considered obligatory for a young architect: a grand tour of the great monuments of Europe. As a recipient of the prestigious Prix de Rome, Graves traveled through Italy, Greece, Turkey, Spain, England, Germany, and France, studying and recording the masterworks of both ancient and modern architecture. "Michael Graves: Images of A Grand Tour" collects for the first time the stunning artwork produced during this trip. Delicate pencil sketches, striking ink washes, and colourful photographs show the deep connection Graves had to the places he visited, from the Roman Forum to the Grecian Acropolis to Wiltshires Stonehenge. They also tell something of the education of an architect, bringing to light the classical buildings that caused Graves to reexamine his early devotion to modernism. A foreword by Graves reflects on these travels from the distance of forty years, while author Brian Ambroziak puts the tour into the context of Graves's life and work.
Michael Graves : images of a grand tour
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In 1960, before his skyscrapers and teapots made him a household name, Michael Graves set out on a journey once considered obligatory for a young architect: a grand tour of the great monuments of Europe. As a recipient of the prestigious Prix de Rome, Graves traveled through Italy, Greece, Turkey, Spain, England, Germany, and France, studying and recording the masterworks of both ancient and modern architecture. "Michael Graves: Images of A Grand Tour" collects for the first time the stunning artwork produced during this trip. Delicate pencil sketches, striking ink washes, and colourful photographs show the deep connection Graves had to the places he visited, from the Roman Forum to the Grecian Acropolis to Wiltshires Stonehenge. They also tell something of the education of an architect, bringing to light the classical buildings that caused Graves to reexamine his early devotion to modernism. A foreword by Graves reflects on these travels from the distance of forty years, while author Brian Ambroziak puts the tour into the context of Graves's life and work.
Form:
books
books
Publication:
October 2005, New York
October 2005, New York
Subject:
Architecture Monographs
Architecture Monographs
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books
books
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$45.00
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Among the critical adulation that follows VJAA wherever they build, you'll find words like graceful, beautiful, sublime, quiet, classic, disciplined, and light—all suggesting the kind of alchemy that makes the work of this Minnesota-based firm so highly regarded. The magic they perform—marrying the simple forms of modernism with the rich materials of their sites in a(...)
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Among the critical adulation that follows VJAA wherever they build, you'll find words like graceful, beautiful, sublime, quiet, classic, disciplined, and light—all suggesting the kind of alchemy that makes the work of this Minnesota-based firm so highly regarded. The magic they perform—marrying the simple forms of modernism with the rich materials of their sites in a(...)
Subject:
Architecture Monographs
Architecture Monographs
Publication:
December 2006, New York
December 2006, New York
Title:
VJAA : Vincent James associates archtects
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Among the critical adulation that follows VJAA wherever they build, you'll find words like graceful, beautiful, sublime, quiet, classic, disciplined, and light—all suggesting the kind of alchemy that makes the work of this Minnesota-based firm so highly regarded. The magic they perform—marrying the simple forms of modernism with the rich materials of their sites in a thoughtful framework that encourages social interaction and environmental responsibility—is carefully illustrated and explained in this monograph, which evokes the very qualities that make their work so seductive and compelling. A former furniture maker, principal Vincent James brings the woodworker's appreciation of materials, details, joinery, and structure to the firm's work, which here includes both their award-winning houses such as the Dayton and Type/Variant houses and institutional projects, such as the Minneapolis Rowing Club, Tulane University Center, and St. John's Abbey and Monastery Guesthouse. Along with an introductory essay by Hashim Sarkis, partners Vincent James and Jennifer Yoos provide a captivating and insightful portrait of their talented young firm.
