284 Results
Form:
photographs
photographs
Actions:
Reference number:
PH1985:0413
Description:
The sculpture depicts what seems to be a man standing, dressed in Indigenous clothing with regalia and tomahawk, and a woman seated on his right side and an animal (dog?) standing on his left. This way of representing an Indigenous couple reflects 19th century settler notions of gender roles. In Indigenous families the woman is the head of the house and would be the one standing, with the man beside her as her equal. The Saint Paul Ice Carnival, founded in 1886, is now known as the Saint Paul Winter Carnival.
PH1985:0413
Description:
The sculpture depicts what seems to be a man standing, dressed in Indigenous clothing with regalia and tomahawk, and a woman seated on his right side and an animal (dog?) standing on his left. This way of representing an Indigenous couple reflects 19th century settler notions of gender roles. In Indigenous families the woman is the head of the house and would be the one standing, with the man beside her as her equal. The Saint Paul Ice Carnival, founded in 1886, is now known as the Saint Paul Winter Carnival.
People:
Date:
circa 1886-1888
circa 1886-1888
Title:
Stereoview of an illuminated ice sculpture at the Saint Paul Ice Carnival representing two Indigenous persons and animal on a base, Saint Paul, Minnesota, United States
Actions:
PH1985:0413
Description:
The sculpture depicts what seems to be a man standing, dressed in Indigenous clothing with regalia and tomahawk, and a woman seated on his right side and an animal (dog?) standing on his left. This way of representing an Indigenous couple reflects 19th century settler notions of gender roles. In Indigenous families the woman is the head of the house and would be the one standing, with the man beside her as her equal. The Saint Paul Ice Carnival, founded in 1886, is now known as the Saint Paul Winter Carnival.
Stereoview of an illuminated ice sculpture at the Saint Paul Ice Carnival representing two Indigenous persons and animal on a base, Saint Paul, Minnesota, United States
Actions:
PH1985:0413
Description:
The sculpture depicts what seems to be a man standing, dressed in Indigenous clothing with regalia and tomahawk, and a woman seated on his right side and an animal (dog?) standing on his left. This way of representing an Indigenous couple reflects 19th century settler notions of gender roles. In Indigenous families the woman is the head of the house and would be the one standing, with the man beside her as her equal. The Saint Paul Ice Carnival, founded in 1886, is now known as the Saint Paul Winter Carnival.
Form:
photographs
photographs
Date:
circa 1886-1888
circa 1886-1888
People:
Form:
drawings
drawings
Actions:
Reference number:
DR1966:0001:024:001-003
Description:
- This elevation is for the tomb of Benedict XIV. The monument is set in a semi-circular niche and follows the type of papal tomb established by Bernini, with a sculpture of the standing pope raised on a pedestal above a doorway and allegorical sculptures to either side. The two flaps show variant designs for the lower portion of the monument. On flap 1 the putti are placed beside the the virtue on the left. On flap 2 the drapery above the doorway is more pronounced and the virtue on the right is almost nude. The virtues are seated rather than standing.
DR1966:0001:024:001-003
Description:
- This elevation is for the tomb of Benedict XIV. The monument is set in a semi-circular niche and follows the type of papal tomb established by Bernini, with a sculpture of the standing pope raised on a pedestal above a doorway and allegorical sculptures to either side. The two flaps show variant designs for the lower portion of the monument. On flap 1 the putti are placed beside the the virtue on the left. On flap 2 the drapery above the doorway is more pronounced and the virtue on the right is almost nude. The virtues are seated rather than standing.
People:
Subject:
architecture, interior design
architecture, interior design
Date:
1763
1763
Title:
Elevation for the tomb of Benedict XIV, Rome
Actions:
DR1966:0001:024:001-003
Description:
- This elevation is for the tomb of Benedict XIV. The monument is set in a semi-circular niche and follows the type of papal tomb established by Bernini, with a sculpture of the standing pope raised on a pedestal above a doorway and allegorical sculptures to either side. The two flaps show variant designs for the lower portion of the monument. On flap 1 the putti are placed beside the the virtue on the left. On flap 2 the drapery above the doorway is more pronounced and the virtue on the right is almost nude. The virtues are seated rather than standing.
Elevation for the tomb of Benedict XIV, Rome
Actions:
DR1966:0001:024:001-003
Description:
- This elevation is for the tomb of Benedict XIV. The monument is set in a semi-circular niche and follows the type of papal tomb established by Bernini, with a sculpture of the standing pope raised on a pedestal above a doorway and allegorical sculptures to either side. The two flaps show variant designs for the lower portion of the monument. On flap 1 the putti are placed beside the the virtue on the left. On flap 2 the drapery above the doorway is more pronounced and the virtue on the right is almost nude. The virtues are seated rather than standing.
