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books
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The cockroach could not have scuttled along, almost unchanged, for two hundred and fifty million years – some two hundred and forty-nine before man evolved – unless it was doing something right. It would be fascinating as well as instructive to have access to the cockroach’s own record of its life on earth, to know its point of view on evolution and species domination(...)
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The cockroach could not have scuttled along, almost unchanged, for two hundred and fifty million years – some two hundred and forty-nine before man evolved – unless it was doing something right. It would be fascinating as well as instructive to have access to the cockroach’s own record of its life on earth, to know its point of view on evolution and species domination(...)
Title:
Cockroach
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The cockroach could not have scuttled along, almost unchanged, for two hundred and fifty million years – some two hundred and forty-nine before man evolved – unless it was doing something right. It would be fascinating as well as instructive to have access to the cockroach’s own record of its life on earth, to know its point of view on evolution and species domination over the millennia. Such chronicles would perhaps radically alter our perceptions of the dinosaur’s span and importance – and that of our own development and significance. We might learn that throughout all these aeons, the dominant life form has been, if not the cockroach itself, then certainly the insect. Attempts to chronicle the cockroach’s intellectual and emotional life have been made only within the last century when a scientist titled his essay on the cockroach ‘The Intellectual and Emotional World of the Cockroach’, and artists as radically different as Franz Kafka and Don Marquis created equally memorable cockroach protagonists. At least since Classical Greece, authors have brought cockroach characters into the foreground to speak for the weak and downtrodden, the outsiders, those forced to survive on the underside of dominant human cultures. Cockroaches have become the subjects of songs (La Cucaracha), have competed in ‘roachraces’ and have even ended up in recipes. In this accessible, sympathetic and often humorous book, Marion Copeland examines the natural history, symbolism and cultural significance of this poorly understood and much-maligned insect.
Cockroach
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The cockroach could not have scuttled along, almost unchanged, for two hundred and fifty million years – some two hundred and forty-nine before man evolved – unless it was doing something right. It would be fascinating as well as instructive to have access to the cockroach’s own record of its life on earth, to know its point of view on evolution and species domination over the millennia. Such chronicles would perhaps radically alter our perceptions of the dinosaur’s span and importance – and that of our own development and significance. We might learn that throughout all these aeons, the dominant life form has been, if not the cockroach itself, then certainly the insect. Attempts to chronicle the cockroach’s intellectual and emotional life have been made only within the last century when a scientist titled his essay on the cockroach ‘The Intellectual and Emotional World of the Cockroach’, and artists as radically different as Franz Kafka and Don Marquis created equally memorable cockroach protagonists. At least since Classical Greece, authors have brought cockroach characters into the foreground to speak for the weak and downtrodden, the outsiders, those forced to survive on the underside of dominant human cultures. Cockroaches have become the subjects of songs (La Cucaracha), have competed in ‘roachraces’ and have even ended up in recipes. In this accessible, sympathetic and often humorous book, Marion Copeland examines the natural history, symbolism and cultural significance of this poorly understood and much-maligned insect.
Form:
books
books
Publication:
January 1900, London
January 1900, London
Subject:
Fauna and flora
Fauna and flora
Form:
books
books
Price:
$102.95
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In the first major book on the beautiful and richly varied residential designs of John Russell Pope, "Mastering Tradition: The Residential Architecture of John Russell Pope" highlights the extraordinary houses of one of the 20th Century’s most prolific architects. John Russell Pope (1873–1937) was an architect of tradition and a master of pro-portion, massing, and(...)
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Summary:
In the first major book on the beautiful and richly varied residential designs of John Russell Pope, "Mastering Tradition: The Residential Architecture of John Russell Pope" highlights the extraordinary houses of one of the 20th Century’s most prolific architects. John Russell Pope (1873–1937) was an architect of tradition and a master of pro-portion, massing, and(...)
