294 Results
Level of archival description:
Project
Project
Reference number:
AP173.S2.1991.D1
Description:
Series documents Lars Spuybroek's solo exhibition Traction Avant presented in Tilburg, Netherlands. Material in this series was produced around 1991. The series contains presentation drawings. This project may also include digital design material, which has yet to be processed and which will available for consultation in 2017.
AP173.S2.1991.D1
Description:
Series documents Lars Spuybroek's solo exhibition Traction Avant presented in Tilburg, Netherlands. Material in this series was produced around 1991. The series contains presentation drawings. This project may also include digital design material, which has yet to be processed and which will available for consultation in 2017.
People:
Date:
ca. 1991
ca. 1991
Title:
Traction Avant, Tilbug, Netherlands (1991)
Actions:
AP173.S2.1991.D1
Description:
Series documents Lars Spuybroek's solo exhibition Traction Avant presented in Tilburg, Netherlands. Material in this series was produced around 1991. The series contains presentation drawings. This project may also include digital design material, which has yet to be processed and which will available for consultation in 2017.
Traction Avant, Tilbug, Netherlands (1991)
Actions:
AP173.S2.1991.D1
Description:
Series documents Lars Spuybroek's solo exhibition Traction Avant presented in Tilburg, Netherlands. Material in this series was produced around 1991. The series contains presentation drawings. This project may also include digital design material, which has yet to be processed and which will available for consultation in 2017.
Level of archival description:
Project
Project
Date:
ca. 1991
ca. 1991
People:
Form:
films
films
Form:
films
films
Date:
September 2020
September 2020
Level of archival description:
Sub-series
Sub-series
Actions:
Reference number:
AP041.S3.SS13
Description:
This sub-series documents Melvin Charney's solo exhibition "Between observation and intervention: the painted photographs of Melvin Charney" in 2008. It was originally held at the Americas Society, and was organized in conjunction with the Musée National des Beaux-Arts du Québec. This sub-series includes textual record, and photographic materials.
AP041.S3.SS13
Description:
This sub-series documents Melvin Charney's solo exhibition "Between observation and intervention: the painted photographs of Melvin Charney" in 2008. It was originally held at the Americas Society, and was organized in conjunction with the Musée National des Beaux-Arts du Québec. This sub-series includes textual record, and photographic materials.
People:
Date:
2008
2008
Title:
Between observation and intervention: the painted photographs of Melvin Charney
Actions:
AP041.S3.SS13
Description:
This sub-series documents Melvin Charney's solo exhibition "Between observation and intervention: the painted photographs of Melvin Charney" in 2008. It was originally held at the Americas Society, and was organized in conjunction with the Musée National des Beaux-Arts du Québec. This sub-series includes textual record, and photographic materials.
Between observation and intervention: the painted photographs of Melvin Charney
Actions:
AP041.S3.SS13
Description:
This sub-series documents Melvin Charney's solo exhibition "Between observation and intervention: the painted photographs of Melvin Charney" in 2008. It was originally held at the Americas Society, and was organized in conjunction with the Musée National des Beaux-Arts du Québec. This sub-series includes textual record, and photographic materials.
Level of archival description:
Subseries
Subseries
Date:
2008
2008
People:
Level of archival description:
Sub-series
Sub-series
Reference number:
AP041.S3.SS09
Description:
This sub-series documents Melvin Charney's solo exhibition, « Melvin Charney, l'avènement de l'événement, paraboles », at Le Fonds régional d'art contemporain Basse-Normandie (FRAC-BN) in 1997-1998, as well as items related to the associated exhibition catalogue, « Melvin Charney : parcours de la réinvention ». The sub-series includes textual records.
AP041.S3.SS09
Description:
This sub-series documents Melvin Charney's solo exhibition, « Melvin Charney, l'avènement de l'événement, paraboles », at Le Fonds régional d'art contemporain Basse-Normandie (FRAC-BN) in 1997-1998, as well as items related to the associated exhibition catalogue, « Melvin Charney : parcours de la réinvention ». The sub-series includes textual records.
People:
Date:
1997-1998
1997-1998
Title:
Melvin Charney, l'avènement de l'événement, paraboles
Actions:
AP041.S3.SS09
Description:
This sub-series documents Melvin Charney's solo exhibition, « Melvin Charney, l'avènement de l'événement, paraboles », at Le Fonds régional d'art contemporain Basse-Normandie (FRAC-BN) in 1997-1998, as well as items related to the associated exhibition catalogue, « Melvin Charney : parcours de la réinvention ». The sub-series includes textual records.
Melvin Charney, l'avènement de l'événement, paraboles
Actions:
AP041.S3.SS09
Description:
This sub-series documents Melvin Charney's solo exhibition, « Melvin Charney, l'avènement de l'événement, paraboles », at Le Fonds régional d'art contemporain Basse-Normandie (FRAC-BN) in 1997-1998, as well as items related to the associated exhibition catalogue, « Melvin Charney : parcours de la réinvention ». The sub-series includes textual records.
Level of archival description:
Subseries
Subseries
Date:
1997-1998
1997-1998
People:
Form:
articles
articles
Title:
Solitary and Social
Solitary and Social
Actions:
Yoshikazu Nango on being quantitatively and qualitatively alone
Issue:
A Social Reset
A Social Reset
Published:
5 March 2021
5 March 2021
Issue:
A Social Reset
A Social Reset
Form:
textual records
textual records
Actions:
Reference number:
DR2012:0012:085:016
Description:
File containing documents in French and English, including correspondence, notes, press clippings, and programs (and colour photocopies) related to Melvin Charney's solo exhibition at Galerie Catherine & Stéphane de Beyrie, in Paris. Original folder inscribed in graphite: 1993-4 GAL. DE BEYRIE PARIS TEXTS: NOTES
DR2012:0012:085:016
Description:
File containing documents in French and English, including correspondence, notes, press clippings, and programs (and colour photocopies) related to Melvin Charney's solo exhibition at Galerie Catherine & Stéphane de Beyrie, in Paris. Original folder inscribed in graphite: 1993-4 GAL. DE BEYRIE PARIS TEXTS: NOTES
People:
Date:
1993-1994
1993-1994
Title:
Correspondence, notes, press clippings, and programs related to exibition "Melvin Charney'"
Actions:
DR2012:0012:085:016
Description:
File containing documents in French and English, including correspondence, notes, press clippings, and programs (and colour photocopies) related to Melvin Charney's solo exhibition at Galerie Catherine & Stéphane de Beyrie, in Paris. Original folder inscribed in graphite: 1993-4 GAL. DE BEYRIE PARIS TEXTS: NOTES
Correspondence, notes, press clippings, and programs related to exibition "Melvin Charney'"
Actions:
DR2012:0012:085:016
Description:
File containing documents in French and English, including correspondence, notes, press clippings, and programs (and colour photocopies) related to Melvin Charney's solo exhibition at Galerie Catherine & Stéphane de Beyrie, in Paris. Original folder inscribed in graphite: 1993-4 GAL. DE BEYRIE PARIS TEXTS: NOTES
Form:
textual records
textual records
Date:
1993-1994
1993-1994
People:
Level of archival description:
Series
Series
Title:
Exhibitions
Exhibitions
Actions:
Reference number:
AP187.S2
Description:
This series documents a few of Günter Günschel's solo and group exhibitions. Material was produced between 1966 and 2003. They were mainly conceived around fantastic architecture, a theme that is well represented in Günschel's work. Documenting the series are conceptual sketches and drawings, photomontages, collages, and a few textual records for the exhibitions "Strukturen" (1966), "Fantastische Architekturen" (1982), and Architekturphantasien" (2003).
AP187.S2
Description:
This series documents a few of Günter Günschel's solo and group exhibitions. Material was produced between 1966 and 2003. They were mainly conceived around fantastic architecture, a theme that is well represented in Günschel's work. Documenting the series are conceptual sketches and drawings, photomontages, collages, and a few textual records for the exhibitions "Strukturen" (1966), "Fantastische Architekturen" (1982), and Architekturphantasien" (2003).
People:
Date:
1966, 1982, 1999-2003
1966, 1982, 1999-2003
Title:
Exhibitions
Actions:
AP187.S2
Description:
This series documents a few of Günter Günschel's solo and group exhibitions. Material was produced between 1966 and 2003. They were mainly conceived around fantastic architecture, a theme that is well represented in Günschel's work. Documenting the series are conceptual sketches and drawings, photomontages, collages, and a few textual records for the exhibitions "Strukturen" (1966), "Fantastische Architekturen" (1982), and Architekturphantasien" (2003).
Exhibitions
Actions:
AP187.S2
Description:
This series documents a few of Günter Günschel's solo and group exhibitions. Material was produced between 1966 and 2003. They were mainly conceived around fantastic architecture, a theme that is well represented in Günschel's work. Documenting the series are conceptual sketches and drawings, photomontages, collages, and a few textual records for the exhibitions "Strukturen" (1966), "Fantastische Architekturen" (1982), and Architekturphantasien" (2003).
Level of archival description:
Series
Series
Date:
1966, 1982, 1999-2003
1966, 1982, 1999-2003
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP173.S2.2001.D1
Description:
Series documents Lars Spuybroek's exhibition NOX FLURBS in Rotterdam, Netherlands, a solo exhibition at the Vormgevingsgalerie VIVID in Rotterdam. The exhibition was also presented in Berlin and in Tel Aviv. Material in this series was produced around 2001. The series contains slides of the exhibition installation. This project may also include digital design material, which has yet to be processed and which will available for consultation in 2017.
AP173.S2.2001.D1
Description:
Series documents Lars Spuybroek's exhibition NOX FLURBS in Rotterdam, Netherlands, a solo exhibition at the Vormgevingsgalerie VIVID in Rotterdam. The exhibition was also presented in Berlin and in Tel Aviv. Material in this series was produced around 2001. The series contains slides of the exhibition installation. This project may also include digital design material, which has yet to be processed and which will available for consultation in 2017.
People:
Date:
ca. 2001
ca. 2001
Title:
NOX FLURBS, Rotterdam, Netherlands and Berlin, Germany (2001)
Actions:
AP173.S2.2001.D1
Description:
Series documents Lars Spuybroek's exhibition NOX FLURBS in Rotterdam, Netherlands, a solo exhibition at the Vormgevingsgalerie VIVID in Rotterdam. The exhibition was also presented in Berlin and in Tel Aviv. Material in this series was produced around 2001. The series contains slides of the exhibition installation. This project may also include digital design material, which has yet to be processed and which will available for consultation in 2017.
NOX FLURBS, Rotterdam, Netherlands and Berlin, Germany (2001)
Actions:
AP173.S2.2001.D1
Description:
Series documents Lars Spuybroek's exhibition NOX FLURBS in Rotterdam, Netherlands, a solo exhibition at the Vormgevingsgalerie VIVID in Rotterdam. The exhibition was also presented in Berlin and in Tel Aviv. Material in this series was produced around 2001. The series contains slides of the exhibition installation. This project may also include digital design material, which has yet to be processed and which will available for consultation in 2017.
Level of archival description:
Project
Project
Date:
ca. 2001
ca. 2001
People:
Level of archival description:
Sub-series
Sub-series
Actions:
Reference number:
AP041.S3.SS06
Description:
The sub-series documents Melvin Charney’s solo exhibition "Parables and other allegories: the work of Melvin Charney, 1975-1990", originally held at the Canadian Centre for Architecture in 1991. The exhibition presents Melvin Charney works from 1975 to 1990 with his drawings, photographs and installations showing Charney's artistic process. It includes correspondence, exhibition plans, printouts of artworks, notes, press clippings, and invitation list to exhibition related events.
AP041.S3.SS06
Description:
The sub-series documents Melvin Charney’s solo exhibition "Parables and other allegories: the work of Melvin Charney, 1975-1990", originally held at the Canadian Centre for Architecture in 1991. The exhibition presents Melvin Charney works from 1975 to 1990 with his drawings, photographs and installations showing Charney's artistic process. It includes correspondence, exhibition plans, printouts of artworks, notes, press clippings, and invitation list to exhibition related events.
People:
Date:
1991
1991
Title:
Parables and other allegories: the work of Melvin Charney, 1975-1990
Actions:
AP041.S3.SS06
Description:
The sub-series documents Melvin Charney’s solo exhibition "Parables and other allegories: the work of Melvin Charney, 1975-1990", originally held at the Canadian Centre for Architecture in 1991. The exhibition presents Melvin Charney works from 1975 to 1990 with his drawings, photographs and installations showing Charney's artistic process. It includes correspondence, exhibition plans, printouts of artworks, notes, press clippings, and invitation list to exhibition related events.
Parables and other allegories: the work of Melvin Charney, 1975-1990
Actions:
AP041.S3.SS06
Description:
The sub-series documents Melvin Charney’s solo exhibition "Parables and other allegories: the work of Melvin Charney, 1975-1990", originally held at the Canadian Centre for Architecture in 1991. The exhibition presents Melvin Charney works from 1975 to 1990 with his drawings, photographs and installations showing Charney's artistic process. It includes correspondence, exhibition plans, printouts of artworks, notes, press clippings, and invitation list to exhibition related events.
Level of archival description:
Subseries
Subseries
Date:
1991
1991
People:
Level of archival description:
Project
Project
Reference number:
AP075.S1.1954.PR01
Description:
This project series documents the design for a play area on18th and Bigler Streets in Philadelphia, Pennsylvania. This was Oberlander's first solo project which she worked on from 1951 to 1954, while still working for Oscar Stonorov. The playground opened in September 1954. The northeast section of the playground was dedicated to adults and older children, with places to sit and spaces for basketball, badminton, bocce and, a horseshoe pit. The southeast quarter was dedicated to smaller children, with play sculptures, water play and, a sand pit. The project series contains design development drawings, such as landscape plans and site plans with details, working drawings and technical drawings. It also comprises a presentation panel showing the completed playground and the play sculptures, and photographs of the playground. The project is also documented through textual records, such as a folder of correspondence, a project submission, press clippings and copies of articles on the play area. Source: Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages.
AP075.S1.1954.PR01
Description:
This project series documents the design for a play area on18th and Bigler Streets in Philadelphia, Pennsylvania. This was Oberlander's first solo project which she worked on from 1951 to 1954, while still working for Oscar Stonorov. The playground opened in September 1954. The northeast section of the playground was dedicated to adults and older children, with places to sit and spaces for basketball, badminton, bocce and, a horseshoe pit. The southeast quarter was dedicated to smaller children, with play sculptures, water play and, a sand pit. The project series contains design development drawings, such as landscape plans and site plans with details, working drawings and technical drawings. It also comprises a presentation panel showing the completed playground and the play sculptures, and photographs of the playground. The project is also documented through textual records, such as a folder of correspondence, a project submission, press clippings and copies of articles on the play area. Source: Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages.
People:
Date:
1942-1956
1942-1956
Title:
Recreational area, 18th and Bigler Streets, Philadelphia, Pennsylvania (1954)
Actions:
AP075.S1.1954.PR01
Description:
This project series documents the design for a play area on18th and Bigler Streets in Philadelphia, Pennsylvania. This was Oberlander's first solo project which she worked on from 1951 to 1954, while still working for Oscar Stonorov. The playground opened in September 1954. The northeast section of the playground was dedicated to adults and older children, with places to sit and spaces for basketball, badminton, bocce and, a horseshoe pit. The southeast quarter was dedicated to smaller children, with play sculptures, water play and, a sand pit. The project series contains design development drawings, such as landscape plans and site plans with details, working drawings and technical drawings. It also comprises a presentation panel showing the completed playground and the play sculptures, and photographs of the playground. The project is also documented through textual records, such as a folder of correspondence, a project submission, press clippings and copies of articles on the play area. Source: Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages.
Recreational area, 18th and Bigler Streets, Philadelphia, Pennsylvania (1954)
Actions:
AP075.S1.1954.PR01
Description:
This project series documents the design for a play area on18th and Bigler Streets in Philadelphia, Pennsylvania. This was Oberlander's first solo project which she worked on from 1951 to 1954, while still working for Oscar Stonorov. The playground opened in September 1954. The northeast section of the playground was dedicated to adults and older children, with places to sit and spaces for basketball, badminton, bocce and, a horseshoe pit. The southeast quarter was dedicated to smaller children, with play sculptures, water play and, a sand pit. The project series contains design development drawings, such as landscape plans and site plans with details, working drawings and technical drawings. It also comprises a presentation panel showing the completed playground and the play sculptures, and photographs of the playground. The project is also documented through textual records, such as a folder of correspondence, a project submission, press clippings and copies of articles on the play area. Source: Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages.
Level of archival description:
Project
Project
Date:
1942-1956
1942-1956
People:
