869 Results
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Álvaro Siza fonds
Álvaro Siza fonds
Reference number:
AP178
Description:
The Álvaro Siza fonds documents the architectural work of Portuguese architect Álvaro Siza. Records in this fonds document Siza’s projects from 1958-2012, including built and unbuilt designs. A collaborative project was established between the Canadian Centre for Architecture (CCA), Fundação de Serralves, and Fundação Calouste Gulbenkian to allow for international research and access to the archive. The archive is shared by the three institutions with each institution holding different projects while collaborating on the descriptive work and increasing the visibility of the archive. The holdings at both the Fundação de Serralves and Fundação Calouste Gulbenkian focus on Siza’s Portuguese projects, while the portion of the archive held by the CCA mainly includes Siza’s projects abroad. All three institutions are committed to describing the archive and making it accessible for scholarly research. The processing of the Siza archive held by the CCA has been divided into four phases to allow for access to parts of the archive while still in process. For the first, second, and third phases, the processing archivist has described the projects from the fifties, sixties, and seventies, as well as projects for the IBA competition in Berlin, urban renewal projects in The Hague from the eighties, urban plans, museums, and individual houses between 1980 and 2000. The processing archivist has also described approximately 203 sketchbooks. Many of these sketchbooks include sketches related to architectural projects which were processed. The complete list of projects processed by the CCA to date can be found in series AP178.S1. The bulk of the Álvaro Siza fonds is arranged in Series AP178.S1, which contains documentation for over 200 of Siza’s architectural projects. Records in this archive are predominantly from 1970 to 2000. Series AP178.S1 mainly contains conceptual, design development, presentation, and working drawings. Also included are photographic materials, models, born digital records, and textual documentation, which include correspondence, project proposals, and notes. The architect’s creative process is captured in 282 sketchbooks arranged in Series AP178.S2. In all there are approximately 60 000 drawings, 3000 folders of textual documentation, 9.46 linear meters of photographs and negatives, 6,545 slides, 250 CD-ROMS, 101 floppy disks, and 371 models that document the architectural activities of Siza and his office. Among the drawings are sketches by Siza on various items, such as napkins, receipts, envelopes, or on the back of working drawings. The fonds contains several types of architectural projects including residential buildings, museums, universities, urban plans, offices, and city restorations. Of particular significance are the sketchbooks, comprised of sketches for architectural projects, Siza’s travels, people, and animals as well as notes and draft letters. The sketchbooks are organized in chronological order, starting in the late 1970’s to the beginning of the 2000’s. Locations, notes, and dates have also been identified on the front of each sketchbook along with the sketchbook number. The sketchbooks provide a unique perspective of Siza’s use of drawing as part of his work process.
AP178
Description:
The Álvaro Siza fonds documents the architectural work of Portuguese architect Álvaro Siza. Records in this fonds document Siza’s projects from 1958-2012, including built and unbuilt designs. A collaborative project was established between the Canadian Centre for Architecture (CCA), Fundação de Serralves, and Fundação Calouste Gulbenkian to allow for international research and access to the archive. The archive is shared by the three institutions with each institution holding different projects while collaborating on the descriptive work and increasing the visibility of the archive. The holdings at both the Fundação de Serralves and Fundação Calouste Gulbenkian focus on Siza’s Portuguese projects, while the portion of the archive held by the CCA mainly includes Siza’s projects abroad. All three institutions are committed to describing the archive and making it accessible for scholarly research. The processing of the Siza archive held by the CCA has been divided into four phases to allow for access to parts of the archive while still in process. For the first, second, and third phases, the processing archivist has described the projects from the fifties, sixties, and seventies, as well as projects for the IBA competition in Berlin, urban renewal projects in The Hague from the eighties, urban plans, museums, and individual houses between 1980 and 2000. The processing archivist has also described approximately 203 sketchbooks. Many of these sketchbooks include sketches related to architectural projects which were processed. The complete list of projects processed by the CCA to date can be found in series AP178.S1. The bulk of the Álvaro Siza fonds is arranged in Series AP178.S1, which contains documentation for over 200 of Siza’s architectural projects. Records in this archive are predominantly from 1970 to 2000. Series AP178.S1 mainly contains conceptual, design development, presentation, and working drawings. Also included are photographic materials, models, born digital records, and textual documentation, which include correspondence, project proposals, and notes. The architect’s creative process is captured in 282 sketchbooks arranged in Series AP178.S2. In all there are approximately 60 000 drawings, 3000 folders of textual documentation, 9.46 linear meters of photographs and negatives, 6,545 slides, 250 CD-ROMS, 101 floppy disks, and 371 models that document the architectural activities of Siza and his office. Among the drawings are sketches by Siza on various items, such as napkins, receipts, envelopes, or on the back of working drawings. The fonds contains several types of architectural projects including residential buildings, museums, universities, urban plans, offices, and city restorations. Of particular significance are the sketchbooks, comprised of sketches for architectural projects, Siza’s travels, people, and animals as well as notes and draft letters. The sketchbooks are organized in chronological order, starting in the late 1970’s to the beginning of the 2000’s. Locations, notes, and dates have also been identified on the front of each sketchbook along with the sketchbook number. The sketchbooks provide a unique perspective of Siza’s use of drawing as part of his work process.