Subject:
Architecture Monographs
Architecture Monographs
Publication:
August 2004, New York
August 2004, New York
Title:
Mastering tradition : the residential architecture of John Russell Pope
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$102.95
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In the first major book on the beautiful and richly varied residential designs of John Russell Pope, "Mastering Tradition: The Residential Architecture of John Russell Pope" highlights the extraordinary houses of one of the 20th Century’s most prolific architects. John Russell Pope (1873–1937) was an architect of tradition and a master of pro-portion, massing, and scale. Drawing on a personal palette rich in historic precedents from ancient Greece to colonial America, Pope created original and refined designs that embodied the aspirations of the United States as an emerging world power. Both his private and public work - which includes the National Gallery of Art and the Thomas Jefferson Memorial - possess a poise and confidence that emanated from a disciplined approach to architectural design formed by his experiences at home and abroad. In the brief span of 35 years, Pope and his office designed several hundred buildings and monuments, including over 100 houses. His residential work spans a wide array of styles, and comprises vast estates - with integrated ensembles of living, work, and leisure buildings - town houses, country retreats, and a series of jewel-like mausoleums. The common thread running through all his work is a total mastery of the design vocabulary. In this first comprehensive and lavishly illustrated survey of his residential work, author James Garrison delves into Pope’s design sources and methods, and demonstrates how an apparently diverse body of work is related to the common theme of mastering tradition.
Mastering tradition : the residential architecture of John Russell Pope
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$102.95
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Summary:
In the first major book on the beautiful and richly varied residential designs of John Russell Pope, "Mastering Tradition: The Residential Architecture of John Russell Pope" highlights the extraordinary houses of one of the 20th Century’s most prolific architects. John Russell Pope (1873–1937) was an architect of tradition and a master of pro-portion, massing, and scale. Drawing on a personal palette rich in historic precedents from ancient Greece to colonial America, Pope created original and refined designs that embodied the aspirations of the United States as an emerging world power. Both his private and public work - which includes the National Gallery of Art and the Thomas Jefferson Memorial - possess a poise and confidence that emanated from a disciplined approach to architectural design formed by his experiences at home and abroad. In the brief span of 35 years, Pope and his office designed several hundred buildings and monuments, including over 100 houses. His residential work spans a wide array of styles, and comprises vast estates - with integrated ensembles of living, work, and leisure buildings - town houses, country retreats, and a series of jewel-like mausoleums. The common thread running through all his work is a total mastery of the design vocabulary. In this first comprehensive and lavishly illustrated survey of his residential work, author James Garrison delves into Pope’s design sources and methods, and demonstrates how an apparently diverse body of work is related to the common theme of mastering tradition.
Form:
books
books
Publication:
August 2004, New York
August 2004, New York
Subject:
Architecture Monographs
Architecture Monographs
Form:
books
books
Title:
The coming insurrection
The coming insurrection
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$19.95
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Summary:
The Coming Insurrection is an eloquent call to arms arising from the recent waves of social contestation in France and Europe. Written by the anonymous Invisible Committee in the vein of Guy Debord — and with comparable elegance — it has been proclaimed a manual for terrorism by the French government (who recently arrested its alleged authors). One of its members more(...)
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Summary:
The Coming Insurrection is an eloquent call to arms arising from the recent waves of social contestation in France and Europe. Written by the anonymous Invisible Committee in the vein of Guy Debord — and with comparable elegance — it has been proclaimed a manual for terrorism by the French government (who recently arrested its alleged authors). One of its members more(...)
Title:
The coming insurrection
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Summary:
The Coming Insurrection is an eloquent call to arms arising from the recent waves of social contestation in France and Europe. Written by the anonymous Invisible Committee in the vein of Guy Debord — and with comparable elegance — it has been proclaimed a manual for terrorism by the French government (who recently arrested its alleged authors). One of its members more adequately described the group as "the name given to a collective voice bent on denouncing contemporary cynicism and reality." The Coming Insurrection is a strategic prescription for an emergent war-machine to "spread anarchy and live communism." Written in the wake of the riots that erupted throughout the Paris suburbs in the fall of 2005 and presaging more recent riots and general strikes in France and Greece, The Coming Insurrection articulates a rejection of the official Left and its reformist agenda, aligning itself instead with the younger, wilder forms of resistance that have emerged in Europe around recent struggles against immigration control and the "war on terror." Hot-wired to the movement of '77 in Italy, its preferred historical reference point, The Coming Insurrection formulates an ethics that takes as its starting point theft, sabotage, the refusal to work, and the elaboration of collective, self-organized forms-of-life. It is a philosophical statement that addresses the growing number of those — in France, in the United States, and elsewhere — who refuse the idea that theory, politics, and life are separate realms.
