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Description:
xvi, 188 pages : illustrations ; 37 cm
Description:
xvi, 188 pages : illustrations ; 37 cm
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Cambridge, Mass. : MIT Press, [1972]
Cambridge, Mass. : MIT Press, [1972]
Title:
Learning from Las Vegas / Robert Venturi, Denise Scott Brown, and Steven Izenour.
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Description:
xvi, 188 pages : illustrations ; 37 cm
Learning from Las Vegas / Robert Venturi, Denise Scott Brown, and Steven Izenour.
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Description:
xvi, 188 pages : illustrations ; 37 cm
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books
books
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Cambridge, Mass. : MIT Press, [1972]
Cambridge, Mass. : MIT Press, [1972]
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$44.95
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Summary:
That the same adjectives can be used to describe Swiss architecture by those who admire it and those who don't -namely minimal, uncompromising and well constructed- is a strange and noteworthy consensus. Transcending such characteristics is the work of Burkhalter Sumi, for it has as much sensuality as sense, opulence as rigour, and an architectural ambition tempered(...)
$44.95
(available in store)
Summary:
That the same adjectives can be used to describe Swiss architecture by those who admire it and those who don't -namely minimal, uncompromising and well constructed- is a strange and noteworthy consensus. Transcending such characteristics is the work of Burkhalter Sumi, for it has as much sensuality as sense, opulence as rigour, and an architectural ambition tempered(...)
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2G 35 : Burkhalter Sumi, recent work / obra reciente
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That the same adjectives can be used to describe Swiss architecture by those who admire it and those who don't -namely minimal, uncompromising and well constructed- is a strange and noteworthy consensus. Transcending such characteristics is the work of Burkhalter Sumi, for it has as much sensuality as sense, opulence as rigour, and an architectural ambition tempered refreshingly with modesty. Even though Burkhalter Sumi are now working on larger scale problems and projects than before, their way of thinking and working shows a remarkable consistency over the 21 years since the office's founding. Over years of obervations, mulling and simply following their personal tastes the architects had assembled a host of complicated and contradictory issues about timber architecture, such as tectonics, form and its perception, prefabrication, colour, ecology and hybrid structures. This issue of 2G magazine, devoted to Burkhalter Sumi, collects an illustrative selection of recent works by the Swiss team, including residential projects, urban planning, projects for the workplace and exhibitions.
2G 35 : Burkhalter Sumi, recent work / obra reciente
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$44.95
(available in store)
Summary:
That the same adjectives can be used to describe Swiss architecture by those who admire it and those who don't -namely minimal, uncompromising and well constructed- is a strange and noteworthy consensus. Transcending such characteristics is the work of Burkhalter Sumi, for it has as much sensuality as sense, opulence as rigour, and an architectural ambition tempered refreshingly with modesty. Even though Burkhalter Sumi are now working on larger scale problems and projects than before, their way of thinking and working shows a remarkable consistency over the 21 years since the office's founding. Over years of obervations, mulling and simply following their personal tastes the architects had assembled a host of complicated and contradictory issues about timber architecture, such as tectonics, form and its perception, prefabrication, colour, ecology and hybrid structures. This issue of 2G magazine, devoted to Burkhalter Sumi, collects an illustrative selection of recent works by the Swiss team, including residential projects, urban planning, projects for the workplace and exhibitions.
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books
books
Publication:
October 2005, Barcelona
October 2005, Barcelona
Subject:
Architecture Monographs
Architecture Monographs
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books
books
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$71.99
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Summary:
Irish-born designer Eileen Gray (1878-1976) is widely known today as a pioneer of both Art Deco and Modernism. In a career spanning nearly 80 years she produced innovative designs for furniture, lighting, carpets, interiors and architecture. Much less well known is that throughout her life as a designer and an architect she never stopped producing small paintings and(...)
$71.99
(available to order)
Summary:
Irish-born designer Eileen Gray (1878-1976) is widely known today as a pioneer of both Art Deco and Modernism. In a career spanning nearly 80 years she produced innovative designs for furniture, lighting, carpets, interiors and architecture. Much less well known is that throughout her life as a designer and an architect she never stopped producing small paintings and(...)
Title:
Eileen Gray: the private painter
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$71.99
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Summary:
Irish-born designer Eileen Gray (1878-1976) is widely known today as a pioneer of both Art Deco and Modernism. In a career spanning nearly 80 years she produced innovative designs for furniture, lighting, carpets, interiors and architecture. Much less well known is that throughout her life as a designer and an architect she never stopped producing small paintings and drawings. This book is the first to focus on Eileen Gray's important but essentially private work as a painter. Eileen Gray considered herself a designer and an architect, not a painter: she viewed her work as a painter with great modesty, treating it as a private occupation and a vehicle for artistic expression during periods when she could not design furniture. Much of her artwork has disappeared, either lost in the Second World War or destroyed by the artist herself. But a body of works on paper, produced between the 1920s and the 1950s, has survived: elegant, geometric drawings and gouaches of muted tonality and subtle power. This book, which reproduces unseen material from the Eileen Gray archive and draws on Gray's correspondence with her niece Prunella Clough on the nature of painting, will be a revelation to her many followers and admirers.
