300 Results
Level of archival description:
Project
Project
Title:
Saat Rasta
Saat Rasta
Reference number:
AP182.S1.2012.D2
Description:
File documents an executed project for a live-work complex in Mumbai, India, that reuses the structure of an existing fire-damaged warehouse. The name of the project, Saat Rasta, translates literally to Seven Roads, a reference to a nearby roundabout. The site is immediately adjacent to the Central railroad as well as an informal housing settlement, qualities which made the location undesirable for developers. To adhere to zoning regulations, the design recoups the warehouse's original basalt stone perimeter wall. Brick infill delineates the units, while new wood-frame and cement-panel walls shape interior spaces. Each unit contains one or two courtyards, the roofs of which tilt inward to capture rain and avoid draining water on the surrounding housing. The courtyards also allow for the growth of local vegetation, especially Goolar figs, which had overgrown on the site before its redevelopment. File contains photographs, drawings, and a model.
AP182.S1.2012.D2
Description:
File documents an executed project for a live-work complex in Mumbai, India, that reuses the structure of an existing fire-damaged warehouse. The name of the project, Saat Rasta, translates literally to Seven Roads, a reference to a nearby roundabout. The site is immediately adjacent to the Central railroad as well as an informal housing settlement, qualities which made the location undesirable for developers. To adhere to zoning regulations, the design recoups the warehouse's original basalt stone perimeter wall. Brick infill delineates the units, while new wood-frame and cement-panel walls shape interior spaces. Each unit contains one or two courtyards, the roofs of which tilt inward to capture rain and avoid draining water on the surrounding housing. The courtyards also allow for the growth of local vegetation, especially Goolar figs, which had overgrown on the site before its redevelopment. File contains photographs, drawings, and a model.
People:
Date:
2008-2015
2008-2015
Title:
Saat Rasta
Actions:
AP182.S1.2012.D2
Description:
File documents an executed project for a live-work complex in Mumbai, India, that reuses the structure of an existing fire-damaged warehouse. The name of the project, Saat Rasta, translates literally to Seven Roads, a reference to a nearby roundabout. The site is immediately adjacent to the Central railroad as well as an informal housing settlement, qualities which made the location undesirable for developers. To adhere to zoning regulations, the design recoups the warehouse's original basalt stone perimeter wall. Brick infill delineates the units, while new wood-frame and cement-panel walls shape interior spaces. Each unit contains one or two courtyards, the roofs of which tilt inward to capture rain and avoid draining water on the surrounding housing. The courtyards also allow for the growth of local vegetation, especially Goolar figs, which had overgrown on the site before its redevelopment. File contains photographs, drawings, and a model.
Saat Rasta
Actions:
AP182.S1.2012.D2
Description:
File documents an executed project for a live-work complex in Mumbai, India, that reuses the structure of an existing fire-damaged warehouse. The name of the project, Saat Rasta, translates literally to Seven Roads, a reference to a nearby roundabout. The site is immediately adjacent to the Central railroad as well as an informal housing settlement, qualities which made the location undesirable for developers. To adhere to zoning regulations, the design recoups the warehouse's original basalt stone perimeter wall. Brick infill delineates the units, while new wood-frame and cement-panel walls shape interior spaces. Each unit contains one or two courtyards, the roofs of which tilt inward to capture rain and avoid draining water on the surrounding housing. The courtyards also allow for the growth of local vegetation, especially Goolar figs, which had overgrown on the site before its redevelopment. File contains photographs, drawings, and a model.
Level of archival description:
Project
Project
Date:
2008-2015
2008-2015
People:
Level of archival description:
Project
Project
Reference number:
AP164.S1.1999.D2
Description:
The project series documents an open competition. Abalos & Herreros, in collaboration with Queca Ortiz and Empty, S.L., won second place for their design. The firm identified this project as number 115. The intention of their entry was to “[…] answer to the task with an authentic installation, a mellowed and independent equipment independent of the container, which absolutely never provokes a conflict or pretends to improve it, which accepts the value of its configuration and extracts the maximum possibilities of the spatial qualities that the intervention has pretended to enhance. Therefore, it is pretended to develop a program which adds an offer of pedagogic-cultural piece of the town to the basic spaces of the museum. The challenge is to make people live together with the scientific aspects, which interests the cultivated popular-pedagogy visitor, connoisseurs of, and which acts with the intention of excinting, surprising and attracting attention of a mostly youthful and infantile audience. […] The museum’s basic program is completed with temporary exhibition halls, library, lecture room and didactic workshops, assembly hall, café, gift shop and offices.” (ARCH270975) Documenting this project are digital and reference materials, project descriptions, and specifications.