The coming insurrection
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$19.95
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Summary:
The Coming Insurrection is an eloquent call to arms arising from the recent waves of social contestation in France and Europe. Written by the anonymous Invisible Committee in the vein of Guy Debord — and with comparable elegance — it has been proclaimed a manual for terrorism by the French government (who recently arrested its alleged authors). One of its members more adequately described the group as "the name given to a collective voice bent on denouncing contemporary cynicism and reality." The Coming Insurrection is a strategic prescription for an emergent war-machine to "spread anarchy and live communism." Written in the wake of the riots that erupted throughout the Paris suburbs in the fall of 2005 and presaging more recent riots and general strikes in France and Greece, The Coming Insurrection articulates a rejection of the official Left and its reformist agenda, aligning itself instead with the younger, wilder forms of resistance that have emerged in Europe around recent struggles against immigration control and the "war on terror." Hot-wired to the movement of '77 in Italy, its preferred historical reference point, The Coming Insurrection formulates an ethics that takes as its starting point theft, sabotage, the refusal to work, and the elaboration of collective, self-organized forms-of-life. It is a philosophical statement that addresses the growing number of those — in France, in the United States, and elsewhere — who refuse the idea that theory, politics, and life are separate realms.
Form:
books
books
Publication:
November 2012
November 2012
Subject:
Social
Social
Form:
books
books
Price:
$44.95
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Summary:
This book attempts to chart the history of art and its interaction with written language. It examines the use of words (or language) in many genres of art – most often painting, but including prints, the book as art, sculpture, installation, and performance. This book asks what does it mean when a painting is 'invaded' by language? How do the two forms converse and(...)
$44.95
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Summary:
This book attempts to chart the history of art and its interaction with written language. It examines the use of words (or language) in many genres of art – most often painting, but including prints, the book as art, sculpture, installation, and performance. This book asks what does it mean when a painting is 'invaded' by language? How do the two forms converse and(...)
Title:
Art, word and image : 2,000 years of visual/textual interaction
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This book attempts to chart the history of art and its interaction with written language. It examines the use of words (or language) in many genres of art – most often painting, but including prints, the book as art, sculpture, installation, and performance. This book asks what does it mean when a painting is 'invaded' by language? How do the two forms converse and combine, and what messages are intended for the viewer? In addition, other important themes that are also addressed include the naming or titling of paintings, the uses of narrative in art, and the literary connections and aspirations of artists. The book is constructed around three wide-ranging essays by John Dixon Hunt, David Lomas and Michael Corris. These essays discuss the use and significance of words in art – from Classical Greece and Assyria, through to the Middle Ages and the Renaissance, to modern times and today’s digital media, where the words and image question has become a central issue. The essays cover a variety of movements (Pre-Raphaelites, Cubists, Surrealists, and Lettrists, for example) and many artists, among them Duchamp, Picasso, Ernst, Twombly, Michaux, Warhol and Kruger. The book also includes ‘spotlight’ essays on artists whose work engages substantially with questions of word and image: Blake, Klee, Schwitters, Haack, Pettibon, McCahon and Walla. With contributions by Jeremy Adler, Stephen Barber, Rex Butler and Laurence Simmons, Michael Corris, John Dixon Hunt, Michael R. Leaman, David Lomas, Joseph Viscomi, Hamza Walker, Barbara Weyandt and Michael White.
Art, word and image : 2,000 years of visual/textual interaction
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$44.95
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Summary:
This book attempts to chart the history of art and its interaction with written language. It examines the use of words (or language) in many genres of art – most often painting, but including prints, the book as art, sculpture, installation, and performance. This book asks what does it mean when a painting is 'invaded' by language? How do the two forms converse and combine, and what messages are intended for the viewer? In addition, other important themes that are also addressed include the naming or titling of paintings, the uses of narrative in art, and the literary connections and aspirations of artists. The book is constructed around three wide-ranging essays by John Dixon Hunt, David Lomas and Michael Corris. These essays discuss the use and significance of words in art – from Classical Greece and Assyria, through to the Middle Ages and the Renaissance, to modern times and today’s digital media, where the words and image question has become a central issue. The essays cover a variety of movements (Pre-Raphaelites, Cubists, Surrealists, and Lettrists, for example) and many artists, among them Duchamp, Picasso, Ernst, Twombly, Michaux, Warhol and Kruger. The book also includes ‘spotlight’ essays on artists whose work engages substantially with questions of word and image: Blake, Klee, Schwitters, Haack, Pettibon, McCahon and Walla. With contributions by Jeremy Adler, Stephen Barber, Rex Butler and Laurence Simmons, Michael Corris, John Dixon Hunt, Michael R. Leaman, David Lomas, Joseph Viscomi, Hamza Walker, Barbara Weyandt and Michael White.