VJAA : Vincent James associates archtects
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Among the critical adulation that follows VJAA wherever they build, you'll find words like graceful, beautiful, sublime, quiet, classic, disciplined, and light—all suggesting the kind of alchemy that makes the work of this Minnesota-based firm so highly regarded. The magic they perform—marrying the simple forms of modernism with the rich materials of their sites in a thoughtful framework that encourages social interaction and environmental responsibility—is carefully illustrated and explained in this monograph, which evokes the very qualities that make their work so seductive and compelling. A former furniture maker, principal Vincent James brings the woodworker's appreciation of materials, details, joinery, and structure to the firm's work, which here includes both their award-winning houses such as the Dayton and Type/Variant houses and institutional projects, such as the Minneapolis Rowing Club, Tulane University Center, and St. John's Abbey and Monastery Guesthouse. Along with an introductory essay by Hashim Sarkis, partners Vincent James and Jennifer Yoos provide a captivating and insightful portrait of their talented young firm.
Form:
books
books
Publication:
December 2006, New York
December 2006, New York
Subject:
Architecture Monographs
Architecture Monographs
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books
books
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$62.50
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Summary:
Swiss graphic design and “the Swiss Style” are crucial elements in the history of modernism. During the 1920s and ’30s, skills traditionally associated with Swiss industry, particularly pharmaceuticals and mechanical engineering, were matched by those of the country’s graphic designers, who produced their advertising and technical literature. These pioneering graphic(...)
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Swiss graphic design and “the Swiss Style” are crucial elements in the history of modernism. During the 1920s and ’30s, skills traditionally associated with Swiss industry, particularly pharmaceuticals and mechanical engineering, were matched by those of the country’s graphic designers, who produced their advertising and technical literature. These pioneering graphic(...)
Title:
Swiss graphic design : the origins and growth of an international style 1920-1965
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Swiss graphic design and “the Swiss Style” are crucial elements in the history of modernism. During the 1920s and ’30s, skills traditionally associated with Swiss industry, particularly pharmaceuticals and mechanical engineering, were matched by those of the country’s graphic designers, who produced their advertising and technical literature. These pioneering graphic artists saw design as part of industrial production and searched for anonymous, objective visual communication. They chose photographic images rather than illustration, and typefaces that were industrial-looking rather than those designed for books. This volume looks at graphic language developed by such Swiss designers as Theo Ballmer, Max Bill, Adrian Frutiger, Karl Gerstner, Armin Hoffman, Ernst Keller, Herbert Matter, Josef Müller-Brockmann, and Jan Tschichold. The style of these artists received worldwide admiration for its formal discipline : images and text were organized by geometrical grids. Adopted internationally, the grid and sans serif typefaces such as Helvetica became the classic emblems of Swiss graphic design. This book shows design work across a range of media, including posters, magazines, exhibition displays, brochures, advertisements, books, and film.
Swiss graphic design : the origins and growth of an international style 1920-1965
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$62.50
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Summary:
Swiss graphic design and “the Swiss Style” are crucial elements in the history of modernism. During the 1920s and ’30s, skills traditionally associated with Swiss industry, particularly pharmaceuticals and mechanical engineering, were matched by those of the country’s graphic designers, who produced their advertising and technical literature. These pioneering graphic artists saw design as part of industrial production and searched for anonymous, objective visual communication. They chose photographic images rather than illustration, and typefaces that were industrial-looking rather than those designed for books. This volume looks at graphic language developed by such Swiss designers as Theo Ballmer, Max Bill, Adrian Frutiger, Karl Gerstner, Armin Hoffman, Ernst Keller, Herbert Matter, Josef Müller-Brockmann, and Jan Tschichold. The style of these artists received worldwide admiration for its formal discipline : images and text were organized by geometrical grids. Adopted internationally, the grid and sans serif typefaces such as Helvetica became the classic emblems of Swiss graphic design. This book shows design work across a range of media, including posters, magazines, exhibition displays, brochures, advertisements, books, and film.
Form:
books
books
Publication:
April 2006, New Haven
April 2006, New Haven
Subject:
Graphic Design and Typography
Graphic Design and Typography
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books
books
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$82.00
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Hermann Czech, born in 1936, is one of Austria’s most eminent and influential architects and theorists. This influence is based not only on his work as a designing architect; Czech is also widely admired for his writings on architectural theory and as the editor and translator of architectural history classics. This book is the long-awaited updated and expanded English(...)