People:
Date:
1958-2002
1958-2002
Title:
Álvaro Siza fonds
Actions:
AP178
Description:
The Álvaro Siza fonds documents the architectural work of Portuguese architect Álvaro Siza. Records in this fonds document Siza’s projects from 1958-2012, including built and unbuilt designs. A collaborative project was established between the Canadian Centre for Architecture (CCA), Fundação de Serralves, and Fundação Calouste Gulbenkian to allow for international research and access to the archive. The archive is shared by the three institutions with each institution holding different projects while collaborating on the descriptive work and increasing the visibility of the archive. The holdings at both the Fundação de Serralves and Fundação Calouste Gulbenkian focus on Siza’s Portuguese projects, while the portion of the archive held by the CCA mainly includes Siza’s projects abroad. All three institutions are committed to describing the archive and making it accessible for scholarly research. The processing of the Siza archive held by the CCA has been divided into four phases to allow for access to parts of the archive while still in process. For the first, second, and third phases, the processing archivist has described the projects from the fifties, sixties, and seventies, as well as projects for the IBA competition in Berlin, urban renewal projects in The Hague from the eighties, urban plans, museums, and individual houses between 1980 and 2000. The processing archivist has also described approximately 203 sketchbooks. Many of these sketchbooks include sketches related to architectural projects which were processed. The complete list of projects processed by the CCA to date can be found in series AP178.S1. The bulk of the Álvaro Siza fonds is arranged in Series AP178.S1, which contains documentation for over 200 of Siza’s architectural projects. Records in this archive are predominantly from 1970 to 2000. Series AP178.S1 mainly contains conceptual, design development, presentation, and working drawings. Also included are photographic materials, models, born digital records, and textual documentation, which include correspondence, project proposals, and notes. The architect’s creative process is captured in 282 sketchbooks arranged in Series AP178.S2. In all there are approximately 60 000 drawings, 3000 folders of textual documentation, 9.46 linear meters of photographs and negatives, 6,545 slides, 250 CD-ROMS, 101 floppy disks, and 371 models that document the architectural activities of Siza and his office. Among the drawings are sketches by Siza on various items, such as napkins, receipts, envelopes, or on the back of working drawings. The fonds contains several types of architectural projects including residential buildings, museums, universities, urban plans, offices, and city restorations. Of particular significance are the sketchbooks, comprised of sketches for architectural projects, Siza’s travels, people, and animals as well as notes and draft letters. The sketchbooks are organized in chronological order, starting in the late 1970’s to the beginning of the 2000’s. Locations, notes, and dates have also been identified on the front of each sketchbook along with the sketchbook number. The sketchbooks provide a unique perspective of Siza’s use of drawing as part of his work process.