Form:
books
books
Publication:
September 2011
September 2011
Subject:
Art Theory
Art Theory
Form:
books
books
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Description:
xiv, 385 pages : illustrations, maps ; 27 cm
Description:
xiv, 385 pages : illustrations, maps ; 27 cm
Subject:
- Bible Antiquities.,
- Bible Antiquités.,
- Bible,
- Excavations (Archaeology) Palestine.,
- Fouilles (Archéologie) Palestine.,
- ART History Ancient & Classical.,
- Antiquities,
- Excavations (Archaeology),
- Archäologie,
- Excavations (Archaeology) Israel.,
- Palestine Antiquities.,
- Palestine Antiquités.,
- Middle East Palestine,
- Palästina,
- Eretz Israel Antiquities.,
- Eretz Israel Antiquities, Roman.,
- Eretz Israel Antiquities, Byzantine.,
- Palaestina.
(See more)
Publication:
Cambridge ; New York : Cambridge University Press, 2012.
Cambridge ; New York : Cambridge University Press, 2012.
Title:
The archaeology of the Holy Land : from the destruction of Solomon's Temple to the Muslim conquest / Jodi Magness.
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Description:
xiv, 385 pages : illustrations, maps ; 27 cm
The archaeology of the Holy Land : from the destruction of Solomon's Temple to the Muslim conquest / Jodi Magness.
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Description:
xiv, 385 pages : illustrations, maps ; 27 cm
Form:
books
books
Publication:
Cambridge ; New York : Cambridge University Press, 2012.
Cambridge ; New York : Cambridge University Press, 2012.
Subject:
- Bible Antiquities.,
- Bible Antiquités.,
- Bible,
- Excavations (Archaeology) Palestine.,
- Fouilles (Archéologie) Palestine.,
- ART History Ancient & Classical.,
- Antiquities,
- Excavations (Archaeology),
- Archäologie,
- Excavations (Archaeology) Israel.,
- Palestine Antiquities.,
- Palestine Antiquités.,
- Middle East Palestine,
- Palästina,
- Eretz Israel Antiquities.,
- Eretz Israel Antiquities, Roman.,
- Eretz Israel Antiquities, Byzantine.,
- Palaestina.
(See more)
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books
books
Title:
The language of ornament
The language of ornament
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$22.99
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Summary:
Ornament, the art of decorative patterning, includes some of the most spectacular creations of human imagination and skill. Although the fashion for unadorned form pushed ornament to the(...)
$22.99
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Summary:
Ornament, the art of decorative patterning, includes some of the most spectacular creations of human imagination and skill. Although the fashion for unadorned form pushed ornament to the(...)
Title:
The language of ornament
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Summary:
Ornament, the art of decorative patterning, includes some of the most spectacular creations of human imagination and skill. Although the fashion for unadorned form pushed ornament to the margins of Western taste in the twentieth century, an ornamental revival is now under way. This book introduces the global panorama of ornament and will be of value to crafts people, collectors, and students of art history. Trilling's approach is both visual and historical. With over 200 illustrations, he presents the dazzling variety of ornament so that the reader can appreciate both its inherent form and the role it has played in everything from the monumental architecture of Mycenaean Greece to the inlaid vessels of Zhou Dynasty China, from the bronze mirrors of Early Celtic Britain to the carved and woven ornament of the Indians of Alaska and British Columbia. The characteristics of individual styles are balanced against their evolution and interaction from the Paleolithic Age to the present day. Special attention is paid to patterns that migrate across large stretches of space and time, showing how ornament becomes a record of cultural interaction through trade, conquest, and the spread of religions. Finally, Trilling explores the fate of ornament since the beginning of modernism in the early twentieth century. Modernism actually nurtured a vibrant and original ornamental style of its own, one so different from traditional ornament that its true nature went virtually unrecognized. Ornament in the postmodern era is open to any number of possible innovations, combining the modernist legacy with forms and principles from the world of traditional ornament.