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Hermann Czech, born in 1936, is one of Austria’s most eminent and influential architects and theorists. This influence is based not only on his work as a designing architect; Czech is also widely admired for his writings on architectural theory and as the editor and translator of architectural history classics. This book is the long-awaited updated and expanded English(...)
Title:
Hermann Czech: An architect in Vienna
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Hermann Czech, born in 1936, is one of Austria’s most eminent and influential architects and theorists. This influence is based not only on his work as a designing architect; Czech is also widely admired for his writings on architectural theory and as the editor and translator of architectural history classics. This book is the long-awaited updated and expanded English edition of the only complete examination of Hermann Czech’s work to date. First published in German in 2018, it goes far beyond a mere presentation of an architecture practice’s buildings and projects. The first part traces what links Czech’s work to the approaches of Viennese modernism. The second part explores Czech’s biography and the trajectory of his career, analyzing the contemporary influences that shape his thinking and designs. The third part features selected buildings, unrealized projects, and Czech’s numerous references and underlying reflections. A complete index of his buildings, projects, and writings, an essay by Vienna-based philosopher Elisabeth Nemeth on the relationship between architecture and philosophy in Czech’s work, and an introduction by architectural historian Liane Lefaivre round off this volume.
Hermann Czech: An architect in Vienna
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Hermann Czech, born in 1936, is one of Austria’s most eminent and influential architects and theorists. This influence is based not only on his work as a designing architect; Czech is also widely admired for his writings on architectural theory and as the editor and translator of architectural history classics. This book is the long-awaited updated and expanded English edition of the only complete examination of Hermann Czech’s work to date. First published in German in 2018, it goes far beyond a mere presentation of an architecture practice’s buildings and projects. The first part traces what links Czech’s work to the approaches of Viennese modernism. The second part explores Czech’s biography and the trajectory of his career, analyzing the contemporary influences that shape his thinking and designs. The third part features selected buildings, unrealized projects, and Czech’s numerous references and underlying reflections. A complete index of his buildings, projects, and writings, an essay by Vienna-based philosopher Elisabeth Nemeth on the relationship between architecture and philosophy in Czech’s work, and an introduction by architectural historian Liane Lefaivre round off this volume.
Form:
books
books
Publication:
October 2023
October 2023
Subject:
Architecture Monographs
Architecture Monographs
Form:
books
books
Price:
$102.00
(available to order)
Summary:
Lux Guyer (1894–1955) was the first female architect to establish her own studio in Switzerland in 1924. One of her key designs is the Obere Schiedhalde, a single-family home above Küsnacht near Zurich. Completed in 1929 and temporarily occupied by Guyer and her family, it is a variation of her legendary SAFFA-Haus of 1928. Between 2012 and 2018, the building and the(...)
$102.00
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Summary:
Lux Guyer (1894–1955) was the first female architect to establish her own studio in Switzerland in 1924. One of her key designs is the Obere Schiedhalde, a single-family home above Küsnacht near Zurich. Completed in 1929 and temporarily occupied by Guyer and her family, it is a variation of her legendary SAFFA-Haus of 1928. Between 2012 and 2018, the building and the(...)
Subject:
Architecture Monographs
Architecture Monographs
Publication:
January 2024
January 2024
Title:
Lux Guyer: Obere Schiedhalde. Renovation of a house from 1920
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$102.00
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Lux Guyer (1894–1955) was the first female architect to establish her own studio in Switzerland in 1924. One of her key designs is the Obere Schiedhalde, a single-family home above Küsnacht near Zurich. Completed in 1929 and temporarily occupied by Guyer and her family, it is a variation of her legendary SAFFA-Haus of 1928. Between 2012 and 2018, the building and the surrounding garden were extensively and carefully restored by Basel-based architecture firm Christ & Gantenbein together with Sven Richter, cofounder of Richter Tobler Architects in Basel. Working in close collaboration with the Canton of Zurich’s office for the preservation of historic monuments, they also called in experts for a historically conscious overhaul of the building. Together with the current owners, the architects made it their mission to not only preserve this significant architectural monument of Swiss Modernism but also make it accessible to the public through this book. Conceived by graphic designers Ludovic Balland and Annina Schepping, "Lux Guyer—Obere Schiedhalde" offers in-depth documentation of the renovated Obere Schiedhalde.