Álvaro Siza fonds
Actions:
AP178
Description:
The Álvaro Siza fonds documents the architectural work of Portuguese architect Álvaro Siza. Records in this fonds document Siza’s projects from 1958-2012, including built and unbuilt designs. A collaborative project was established between the Canadian Centre for Architecture (CCA), Fundação de Serralves, and Fundação Calouste Gulbenkian to allow for international research and access to the archive. The archive is shared by the three institutions with each institution holding different projects while collaborating on the descriptive work and increasing the visibility of the archive. The holdings at both the Fundação de Serralves and Fundação Calouste Gulbenkian focus on Siza’s Portuguese projects, while the portion of the archive held by the CCA mainly includes Siza’s projects abroad. All three institutions are committed to describing the archive and making it accessible for scholarly research. The processing of the Siza archive held by the CCA has been divided into four phases to allow for access to parts of the archive while still in process. For the first, second, and third phases, the processing archivist has described the projects from the fifties, sixties, and seventies, as well as projects for the IBA competition in Berlin, urban renewal projects in The Hague from the eighties, urban plans, museums, and individual houses between 1980 and 2000. The processing archivist has also described approximately 203 sketchbooks. Many of these sketchbooks include sketches related to architectural projects which were processed. The complete list of projects processed by the CCA to date can be found in series AP178.S1. The bulk of the Álvaro Siza fonds is arranged in Series AP178.S1, which contains documentation for over 200 of Siza’s architectural projects. Records in this archive are predominantly from 1970 to 2000. Series AP178.S1 mainly contains conceptual, design development, presentation, and working drawings. Also included are photographic materials, models, born digital records, and textual documentation, which include correspondence, project proposals, and notes. The architect’s creative process is captured in 282 sketchbooks arranged in Series AP178.S2. In all there are approximately 60 000 drawings, 3000 folders of textual documentation, 9.46 linear meters of photographs and negatives, 6,545 slides, 250 CD-ROMS, 101 floppy disks, and 371 models that document the architectural activities of Siza and his office. Among the drawings are sketches by Siza on various items, such as napkins, receipts, envelopes, or on the back of working drawings. The fonds contains several types of architectural projects including residential buildings, museums, universities, urban plans, offices, and city restorations. Of particular significance are the sketchbooks, comprised of sketches for architectural projects, Siza’s travels, people, and animals as well as notes and draft letters. The sketchbooks are organized in chronological order, starting in the late 1970’s to the beginning of the 2000’s. Locations, notes, and dates have also been identified on the front of each sketchbook along with the sketchbook number. The sketchbooks provide a unique perspective of Siza’s use of drawing as part of his work process.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1958-2002
1958-2002
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Actions:
Reference number:
AP198
Synopsis:
The Kivi Sotamaa OCEAN North project records, 1997-2000, consist of born-digital files, drawings, photographs, and physical models that document two projects by the OCEAN North collective: Jyväskylä Music and Arts Centre (competition, 1997) and Tölöö Football Stadium (competition, 1997). The archive also includes born-digital reference materials on 14 projects from the collective, including the two projects mentioned above.
AP198
Synopsis:
The Kivi Sotamaa OCEAN North project records, 1997-2000, consist of born-digital files, drawings, photographs, and physical models that document two projects by the OCEAN North collective: Jyväskylä Music and Arts Centre (competition, 1997) and Tölöö Football Stadium (competition, 1997). The archive also includes born-digital reference materials on 14 projects from the collective, including the two projects mentioned above.
People:
Date:
1997-2000
1997-2000
Title:
Kivi Sotamaa OCEAN North project records
Actions:
AP198
Synopsis:
The Kivi Sotamaa OCEAN North project records, 1997-2000, consist of born-digital files, drawings, photographs, and physical models that document two projects by the OCEAN North collective: Jyväskylä Music and Arts Centre (competition, 1997) and Tölöö Football Stadium (competition, 1997). The archive also includes born-digital reference materials on 14 projects from the collective, including the two projects mentioned above.
Kivi Sotamaa OCEAN North project records
Actions:
AP198
Synopsis:
The Kivi Sotamaa OCEAN North project records, 1997-2000, consist of born-digital files, drawings, photographs, and physical models that document two projects by the OCEAN North collective: Jyväskylä Music and Arts Centre (competition, 1997) and Tölöö Football Stadium (competition, 1997). The archive also includes born-digital reference materials on 14 projects from the collective, including the two projects mentioned above.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1997-2000
1997-2000
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Actions:
Reference number:
AP194
Synopsis:
The Johan Bettum OCEAN North projects records, 1995-2000, consist of born-digital files and a physical drawing that document three projects by the OCEAN North collective: Synthetic Landscape (1995-2000), Jyväskylä Music and Arts Centre (competition, 1997), and Tölöö Football Stadium (competition, 1997). The archive also includes a small amount of additional born-digital reference materials on 11 projects from the collective, including the three projects mentioned above.
AP194
Synopsis:
The Johan Bettum OCEAN North projects records, 1995-2000, consist of born-digital files and a physical drawing that document three projects by the OCEAN North collective: Synthetic Landscape (1995-2000), Jyväskylä Music and Arts Centre (competition, 1997), and Tölöö Football Stadium (competition, 1997). The archive also includes a small amount of additional born-digital reference materials on 11 projects from the collective, including the three projects mentioned above.