Form:
drawings
drawings
Date:
1763
1763
People:
Subject:
architecture, interior design
architecture, interior design
Form:
photographs
photographs
![View of the south lawn (also known as the court football [kemari] field), stepping-stones, moss and trees near the Old Shoin, Katsura Rikyu (also known as Katsura Imperial Villa), Kyoto, Japan](/img-collection/0NGLeEEQVro2qJEsn4PwXpFrVQM=/500x619/362705.jpg)
Actions:
Reference number:
PH1986:0173
Description:
- Photographs PH1986:0148 - PH1986:0283 form a sequence of views. Accession numbers follow an order established by the photographer that is based on the temporal experience of walking through the grounds of Katsura Rikyu (also known as Katsura Imperial Villa) (see acquisition file). - Yasuhiro Ishimoto returned to Katsura Rikyu (also known as Katsura Imperial Villa) in 1982 and took another series of photographs, this time with many in colour, often using the same or very similar views to those of his 1953 photographs at the same location (Ishimoto, p. 266). - This photograph was taken from the moss garden beside the broad veranda of the Old Shoin (Isozaki, et al, pp. 78, 244; Ito, p. 42, site plan; Tange, n.p., plan).
PH1986:0173
Description:
- Photographs PH1986:0148 - PH1986:0283 form a sequence of views. Accession numbers follow an order established by the photographer that is based on the temporal experience of walking through the grounds of Katsura Rikyu (also known as Katsura Imperial Villa) (see acquisition file). - Yasuhiro Ishimoto returned to Katsura Rikyu (also known as Katsura Imperial Villa) in 1982 and took another series of photographs, this time with many in colour, often using the same or very similar views to those of his 1953 photographs at the same location (Ishimoto, p. 266). - This photograph was taken from the moss garden beside the broad veranda of the Old Shoin (Isozaki, et al, pp. 78, 244; Ito, p. 42, site plan; Tange, n.p., plan).
People:
Subject:
landscape architecture
landscape architecture
Date:
1953
1953
Title:
View of the south lawn (also known as the court football [kemari] field), stepping-stones, moss and trees near the Old Shoin, Katsura Rikyu (also known as Katsura Imperial Villa), Kyoto, Japan
Actions:
PH1986:0173
Description:
- Photographs PH1986:0148 - PH1986:0283 form a sequence of views. Accession numbers follow an order established by the photographer that is based on the temporal experience of walking through the grounds of Katsura Rikyu (also known as Katsura Imperial Villa) (see acquisition file). - Yasuhiro Ishimoto returned to Katsura Rikyu (also known as Katsura Imperial Villa) in 1982 and took another series of photographs, this time with many in colour, often using the same or very similar views to those of his 1953 photographs at the same location (Ishimoto, p. 266). - This photograph was taken from the moss garden beside the broad veranda of the Old Shoin (Isozaki, et al, pp. 78, 244; Ito, p. 42, site plan; Tange, n.p., plan).
View of the south lawn (also known as the court football [kemari] field), stepping-stones, moss and trees near the Old Shoin, Katsura Rikyu (also known as Katsura Imperial Villa), Kyoto, Japan
Actions:
PH1986:0173
Description:
- Photographs PH1986:0148 - PH1986:0283 form a sequence of views. Accession numbers follow an order established by the photographer that is based on the temporal experience of walking through the grounds of Katsura Rikyu (also known as Katsura Imperial Villa) (see acquisition file). - Yasuhiro Ishimoto returned to Katsura Rikyu (also known as Katsura Imperial Villa) in 1982 and took another series of photographs, this time with many in colour, often using the same or very similar views to those of his 1953 photographs at the same location (Ishimoto, p. 266). - This photograph was taken from the moss garden beside the broad veranda of the Old Shoin (Isozaki, et al, pp. 78, 244; Ito, p. 42, site plan; Tange, n.p., plan).
Form:
photographs
photographs
Date:
1953
1953
People:
Subject:
landscape architecture
landscape architecture
Level of archival description:
Project
Project
Reference number:
AP075.S1.1991.PR01
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for Northwest Territories Legislative Assembly Building, situated beside Frame Lake, in Yellowknife, Northwest Territories. Oberlander worked on this project in 1991 with architectural firms Matsuzaki Wright Architects and Pin/Matthews. The team was selected for the project after a design competition. Architects chose to have the new assembly build on the edge of the lake, on the volcanic rock of the Canadian Shield. They used the bog of the site as a transitional space between the building and the city. Oberlander concept design was to integrate the building to the landscape with the least intervention, because of the fagile ecology of the area, and preserve the natural beauty of the landscape. In this idea, the planting for the project only comprises native plants and grasses and very few alteration were made to the existing condition of the site. The project was completed in 1994. The project series contains design development drawings, including planting plans, landscape plans, grading plans, site details, site plans, working drawings, including site plans, planting plans and grading plans, and building drawings used as reference. The project is also documented through textual records, such as correspondence, specifications, concept notes by Oberlander, financial documents, meeting notes, reports, research material and site informations, and also photographs of the construction and the completed work. The project series comprises also digital files of the Legislative Assembly development plans and facility program and digital photographs of the building.