Lux Guyer: Obere Schiedhalde. Renovation of a house from 1920
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$102.00
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Summary:
Lux Guyer (1894–1955) was the first female architect to establish her own studio in Switzerland in 1924. One of her key designs is the Obere Schiedhalde, a single-family home above Küsnacht near Zurich. Completed in 1929 and temporarily occupied by Guyer and her family, it is a variation of her legendary SAFFA-Haus of 1928. Between 2012 and 2018, the building and the surrounding garden were extensively and carefully restored by Basel-based architecture firm Christ & Gantenbein together with Sven Richter, cofounder of Richter Tobler Architects in Basel. Working in close collaboration with the Canton of Zurich’s office for the preservation of historic monuments, they also called in experts for a historically conscious overhaul of the building. Together with the current owners, the architects made it their mission to not only preserve this significant architectural monument of Swiss Modernism but also make it accessible to the public through this book. Conceived by graphic designers Ludovic Balland and Annina Schepping, "Lux Guyer—Obere Schiedhalde" offers in-depth documentation of the renovated Obere Schiedhalde.
Form:
books
books
Publication:
January 2024
January 2024
Subject:
Architecture Monographs
Architecture Monographs
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books
books
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$35.50
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Critical theories such as those of the Frankfurt School of the twenties and thirties gave rise to a complex and sophisticated critique of modernity and modernism. The history and theory of twentieth-century architecture, which developed rather independently of (...)
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Critical theories such as those of the Frankfurt School of the twenties and thirties gave rise to a complex and sophisticated critique of modernity and modernism. The history and theory of twentieth-century architecture, which developed rather independently of (...)
Title:
Architecture and modernity : a critique
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Critical theories such as those of the Frankfurt School of the twenties and thirties gave rise to a complex and sophisticated critique of modernity and modernism. The history and theory of twentieth-century architecture, which developed rather independently of this rich tradition, appear naive and unbalanced in comparison. In this exploration of the relationship between modernity, dwelling, and architecture, Hilde Heynen attempts to bridge this gap between the discourse of the modern movement and cultural theories of modernity. On one hand, she discusses architecture from the perspective of critical theory, and on the other she modifies positions within critical theory by linking them with architecture. She assesses architecture as a cultural field that structures daily life and that embodies major contradictions inherent in modernity, arguing that architecture nonetheless has a certain capacity to adopt a critical stance vis-à-vis modernity. The book provides architectural students with an introduction to the discourse of critical theory. The subchapters on Walter Benjamin, Ernst Bloch, Theodor Adorno, and the Venice School (Tafuri, Dal Co, Cacciari) can be studied independently.
Architecture and modernity : a critique
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Summary:
Critical theories such as those of the Frankfurt School of the twenties and thirties gave rise to a complex and sophisticated critique of modernity and modernism. The history and theory of twentieth-century architecture, which developed rather independently of this rich tradition, appear naive and unbalanced in comparison. In this exploration of the relationship between modernity, dwelling, and architecture, Hilde Heynen attempts to bridge this gap between the discourse of the modern movement and cultural theories of modernity. On one hand, she discusses architecture from the perspective of critical theory, and on the other she modifies positions within critical theory by linking them with architecture. She assesses architecture as a cultural field that structures daily life and that embodies major contradictions inherent in modernity, arguing that architecture nonetheless has a certain capacity to adopt a critical stance vis-à-vis modernity. The book provides architectural students with an introduction to the discourse of critical theory. The subchapters on Walter Benjamin, Ernst Bloch, Theodor Adorno, and the Venice School (Tafuri, Dal Co, Cacciari) can be studied independently.
Form:
books
books
Publication:
April 2000, Cambridge, Mass.
April 2000, Cambridge, Mass.
Subject:
Architectural Theory
Architectural Theory