People:
Date:
1995-2000
1995-2000
Title:
Johan Bettum OCEAN North project records
Actions:
AP194
Synopsis:
The Johan Bettum OCEAN North projects records, 1995-2000, consist of born-digital files and a physical drawing that document three projects by the OCEAN North collective: Synthetic Landscape (1995-2000), Jyväskylä Music and Arts Centre (competition, 1997), and Tölöö Football Stadium (competition, 1997). The archive also includes a small amount of additional born-digital reference materials on 11 projects from the collective, including the three projects mentioned above.
Johan Bettum OCEAN North project records
Actions:
AP194
Synopsis:
The Johan Bettum OCEAN North projects records, 1995-2000, consist of born-digital files and a physical drawing that document three projects by the OCEAN North collective: Synthetic Landscape (1995-2000), Jyväskylä Music and Arts Centre (competition, 1997), and Tölöö Football Stadium (competition, 1997). The archive also includes a small amount of additional born-digital reference materials on 11 projects from the collective, including the three projects mentioned above.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1995-2000
1995-2000
People:
Level of archival description:
Sub-series
Sub-series
Title:
L'anarchitetto (1973)
L'anarchitetto (1973)
Actions:
Reference number:
AP207.S3.SS01
Description:
The sub-series documents the publication "L'anarchitetto”, written by Pettena and published by Guaraldi, in Florence, in 1973. The book consists of an essay in which Pettena describes himself as an "anarchitect" as he sees architecture more as a metaphor of the creative condition that starts with the intention of "making architecture" but ends up making art. He also states his refusal to "to recognize the borders between disciplines." [1] The sub-series contains pictures of Pettena's projects to be selected from for the book and scans of "L'anarchitetto”. Sources: Pettena, Gianni. "L'an architetto : portrait of the artist as a young architect", Guaraldi, Florence, 1973, 57 pages. [1] FRAC Centre-Val de Loire website, http://www.frac-centre.fr/_en/art-and-architecture-collection/rub/rubauthors-316.html?authID=148 (last accessed 30 January 2020).
AP207.S3.SS01
Description:
The sub-series documents the publication "L'anarchitetto”, written by Pettena and published by Guaraldi, in Florence, in 1973. The book consists of an essay in which Pettena describes himself as an "anarchitect" as he sees architecture more as a metaphor of the creative condition that starts with the intention of "making architecture" but ends up making art. He also states his refusal to "to recognize the borders between disciplines." [1] The sub-series contains pictures of Pettena's projects to be selected from for the book and scans of "L'anarchitetto”. Sources: Pettena, Gianni. "L'an architetto : portrait of the artist as a young architect", Guaraldi, Florence, 1973, 57 pages. [1] FRAC Centre-Val de Loire website, http://www.frac-centre.fr/_en/art-and-architecture-collection/rub/rubauthors-316.html?authID=148 (last accessed 30 January 2020).
People:
Date:
2001-2010
2001-2010
Title:
L'anarchitetto (1973)
Actions:
AP207.S3.SS01
Description:
The sub-series documents the publication "L'anarchitetto”, written by Pettena and published by Guaraldi, in Florence, in 1973. The book consists of an essay in which Pettena describes himself as an "anarchitect" as he sees architecture more as a metaphor of the creative condition that starts with the intention of "making architecture" but ends up making art. He also states his refusal to "to recognize the borders between disciplines." [1] The sub-series contains pictures of Pettena's projects to be selected from for the book and scans of "L'anarchitetto”. Sources: Pettena, Gianni. "L'an architetto : portrait of the artist as a young architect", Guaraldi, Florence, 1973, 57 pages. [1] FRAC Centre-Val de Loire website, http://www.frac-centre.fr/_en/art-and-architecture-collection/rub/rubauthors-316.html?authID=148 (last accessed 30 January 2020).
L'anarchitetto (1973)
Actions:
AP207.S3.SS01
Description:
The sub-series documents the publication "L'anarchitetto”, written by Pettena and published by Guaraldi, in Florence, in 1973. The book consists of an essay in which Pettena describes himself as an "anarchitect" as he sees architecture more as a metaphor of the creative condition that starts with the intention of "making architecture" but ends up making art. He also states his refusal to "to recognize the borders between disciplines." [1] The sub-series contains pictures of Pettena's projects to be selected from for the book and scans of "L'anarchitetto”. Sources: Pettena, Gianni. "L'an architetto : portrait of the artist as a young architect", Guaraldi, Florence, 1973, 57 pages. [1] FRAC Centre-Val de Loire website, http://www.frac-centre.fr/_en/art-and-architecture-collection/rub/rubauthors-316.html?authID=148 (last accessed 30 January 2020).
Level of archival description:
Subseries
Subseries
Date:
2001-2010
2001-2010
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP018.S1.1976.PR19
Description:
This project series documents the design and construction of an office building and planning for additional projects in North York, Ontario from 1976-1983. The office identified the project number as 7626. The project consisted of a ten storey office building located at 1500 Don Mills Road with approximately 250,000 square feet of space. Owned and commissioned by Marathon Realty, the majority of the building's space was designed for rental. The ground floor of the building was to host retail spaces and a connection to local transit. The project was divided into two phases. Phase I was the construction of this office building and Phase II was the construction of an additional office building and a parking structure on the same property. Under this project number, only Phase I was realized, with the additional buildings receiving their own project numbers from the office later on. The project is recorded through drawings, construction progress photographs, textual records and a mounted work of art dating from 1974-1983. The textual records include correspondence, site reports, tests and inspections, meeting minutes and reports, specifications, tenders documents, detail planning records, change orders, supplementary instructions and financial records. Also included is an article written by John C. Parkin for Canadian Architect on the development of the property, which previously hosted his own offices until their demolition before the start of this project (see box AP018.S1.1976.PR19.025). Box AP018.S1.1976.PR19.025 contains an index to the textual records, which was created by the office.
AP018.S1.1976.PR19
Description:
This project series documents the design and construction of an office building and planning for additional projects in North York, Ontario from 1976-1983. The office identified the project number as 7626. The project consisted of a ten storey office building located at 1500 Don Mills Road with approximately 250,000 square feet of space. Owned and commissioned by Marathon Realty, the majority of the building's space was designed for rental. The ground floor of the building was to host retail spaces and a connection to local transit. The project was divided into two phases. Phase I was the construction of this office building and Phase II was the construction of an additional office building and a parking structure on the same property. Under this project number, only Phase I was realized, with the additional buildings receiving their own project numbers from the office later on. The project is recorded through drawings, construction progress photographs, textual records and a mounted work of art dating from 1974-1983. The textual records include correspondence, site reports, tests and inspections, meeting minutes and reports, specifications, tenders documents, detail planning records, change orders, supplementary instructions and financial records. Also included is an article written by John C. Parkin for Canadian Architect on the development of the property, which previously hosted his own offices until their demolition before the start of this project (see box AP018.S1.1976.PR19.025). Box AP018.S1.1976.PR19.025 contains an index to the textual records, which was created by the office.
People:
Date:
1974-1983
1974-1983
Title:
Office Building, 1500 Don Mills Road, North York, Ontario (1976)
Actions:
AP018.S1.1976.PR19
Description:
This project series documents the design and construction of an office building and planning for additional projects in North York, Ontario from 1976-1983. The office identified the project number as 7626. The project consisted of a ten storey office building located at 1500 Don Mills Road with approximately 250,000 square feet of space. Owned and commissioned by Marathon Realty, the majority of the building's space was designed for rental. The ground floor of the building was to host retail spaces and a connection to local transit. The project was divided into two phases. Phase I was the construction of this office building and Phase II was the construction of an additional office building and a parking structure on the same property. Under this project number, only Phase I was realized, with the additional buildings receiving their own project numbers from the office later on. The project is recorded through drawings, construction progress photographs, textual records and a mounted work of art dating from 1974-1983. The textual records include correspondence, site reports, tests and inspections, meeting minutes and reports, specifications, tenders documents, detail planning records, change orders, supplementary instructions and financial records. Also included is an article written by John C. Parkin for Canadian Architect on the development of the property, which previously hosted his own offices until their demolition before the start of this project (see box AP018.S1.1976.PR19.025). Box AP018.S1.1976.PR19.025 contains an index to the textual records, which was created by the office.
Office Building, 1500 Don Mills Road, North York, Ontario (1976)
Actions:
AP018.S1.1976.PR19
Description:
This project series documents the design and construction of an office building and planning for additional projects in North York, Ontario from 1976-1983. The office identified the project number as 7626. The project consisted of a ten storey office building located at 1500 Don Mills Road with approximately 250,000 square feet of space. Owned and commissioned by Marathon Realty, the majority of the building's space was designed for rental. The ground floor of the building was to host retail spaces and a connection to local transit. The project was divided into two phases. Phase I was the construction of this office building and Phase II was the construction of an additional office building and a parking structure on the same property. Under this project number, only Phase I was realized, with the additional buildings receiving their own project numbers from the office later on. The project is recorded through drawings, construction progress photographs, textual records and a mounted work of art dating from 1974-1983. The textual records include correspondence, site reports, tests and inspections, meeting minutes and reports, specifications, tenders documents, detail planning records, change orders, supplementary instructions and financial records. Also included is an article written by John C. Parkin for Canadian Architect on the development of the property, which previously hosted his own offices until their demolition before the start of this project (see box AP018.S1.1976.PR19.025). Box AP018.S1.1976.PR19.025 contains an index to the textual records, which was created by the office.