AP075.S1.1991.PR01
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for Northwest Territories Legislative Assembly Building, situated beside Frame Lake, in Yellowknife, Northwest Territories. Oberlander worked on this project in 1991 with architectural firms Matsuzaki Wright Architects and Pin/Matthews. The team was selected for the project after a design competition. Architects chose to have the new assembly build on the edge of the lake, on the volcanic rock of the Canadian Shield. They used the bog of the site as a transitional space between the building and the city. Oberlander concept design was to integrate the building to the landscape with the least intervention, because of the fagile ecology of the area, and preserve the natural beauty of the landscape. In this idea, the planting for the project only comprises native plants and grasses and very few alteration were made to the existing condition of the site. The project was completed in 1994. The project series contains design development drawings, including planting plans, landscape plans, grading plans, site details, site plans, working drawings, including site plans, planting plans and grading plans, and building drawings used as reference. The project is also documented through textual records, such as correspondence, specifications, concept notes by Oberlander, financial documents, meeting notes, reports, research material and site informations, and also photographs of the construction and the completed work. The project series comprises also digital files of the Legislative Assembly development plans and facility program and digital photographs of the building.
People:
Date:
1991-2011
1991-2011
Title:
Northwest Territories Legislative Assembly Building, Yellowknife, Northwest Territories (1991-1994)
Actions:
AP075.S1.1991.PR01
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for Northwest Territories Legislative Assembly Building, situated beside Frame Lake, in Yellowknife, Northwest Territories. Oberlander worked on this project in 1991 with architectural firms Matsuzaki Wright Architects and Pin/Matthews. The team was selected for the project after a design competition. Architects chose to have the new assembly build on the edge of the lake, on the volcanic rock of the Canadian Shield. They used the bog of the site as a transitional space between the building and the city. Oberlander concept design was to integrate the building to the landscape with the least intervention, because of the fagile ecology of the area, and preserve the natural beauty of the landscape. In this idea, the planting for the project only comprises native plants and grasses and very few alteration were made to the existing condition of the site. The project was completed in 1994. The project series contains design development drawings, including planting plans, landscape plans, grading plans, site details, site plans, working drawings, including site plans, planting plans and grading plans, and building drawings used as reference. The project is also documented through textual records, such as correspondence, specifications, concept notes by Oberlander, financial documents, meeting notes, reports, research material and site informations, and also photographs of the construction and the completed work. The project series comprises also digital files of the Legislative Assembly development plans and facility program and digital photographs of the building.
Northwest Territories Legislative Assembly Building, Yellowknife, Northwest Territories (1991-1994)
Actions:
AP075.S1.1991.PR01
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for Northwest Territories Legislative Assembly Building, situated beside Frame Lake, in Yellowknife, Northwest Territories. Oberlander worked on this project in 1991 with architectural firms Matsuzaki Wright Architects and Pin/Matthews. The team was selected for the project after a design competition. Architects chose to have the new assembly build on the edge of the lake, on the volcanic rock of the Canadian Shield. They used the bog of the site as a transitional space between the building and the city. Oberlander concept design was to integrate the building to the landscape with the least intervention, because of the fagile ecology of the area, and preserve the natural beauty of the landscape. In this idea, the planting for the project only comprises native plants and grasses and very few alteration were made to the existing condition of the site. The project was completed in 1994. The project series contains design development drawings, including planting plans, landscape plans, grading plans, site details, site plans, working drawings, including site plans, planting plans and grading plans, and building drawings used as reference. The project is also documented through textual records, such as correspondence, specifications, concept notes by Oberlander, financial documents, meeting notes, reports, research material and site informations, and also photographs of the construction and the completed work. The project series comprises also digital files of the Legislative Assembly development plans and facility program and digital photographs of the building.
Level of archival description:
Project
Project
Date:
1991-2011
1991-2011
People:
Level of archival description:
Series
Series
Title:
Dessins et tableaux
Dessins et tableaux
Actions:
Reference number:
AP104.S1
Description:
Series I consists of sketches, drawings and paintings, mostly created by Parizeau. From the period he spent in Europe (1923-1933), there are 11 student drawings in the standard presentation format of the École des Beaux-arts de Paris, a volume of course notes, as well as unidentified drawings, sketchbooks and paintings of primarily buildings and landscapes executed in Paris and during his travels in France. Drawings relating to Parizeau's architectural career in Montreal are represented in a number of independant projects, including a small chapel beside the St. Lawrence River, a pair of two-storey cabin-cottages outside of Montreal, and several residences in the city. The documents are mostly original preliminary studies with some reproductions of working drawings. It should be noted that there are also photographs of exterior details of the Laroque Residence and the Jarry Residence in documents CO2 in Series II. Reproductions of designs for worker housing by French architect Eugène Beaudoin in 1938 perhaps give a clue to Parizeau's relatively early employment of modernist forms. A residence in Baie D'Urfé is unlikely to be connected to Parizeau because its date, ca. 1955, is a decade after his death. Parizeau's concern with furniture and interior design is represented in the Archive with many lively perspective sketches in colour, and elevation and plan studies of several kinds of rooms and types of furniture. Some preliminary drawings for interiors were grouped with the Gillow house in Ville Mont-Royal, and the Walter Downs Residence in Montreal. The artworks by Parizeau consist of paintings and drawings of landscapes, buildings, still lifes and figure studies on loose sheets and in bound sketchbooks. These works are executed in a variety of media, including pencil, coloured pencil, watercolour on paper, and oil paint on masonite panels. Studies of buildings in Brittany and Paris are the subjects in three small sketchbooks, while larger spiral-bound drawing books contain some architectural plans, elevations and details. Most of these artworks and sketches were likely created in Europe before 1933.
