3256 Results
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exhibitions
exhibitions
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Description:
Lessons from Bernard Rudofsky is the first retrospective to examine the life and work of the controversial architect, designer, and critic whose groundbreaking buildings, exhibitions, and fashion designs challenged the Western world’s perceptions of comfort and culture. The exhibition highlights the diverse contributions of a unique and underappreciated pioneer of(...)
Lessons from Bernard Rudofsky is the first retrospective to examine the life and work of the controversial architect, designer, and critic whose groundbreaking buildings, exhibitions, and fashion designs challenged the Western world’s perceptions of comfort and culture. The exhibition highlights the diverse contributions of a unique and underappreciated pioneer of(...)
Location:
Main galleries
Main galleries
Date:
4 July 2007 to 30 September 2007
4 July 2007 to 30 September 2007
Title:
Lessons from Bernard Rudofsky
Actions:
Description:
Lessons from Bernard Rudofsky is the first retrospective to examine the life and work of the controversial architect, designer, and critic whose groundbreaking buildings, exhibitions, and fashion designs challenged the Western world’s perceptions of comfort and culture. The exhibition highlights the diverse contributions of a unique and underappreciated pioneer of(...)
Lessons from Bernard Rudofsky
Actions:
Description:
Lessons from Bernard Rudofsky is the first retrospective to examine the life and work of the controversial architect, designer, and critic whose groundbreaking buildings, exhibitions, and fashion designs challenged the Western world’s perceptions of comfort and culture. The exhibition highlights the diverse contributions of a unique and underappreciated pioneer of(...)
Form:
exhibitions
exhibitions
Date:
4 July 2007 to
30 September 2007
4 July 2007 to
30 September 2007
Location:
Main galleries
Main galleries
Form:
events
events
Title:
T pour Typographie
T pour Typographie
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Description:
Feed is an independent graphic design studio founded in 1999 by Anouk Pennel and Raphaël Daudelin that specializes in branding, publishing and typeface design. In conjunction with the graphic design they created for the exhibition ABC: MTL, the studio invites university students to a typography drawing workshop. Each student will be assigned a letter of the alphabet and(...)
Feed is an independent graphic design studio founded in 1999 by Anouk Pennel and Raphaël Daudelin that specializes in branding, publishing and typeface design. In conjunction with the graphic design they created for the exhibition ABC: MTL, the studio invites university students to a typography drawing workshop. Each student will be assigned a letter of the alphabet and(...)
Location:
Shaughnessy House
Shaughnessy House
Date:
21 February 2013, 3pm - 5pm
21 February 2013, 3pm - 5pm
Title:
T pour Typographie
Actions:
Description:
Feed is an independent graphic design studio founded in 1999 by Anouk Pennel and Raphaël Daudelin that specializes in branding, publishing and typeface design. In conjunction with the graphic design they created for the exhibition ABC: MTL, the studio invites university students to a typography drawing workshop. Each student will be assigned a letter of the alphabet and(...)
T pour Typographie
Actions:
Description:
Feed is an independent graphic design studio founded in 1999 by Anouk Pennel and Raphaël Daudelin that specializes in branding, publishing and typeface design. In conjunction with the graphic design they created for the exhibition ABC: MTL, the studio invites university students to a typography drawing workshop. Each student will be assigned a letter of the alphabet and(...)
Form:
events
events
Date:
21 February 2013
3pm - 5pm
21 February 2013
3pm - 5pm
Location:
Shaughnessy House
Shaughnessy House
Form:
photographs
photographs
Actions:
Reference number:
ARCH256101
Description:
"Le pavillon thématique illustrant 'L'Homme à l'oeuvre' dans l'Ile Notre-Dame brille vraiment de tous ces feux, à la tombée du jour. Cet ensemble de pavillons comme d'ailleurs celui qui illustre 'L'Homme interroge l'Univers', dans l'Ile Sainte-Hélène acquiert de plus en plus une réputation d'excellence, à cause de ses éléments d'exposition. / The theme pavilion devoted to Man the Producer occupies a site facing the Expo Express station on Ile Notre-Dame. Its sections are designed in the shape of truncated tetrahedrons. The pavilion has four levels. The main exhibits entitled 'Resources for Man', 'Progress' and 'Man in Control' are confined to the second and fourth levels. The ground floor contains restaurants and other services, while the third level constitutes a plaza leading to all exhibits."--Description.
ARCH256101
Description:
"Le pavillon thématique illustrant 'L'Homme à l'oeuvre' dans l'Ile Notre-Dame brille vraiment de tous ces feux, à la tombée du jour. Cet ensemble de pavillons comme d'ailleurs celui qui illustre 'L'Homme interroge l'Univers', dans l'Ile Sainte-Hélène acquiert de plus en plus une réputation d'excellence, à cause de ses éléments d'exposition. / The theme pavilion devoted to Man the Producer occupies a site facing the Expo Express station on Ile Notre-Dame. Its sections are designed in the shape of truncated tetrahedrons. The pavilion has four levels. The main exhibits entitled 'Resources for Man', 'Progress' and 'Man in Control' are confined to the second and fourth levels. The ground floor contains restaurants and other services, while the third level constitutes a plaza leading to all exhibits."--Description.
People:
Date:
1967?
1967?
Title:
Night view of the Man the Producer Pavilion, Expo 67, Montréal, Québec
Actions:
ARCH256101
Description:
"Le pavillon thématique illustrant 'L'Homme à l'oeuvre' dans l'Ile Notre-Dame brille vraiment de tous ces feux, à la tombée du jour. Cet ensemble de pavillons comme d'ailleurs celui qui illustre 'L'Homme interroge l'Univers', dans l'Ile Sainte-Hélène acquiert de plus en plus une réputation d'excellence, à cause de ses éléments d'exposition. / The theme pavilion devoted to Man the Producer occupies a site facing the Expo Express station on Ile Notre-Dame. Its sections are designed in the shape of truncated tetrahedrons. The pavilion has four levels. The main exhibits entitled 'Resources for Man', 'Progress' and 'Man in Control' are confined to the second and fourth levels. The ground floor contains restaurants and other services, while the third level constitutes a plaza leading to all exhibits."--Description.
Night view of the Man the Producer Pavilion, Expo 67, Montréal, Québec
Actions:
ARCH256101
Description:
"Le pavillon thématique illustrant 'L'Homme à l'oeuvre' dans l'Ile Notre-Dame brille vraiment de tous ces feux, à la tombée du jour. Cet ensemble de pavillons comme d'ailleurs celui qui illustre 'L'Homme interroge l'Univers', dans l'Ile Sainte-Hélène acquiert de plus en plus une réputation d'excellence, à cause de ses éléments d'exposition. / The theme pavilion devoted to Man the Producer occupies a site facing the Expo Express station on Ile Notre-Dame. Its sections are designed in the shape of truncated tetrahedrons. The pavilion has four levels. The main exhibits entitled 'Resources for Man', 'Progress' and 'Man in Control' are confined to the second and fourth levels. The ground floor contains restaurants and other services, while the third level constitutes a plaza leading to all exhibits."--Description.
Form:
photographs
photographs
Date:
1967?
1967?
People:
Form:
exhibitions
exhibitions
Description:
In the 1980s and 1990s, the trend in urban design shifted from the global planning approach—exemplified by the urban master plans of the 1950s and 1960s—to a sector based approach favouring gradual change rather than the rebuilding of cities. Urban Revisions: Current Projects for the Public Realm examines the physical and social space of the city, as seen by contemporary(...)
In the 1980s and 1990s, the trend in urban design shifted from the global planning approach—exemplified by the urban master plans of the 1950s and 1960s—to a sector based approach favouring gradual change rather than the rebuilding of cities. Urban Revisions: Current Projects for the Public Realm examines the physical and social space of the city, as seen by contemporary(...)