The language of ornament
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$22.99
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Summary:
Ornament, the art of decorative patterning, includes some of the most spectacular creations of human imagination and skill. Although the fashion for unadorned form pushed ornament to the margins of Western taste in the twentieth century, an ornamental revival is now under way. This book introduces the global panorama of ornament and will be of value to crafts people, collectors, and students of art history. Trilling's approach is both visual and historical. With over 200 illustrations, he presents the dazzling variety of ornament so that the reader can appreciate both its inherent form and the role it has played in everything from the monumental architecture of Mycenaean Greece to the inlaid vessels of Zhou Dynasty China, from the bronze mirrors of Early Celtic Britain to the carved and woven ornament of the Indians of Alaska and British Columbia. The characteristics of individual styles are balanced against their evolution and interaction from the Paleolithic Age to the present day. Special attention is paid to patterns that migrate across large stretches of space and time, showing how ornament becomes a record of cultural interaction through trade, conquest, and the spread of religions. Finally, Trilling explores the fate of ornament since the beginning of modernism in the early twentieth century. Modernism actually nurtured a vibrant and original ornamental style of its own, one so different from traditional ornament that its true nature went virtually unrecognized. Ornament in the postmodern era is open to any number of possible innovations, combining the modernist legacy with forms and principles from the world of traditional ornament.
Form:
books
books
Publication:
June 2001, London
June 2001, London
Subject:
Ornementation
Ornementation
Form:
books
books
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Description:
128 pages : illustrations (some color) ; 29 cm
Description:
128 pages : illustrations (some color) ; 29 cm
Subject:
- Soane, John, 1753-1837 Art collections Catalogs.,
- Soane, John, Sir, 1753-1837 Collections d'art Catalogues.,
- Soane, John, 1753-1837,
- Soane, John 1753-1837,
- Soane, John.,
- Sir John Soane's Museum Catalogs.,
- Sir John Soane's Museum Catalogues.,
- Sir John Soane's Museum,
- Bauhaus Dessau 1986-1994 Bereich Architektur und Sammlungen,
- Art Private collections England London Catalogs.,
- Art Collections privées Angleterre Londres Catalogues.,
- Objets d'art Collections privées Angleterre Londres Catalogues.,
- Art Private collections,
- Bildband,
- Sammlung,
- England London,
- Catalogs.,
- Room-by-room inventories.
(See more)
Publication:
New York : H.N. Abrams, 1992.
New York : H.N. Abrams, 1992.
Title:
Sir John Soane : the architect as collector, 1753-1837 / Peter Thornton and Helen Dorey ; photographs by Ole Woldbye.
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Description:
128 pages : illustrations (some color) ; 29 cm
Sir John Soane : the architect as collector, 1753-1837 / Peter Thornton and Helen Dorey ; photographs by Ole Woldbye.
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Description:
128 pages : illustrations (some color) ; 29 cm
Form:
books
books
Publication:
New York : H.N. Abrams, 1992.
New York : H.N. Abrams, 1992.
Subject:
- Soane, John, 1753-1837 Art collections Catalogs.,
- Soane, John, Sir, 1753-1837 Collections d'art Catalogues.,
- Soane, John, 1753-1837,
- Soane, John 1753-1837,
- Soane, John.,
- Sir John Soane's Museum Catalogs.,
- Sir John Soane's Museum Catalogues.,
- Sir John Soane's Museum,
- Bauhaus Dessau 1986-1994 Bereich Architektur und Sammlungen,
- Art Private collections England London Catalogs.,
- Art Collections privées Angleterre Londres Catalogues.,
- Objets d'art Collections privées Angleterre Londres Catalogues.,
- Art Private collections,
- Bildband,
- Sammlung,
- England London,
- Catalogs.,
- Room-by-room inventories.
(See more)
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books
books
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Description:
202 pages : illustrations ; 27 cm
Description:
202 pages : illustrations ; 27 cm
Subject:
- Bötticher, Carl 1806-1889,
- Hübsch, Heinrich 1795-1863,
- Wiegmann, Rudolf 1804-1865,
- Wolff, Johann Heinrich 1792-1869,
- BMBF-Statusseminar,
- Architecture.,
- Architecture Composition, proportion, etc.,
- Architectural design.,
- Arquitectura,
- Proporción (Arquitectura),
- Arquitectura Diseños y planos,
- Architecture Composition, proportions, etc.,
- Design architectural.,
- architecture (discipline),
- 21.62 history of architecture.,
- Architektur,
- Architekturtheorie,
- Baustil,
- Debatte,
- Bouwstijlen.,
- Theorieën.,
- ARCHITETTURA SEC. 19.
(See more)
Publication:
Santa Monica, CA : Getty Center for the History of Art and the Humanities ; [Chicago] : Distributed by the University of Chicago Press, ©1992.
Santa Monica, CA : Getty Center for the History of Art and the Humanities ; [Chicago] : Distributed by the University of Chicago Press, ©1992.
Title:
In what style should we build? : the German debate on architectural style / Heinrich Hübsch [and others] ; introduction and translation by Wolfgang Herrmann.
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Description:
202 pages : illustrations ; 27 cm
In what style should we build? : the German debate on architectural style / Heinrich Hübsch [and others] ; introduction and translation by Wolfgang Herrmann.
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Description:
202 pages : illustrations ; 27 cm
Form:
books
books
Publication:
Santa Monica, CA : Getty Center for the History of Art and the Humanities ; [Chicago] : Distributed by the University of Chicago Press, ©1992.
Santa Monica, CA : Getty Center for the History of Art and the Humanities ; [Chicago] : Distributed by the University of Chicago Press, ©1992.
Subject:
- Bötticher, Carl 1806-1889,
- Hübsch, Heinrich 1795-1863,
- Wiegmann, Rudolf 1804-1865,
- Wolff, Johann Heinrich 1792-1869,
- BMBF-Statusseminar,
- Architecture.,
- Architecture Composition, proportion, etc.,
- Architectural design.,
- Arquitectura,
- Proporción (Arquitectura),
- Arquitectura Diseños y planos,
- Architecture Composition, proportions, etc.,
- Design architectural.,
- architecture (discipline),
- 21.62 history of architecture.,
- Architektur,
- Architekturtheorie,
- Baustil,
- Debatte,
- Bouwstijlen.,
- Theorieën.,
- ARCHITETTURA SEC. 19.
(See more)
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books
books
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Description:
151 pages : illustrations (chiefly color) ; 30 cm
Description:
151 pages : illustrations (chiefly color) ; 30 cm
Subject:
- Cadieux, Geneviève.,
- Cardiff, Janet, 1957-,
- Dean, Tacita, 1965-,
- Magor, Liz, 1948-,
- Sikander, Shahzia, 1969-,
- Soares, Valeska, 1957-,
- Sterbak, Jana, 1955-,
- Suda, Yoshihiro, 1969-,
- Thater, Diana, 1962-,
- Wall, Jeff, 1946-,
- Millennium Prize Exhibitions.,
- Art, Modern 20th century Exhibitions.,
- Arcadia in art Exhibitions.,
- Art 21e siècle Expositions.,
- Art 20e siècle Expositions.,
- Art Prix et récompenses Canada Expositions.,
- Arcadie (Grèce) dans l'art Expositions.,
- Arcadia in art.,
- Art, Modern.,
- Millennium Prize.,
- Exhibition catalogues.,
- Exhibition catalogs.
(See more)
Publication:
Ottawa : National Gallery of Canada, 2001.
Ottawa : National Gallery of Canada, 2001.
Title:
Elusive paradise : the Millennium prize / Diana Nemiroff ; with an essay by Johanne Sloan.
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Description:
151 pages : illustrations (chiefly color) ; 30 cm
Elusive paradise : the Millennium prize / Diana Nemiroff ; with an essay by Johanne Sloan.
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Description:
151 pages : illustrations (chiefly color) ; 30 cm
Form:
books
books
Publication:
Ottawa : National Gallery of Canada, 2001.