Eileen Gray: the private painter
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Price:
$71.99
(available to order)
Summary:
Irish-born designer Eileen Gray (1878-1976) is widely known today as a pioneer of both Art Deco and Modernism. In a career spanning nearly 80 years she produced innovative designs for furniture, lighting, carpets, interiors and architecture. Much less well known is that throughout her life as a designer and an architect she never stopped producing small paintings and drawings. This book is the first to focus on Eileen Gray's important but essentially private work as a painter. Eileen Gray considered herself a designer and an architect, not a painter: she viewed her work as a painter with great modesty, treating it as a private occupation and a vehicle for artistic expression during periods when she could not design furniture. Much of her artwork has disappeared, either lost in the Second World War or destroyed by the artist herself. But a body of works on paper, produced between the 1920s and the 1950s, has survived: elegant, geometric drawings and gouaches of muted tonality and subtle power. This book, which reproduces unseen material from the Eileen Gray archive and draws on Gray's correspondence with her niece Prunella Clough on the nature of painting, will be a revelation to her many followers and admirers.
Form:
books
books
Publication:
October 2015
October 2015
Subject:
Design Monographs
Design Monographs
Form:
books
books
Title:
Le Corbusier's hands
Le Corbusier's hands
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$18.95
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Summary:
"Le Corbusier's Hands" offers a poetic and personal portrait of Le Corbusier-a nuanced portrayal that is in contrast to the popular image of Le Corbusier the aloof modernist. The author knew Le Corbusier intimately for thirty years, first as his draftsman and main assistant, later as his colleague and personal friend. In this book, written in the mid-1980s, Wogenscky(...)
$18.95
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Summary:
"Le Corbusier's Hands" offers a poetic and personal portrait of Le Corbusier-a nuanced portrayal that is in contrast to the popular image of Le Corbusier the aloof modernist. The author knew Le Corbusier intimately for thirty years, first as his draftsman and main assistant, later as his colleague and personal friend. In this book, written in the mid-1980s, Wogenscky(...)
Subject:
Architecture Monographs
Architecture Monographs
Publication:
January 1900, Cambridge, Mass.
January 1900, Cambridge, Mass.
Title:
Le Corbusier's hands
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$18.95
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"Le Corbusier's Hands" offers a poetic and personal portrait of Le Corbusier-a nuanced portrayal that is in contrast to the popular image of Le Corbusier the aloof modernist. The author knew Le Corbusier intimately for thirty years, first as his draftsman and main assistant, later as his colleague and personal friend. In this book, written in the mid-1980s, Wogenscky remembers his mentor in a series of revealing personal statements and evocative reflections unlike anything that exists in the vast literature on Le Corbusier. Wogenscky draws a portrait in swift, deft strokes-50 short chapters, one leading to the next, one memory of Le Corbusier opening into another. Appearing and reappearing like a leitmotif are Le Corbusier's hands-touching, taking, drawing, offering, closing, opening, grasping, releasing: "It was his hands that revealed him. . . . They spoke all his feelings, all the vibrations of his inner life that his face tried to conceal." Wogenscky writes about Le Corbusier's work, including the famous design of the chapel at Ronchamp, his ideas for high-density Unités d'Habitation linked to the center of a "Radiant City," and his "Modulor" system for defining proportions-which Wogenscky compares to a piano tuner's finding the exact relation between sounds. He remembers the day Picasso spent with Le Corbusier at the Marseilles building site-"All day long they outdid one another in a show of modesty," he observes in amazement. He adds, speaking for himself and the others present, "We were inside a double energy field." And Wogenscky writes about Le Corbusier more personally. "I have spent years trying to understand what went on in his mind and in his hand," he tells us. With "Le Corbusier's hands", Wogenscky gives us a unique record of an enigmatic genius.
Le Corbusier's hands
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Price:
$18.95
(available to order)
Summary:
"Le Corbusier's Hands" offers a poetic and personal portrait of Le Corbusier-a nuanced portrayal that is in contrast to the popular image of Le Corbusier the aloof modernist. The author knew Le Corbusier intimately for thirty years, first as his draftsman and main assistant, later as his colleague and personal friend. In this book, written in the mid-1980s, Wogenscky remembers his mentor in a series of revealing personal statements and evocative reflections unlike anything that exists in the vast literature on Le Corbusier. Wogenscky draws a portrait in swift, deft strokes-50 short chapters, one leading to the next, one memory of Le Corbusier opening into another. Appearing and reappearing like a leitmotif are Le Corbusier's hands-touching, taking, drawing, offering, closing, opening, grasping, releasing: "It was his hands that revealed him. . . . They spoke all his feelings, all the vibrations of his inner life that his face tried to conceal." Wogenscky writes about Le Corbusier's work, including the famous design of the chapel at Ronchamp, his ideas for high-density Unités d'Habitation linked to the center of a "Radiant City," and his "Modulor" system for defining proportions-which Wogenscky compares to a piano tuner's finding the exact relation between sounds. He remembers the day Picasso spent with Le Corbusier at the Marseilles building site-"All day long they outdid one another in a show of modesty," he observes in amazement. He adds, speaking for himself and the others present, "We were inside a double energy field." And Wogenscky writes about Le Corbusier more personally. "I have spent years trying to understand what went on in his mind and in his hand," he tells us. With "Le Corbusier's hands", Wogenscky gives us a unique record of an enigmatic genius.
Form:
books
books
Publication:
January 1900, Cambridge, Mass.
January 1900, Cambridge, Mass.
Subject:
Architecture Monographs
Architecture Monographs