AP164.S1.1999.D2
Description:
The project series documents an open competition. Abalos & Herreros, in collaboration with Queca Ortiz and Empty, S.L., won second place for their design. The firm identified this project as number 115. The intention of their entry was to “[…] answer to the task with an authentic installation, a mellowed and independent equipment independent of the container, which absolutely never provokes a conflict or pretends to improve it, which accepts the value of its configuration and extracts the maximum possibilities of the spatial qualities that the intervention has pretended to enhance. Therefore, it is pretended to develop a program which adds an offer of pedagogic-cultural piece of the town to the basic spaces of the museum. The challenge is to make people live together with the scientific aspects, which interests the cultivated popular-pedagogy visitor, connoisseurs of, and which acts with the intention of excinting, surprising and attracting attention of a mostly youthful and infantile audience. […] The museum’s basic program is completed with temporary exhibition halls, library, lecture room and didactic workshops, assembly hall, café, gift shop and offices.” (ARCH270975) Documenting this project are digital and reference materials, project descriptions, and specifications.
People:
Date:
1996-2009, predominant 1999
1996-2009, predominant 1999
Title:
Museo arqueológico Alicante, Spain (1999)
Actions:
AP164.S1.1999.D2
Description:
The project series documents an open competition. Abalos & Herreros, in collaboration with Queca Ortiz and Empty, S.L., won second place for their design. The firm identified this project as number 115. The intention of their entry was to “[…] answer to the task with an authentic installation, a mellowed and independent equipment independent of the container, which absolutely never provokes a conflict or pretends to improve it, which accepts the value of its configuration and extracts the maximum possibilities of the spatial qualities that the intervention has pretended to enhance. Therefore, it is pretended to develop a program which adds an offer of pedagogic-cultural piece of the town to the basic spaces of the museum. The challenge is to make people live together with the scientific aspects, which interests the cultivated popular-pedagogy visitor, connoisseurs of, and which acts with the intention of excinting, surprising and attracting attention of a mostly youthful and infantile audience. […] The museum’s basic program is completed with temporary exhibition halls, library, lecture room and didactic workshops, assembly hall, café, gift shop and offices.” (ARCH270975) Documenting this project are digital and reference materials, project descriptions, and specifications.
Museo arqueológico Alicante, Spain (1999)
Actions:
AP164.S1.1999.D2
Description:
The project series documents an open competition. Abalos & Herreros, in collaboration with Queca Ortiz and Empty, S.L., won second place for their design. The firm identified this project as number 115. The intention of their entry was to “[…] answer to the task with an authentic installation, a mellowed and independent equipment independent of the container, which absolutely never provokes a conflict or pretends to improve it, which accepts the value of its configuration and extracts the maximum possibilities of the spatial qualities that the intervention has pretended to enhance. Therefore, it is pretended to develop a program which adds an offer of pedagogic-cultural piece of the town to the basic spaces of the museum. The challenge is to make people live together with the scientific aspects, which interests the cultivated popular-pedagogy visitor, connoisseurs of, and which acts with the intention of excinting, surprising and attracting attention of a mostly youthful and infantile audience. […] The museum’s basic program is completed with temporary exhibition halls, library, lecture room and didactic workshops, assembly hall, café, gift shop and offices.” (ARCH270975) Documenting this project are digital and reference materials, project descriptions, and specifications.
Level of archival description:
Project
Project
Date:
1996-2009, predominant 1999
1996-2009, predominant 1999
People:
Level of archival description:
Project
Project
Title:
Weavers' Studio
Weavers' Studio
Reference number:
AP182.S1.2013.D2
Description:
File documents a project for a live-work complex in Dehradun, Uttarakhand, India. Commissioned by Chiaki Maki, a Japanese textile weaver who spends a portion of each year in northern India, this complex in the Himalayan foothills provides working space for a studio of twenty-five weavers from all over the country. It is conceived as a cyclical, self-sufficient farm system that integrates all aspects of the weaving process, from cultivating indigo and henna for dye to gathering silk from cocoons and spinning wool. The site had been previously cultivated, and the design works with the landscape's existing pathways, terraces, and mango groves. Nearly all construction materials--including the brick, limestone, and phosphorescent river stones used in the foundation and to treat the brick walls--come from within a two-kilometre radius of the studio. The five-sided building occupying the centre of the site is the workshop itself, which frames a courtyard for gatherings (of weavers, children, etc.). A gallery in the complex displays the weavers' work, while the linear buildings accommodate motorcycle parking, a guest house, and residences for Maki and her partner as well as the site caretaker and his family. File contains artefacts and realia, models, photographs, drawings, site reports, and a video recording.
AP182.S1.2013.D2
Description:
File documents a project for a live-work complex in Dehradun, Uttarakhand, India. Commissioned by Chiaki Maki, a Japanese textile weaver who spends a portion of each year in northern India, this complex in the Himalayan foothills provides working space for a studio of twenty-five weavers from all over the country. It is conceived as a cyclical, self-sufficient farm system that integrates all aspects of the weaving process, from cultivating indigo and henna for dye to gathering silk from cocoons and spinning wool. The site had been previously cultivated, and the design works with the landscape's existing pathways, terraces, and mango groves. Nearly all construction materials--including the brick, limestone, and phosphorescent river stones used in the foundation and to treat the brick walls--come from within a two-kilometre radius of the studio. The five-sided building occupying the centre of the site is the workshop itself, which frames a courtyard for gatherings (of weavers, children, etc.). A gallery in the complex displays the weavers' work, while the linear buildings accommodate motorcycle parking, a guest house, and residences for Maki and her partner as well as the site caretaker and his family. File contains artefacts and realia, models, photographs, drawings, site reports, and a video recording.
People:
Date:
2012-2015
2012-2015
Title:
Weavers' Studio
Actions:
AP182.S1.2013.D2
Description:
File documents a project for a live-work complex in Dehradun, Uttarakhand, India. Commissioned by Chiaki Maki, a Japanese textile weaver who spends a portion of each year in northern India, this complex in the Himalayan foothills provides working space for a studio of twenty-five weavers from all over the country. It is conceived as a cyclical, self-sufficient farm system that integrates all aspects of the weaving process, from cultivating indigo and henna for dye to gathering silk from cocoons and spinning wool. The site had been previously cultivated, and the design works with the landscape's existing pathways, terraces, and mango groves. Nearly all construction materials--including the brick, limestone, and phosphorescent river stones used in the foundation and to treat the brick walls--come from within a two-kilometre radius of the studio. The five-sided building occupying the centre of the site is the workshop itself, which frames a courtyard for gatherings (of weavers, children, etc.). A gallery in the complex displays the weavers' work, while the linear buildings accommodate motorcycle parking, a guest house, and residences for Maki and her partner as well as the site caretaker and his family. File contains artefacts and realia, models, photographs, drawings, site reports, and a video recording.
Weavers' Studio
Actions:
AP182.S1.2013.D2
Description:
File documents a project for a live-work complex in Dehradun, Uttarakhand, India. Commissioned by Chiaki Maki, a Japanese textile weaver who spends a portion of each year in northern India, this complex in the Himalayan foothills provides working space for a studio of twenty-five weavers from all over the country. It is conceived as a cyclical, self-sufficient farm system that integrates all aspects of the weaving process, from cultivating indigo and henna for dye to gathering silk from cocoons and spinning wool. The site had been previously cultivated, and the design works with the landscape's existing pathways, terraces, and mango groves. Nearly all construction materials--including the brick, limestone, and phosphorescent river stones used in the foundation and to treat the brick walls--come from within a two-kilometre radius of the studio. The five-sided building occupying the centre of the site is the workshop itself, which frames a courtyard for gatherings (of weavers, children, etc.). A gallery in the complex displays the weavers' work, while the linear buildings accommodate motorcycle parking, a guest house, and residences for Maki and her partner as well as the site caretaker and his family. File contains artefacts and realia, models, photographs, drawings, site reports, and a video recording.