Ottawa : National Gallery of Canada, 2001.
Subject:
- Cadieux, Geneviève.,
- Cardiff, Janet, 1957-,
- Dean, Tacita, 1965-,
- Magor, Liz, 1948-,
- Sikander, Shahzia, 1969-,
- Soares, Valeska, 1957-,
- Sterbak, Jana, 1955-,
- Suda, Yoshihiro, 1969-,
- Thater, Diana, 1962-,
- Wall, Jeff, 1946-,
- Millennium Prize Exhibitions.,
- Art, Modern 20th century Exhibitions.,
- Arcadia in art Exhibitions.,
- Art 21e siècle Expositions.,
- Art 20e siècle Expositions.,
- Art Prix et récompenses Canada Expositions.,
- Arcadie (Grèce) dans l'art Expositions.,
- Arcadia in art.,
- Art, Modern.,
- Millennium Prize.,
- Exhibition catalogues.,
- Exhibition catalogs.
(See more)
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books
books
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Description:
xxiv, 315 pages : illustrations ; 24 cm.
Description:
xxiv, 315 pages : illustrations ; 24 cm.
Author:
Subject:
- Pergamum Altar of Zeus (Sculpture),
- Sculpture, Hellenistic Turkey Bergama.,
- Sculpture, Roman Italy Sperlonga.,
- Pergamum Altar of Zeus (Sculpture) Expertising.,
- Autel de Zeus à Pergame Expertise.,
- Sculpture hellénistique Turquie Bergama.,
- Sculpture romaine Italie Sperlonga.,
- Autel de Zeus à Pergame.,
- 21.52 history of sculpture.,
- Art Expertising,
- Sculpture, Hellenistic,
- Sculpture, Roman,
- Plastische kunst.,
- Klassieke oudheid.,
- Invloed.,
- Grotto of Tiberius (Sperlonga, Italy),
- Grotto of Tiberius (Sperlonga, Italy) Expertising.,
- Tibère, Grotte de (Sperlonga, Italie) Expertise.,
- Tibère, Grotte de (Sperlonga, Italie),
- Italy Sperlonga,
- Italy Sperlonga Grotto of Tiberius,
- Turkey Bergama,
- Speluncae.,
- Langford,
- Pergamon,
- Sperlonga,
- sculpture,
- classics,
- Conference papers (document genres),
- Congresses (form)
(See more)
Publication:
Berkeley : University of California Press, ©2000.
Berkeley : University of California Press, ©2000.
Title:
From Pergamon to Sperlonga : sculpture and context / edited by Nancy T. de Grummond and Brunilde S. Ridgway.
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Description:
xxiv, 315 pages : illustrations ; 24 cm.
From Pergamon to Sperlonga : sculpture and context / edited by Nancy T. de Grummond and Brunilde S. Ridgway.
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Description:
xxiv, 315 pages : illustrations ; 24 cm.
Form:
books
books
Publication:
Berkeley : University of California Press, ©2000.
Berkeley : University of California Press, ©2000.
Subject:
- Pergamum Altar of Zeus (Sculpture),
- Sculpture, Hellenistic Turkey Bergama.,
- Sculpture, Roman Italy Sperlonga.,
- Pergamum Altar of Zeus (Sculpture) Expertising.,
- Autel de Zeus à Pergame Expertise.,
- Sculpture hellénistique Turquie Bergama.,
- Sculpture romaine Italie Sperlonga.,
- Autel de Zeus à Pergame.,
- 21.52 history of sculpture.,
- Art Expertising,
- Sculpture, Hellenistic,
- Sculpture, Roman,
- Plastische kunst.,
- Klassieke oudheid.,
- Invloed.,
- Grotto of Tiberius (Sperlonga, Italy),
- Grotto of Tiberius (Sperlonga, Italy) Expertising.,
- Tibère, Grotte de (Sperlonga, Italie) Expertise.,
- Tibère, Grotte de (Sperlonga, Italie),
- Italy Sperlonga,
- Italy Sperlonga Grotto of Tiberius,
- Turkey Bergama,
- Speluncae.,
- Langford,
- Pergamon,
- Sperlonga,
- sculpture,
- classics,
- Conference papers (document genres),
- Congresses (form)
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