Location:
Main galleries
Main galleries
Date:
19 October 1994 to 8 January 1995
19 October 1994 to 8 January 1995
Title:
Urban Revisions: Current Projects for the Public Realm
Actions:
Description:
In the 1980s and 1990s, the trend in urban design shifted from the global planning approach—exemplified by the urban master plans of the 1950s and 1960s—to a sector based approach favouring gradual change rather than the rebuilding of cities. Urban Revisions: Current Projects for the Public Realm examines the physical and social space of the city, as seen by contemporary(...)
Urban Revisions: Current Projects for the Public Realm
Actions:
Description:
In the 1980s and 1990s, the trend in urban design shifted from the global planning approach—exemplified by the urban master plans of the 1950s and 1960s—to a sector based approach favouring gradual change rather than the rebuilding of cities. Urban Revisions: Current Projects for the Public Realm examines the physical and social space of the city, as seen by contemporary(...)
Form:
exhibitions
exhibitions
Date:
19 October 1994 to
8 January 1995
19 October 1994 to
8 January 1995
Location:
Main galleries
Main galleries
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Pierlucio Pellissier fonds
Pierlucio Pellissier fonds
Actions:
Reference number:
AP215
Synopsis:
Le fonds Pierlucio Pellissier, 1946-2020, documente les projets de conservation et de commissariat entrepris par Pierlucio Pellissier, architecte, conservateur et professeur, entre 1996 et 2003. Le fonds comprend des documents textuels et photographiques touchant à trois projets distincts : les restaurations de deux églises décorées par l’architecte et artiste Guido Nincheri (1885-1973), qui en assura également le design architectural, soit Sainte-Amélie à Baie-Comeau, Québec (1938-1939) et Notre-Dame-de-la-Défense, Montréal (1919), et le commissariat d’une exposition sur l’œuvre de Guido Nincheri tenue à Montréal en 2001. Le travail de conservation et de restauration des fresques de Nincheri, qui ornent les deux églises, forme la plus grande partie de la documentation, mettant en lumière la spécificité du médium et les problématiques de la conservation d’œuvres d’art à portée publique.
AP215
Synopsis:
Le fonds Pierlucio Pellissier, 1946-2020, documente les projets de conservation et de commissariat entrepris par Pierlucio Pellissier, architecte, conservateur et professeur, entre 1996 et 2003. Le fonds comprend des documents textuels et photographiques touchant à trois projets distincts : les restaurations de deux églises décorées par l’architecte et artiste Guido Nincheri (1885-1973), qui en assura également le design architectural, soit Sainte-Amélie à Baie-Comeau, Québec (1938-1939) et Notre-Dame-de-la-Défense, Montréal (1919), et le commissariat d’une exposition sur l’œuvre de Guido Nincheri tenue à Montréal en 2001. Le travail de conservation et de restauration des fresques de Nincheri, qui ornent les deux églises, forme la plus grande partie de la documentation, mettant en lumière la spécificité du médium et les problématiques de la conservation d’œuvres d’art à portée publique.
People:
Date:
1946-2020
1946-2020
Title:
Pierlucio Pellissier fonds
Actions:
AP215
Synopsis:
Le fonds Pierlucio Pellissier, 1946-2020, documente les projets de conservation et de commissariat entrepris par Pierlucio Pellissier, architecte, conservateur et professeur, entre 1996 et 2003. Le fonds comprend des documents textuels et photographiques touchant à trois projets distincts : les restaurations de deux églises décorées par l’architecte et artiste Guido Nincheri (1885-1973), qui en assura également le design architectural, soit Sainte-Amélie à Baie-Comeau, Québec (1938-1939) et Notre-Dame-de-la-Défense, Montréal (1919), et le commissariat d’une exposition sur l’œuvre de Guido Nincheri tenue à Montréal en 2001. Le travail de conservation et de restauration des fresques de Nincheri, qui ornent les deux églises, forme la plus grande partie de la documentation, mettant en lumière la spécificité du médium et les problématiques de la conservation d’œuvres d’art à portée publique.
Pierlucio Pellissier fonds
Actions:
AP215
Synopsis:
Le fonds Pierlucio Pellissier, 1946-2020, documente les projets de conservation et de commissariat entrepris par Pierlucio Pellissier, architecte, conservateur et professeur, entre 1996 et 2003. Le fonds comprend des documents textuels et photographiques touchant à trois projets distincts : les restaurations de deux églises décorées par l’architecte et artiste Guido Nincheri (1885-1973), qui en assura également le design architectural, soit Sainte-Amélie à Baie-Comeau, Québec (1938-1939) et Notre-Dame-de-la-Défense, Montréal (1919), et le commissariat d’une exposition sur l’œuvre de Guido Nincheri tenue à Montréal en 2001. Le travail de conservation et de restauration des fresques de Nincheri, qui ornent les deux églises, forme la plus grande partie de la documentation, mettant en lumière la spécificité du médium et les problématiques de la conservation d’œuvres d’art à portée publique.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1946-2020
1946-2020
People:
Form:
events
events
Actions:
Description:
The architectural practice OFFICE was founded in Belgium in 2002 by Kersten Geers and David Van Severen. They have contributed to past CCA exhibitions including Imperfect Health: The Medicalization of Architecture (2011). The series They want to speak with you invites design and architecture professionals to discuss their most recent projects.
The architectural practice OFFICE was founded in Belgium in 2002 by Kersten Geers and David Van Severen. They have contributed to past CCA exhibitions including Imperfect Health: The Medicalization of Architecture (2011). The series They want to speak with you invites design and architecture professionals to discuss their most recent projects.
Date:
13 November 2014 , 6pm
13 November 2014 , 6pm
Title:
OFFICE wants to speak with you
Actions:
Description:
The architectural practice OFFICE was founded in Belgium in 2002 by Kersten Geers and David Van Severen. They have contributed to past CCA exhibitions including Imperfect Health: The Medicalization of Architecture (2011). The series They want to speak with you invites design and architecture professionals to discuss their most recent projects.
OFFICE wants to speak with you
Actions:
Description:
The architectural practice OFFICE was founded in Belgium in 2002 by Kersten Geers and David Van Severen. They have contributed to past CCA exhibitions including Imperfect Health: The Medicalization of Architecture (2011). The series They want to speak with you invites design and architecture professionals to discuss their most recent projects.
Form:
events
events
Date:
13 November 2014
6pm
13 November 2014
6pm
Form:
webpages
webpages
Actions:
Summary:
The Curatorial Internships Program is designed to share the CCA’s expertise with students and young professionals in architecture, the design disciplines, the arts, the humanities, and cultural studies who are interested in exploring editorial and curatorial work in architecture. Selected candidates will have the opportunity to become acquainted with the CCA’s curatorial approach—in particular its Collection, exhibitions, editorial projects, and research programs—through a nine-month internship in Montréal.
Title:
Curatorial Internships Program
Actions:
Summary:
Curatorial Internships Program
Actions:
Summary:
The Curatorial Internships Program is designed to share the CCA’s expertise with students and young professionals in architecture, the design disciplines, the arts, the humanities, and cultural studies who are interested in exploring editorial and curatorial work in architecture. Selected candidates will have the opportunity to become acquainted with the CCA’s curatorial approach—in particular its Collection, exhibitions, editorial projects, and research programs—through a nine-month internship in Montréal.
Form:
webpages
webpages
Form:
events
events
Title:
In Response
In Response
Actions:
Description:
In Response is a series of public seminars that mark the final weeks of the exhibition The Other Architect. If the exhibition presents alternative approaches and models that have challenged traditional design practices, the seminars offer alternative curatorial views on the exhibition and accompanying publication. Respondents include: Felicity Scott (Thursday 10 March),(...)
In Response is a series of public seminars that mark the final weeks of the exhibition The Other Architect. If the exhibition presents alternative approaches and models that have challenged traditional design practices, the seminars offer alternative curatorial views on the exhibition and accompanying publication. Respondents include: Felicity Scott (Thursday 10 March),(...)
Location:
Main galleries
Main galleries
Date:
10 March 2016 to 1 April 2016
10 March 2016 to 1 April 2016
Title:
In Response
Actions:
Description:
In Response is a series of public seminars that mark the final weeks of the exhibition The Other Architect. If the exhibition presents alternative approaches and models that have challenged traditional design practices, the seminars offer alternative curatorial views on the exhibition and accompanying publication. Respondents include: Felicity Scott (Thursday 10 March),(...)
In Response
Actions:
Description:
In Response is a series of public seminars that mark the final weeks of the exhibition The Other Architect. If the exhibition presents alternative approaches and models that have challenged traditional design practices, the seminars offer alternative curatorial views on the exhibition and accompanying publication. Respondents include: Felicity Scott (Thursday 10 March),(...)
Form:
events
events
Date:
10 March 2016 to
1 April 2016
10 March 2016 to
1 April 2016
Location:
Main galleries
Main galleries
Level of archival description:
Project
Project
Actions:
Reference number:
AP137.D37
Description:
File documents an entry to a national competition to design the Canadian Government Pavilion for the 1970 World Exposition in Osaka, Japan. File contains undated sets of presentation drawings.
AP137.D37
Description:
File documents an entry to a national competition to design the Canadian Government Pavilion for the 1970 World Exposition in Osaka, Japan. File contains undated sets of presentation drawings.
People:
Date:
[between 1967-1969]
[between 1967-1969]
Title:
Canadian Government Pavilion, Osaka
Actions:
AP137.D37
Description:
File documents an entry to a national competition to design the Canadian Government Pavilion for the 1970 World Exposition in Osaka, Japan. File contains undated sets of presentation drawings.
Canadian Government Pavilion, Osaka
Actions:
AP137.D37
Description:
File documents an entry to a national competition to design the Canadian Government Pavilion for the 1970 World Exposition in Osaka, Japan. File contains undated sets of presentation drawings.
Level of archival description:
File 37
File 37
Date:
[between 1967-1969]
[between 1967-1969]
People:
Form:
events
events
Actions:
Description:
In this conversation, Kenneth Frampton (Columbia University) will discuss approaches to architectural history today with Esra Akcan (Cornell University) and Mark Jarzombek (Massachusetts Institute of Technology). What does it mean to write a global history of architecture now? What is the relationship between such a history and urgent contemporary concerns? During a(...)
In this conversation, Kenneth Frampton (Columbia University) will discuss approaches to architectural history today with Esra Akcan (Cornell University) and Mark Jarzombek (Massachusetts Institute of Technology). What does it mean to write a global history of architecture now? What is the relationship between such a history and urgent contemporary concerns? During a(...)
Date:
6 April 2017
6 April 2017
Title:
A Conversation with Kenneth Frampton: Can There Be a Global Architectural History Today?
Actions:
Description:
In this conversation, Kenneth Frampton (Columbia University) will discuss approaches to architectural history today with Esra Akcan (Cornell University) and Mark Jarzombek (Massachusetts Institute of Technology). What does it mean to write a global history of architecture now? What is the relationship between such a history and urgent contemporary concerns? During a(...)
A Conversation with Kenneth Frampton: Can There Be a Global Architectural History Today?
Actions:
Description:
In this conversation, Kenneth Frampton (Columbia University) will discuss approaches to architectural history today with Esra Akcan (Cornell University) and Mark Jarzombek (Massachusetts Institute of Technology). What does it mean to write a global history of architecture now? What is the relationship between such a history and urgent contemporary concerns? During a(...)
Form:
events
events
Date:
6 April 2017
6 April 2017