Level of archival description:
Project
Project
Date:
1974-1983
1974-1983
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Reference number:
AP057
Synopsis:
The Institute for Architecture and Urban Studies (IAUS) fonds is composed primarily of textual and photographic material which document the activities of the IAUS from its inception in 1967 until its dissolution in 1983. Those activities include the publication of three periodicals (Oppositions, October and Skyline), as well as numerous books, conferences, lectures, exhibitions and educational programming. In addition, the IAUS fonds documents the activities of the IAUS' director, architect Peter Eisenman.
AP057
Synopsis:
The Institute for Architecture and Urban Studies (IAUS) fonds is composed primarily of textual and photographic material which document the activities of the IAUS from its inception in 1967 until its dissolution in 1983. Those activities include the publication of three periodicals (Oppositions, October and Skyline), as well as numerous books, conferences, lectures, exhibitions and educational programming. In addition, the IAUS fonds documents the activities of the IAUS' director, architect Peter Eisenman.
People:
Date:
1965-1984
1965-1984
Title:
Institute for Architecture and Urban Studies fonds
Actions:
AP057
Synopsis:
The Institute for Architecture and Urban Studies (IAUS) fonds is composed primarily of textual and photographic material which document the activities of the IAUS from its inception in 1967 until its dissolution in 1983. Those activities include the publication of three periodicals (Oppositions, October and Skyline), as well as numerous books, conferences, lectures, exhibitions and educational programming. In addition, the IAUS fonds documents the activities of the IAUS' director, architect Peter Eisenman.
Institute for Architecture and Urban Studies fonds
Actions:
AP057
Synopsis:
The Institute for Architecture and Urban Studies (IAUS) fonds is composed primarily of textual and photographic material which document the activities of the IAUS from its inception in 1967 until its dissolution in 1983. Those activities include the publication of three periodicals (Oppositions, October and Skyline), as well as numerous books, conferences, lectures, exhibitions and educational programming. In addition, the IAUS fonds documents the activities of the IAUS' director, architect Peter Eisenman.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1965-1984
1965-1984
People:
Level of archival description:
Series
Series
Actions:
Reference number:
CP138.S2
Description:
Series documents the life of Anne Alpert (1914-1997), Gordon Matta-Clark's (1943-1978) mother, dating from her early childhood to her death. It includes correspondence, memorabilia, photographs, and published reviews and catalogues. The material also relates to the public and private life of her twin sons, John Sebastian Matta (1943-1976) and Matta-Clark, their father Roberto Matta (1911 or 1912-2002), and others. Series contains three sub-series.
CP138.S2
Description:
Series documents the life of Anne Alpert (1914-1997), Gordon Matta-Clark's (1943-1978) mother, dating from her early childhood to her death. It includes correspondence, memorabilia, photographs, and published reviews and catalogues. The material also relates to the public and private life of her twin sons, John Sebastian Matta (1943-1976) and Matta-Clark, their father Roberto Matta (1911 or 1912-2002), and others. Series contains three sub-series.
People:
Date:
1914-1997
1914-1997
Title:
Anne Alpert's Textual Records and Photographs
Actions:
CP138.S2
Description:
Series documents the life of Anne Alpert (1914-1997), Gordon Matta-Clark's (1943-1978) mother, dating from her early childhood to her death. It includes correspondence, memorabilia, photographs, and published reviews and catalogues. The material also relates to the public and private life of her twin sons, John Sebastian Matta (1943-1976) and Matta-Clark, their father Roberto Matta (1911 or 1912-2002), and others. Series contains three sub-series.
Anne Alpert's Textual Records and Photographs
Actions:
CP138.S2
Description:
Series documents the life of Anne Alpert (1914-1997), Gordon Matta-Clark's (1943-1978) mother, dating from her early childhood to her death. It includes correspondence, memorabilia, photographs, and published reviews and catalogues. The material also relates to the public and private life of her twin sons, John Sebastian Matta (1943-1976) and Matta-Clark, their father Roberto Matta (1911 or 1912-2002), and others. Series contains three sub-series.
Level of archival description:
Series 2
Series 2
Date:
1914-1997
1914-1997
People:
Level of archival description:
Project
Project
Reference number:
AP164.S1.2001.D4
Description:
The project series documents the competition entry for the international competition “Jubilee-Gardens” for the reorganization of the Southbank in London, England. Abalos & Herreros worked with an international team and the firm's entry was a finalist in the competition. The firm identified this project as number 139. “The competition programme asked for a new center for London. A center which would be perceived as a global icon. Comparing the statement with analogue enclaves showed that the Southbank was very small for such ambition, especially because of the fact that the project had to let as much metropolitan space open as possible. This forced to investigate how to enlarge the site. The problem was resolved by connecting adjacent areas in three levels. The original conditions and the programme offered a diverse mix of urban and natural elements: history, entertainment, culture, open spaces, the Thames… from where the conquest of the adjacent areas, the sub terrain and the margins of a linked event starts.” (ARCH270975) Documenting the project are conceptual and design development drawings, photographic and reference materials, notes, competition documents, and correspondence.
AP164.S1.2001.D4
Description:
The project series documents the competition entry for the international competition “Jubilee-Gardens” for the reorganization of the Southbank in London, England. Abalos & Herreros worked with an international team and the firm's entry was a finalist in the competition. The firm identified this project as number 139. “The competition programme asked for a new center for London. A center which would be perceived as a global icon. Comparing the statement with analogue enclaves showed that the Southbank was very small for such ambition, especially because of the fact that the project had to let as much metropolitan space open as possible. This forced to investigate how to enlarge the site. The problem was resolved by connecting adjacent areas in three levels. The original conditions and the programme offered a diverse mix of urban and natural elements: history, entertainment, culture, open spaces, the Thames… from where the conquest of the adjacent areas, the sub terrain and the margins of a linked event starts.” (ARCH270975) Documenting the project are conceptual and design development drawings, photographic and reference materials, notes, competition documents, and correspondence.
People:
Date:
1999-2001
1999-2001
Title:
Southbank Londres, London, United Kingdom (2001)
Actions:
AP164.S1.2001.D4
Description:
The project series documents the competition entry for the international competition “Jubilee-Gardens” for the reorganization of the Southbank in London, England. Abalos & Herreros worked with an international team and the firm's entry was a finalist in the competition. The firm identified this project as number 139. “The competition programme asked for a new center for London. A center which would be perceived as a global icon. Comparing the statement with analogue enclaves showed that the Southbank was very small for such ambition, especially because of the fact that the project had to let as much metropolitan space open as possible. This forced to investigate how to enlarge the site. The problem was resolved by connecting adjacent areas in three levels. The original conditions and the programme offered a diverse mix of urban and natural elements: history, entertainment, culture, open spaces, the Thames… from where the conquest of the adjacent areas, the sub terrain and the margins of a linked event starts.” (ARCH270975) Documenting the project are conceptual and design development drawings, photographic and reference materials, notes, competition documents, and correspondence.
Southbank Londres, London, United Kingdom (2001)
Actions:
AP164.S1.2001.D4
Description:
The project series documents the competition entry for the international competition “Jubilee-Gardens” for the reorganization of the Southbank in London, England. Abalos & Herreros worked with an international team and the firm's entry was a finalist in the competition. The firm identified this project as number 139. “The competition programme asked for a new center for London. A center which would be perceived as a global icon. Comparing the statement with analogue enclaves showed that the Southbank was very small for such ambition, especially because of the fact that the project had to let as much metropolitan space open as possible. This forced to investigate how to enlarge the site. The problem was resolved by connecting adjacent areas in three levels. The original conditions and the programme offered a diverse mix of urban and natural elements: history, entertainment, culture, open spaces, the Thames… from where the conquest of the adjacent areas, the sub terrain and the margins of a linked event starts.” (ARCH270975) Documenting the project are conceptual and design development drawings, photographic and reference materials, notes, competition documents, and correspondence.
Level of archival description:
Project
Project
Date:
1999-2001
1999-2001
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP018.S1.1970.PR07
Description:
This project series documents the existing Art Gallery of Ontario (AGO) buildings in Toronto around 1970. The office identified the project number as 70056. This project consisted of creating drawings of the two existing AGO buildings, before the start of construction on the AGO expansion. Beginning in 1969, Parkin’s firm was hired as the head architects for the AGO’s massive expansion program that would span more than a decade. This is one project relating to the expansion of the art gallery. The work for AGO projects was divided into 4 physical areas of the art gallery (A, B, C and D) and the drawings for this project reflect this division. It should be noted that while AGO project contracts were originally given to John B. Parkin Associates, John C. Parkin continued the project under his new firm, Parkin Architects Planners, after parting ways with partner John B. Parkin in 1971. The project is recorded through reprographic copies of area D drawings dating from around 1970.
AP018.S1.1970.PR07
Description:
This project series documents the existing Art Gallery of Ontario (AGO) buildings in Toronto around 1970. The office identified the project number as 70056. This project consisted of creating drawings of the two existing AGO buildings, before the start of construction on the AGO expansion. Beginning in 1969, Parkin’s firm was hired as the head architects for the AGO’s massive expansion program that would span more than a decade. This is one project relating to the expansion of the art gallery. The work for AGO projects was divided into 4 physical areas of the art gallery (A, B, C and D) and the drawings for this project reflect this division. It should be noted that while AGO project contracts were originally given to John B. Parkin Associates, John C. Parkin continued the project under his new firm, Parkin Architects Planners, after parting ways with partner John B. Parkin in 1971. The project is recorded through reprographic copies of area D drawings dating from around 1970.
People:
Date:
circa 1970
circa 1970
Title:
Art Gallery of Ontario, Existing Building, Toronto (1970)
Actions:
AP018.S1.1970.PR07
Description:
This project series documents the existing Art Gallery of Ontario (AGO) buildings in Toronto around 1970. The office identified the project number as 70056. This project consisted of creating drawings of the two existing AGO buildings, before the start of construction on the AGO expansion. Beginning in 1969, Parkin’s firm was hired as the head architects for the AGO’s massive expansion program that would span more than a decade. This is one project relating to the expansion of the art gallery. The work for AGO projects was divided into 4 physical areas of the art gallery (A, B, C and D) and the drawings for this project reflect this division. It should be noted that while AGO project contracts were originally given to John B. Parkin Associates, John C. Parkin continued the project under his new firm, Parkin Architects Planners, after parting ways with partner John B. Parkin in 1971. The project is recorded through reprographic copies of area D drawings dating from around 1970.
Art Gallery of Ontario, Existing Building, Toronto (1970)
Actions:
AP018.S1.1970.PR07
Description:
This project series documents the existing Art Gallery of Ontario (AGO) buildings in Toronto around 1970. The office identified the project number as 70056. This project consisted of creating drawings of the two existing AGO buildings, before the start of construction on the AGO expansion. Beginning in 1969, Parkin’s firm was hired as the head architects for the AGO’s massive expansion program that would span more than a decade. This is one project relating to the expansion of the art gallery. The work for AGO projects was divided into 4 physical areas of the art gallery (A, B, C and D) and the drawings for this project reflect this division. It should be noted that while AGO project contracts were originally given to John B. Parkin Associates, John C. Parkin continued the project under his new firm, Parkin Architects Planners, after parting ways with partner John B. Parkin in 1971. The project is recorded through reprographic copies of area D drawings dating from around 1970.
Level of archival description:
Project
Project
Date:
circa 1970
circa 1970
People:
Form:
photographs
photographs
Actions:
Reference number:
ARCH255761
Description:
"Rear Admiral Hugh F. Pullen (Ret'd), general manager of the Atlantic Pavilion, watchesas the first of six 140-foot wooden beams is swung into place to start construction at the pavilion."--Description # 2 retrieved from ARCH260258.
ARCH255761
Description:
"Rear Admiral Hugh F. Pullen (Ret'd), general manager of the Atlantic Pavilion, watchesas the first of six 140-foot wooden beams is swung into place to start construction at the pavilion."--Description # 2 retrieved from ARCH260258.
People:
Date:
1965-1966
1965-1966
Title:
Portrait of Rear Admiral Hugh F. Pullen and of an unidentified woman with the Atlantic Provinces' Pavilion under construction as background, Expo 67, Montréal, Québec
Actions:
ARCH255761
Description:
"Rear Admiral Hugh F. Pullen (Ret'd), general manager of the Atlantic Pavilion, watchesas the first of six 140-foot wooden beams is swung into place to start construction at the pavilion."--Description # 2 retrieved from ARCH260258.
Portrait of Rear Admiral Hugh F. Pullen and of an unidentified woman with the Atlantic Provinces' Pavilion under construction as background, Expo 67, Montréal, Québec
Actions:
ARCH255761
Description:
"Rear Admiral Hugh F. Pullen (Ret'd), general manager of the Atlantic Pavilion, watchesas the first of six 140-foot wooden beams is swung into place to start construction at the pavilion."--Description # 2 retrieved from ARCH260258.
Form:
photographs
photographs
Date:
1965-1966
1965-1966
People:
