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The geography of the visual arts changed with the end of the Cold War. Contemporary art was no longer defined, exhibited, interpreted, and acquired according to a blueprint drawn up in New York, London, Paris, or Berlin. With the emergence of new art scenes in Asia and the Middle East and the explosion of biennials, the visual arts have become globalized as surely as the(...)
The global contemporary and the rise of new art worlds
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The geography of the visual arts changed with the end of the Cold War. Contemporary art was no longer defined, exhibited, interpreted, and acquired according to a blueprint drawn up in New York, London, Paris, or Berlin. With the emergence of new art scenes in Asia and the Middle East and the explosion of biennials, the visual arts have become globalized as surely as the world economy has. The Global Contemporary and the Rise of New Art Worlds documents the globalization of the visual arts and the rise of the contemporary over the last twenty years.
Art Theory
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This large-format book of Soviet posters allows the reader to remove individual posters and is at once a revealing historical document and a sublime example of graphic art at its best. Dating from 1917 to the end of the Cold War, the posters in this book feature the work of groundbreaking Russian artists such as El Lissitzky and Alexander Rodchenko, alongside(...)
Soviet Posters: pull-out edition
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This large-format book of Soviet posters allows the reader to remove individual posters and is at once a revealing historical document and a sublime example of graphic art at its best. Dating from 1917 to the end of the Cold War, the posters in this book feature the work of groundbreaking Russian artists such as El Lissitzky and Alexander Rodchenko, alongside extraordinary works by their contemporaries. Presented in full color, printed on heavy paper, and in a large-format, the posters gathered here represent the pinnacle of Russian avant-garde design from the 20th century.
Printed Matter
Prague pictures
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John Banville traces Prague’s often tragic history and portrays the people who made it, the emperors and princes, geniuses and charlatans, heroes and scoundrels, and paints a portrait of the Prague of today, revelling in its newfound freedoms, eager to join the European Community and at the same time suspicious of what many Praguers see as yet another totalitarian(...)
Prague pictures
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John Banville traces Prague’s often tragic history and portrays the people who made it, the emperors and princes, geniuses and charlatans, heroes and scoundrels, and paints a portrait of the Prague of today, revelling in its newfound freedoms, eager to join the European Community and at the same time suspicious of what many Praguers see as yet another totalitarian takeover. He writes of his first visit to the city, in the depths of the cold War, when he engaged in a spot of art smuggling, and of subsequent trips there, of the people he met, the friends he made, the places he came to know.
Architectural Theory
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Squeezed between the two rival Cold War blocs, Yugoslav architecture consistently adhered to a modernist trajectory. As a founding nation of the Non-Aligned Movement, Yugoslavia became a major exporter of modernist architecture to Africa and the Middle East in a postcolonial world. By merging a variety of local traditions and contemporary international influences in the(...)
Architecture since 1900, Europe
June 2018
Toward a concrete utopia: architecture in Yugoslavia, 1948-1980
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Squeezed between the two rival Cold War blocs, Yugoslav architecture consistently adhered to a modernist trajectory. As a founding nation of the Non-Aligned Movement, Yugoslavia became a major exporter of modernist architecture to Africa and the Middle East in a postcolonial world. By merging a variety of local traditions and contemporary international influences in the context of a unique Yugoslav brand of socialism, often described as the “Third Way,” local architects produced a veritable “parallel universe” of modern architecture during the 45 years of the country’s existence. This remarkable body of work has sparked recurrent international interest, yet a rigorous interpretative study never materialized in the United States until now.
Architecture since 1900, Europe
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In the early years of the Cold War, the skyline of Moscow was forever transformed by a citywide skyscraper building project. As the steel girders of the monumental towers went up, the centuries-old metropolis was reinvented to embody the greatness of Stalinist society. This volume explores how the quintessential architectural works of the late Stalin era fundamentally(...)
Moscow monumental: Soviet skyscrapers and urban life in stalin's capital
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In the early years of the Cold War, the skyline of Moscow was forever transformed by a citywide skyscraper building project. As the steel girders of the monumental towers went up, the centuries-old metropolis was reinvented to embody the greatness of Stalinist society. This volume explores how the quintessential architectural works of the late Stalin era fundamentally reshaped daily life in the Soviet capital. It tells a story that is both local and broadly transnational, taking readers from the streets of interwar Moscow and New York to the marble-clad halls of the bombastic postwar structures that continue to define the Russian capital today.
Modernism
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''In 1991, I moved to Berlin for four years. The Berlin wall had just fallen but you could still see sections of it, and certainly still feel the divide between the Capitalist and Socialist states. Discovering Central Europe meant learning about some very dark history. The scars of Totalitarianism were deep, visible and raw from both the Cold War and the preceding Second(...)
Eric Tschaeppeler : Slipping the trail
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''In 1991, I moved to Berlin for four years. The Berlin wall had just fallen but you could still see sections of it, and certainly still feel the divide between the Capitalist and Socialist states. Discovering Central Europe meant learning about some very dark history. The scars of Totalitarianism were deep, visible and raw from both the Cold War and the preceding Second World War. These photographs were taken in Montreal during the Fall and Winter of 2013/14. I wanted to find a common visual ground where, through historical images we've all seen, my memories could be shared. I revisited these memories influenced by the political climate and my fear of a rising wave of militant nationalism and the return of the Police State. This work reflects some of my concerns through the evoking of personal and collective memories and the linking of present with past, and local to global.'' Eric Tschaeppeler
Photography monographs
Mimi Plumb: Blazing light
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"Blazing Light" is published to coincide with Mimi Plumb’s first solo museum exhibition of the same name (High Museum of Art, Atlanta, Georgia) and brings together three of her major bodies of work—The White Sky, Landfall and The Golden City, and The Reservoir—that collectively contemplate the anxieties of American life in the waning years of the Cold War and its(...)
Mimi Plumb: Blazing light
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"Blazing Light" is published to coincide with Mimi Plumb’s first solo museum exhibition of the same name (High Museum of Art, Atlanta, Georgia) and brings together three of her major bodies of work—The White Sky, Landfall and The Golden City, and The Reservoir—that collectively contemplate the anxieties of American life in the waning years of the Cold War and its aftermath. In the 1970s, Plumb began photographing as a teenager in the San Francisco suburb of Walnut Creek at a time marked by rapid development of the land coupled with global political and economic instability. Her early artistic life was defined by a burgeoning awareness of global warming, the AIDS epidemic, violent conflict in Latin America and the Middle East, and a looming threat of nuclear war. This atmosphere attuned Plumb to the evidence of such forces in the land, the built environment, and the ways people carry themselves and relate to one another—concerns that continue to abide in her work to this day.
Photography monographs
Modernist affect grid
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In 1962, Place Ville Marie, Montreal’s cross-shaped office tower and underground shopping mall—named after the French Catholic settlement of unceded Mohawk territory that became the colonial city—opened to the public as the Commonwealth’s tallest ''nerve centre'' and ''breathing machine.'' The same year, Silvan Tomkins, the father of affect theory, published Volume I of(...)
Modernist affect grid
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In 1962, Place Ville Marie, Montreal’s cross-shaped office tower and underground shopping mall—named after the French Catholic settlement of unceded Mohawk territory that became the colonial city—opened to the public as the Commonwealth’s tallest ''nerve centre'' and ''breathing machine.'' The same year, Silvan Tomkins, the father of affect theory, published Volume I of ''Affect imagery consciousness'', which exuberantly draws on the then-sensational cybernetic brain-computer metaphor. 1962 also saw the publication of ''Story sequence analysis'' by Magda Arnold, a luddistic and devoutly Catholic psychologist who mothered the monumental cognitive appraisal theory of emotion. ''Modernist affect grid’s'' essay-poems triangulate these events as they emerge amidst the Cold War tech race’s paranoid and projective ambition.
Architecture de Montréal
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What happens when politics is everywhere, yet nothing seems to change? From the abandoned dance floors of Thatcher’s London to the mass mobilizations of Black Lives Matter, Anton Jäger traces how public life has become infused with protest, spectacle, and moral urgency — while the old infrastructure of parties, unions, and civic solidarity has been hollowed out.(...)
Hyperpolitics: Extreme politicization without political consequences
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What happens when politics is everywhere, yet nothing seems to change? From the abandoned dance floors of Thatcher’s London to the mass mobilizations of Black Lives Matter, Anton Jäger traces how public life has become infused with protest, spectacle, and moral urgency — while the old infrastructure of parties, unions, and civic solidarity has been hollowed out. "Hyperpolitics" revisits the illusions of the "end of history" and dissects the strange energies that replaced them: viral outrage, endless culture wars, and the digital rush of causes that flare and vanish overnight. Jäger shows how the promises of post–Cold War liberalism gave way to a restless, unsteady public sphere where private passions overflow into politics but rarely build enduring power.
Social
World of variation
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In "World of variation" (1970), American architects Mary Otis Stevens (born 1928) and Thomas McNulty (1919–84) outlined a radical reenvisioning of socio-spatial relationships, informed by their background in philosophy and commitment to decentralizing hierarchies. Writing in the context of the Cold War and the political activism of 1960s America, they identified possible(...)
World of variation
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In "World of variation" (1970), American architects Mary Otis Stevens (born 1928) and Thomas McNulty (1919–84) outlined a radical reenvisioning of socio-spatial relationships, informed by their background in philosophy and commitment to decentralizing hierarchies. Writing in the context of the Cold War and the political activism of 1960s America, they identified possible design solutions to then-current social issues. In striking abstract drawings, Stevens visualized aspects of the urban environment, proposing a design philosophy she termed “free flow.” These diagrams give expression to both the “flow” of movement and points of “hesitations.” This volume is a facsimile of World of Variation, accompanying the MIT Museum’s exhibition on the work of Mary Otis Stevens.
Architectural Theory