Level of archival description:
Project
Project
Date:
2012-2015
2012-2015
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP056.S1.1988.PR08
Description:
This project series documents the Dome Productions offices and studio in Toronto from 1988-1989. The office identified the project number as 8804. This project consisted of a two-level office and studio area inside Toronto's SkyDome for the production company that was owned by The Sports Network (TSN). The main purpose of this space was to broadcast sports live from the stadium, but offices for producing, accounting, and marketing were also included. The two floors followed the curved shape of the stadium and were connected to one another by staircases. Visitors entered via large, glass doors into the reception area on the lower level, where they could move to the main lounge with its curved cappuccino bar, integrated into the main staircase. The lower level also held equipment rooms, fan rooms, editing areas, storage and offices. The upper level included two announcing booths, video editing suites, production spaces and conference rooms. The walls were composed of painted gypsum board but granite touches throughout stayed true to the concrete look of the stadium. Aluminum, steel, wood and sandblasted glass were also featured heavily throughout. The project is recorded through drawings and photographs dating from 1988-1989. The drawings are mostly originals and include sketches, presentation drawings, plans, details, elevations, sections, axonometric drawings, and structural drawings. The photographs show the finished interiors of the project.
AP056.S1.1988.PR08
Description:
This project series documents the Dome Productions offices and studio in Toronto from 1988-1989. The office identified the project number as 8804. This project consisted of a two-level office and studio area inside Toronto's SkyDome for the production company that was owned by The Sports Network (TSN). The main purpose of this space was to broadcast sports live from the stadium, but offices for producing, accounting, and marketing were also included. The two floors followed the curved shape of the stadium and were connected to one another by staircases. Visitors entered via large, glass doors into the reception area on the lower level, where they could move to the main lounge with its curved cappuccino bar, integrated into the main staircase. The lower level also held equipment rooms, fan rooms, editing areas, storage and offices. The upper level included two announcing booths, video editing suites, production spaces and conference rooms. The walls were composed of painted gypsum board but granite touches throughout stayed true to the concrete look of the stadium. Aluminum, steel, wood and sandblasted glass were also featured heavily throughout. The project is recorded through drawings and photographs dating from 1988-1989. The drawings are mostly originals and include sketches, presentation drawings, plans, details, elevations, sections, axonometric drawings, and structural drawings. The photographs show the finished interiors of the project.
People:
Date:
1988-1989
1988-1989
Title:
Dome Productions Offices and Studios, Toronto (1988-1989)
Actions:
AP056.S1.1988.PR08
Description:
This project series documents the Dome Productions offices and studio in Toronto from 1988-1989. The office identified the project number as 8804. This project consisted of a two-level office and studio area inside Toronto's SkyDome for the production company that was owned by The Sports Network (TSN). The main purpose of this space was to broadcast sports live from the stadium, but offices for producing, accounting, and marketing were also included. The two floors followed the curved shape of the stadium and were connected to one another by staircases. Visitors entered via large, glass doors into the reception area on the lower level, where they could move to the main lounge with its curved cappuccino bar, integrated into the main staircase. The lower level also held equipment rooms, fan rooms, editing areas, storage and offices. The upper level included two announcing booths, video editing suites, production spaces and conference rooms. The walls were composed of painted gypsum board but granite touches throughout stayed true to the concrete look of the stadium. Aluminum, steel, wood and sandblasted glass were also featured heavily throughout. The project is recorded through drawings and photographs dating from 1988-1989. The drawings are mostly originals and include sketches, presentation drawings, plans, details, elevations, sections, axonometric drawings, and structural drawings. The photographs show the finished interiors of the project.
Dome Productions Offices and Studios, Toronto (1988-1989)
Actions:
AP056.S1.1988.PR08
Description:
This project series documents the Dome Productions offices and studio in Toronto from 1988-1989. The office identified the project number as 8804. This project consisted of a two-level office and studio area inside Toronto's SkyDome for the production company that was owned by The Sports Network (TSN). The main purpose of this space was to broadcast sports live from the stadium, but offices for producing, accounting, and marketing were also included. The two floors followed the curved shape of the stadium and were connected to one another by staircases. Visitors entered via large, glass doors into the reception area on the lower level, where they could move to the main lounge with its curved cappuccino bar, integrated into the main staircase. The lower level also held equipment rooms, fan rooms, editing areas, storage and offices. The upper level included two announcing booths, video editing suites, production spaces and conference rooms. The walls were composed of painted gypsum board but granite touches throughout stayed true to the concrete look of the stadium. Aluminum, steel, wood and sandblasted glass were also featured heavily throughout. The project is recorded through drawings and photographs dating from 1988-1989. The drawings are mostly originals and include sketches, presentation drawings, plans, details, elevations, sections, axonometric drawings, and structural drawings. The photographs show the finished interiors of the project.
Level of archival description:
Project
Project
Date:
1988-1989
1988-1989
People:
Level of archival description:
Project
Project
Title:
IBA
IBA
Reference number:
AP143.S4.D32
Description:
File documents the partially executed project for the Restricted International Competition "South Friedrichstadt as a Place to Live and Work," West Berlin (now Berlin), West Germany (now in Germany). Material in this file was produced between 1980 and 1988. File documents the design for one of four urban blocks in the area of the Kochstrasse and Friedrichstrasse, Berlin. The competition required the preservation of three existing structures and the construction of mixed-used buildings on vacant lots. The architect develops an overall strategy to occupy the urban block by extending the geometry of the three existing buildings onto the site (DR1991:0018:002; DR1991:0018:004-006), on which he overlays what he calls the "Mercator grid", an orthogonal grid oriented according to the compass (DR1991:0018:016). The "el structures" used by Eisenman in House X, House 11a, and the Cannaregio project reappear in plan, and later as forms emerging from the square compartments delimited by the "Mercator grid", this time developed three-dimensionally (House X, 1975-1977, DR1994:0138:001-1546; House 11a, 1978, DR1994:0139:001-303; Cannaregio project, 1978, DR1991:0017:001-094). After finalizing the urban concept, Eisenman concentrates his efforts on the planning of individual buildings, developing the massing of the building facing Kochstrasse in a series of axonometrics (DR1991:0018:088-092), sections (DR1991:0018:088) and facade studies (DR1991:0018:204-210). A series of scrolled drawings study the L-shaped elements and thin slabs with characteristically gridded surfaces found in House X (DR1991:0018:204 and DR1991:0018:209-210). File contains record drawings, conceptual drawings, design development drawings, schematic drawings, competition drawings, presentation drawings, photographic material, and textual records.
AP143.S4.D32
Description:
File documents the partially executed project for the Restricted International Competition "South Friedrichstadt as a Place to Live and Work," West Berlin (now Berlin), West Germany (now in Germany). Material in this file was produced between 1980 and 1988. File documents the design for one of four urban blocks in the area of the Kochstrasse and Friedrichstrasse, Berlin. The competition required the preservation of three existing structures and the construction of mixed-used buildings on vacant lots. The architect develops an overall strategy to occupy the urban block by extending the geometry of the three existing buildings onto the site (DR1991:0018:002; DR1991:0018:004-006), on which he overlays what he calls the "Mercator grid", an orthogonal grid oriented according to the compass (DR1991:0018:016). The "el structures" used by Eisenman in House X, House 11a, and the Cannaregio project reappear in plan, and later as forms emerging from the square compartments delimited by the "Mercator grid", this time developed three-dimensionally (House X, 1975-1977, DR1994:0138:001-1546; House 11a, 1978, DR1994:0139:001-303; Cannaregio project, 1978, DR1991:0017:001-094). After finalizing the urban concept, Eisenman concentrates his efforts on the planning of individual buildings, developing the massing of the building facing Kochstrasse in a series of axonometrics (DR1991:0018:088-092), sections (DR1991:0018:088) and facade studies (DR1991:0018:204-210). A series of scrolled drawings study the L-shaped elements and thin slabs with characteristically gridded surfaces found in House X (DR1991:0018:204 and DR1991:0018:209-210). File contains record drawings, conceptual drawings, design development drawings, schematic drawings, competition drawings, presentation drawings, photographic material, and textual records.
People:
Date:
1980-1988
1980-1988
Title:
IBA
Actions:
AP143.S4.D32
Description:
File documents the partially executed project for the Restricted International Competition "South Friedrichstadt as a Place to Live and Work," West Berlin (now Berlin), West Germany (now in Germany). Material in this file was produced between 1980 and 1988. File documents the design for one of four urban blocks in the area of the Kochstrasse and Friedrichstrasse, Berlin. The competition required the preservation of three existing structures and the construction of mixed-used buildings on vacant lots. The architect develops an overall strategy to occupy the urban block by extending the geometry of the three existing buildings onto the site (DR1991:0018:002; DR1991:0018:004-006), on which he overlays what he calls the "Mercator grid", an orthogonal grid oriented according to the compass (DR1991:0018:016). The "el structures" used by Eisenman in House X, House 11a, and the Cannaregio project reappear in plan, and later as forms emerging from the square compartments delimited by the "Mercator grid", this time developed three-dimensionally (House X, 1975-1977, DR1994:0138:001-1546; House 11a, 1978, DR1994:0139:001-303; Cannaregio project, 1978, DR1991:0017:001-094). After finalizing the urban concept, Eisenman concentrates his efforts on the planning of individual buildings, developing the massing of the building facing Kochstrasse in a series of axonometrics (DR1991:0018:088-092), sections (DR1991:0018:088) and facade studies (DR1991:0018:204-210). A series of scrolled drawings study the L-shaped elements and thin slabs with characteristically gridded surfaces found in House X (DR1991:0018:204 and DR1991:0018:209-210). File contains record drawings, conceptual drawings, design development drawings, schematic drawings, competition drawings, presentation drawings, photographic material, and textual records.
IBA
Actions:
AP143.S4.D32
Description:
File documents the partially executed project for the Restricted International Competition "South Friedrichstadt as a Place to Live and Work," West Berlin (now Berlin), West Germany (now in Germany). Material in this file was produced between 1980 and 1988. File documents the design for one of four urban blocks in the area of the Kochstrasse and Friedrichstrasse, Berlin. The competition required the preservation of three existing structures and the construction of mixed-used buildings on vacant lots. The architect develops an overall strategy to occupy the urban block by extending the geometry of the three existing buildings onto the site (DR1991:0018:002; DR1991:0018:004-006), on which he overlays what he calls the "Mercator grid", an orthogonal grid oriented according to the compass (DR1991:0018:016). The "el structures" used by Eisenman in House X, House 11a, and the Cannaregio project reappear in plan, and later as forms emerging from the square compartments delimited by the "Mercator grid", this time developed three-dimensionally (House X, 1975-1977, DR1994:0138:001-1546; House 11a, 1978, DR1994:0139:001-303; Cannaregio project, 1978, DR1991:0017:001-094). After finalizing the urban concept, Eisenman concentrates his efforts on the planning of individual buildings, developing the massing of the building facing Kochstrasse in a series of axonometrics (DR1991:0018:088-092), sections (DR1991:0018:088) and facade studies (DR1991:0018:204-210). A series of scrolled drawings study the L-shaped elements and thin slabs with characteristically gridded surfaces found in House X (DR1991:0018:204 and DR1991:0018:209-210). File contains record drawings, conceptual drawings, design development drawings, schematic drawings, competition drawings, presentation drawings, photographic material, and textual records.
Level of archival description:
File 32
File 32
Date:
1980-1988
1980-1988
People:
Form:
books
books
Actions:
Holdings:
Description:
311 pages : illustrations (some color), portraits ; 31 cm
Description:
311 pages : illustrations (some color), portraits ; 31 cm
Author:
Subject:
Publication:
Montréal, Québec : Canadian Centre for Architecture ; Köln : Verlag der Buchhandlung Walther und Franz König, [2024], ©2024
Montréal, Québec : Canadian Centre for Architecture ; Köln : Verlag der Buchhandlung Walther und Franz König, [2024], ©2024
Title:
The lives of documents : photography as project / Stefano Graziani and Bas Princen ; managing editor, Victoria Addona.
Actions:
Holdings:
Description:
311 pages : illustrations (some color), portraits ; 31 cm
The lives of documents : photography as project / Stefano Graziani and Bas Princen ; managing editor, Victoria Addona.
Actions:
Holdings:
Description:
311 pages : illustrations (some color), portraits ; 31 cm
Form:
books
books
Publication:
Montréal, Québec : Canadian Centre for Architecture ; Köln : Verlag der Buchhandlung Walther und Franz König, [2024], ©2024
Montréal, Québec : Canadian Centre for Architecture ; Köln : Verlag der Buchhandlung Walther und Franz König, [2024], ©2024
Author:
Subject:
Form:
books
books
Actions:
Holdings:
Description:
311 pages : illustrations (some color), color portraits ; 31 cm
Description:
311 pages : illustrations (some color), color portraits ; 31 cm
Author:
Subject:
Publication:
Montréal, Québec : Centre Canadien d'Architecture ; Köln : Verlag der Buchhandlung Walther und Franz König, [2024].
Montréal, Québec : Centre Canadien d'Architecture ; Köln : Verlag der Buchhandlung Walther und Franz König, [2024].
Title:
Les vies des documents : la photographie en tant que projet / Stefano Graziani et Bas Princen ; rédactrice attitrée, Victoria Addona.
Actions:
Holdings:
Description:
311 pages : illustrations (some color), color portraits ; 31 cm
Les vies des documents : la photographie en tant que projet / Stefano Graziani et Bas Princen ; rédactrice attitrée, Victoria Addona.
Actions:
Holdings:
Description:
311 pages : illustrations (some color), color portraits ; 31 cm
Form:
books
books
Publication:
Montréal, Québec : Centre Canadien d'Architecture ; Köln : Verlag der Buchhandlung Walther und Franz König, [2024].
Montréal, Québec : Centre Canadien d'Architecture ; Köln : Verlag der Buchhandlung Walther und Franz König, [2024].
Author:
Subject:
Form:
archives
archives
Actions:
Holdings:
Description:
8 items ; 97 cm or smaller
Description:
8 items ; 97 cm or smaller
Author:
Subject:
Title:
Les vies des documents : la photographie en tant que projet = The lives of documents : photography as project : exhibition products, 2023-2024
Actions:
Holdings:
Description:
8 items ; 97 cm or smaller
Les vies des documents : la photographie en tant que projet = The lives of documents : photography as project : exhibition products, 2023-2024
Actions:
Holdings:
Description:
8 items ; 97 cm or smaller
Form:
archives
archives
Author:
Subject:
Form:
books
books
Actions:
Holdings:
Description:
288 pages : illustrations (chiefly color), color maps ; 26 cm
Description:
288 pages : illustrations (chiefly color), color maps ; 26 cm
Author:
Subject:
Publication:
Princeton : Princeton University Press, [2022], ©2022
Princeton : Princeton University Press, [2022], ©2022
Title:
The lives of fungi : a natural history of our planet's decomposers / Britt A. Bunyard.
Actions:
Holdings:
Description:
288 pages : illustrations (chiefly color), color maps ; 26 cm
The lives of fungi : a natural history of our planet's decomposers / Britt A. Bunyard.
Actions:
Holdings:
Description:
288 pages : illustrations (chiefly color), color maps ; 26 cm
Form:
books
books
Publication:
Princeton : Princeton University Press, [2022], ©2022
Princeton : Princeton University Press, [2022], ©2022
Author:
Subject:
Form:
books
books
Title:
Private lives in Renaissance Venice : art, architecture, and the family / Patricia Fortini Brown.
Private lives in Renaissance Venice : art, architecture, and the family / Patricia Fortini Brown.
Actions:
Holdings:
Description:
vii, 312 pages : illustrations (chiefly color) ; 29 cm
Description:
vii, 312 pages : illustrations (chiefly color) ; 29 cm
Author:
Subject:
Publication:
New Haven ; London : Yale University Press, [2004]
New Haven ; London : Yale University Press, [2004]
Title:
Private lives in Renaissance Venice : art, architecture, and the family / Patricia Fortini Brown.
Actions:
Holdings:
Description:
vii, 312 pages : illustrations (chiefly color) ; 29 cm
Private lives in Renaissance Venice : art, architecture, and the family / Patricia Fortini Brown.
Actions:
Holdings:
Description:
vii, 312 pages : illustrations (chiefly color) ; 29 cm
Form:
books
books
Publication:
New Haven ; London : Yale University Press, [2004]
New Haven ; London : Yale University Press, [2004]
Author:
Subject:
