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From 18th June to 8th August 2019, the Aedes Architecture Forum in Berlin will be hosting the "Konzept+Atmosphäre" exhibition which originates from the Baukunstarchiv NRW in Dortmund. Using photographs and models, the exhibition will display selected works by Gerber Architekten from over five decades which, with their differing conceptual approaches, have produced a wide(...)
Konzept + atmosphare : Gerber architeckten
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From 18th June to 8th August 2019, the Aedes Architecture Forum in Berlin will be hosting the "Konzept+Atmosphäre" exhibition which originates from the Baukunstarchiv NRW in Dortmund. Using photographs and models, the exhibition will display selected works by Gerber Architekten from over five decades which, with their differing conceptual approaches, have produced a wide range of tangible architectural atmospheres. A filmed interview addresses the question of how architecture can create atmosphere and how a building can become a multifaceted place of experience.
Architecture Monographs
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A personal take on street typography in various European cities, including former Soviet countries and southern Europe, with photos of letters that epitomize a city's atmosphere. 'Reading the Streets' is the sequel to 'Brussels Type', in which Van Steendam travels abroad with the same mission. Stan Van Steendam (1985) studied graphic design at Sint-Lucas in Ghent. He is(...)
Reading the streets: fading city typography
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A personal take on street typography in various European cities, including former Soviet countries and southern Europe, with photos of letters that epitomize a city's atmosphere. 'Reading the Streets' is the sequel to 'Brussels Type', in which Van Steendam travels abroad with the same mission. Stan Van Steendam (1985) studied graphic design at Sint-Lucas in Ghent. He is passionate about typography, and works for various publishers in Belgium and abroad, as well as being a photographer and visual artist.
Graphic Design and Typography
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For over thirty-five years, Wout Berger has lived on the IJsselmeer, a freshwater lake in central Netherlands. It is the first thing he sees each morning and his artistic subject matter, besides the landscape and atmosphere of his daily life. From a tripod fixed by his bedroom window, Berger began to photograph whatever he saw. Recalling both Impressionist light studies(...)
Wout Berger: when I open my eyes
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For over thirty-five years, Wout Berger has lived on the IJsselmeer, a freshwater lake in central Netherlands. It is the first thing he sees each morning and his artistic subject matter, besides the landscape and atmosphere of his daily life. From a tripod fixed by his bedroom window, Berger began to photograph whatever he saw. Recalling both Impressionist light studies and Olafur Eliasson’s photo series, Berger captures the amorphous shapes of waves, fog, rain and clouds fading into the photographic surfaces.
Photography monographs
Breathless
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''Breathless'' is published as part of an upcoming exhibition taking place within a pavilion on The Power Plant’s South Terrace Summer 2022. ''Breathless'' shares contributions on the paradoxes of air, atmosphere and the breath with key texts and artworks. The book begins in the smog of our current predicament, with philosopher Dehlia Hannah proposing a new vocabulary(...)
Breathless
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''Breathless'' is published as part of an upcoming exhibition taking place within a pavilion on The Power Plant’s South Terrace Summer 2022. ''Breathless'' shares contributions on the paradoxes of air, atmosphere and the breath with key texts and artworks. The book begins in the smog of our current predicament, with philosopher Dehlia Hannah proposing a new vocabulary for air in her text, ''Inversion Layer''. Following the flow of air, Flaka Haliti’s installation ''Speculating on the Blue'' opens a portal to an artificial atmosphere that defines boundaries of a closed reality. Connecting to parallel worlds, philosopher Achille Mbembe’s ''The Universal Right to Breathe'' captures a global perspective on breathing, offering alternative trajectories beyond suffocation. Marguerite Humeau’s speculative sculpture imagines a species that survives suffocation and evolves exclusively to breathe. Charles Stankievech exhumes the voices of Clarice Lispector and Lygia Clark as an interconnected mystical encounter in a text titled ''Breath with Me, A Breath of Life''. In ''Twilight of Sighs'', psychoanalyst and philosopher Alireza Taheri analyzes the sigh with a set of propositions. With the same intensity, Donna Kukama re-narrates history with her performance ''Chapter Q: Dem Short-Short-Falls'' as she breathes the memory of an invisible event. Invisibility of viral and virtual particles are positioned in the context of other historical times in Ala Roushan’s text ''Air of Our Closed World'', articulating the inversion experienced today within the domestic bubble/bunker. ''The Air Without'' by Kate Whiteway connects illness and metaphor to consider contradictions in the air that both oxygenates the lung while breathing diamond dust. With a granularity greater than dust, Heather Davis’s text ''Molecular Intimacy'' situates us at the nanoscale to position bodies within the atmosphere they breathe. This final text loops back to the start of the book in considering the air of our contemporary sky and the breath that exists in its precarious state. Under this arched sky, the book ends with ''Fire with Fire'', engulfed in the smoky aftermath of forest fires in the work of Julius von Bismarck.
Group Exhibitions
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Contemporary artist Roni Horn first visited Iceland in 1975 at the age of nineteen, and since then, the island’s treeless expanse has had an enduring hold on Horn’s creative work. Through a series of remarkable and poetic reflections, vignettes, episodes, and illustrated essays,this publication distills the artist’s lifelong experience of Iceland’s natural environment.(...)
Island zombie: Iceland writings
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Contemporary artist Roni Horn first visited Iceland in 1975 at the age of nineteen, and since then, the island’s treeless expanse has had an enduring hold on Horn’s creative work. Through a series of remarkable and poetic reflections, vignettes, episodes, and illustrated essays,this publication distills the artist’s lifelong experience of Iceland’s natural environment. Together, these pieces offer an unforgettable exploration of the indefinable and inescapable force of remote, elemental places, and provide a sustained look at how an island and its atmosphere can take possession of the innermost self.
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Byrdcliffe was, and remains, a place of haunting beauty. One hundred years ago,it was established as an Arts and Crafts colony in the heart of the Catskill Mountains. Craftsmen, writers, and musicians came, lured by the atmosphere of creativity amid like-minded people. Furniture, pottery, paintings, metalwork, and textiles were all made there and the people themselves(...)
History until 1900
April 2004, Ithaca
Byrdcliffe : an American Arts and Crafts colony
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Byrdcliffe was, and remains, a place of haunting beauty. One hundred years ago,it was established as an Arts and Crafts colony in the heart of the Catskill Mountains. Craftsmen, writers, and musicians came, lured by the atmosphere of creativity amid like-minded people. Furniture, pottery, paintings, metalwork, and textiles were all made there and the people themselves became an interwoven part of the fabric of the place. This is the story of the first years of the colony, the artists who visited, and the artistic community they fostered in Woodstock, New York.
History until 1900
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The inner courtyard of a Moroccan house promises refuge from the bustle of the outside world, while remaining in touch with nature. Reached by a dark and winding passage, the courtyard is the physical and spiritual centre of the house. Green vegetation, flowering plants (in the garden-like Riads), and fountains fed by narrow channels of flowing water provide a cool,(...)
Courtyards in Marrakech : the living presence of Islamic history
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The inner courtyard of a Moroccan house promises refuge from the bustle of the outside world, while remaining in touch with nature. Reached by a dark and winding passage, the courtyard is the physical and spiritual centre of the house. Green vegetation, flowering plants (in the garden-like Riads), and fountains fed by narrow channels of flowing water provide a cool, shaded enclosure. Light from above combines to create a serene and sheltering atmosphere, a peaceful paradise. A venerable tradition, still very much alive. Werner Blaser has captured this marvellous architecture in duotone photos.
Arch Middle East
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Reprinted for the first time since its original publication in 1969, David Hockney's illustrations for the tales of the Brothers Grimm are like no other version. Although inspired by earlier illustrators of the tales, including Arthur Rackham and Edmund Dulac, Hockney's extraordinary etchings reimagine these strange and supernatural stories for a modern audience,(...)
Six fairy tales from the Brothers Grimm: with illustrations by David Hockney
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Reprinted for the first time since its original publication in 1969, David Hockney's illustrations for the tales of the Brothers Grimm are like no other version. Although inspired by earlier illustrators of the tales, including Arthur Rackham and Edmund Dulac, Hockney's extraordinary etchings reimagine these strange and supernatural stories for a modern audience, capturing their distinctive atmosphere in a style that is recognizably the artist's own. Hockney's book brings together some well-known tales, such as Rapunzel and Rumpelstiltskin, with others that are less familiar, like Old Rinkrank.
Children's Books
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In Ready Unmade, a piece commissioned by the frieze art fair, Kurant further explores the thin line between fiction and reality, purposelessness and function: the artist presents a trio of trained parrots that have been taught to use an alternative language. Both a reflection on nature behaving unnaturally and a caricature of the zoo-like atmosphere of the art fair and(...)
Contemporary Art Monographs
October 2009
Agnieszka Kurant: unknown unknown
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In Ready Unmade, a piece commissioned by the frieze art fair, Kurant further explores the thin line between fiction and reality, purposelessness and function: the artist presents a trio of trained parrots that have been taught to use an alternative language. Both a reflection on nature behaving unnaturally and a caricature of the zoo-like atmosphere of the art fair and the self-reflexive communication of the art world. Referring to two similar but unrealized projects by other artists, Kurant also questions the notions of copyright and the marketplace.
Contemporary Art Monographs
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Going out to a restaurant or bar is always about more than just eating and drinking. Whether we’re seeking the adventure of a once-in-a-lifetime culinary experience or the familiarity of traditional cuisine, atmosphere makes a difference and we increasingly want it to be all-consuming. Let’s Go Out Again is an eclectic showcase of atmospheric eating spaces from around the(...)
Commercial interiors, Building types
February 2015
Let's go out again: interiors for restaurants, bars and unusual food places
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Going out to a restaurant or bar is always about more than just eating and drinking. Whether we’re seeking the adventure of a once-in-a-lifetime culinary experience or the familiarity of traditional cuisine, atmosphere makes a difference and we increasingly want it to be all-consuming. Let’s Go Out Again is an eclectic showcase of atmospheric eating spaces from around the world. The featured projects represent state-of-the-art collaborations among architects, artists, designers, restaurateurs, and chefs that target not only all of our senses, but our identities and values too.
Commercial interiors, Building types