AP104.S1
Description:
Series I consists of sketches, drawings and paintings, mostly created by Parizeau. From the period he spent in Europe (1923-1933), there are 11 student drawings in the standard presentation format of the École des Beaux-arts de Paris, a volume of course notes, as well as unidentified drawings, sketchbooks and paintings of primarily buildings and landscapes executed in Paris and during his travels in France. Drawings relating to Parizeau's architectural career in Montreal are represented in a number of independant projects, including a small chapel beside the St. Lawrence River, a pair of two-storey cabin-cottages outside of Montreal, and several residences in the city. The documents are mostly original preliminary studies with some reproductions of working drawings. It should be noted that there are also photographs of exterior details of the Laroque Residence and the Jarry Residence in documents CO2 in Series II. Reproductions of designs for worker housing by French architect Eugène Beaudoin in 1938 perhaps give a clue to Parizeau's relatively early employment of modernist forms. A residence in Baie D'Urfé is unlikely to be connected to Parizeau because its date, ca. 1955, is a decade after his death. Parizeau's concern with furniture and interior design is represented in the Archive with many lively perspective sketches in colour, and elevation and plan studies of several kinds of rooms and types of furniture. Some preliminary drawings for interiors were grouped with the Gillow house in Ville Mont-Royal, and the Walter Downs Residence in Montreal. The artworks by Parizeau consist of paintings and drawings of landscapes, buildings, still lifes and figure studies on loose sheets and in bound sketchbooks. These works are executed in a variety of media, including pencil, coloured pencil, watercolour on paper, and oil paint on masonite panels. Studies of buildings in Brittany and Paris are the subjects in three small sketchbooks, while larger spiral-bound drawing books contain some architectural plans, elevations and details. Most of these artworks and sketches were likely created in Europe before 1933.
People:
Date:
1917-1955
1917-1955
Title:
Dessins et tableaux
Actions:
AP104.S1
Description:
Series I consists of sketches, drawings and paintings, mostly created by Parizeau. From the period he spent in Europe (1923-1933), there are 11 student drawings in the standard presentation format of the École des Beaux-arts de Paris, a volume of course notes, as well as unidentified drawings, sketchbooks and paintings of primarily buildings and landscapes executed in Paris and during his travels in France. Drawings relating to Parizeau's architectural career in Montreal are represented in a number of independant projects, including a small chapel beside the St. Lawrence River, a pair of two-storey cabin-cottages outside of Montreal, and several residences in the city. The documents are mostly original preliminary studies with some reproductions of working drawings. It should be noted that there are also photographs of exterior details of the Laroque Residence and the Jarry Residence in documents CO2 in Series II. Reproductions of designs for worker housing by French architect Eugène Beaudoin in 1938 perhaps give a clue to Parizeau's relatively early employment of modernist forms. A residence in Baie D'Urfé is unlikely to be connected to Parizeau because its date, ca. 1955, is a decade after his death. Parizeau's concern with furniture and interior design is represented in the Archive with many lively perspective sketches in colour, and elevation and plan studies of several kinds of rooms and types of furniture. Some preliminary drawings for interiors were grouped with the Gillow house in Ville Mont-Royal, and the Walter Downs Residence in Montreal. The artworks by Parizeau consist of paintings and drawings of landscapes, buildings, still lifes and figure studies on loose sheets and in bound sketchbooks. These works are executed in a variety of media, including pencil, coloured pencil, watercolour on paper, and oil paint on masonite panels. Studies of buildings in Brittany and Paris are the subjects in three small sketchbooks, while larger spiral-bound drawing books contain some architectural plans, elevations and details. Most of these artworks and sketches were likely created in Europe before 1933.
Dessins et tableaux
Actions:
AP104.S1
Description:
Series I consists of sketches, drawings and paintings, mostly created by Parizeau. From the period he spent in Europe (1923-1933), there are 11 student drawings in the standard presentation format of the École des Beaux-arts de Paris, a volume of course notes, as well as unidentified drawings, sketchbooks and paintings of primarily buildings and landscapes executed in Paris and during his travels in France. Drawings relating to Parizeau's architectural career in Montreal are represented in a number of independant projects, including a small chapel beside the St. Lawrence River, a pair of two-storey cabin-cottages outside of Montreal, and several residences in the city. The documents are mostly original preliminary studies with some reproductions of working drawings. It should be noted that there are also photographs of exterior details of the Laroque Residence and the Jarry Residence in documents CO2 in Series II. Reproductions of designs for worker housing by French architect Eugène Beaudoin in 1938 perhaps give a clue to Parizeau's relatively early employment of modernist forms. A residence in Baie D'Urfé is unlikely to be connected to Parizeau because its date, ca. 1955, is a decade after his death. Parizeau's concern with furniture and interior design is represented in the Archive with many lively perspective sketches in colour, and elevation and plan studies of several kinds of rooms and types of furniture. Some preliminary drawings for interiors were grouped with the Gillow house in Ville Mont-Royal, and the Walter Downs Residence in Montreal. The artworks by Parizeau consist of paintings and drawings of landscapes, buildings, still lifes and figure studies on loose sheets and in bound sketchbooks. These works are executed in a variety of media, including pencil, coloured pencil, watercolour on paper, and oil paint on masonite panels. Studies of buildings in Brittany and Paris are the subjects in three small sketchbooks, while larger spiral-bound drawing books contain some architectural plans, elevations and details. Most of these artworks and sketches were likely created in Europe before 1933.
Level of archival description:
Série 1
Série 1
Date:
1917-1955
1917-1955
People:
Level of archival description:
Project
Project
Reference number:
AP178.S1.1980.PR02
Description:
The project series documents Block 121, better known as Bonjour Tristesse. While the records were held in the office’s archives this project was assigned the number 2/80. This project was one of several projects Siza submitted to the International Architectural Exhibition Berlin competition (International Bauaustellung, IBA, circa 1979-1987), and was Siza’s first international built project. The IBA was an urban renewal strategy for West Berlin and received submissions from several international architects. The IBA divided West Berlin into two parts: IBA Neubau ('new building'), led by Josef Paul Kleihues and IBA Altbau ('old building') led by Hardt-Walherr Hämer. IBA Nuebau's focus was to build new buildings while IBA Altbau's was to renovate existing buildings. The project site for Block 121 was in the district of Kreuzberg, a district on the eastern side of then West Berlin. Due to low rents, there was an influx of immigrants and students to Kreuzberg in the late 1970s. Bonjour Tristesse would serve as a residential complex for a predominantly Turkish immigrant population. In 1980, Hämer invited Siza to submit an entry for this complex to be built on the east side of Kreuzberg beside the Schlesisches Tor train station. Hämer encouraged the participatory model which Siza had become known for from his work with the Servicio Ambulatorio de Apoio Local (SAAL) in Portugal. This project series is arranged in four subseries: AP178.S1.1980.PR02.SS1, Competition, Block 121 (identified as 2/80); AP178.S1.1980.PR02.SS2, Bonjour Tristesse (identified as 2/80 A); AP178.S1.1980.PR02.SS3, Kita [Kindergarten] (identified as 2/80 B); and AP178.S1.1980.PR02.SS4, Senior Club Anziani [Senior citizens’ clubhouse] (identified as 2/80 C). The office’s archivist assigned the number 2/80 to materials related to the competition phase of this project; letters (A, B, and C) were then assigned to each subsequent portion of the project following the competition. All documentation for this project series, including the project subseries, has been kept together to maintain the order of the office’s arrangement.
AP178.S1.1980.PR02
Description:
The project series documents Block 121, better known as Bonjour Tristesse. While the records were held in the office’s archives this project was assigned the number 2/80. This project was one of several projects Siza submitted to the International Architectural Exhibition Berlin competition (International Bauaustellung, IBA, circa 1979-1987), and was Siza’s first international built project. The IBA was an urban renewal strategy for West Berlin and received submissions from several international architects. The IBA divided West Berlin into two parts: IBA Neubau ('new building'), led by Josef Paul Kleihues and IBA Altbau ('old building') led by Hardt-Walherr Hämer. IBA Nuebau's focus was to build new buildings while IBA Altbau's was to renovate existing buildings. The project site for Block 121 was in the district of Kreuzberg, a district on the eastern side of then West Berlin. Due to low rents, there was an influx of immigrants and students to Kreuzberg in the late 1970s. Bonjour Tristesse would serve as a residential complex for a predominantly Turkish immigrant population. In 1980, Hämer invited Siza to submit an entry for this complex to be built on the east side of Kreuzberg beside the Schlesisches Tor train station. Hämer encouraged the participatory model which Siza had become known for from his work with the Servicio Ambulatorio de Apoio Local (SAAL) in Portugal. This project series is arranged in four subseries: AP178.S1.1980.PR02.SS1, Competition, Block 121 (identified as 2/80); AP178.S1.1980.PR02.SS2, Bonjour Tristesse (identified as 2/80 A); AP178.S1.1980.PR02.SS3, Kita [Kindergarten] (identified as 2/80 B); and AP178.S1.1980.PR02.SS4, Senior Club Anziani [Senior citizens’ clubhouse] (identified as 2/80 C). The office’s archivist assigned the number 2/80 to materials related to the competition phase of this project; letters (A, B, and C) were then assigned to each subsequent portion of the project following the competition. All documentation for this project series, including the project subseries, has been kept together to maintain the order of the office’s arrangement.
People:
Date:
circa 1980-1990
circa 1980-1990
Title:
Block 121, Schlesisches Tor [Block 121, Schlesisches Tor residential complex], Berlin, Germany (1980-1990)
Actions:
AP178.S1.1980.PR02
Description:
The project series documents Block 121, better known as Bonjour Tristesse. While the records were held in the office’s archives this project was assigned the number 2/80. This project was one of several projects Siza submitted to the International Architectural Exhibition Berlin competition (International Bauaustellung, IBA, circa 1979-1987), and was Siza’s first international built project. The IBA was an urban renewal strategy for West Berlin and received submissions from several international architects. The IBA divided West Berlin into two parts: IBA Neubau ('new building'), led by Josef Paul Kleihues and IBA Altbau ('old building') led by Hardt-Walherr Hämer. IBA Nuebau's focus was to build new buildings while IBA Altbau's was to renovate existing buildings. The project site for Block 121 was in the district of Kreuzberg, a district on the eastern side of then West Berlin. Due to low rents, there was an influx of immigrants and students to Kreuzberg in the late 1970s. Bonjour Tristesse would serve as a residential complex for a predominantly Turkish immigrant population. In 1980, Hämer invited Siza to submit an entry for this complex to be built on the east side of Kreuzberg beside the Schlesisches Tor train station. Hämer encouraged the participatory model which Siza had become known for from his work with the Servicio Ambulatorio de Apoio Local (SAAL) in Portugal. This project series is arranged in four subseries: AP178.S1.1980.PR02.SS1, Competition, Block 121 (identified as 2/80); AP178.S1.1980.PR02.SS2, Bonjour Tristesse (identified as 2/80 A); AP178.S1.1980.PR02.SS3, Kita [Kindergarten] (identified as 2/80 B); and AP178.S1.1980.PR02.SS4, Senior Club Anziani [Senior citizens’ clubhouse] (identified as 2/80 C). The office’s archivist assigned the number 2/80 to materials related to the competition phase of this project; letters (A, B, and C) were then assigned to each subsequent portion of the project following the competition. All documentation for this project series, including the project subseries, has been kept together to maintain the order of the office’s arrangement.
Block 121, Schlesisches Tor [Block 121, Schlesisches Tor residential complex], Berlin, Germany (1980-1990)
Actions:
AP178.S1.1980.PR02
Description:
The project series documents Block 121, better known as Bonjour Tristesse. While the records were held in the office’s archives this project was assigned the number 2/80. This project was one of several projects Siza submitted to the International Architectural Exhibition Berlin competition (International Bauaustellung, IBA, circa 1979-1987), and was Siza’s first international built project. The IBA was an urban renewal strategy for West Berlin and received submissions from several international architects. The IBA divided West Berlin into two parts: IBA Neubau ('new building'), led by Josef Paul Kleihues and IBA Altbau ('old building') led by Hardt-Walherr Hämer. IBA Nuebau's focus was to build new buildings while IBA Altbau's was to renovate existing buildings. The project site for Block 121 was in the district of Kreuzberg, a district on the eastern side of then West Berlin. Due to low rents, there was an influx of immigrants and students to Kreuzberg in the late 1970s. Bonjour Tristesse would serve as a residential complex for a predominantly Turkish immigrant population. In 1980, Hämer invited Siza to submit an entry for this complex to be built on the east side of Kreuzberg beside the Schlesisches Tor train station. Hämer encouraged the participatory model which Siza had become known for from his work with the Servicio Ambulatorio de Apoio Local (SAAL) in Portugal. This project series is arranged in four subseries: AP178.S1.1980.PR02.SS1, Competition, Block 121 (identified as 2/80); AP178.S1.1980.PR02.SS2, Bonjour Tristesse (identified as 2/80 A); AP178.S1.1980.PR02.SS3, Kita [Kindergarten] (identified as 2/80 B); and AP178.S1.1980.PR02.SS4, Senior Club Anziani [Senior citizens’ clubhouse] (identified as 2/80 C). The office’s archivist assigned the number 2/80 to materials related to the competition phase of this project; letters (A, B, and C) were then assigned to each subsequent portion of the project following the competition. All documentation for this project series, including the project subseries, has been kept together to maintain the order of the office’s arrangement.
Level of archival description:
Project
Project
Date:
circa 1980-1990
circa 1980-1990
People:
Level of archival description:
Project
Project
Title:
Royal Ottawa Regional Rehabilitation Centre, Ottawa Health Sciences Centre, Ottawa, Ontario (1974)
Royal Ottawa Regional Rehabilitation Centre, Ottawa Health Sciences Centre, Ottawa, Ontario (1974)
Actions:
Reference number:
AP018.S1.1974.PR25
Description:
This project series documents the design and construction of the Royal Ottawa Regional Rehabilitation Centre in Ottawa, Ontario from 1974-1981. The office identified the project number as 7432. The Ottawa Heath Sciences Complex, a vast hospital network encompassing institutions across the city, hired Parkin Architects Planners in 1971 to design and construct University of Ottawa buildings within the network. These campus buildings were located in the Alta Vista neighbourhood and referred to as the Health Sciences Centre. This project consists of one building in that complex, the Royal Ottawa Regional Rehabilitation Centre. The distinction between these names should be noted when viewing the materials. The two-storey rehabilitation centre was constructed directly beside the Ottawa Health Sciences Building, another hospital in the network built by Parkin (see project series AP018.S1.1974.PR01 in this fonds). The proposal conceived a 145,000 square foot hospital with 77 in-patient beds. The design included space for patient accommodation, teaching, research, administrative activities, patient care and treatment, and a concession area. Patients at the hospital would range from those with severe brain injuries, to amputees, to those with rheumatic diseases. The building was carefully designed to accommodate the specialized needs of the patients. The hospital design also included a swimming pool, sports areas, and spaces for other leisure activities thought to aid in the rehabilitation process. The project is recorded through construction photographs, drawings, and textual materials dating from 1971-1983. The textual records include correspondence, specifications, schedules, contract data, conference reports and minutes, inspection reports, predesign notes, consultancy records, financial documents, change orders, supplementary instructions, research, and deficiency lists. The majority of these textual records deal with the hospital's construction, rather than design. Most drawings are reprographic copies of detail drawings and can be found within the textual records. Box AP018.S1.1974.PR25.002 contains an index to the textual records, which was created by the office.
AP018.S1.1974.PR25
Description:
This project series documents the design and construction of the Royal Ottawa Regional Rehabilitation Centre in Ottawa, Ontario from 1974-1981. The office identified the project number as 7432. The Ottawa Heath Sciences Complex, a vast hospital network encompassing institutions across the city, hired Parkin Architects Planners in 1971 to design and construct University of Ottawa buildings within the network. These campus buildings were located in the Alta Vista neighbourhood and referred to as the Health Sciences Centre. This project consists of one building in that complex, the Royal Ottawa Regional Rehabilitation Centre. The distinction between these names should be noted when viewing the materials. The two-storey rehabilitation centre was constructed directly beside the Ottawa Health Sciences Building, another hospital in the network built by Parkin (see project series AP018.S1.1974.PR01 in this fonds). The proposal conceived a 145,000 square foot hospital with 77 in-patient beds. The design included space for patient accommodation, teaching, research, administrative activities, patient care and treatment, and a concession area. Patients at the hospital would range from those with severe brain injuries, to amputees, to those with rheumatic diseases. The building was carefully designed to accommodate the specialized needs of the patients. The hospital design also included a swimming pool, sports areas, and spaces for other leisure activities thought to aid in the rehabilitation process. The project is recorded through construction photographs, drawings, and textual materials dating from 1971-1983. The textual records include correspondence, specifications, schedules, contract data, conference reports and minutes, inspection reports, predesign notes, consultancy records, financial documents, change orders, supplementary instructions, research, and deficiency lists. The majority of these textual records deal with the hospital's construction, rather than design. Most drawings are reprographic copies of detail drawings and can be found within the textual records. Box AP018.S1.1974.PR25.002 contains an index to the textual records, which was created by the office.
People:
Date:
1971-1983
1971-1983
Title:
Royal Ottawa Regional Rehabilitation Centre, Ottawa Health Sciences Centre, Ottawa, Ontario (1974)
Actions:
AP018.S1.1974.PR25
Description:
This project series documents the design and construction of the Royal Ottawa Regional Rehabilitation Centre in Ottawa, Ontario from 1974-1981. The office identified the project number as 7432. The Ottawa Heath Sciences Complex, a vast hospital network encompassing institutions across the city, hired Parkin Architects Planners in 1971 to design and construct University of Ottawa buildings within the network. These campus buildings were located in the Alta Vista neighbourhood and referred to as the Health Sciences Centre. This project consists of one building in that complex, the Royal Ottawa Regional Rehabilitation Centre. The distinction between these names should be noted when viewing the materials. The two-storey rehabilitation centre was constructed directly beside the Ottawa Health Sciences Building, another hospital in the network built by Parkin (see project series AP018.S1.1974.PR01 in this fonds). The proposal conceived a 145,000 square foot hospital with 77 in-patient beds. The design included space for patient accommodation, teaching, research, administrative activities, patient care and treatment, and a concession area. Patients at the hospital would range from those with severe brain injuries, to amputees, to those with rheumatic diseases. The building was carefully designed to accommodate the specialized needs of the patients. The hospital design also included a swimming pool, sports areas, and spaces for other leisure activities thought to aid in the rehabilitation process. The project is recorded through construction photographs, drawings, and textual materials dating from 1971-1983. The textual records include correspondence, specifications, schedules, contract data, conference reports and minutes, inspection reports, predesign notes, consultancy records, financial documents, change orders, supplementary instructions, research, and deficiency lists. The majority of these textual records deal with the hospital's construction, rather than design. Most drawings are reprographic copies of detail drawings and can be found within the textual records. Box AP018.S1.1974.PR25.002 contains an index to the textual records, which was created by the office.
Royal Ottawa Regional Rehabilitation Centre, Ottawa Health Sciences Centre, Ottawa, Ontario (1974)
Actions:
AP018.S1.1974.PR25
Description:
This project series documents the design and construction of the Royal Ottawa Regional Rehabilitation Centre in Ottawa, Ontario from 1974-1981. The office identified the project number as 7432. The Ottawa Heath Sciences Complex, a vast hospital network encompassing institutions across the city, hired Parkin Architects Planners in 1971 to design and construct University of Ottawa buildings within the network. These campus buildings were located in the Alta Vista neighbourhood and referred to as the Health Sciences Centre. This project consists of one building in that complex, the Royal Ottawa Regional Rehabilitation Centre. The distinction between these names should be noted when viewing the materials. The two-storey rehabilitation centre was constructed directly beside the Ottawa Health Sciences Building, another hospital in the network built by Parkin (see project series AP018.S1.1974.PR01 in this fonds). The proposal conceived a 145,000 square foot hospital with 77 in-patient beds. The design included space for patient accommodation, teaching, research, administrative activities, patient care and treatment, and a concession area. Patients at the hospital would range from those with severe brain injuries, to amputees, to those with rheumatic diseases. The building was carefully designed to accommodate the specialized needs of the patients. The hospital design also included a swimming pool, sports areas, and spaces for other leisure activities thought to aid in the rehabilitation process. The project is recorded through construction photographs, drawings, and textual materials dating from 1971-1983. The textual records include correspondence, specifications, schedules, contract data, conference reports and minutes, inspection reports, predesign notes, consultancy records, financial documents, change orders, supplementary instructions, research, and deficiency lists. The majority of these textual records deal with the hospital's construction, rather than design. Most drawings are reprographic copies of detail drawings and can be found within the textual records. Box AP018.S1.1974.PR25.002 contains an index to the textual records, which was created by the office.
Level of archival description:
Project
Project
Date:
1971-1983
1971-1983
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Marcel Parizeau fonds
Marcel Parizeau fonds
Actions:
Reference number:
AP104
Synopsis:
Le Fonds Marcel Parizeau contient des documents relatifs à la formation et à la vie de professionnel de Marcel Parizeau. Il contient aussi des œuvres d'art réalisées par ce dernier. Le fonds est composé de dessins d'architecture et de meubles, de carnets de croquis, de tableaux, de manuscrits, de correspondances, ainsi que quelques autres documents.
AP104
Synopsis:
Le Fonds Marcel Parizeau contient des documents relatifs à la formation et à la vie de professionnel de Marcel Parizeau. Il contient aussi des œuvres d'art réalisées par ce dernier. Le fonds est composé de dessins d'architecture et de meubles, de carnets de croquis, de tableaux, de manuscrits, de correspondances, ainsi que quelques autres documents.
People:
Date:
1917-1955
1917-1955
Title:
Marcel Parizeau fonds
Actions:
AP104
Synopsis:
Le Fonds Marcel Parizeau contient des documents relatifs à la formation et à la vie de professionnel de Marcel Parizeau. Il contient aussi des œuvres d'art réalisées par ce dernier. Le fonds est composé de dessins d'architecture et de meubles, de carnets de croquis, de tableaux, de manuscrits, de correspondances, ainsi que quelques autres documents.
Marcel Parizeau fonds
Actions:
AP104
Synopsis:
Le Fonds Marcel Parizeau contient des documents relatifs à la formation et à la vie de professionnel de Marcel Parizeau. Il contient aussi des œuvres d'art réalisées par ce dernier. Le fonds est composé de dessins d'architecture et de meubles, de carnets de croquis, de tableaux, de manuscrits, de correspondances, ainsi que quelques autres documents.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1917-1955
1917-1955
People:
Form:
video
video
Actions:
Holdings:
Description:
1 streaming video file (5 min., 53 sec.) : sound, colour
Description:
1 streaming video file (5 min., 53 sec.) : sound, colour
Author:
Subject:
Publication:
[Montréal] : Canadien Centre for Architecture, [2017]
[Montréal] : Canadien Centre for Architecture, [2017]
Title:
Besides, history : Go Hasegawa, Kersten Geers, David Van Severen : introduction / Giovanna Borasi = L'histoire, par ailleurs : Go Hasegawa, Kersten Geers, David Van Severen : introduction.
Actions:
Holdings:
Description:
1 streaming video file (5 min., 53 sec.) : sound, colour
Besides, history : Go Hasegawa, Kersten Geers, David Van Severen : introduction / Giovanna Borasi = L'histoire, par ailleurs : Go Hasegawa, Kersten Geers, David Van Severen : introduction.
Actions:
Holdings:
Description:
1 streaming video file (5 min., 53 sec.) : sound, colour
Form:
video
video
Publication:
[Montréal] : Canadien Centre for Architecture, [2017]
[Montréal] : Canadien Centre for Architecture, [2017]
Author:
Subject:
Form:
books
books
Actions:
Holdings:
Description:
207 pages : illustrations (chiefly color) ; 21 cm
Description:
207 pages : illustrations (chiefly color) ; 21 cm
Author:
Subject:
Publication:
Tōkyō : Kajima Shuppankai, 2018.
Tōkyō : Kajima Shuppankai, 2018.
Title:
Besides, history : Go Hasegawa, Kersten Geers, David Van Severen / edited by Giovanna Borasi ; with contributions from Bas Princen and Stefano Graziani ; translated by Tomoko Sakamoto.
Actions:
Holdings:
Description:
207 pages : illustrations (chiefly color) ; 21 cm
Besides, history : Go Hasegawa, Kersten Geers, David Van Severen / edited by Giovanna Borasi ; with contributions from Bas Princen and Stefano Graziani ; translated by Tomoko Sakamoto.
Actions:
Holdings:
Description:
207 pages : illustrations (chiefly color) ; 21 cm
Form:
books
books
Publication:
Tōkyō : Kajima Shuppankai, 2018.
Tōkyō : Kajima Shuppankai, 2018.
Author:
Subject:
