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This volume presents the ''Circle of Doing Research'' : a model to get you started in art and design research. Conceived within the contextual setting of the art school, it is holistic, multidisciplinary and prioritizes practice. It consists of six actions. The basis of the circle is formed by the following: research by making, research of context and participatory(...)
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Summary:
This volume presents the ''Circle of Doing Research'' : a model to get you started in art and design research. Conceived within the contextual setting of the art school, it is holistic, multidisciplinary and prioritizes practice. It consists of six actions. The basis of the circle is formed by the following: research by making, research of context and participatory(...)
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Hands on research for artists, designers & educators
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This volume presents the ''Circle of Doing Research'' : a model to get you started in art and design research. Conceived within the contextual setting of the art school, it is holistic, multidisciplinary and prioritizes practice. It consists of six actions. The basis of the circle is formed by the following: research by making, research of context and participatory research, where information, prototypes, encounters and experiences are gathered and produced. The remaining three actions are concerned with documenting research, publicizing research and reflecting on research. The ''Circle of Doing Research'' is an open, accessible and non-linear model. Each action can be an entry point, whether you want to start with material experiments, conversations with others, or in the library. All actions are connected and inform each other which encourages a process of iteration and constant reflection. The ''Circle'' can be enriched with methods, sources and focal points according to specific disciplines and needs. The book contains research trajectories of art and design students throughout, illustrating the rich possibilities to be uncovered in the unfolding of a research project. This illuminating model can be useful to all, from those beginning to learn about research in art and design to more advanced practitioners.
Hands on research for artists, designers & educators
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$34.50
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Summary:
This volume presents the ''Circle of Doing Research'' : a model to get you started in art and design research. Conceived within the contextual setting of the art school, it is holistic, multidisciplinary and prioritizes practice. It consists of six actions. The basis of the circle is formed by the following: research by making, research of context and participatory research, where information, prototypes, encounters and experiences are gathered and produced. The remaining three actions are concerned with documenting research, publicizing research and reflecting on research. The ''Circle of Doing Research'' is an open, accessible and non-linear model. Each action can be an entry point, whether you want to start with material experiments, conversations with others, or in the library. All actions are connected and inform each other which encourages a process of iteration and constant reflection. The ''Circle'' can be enriched with methods, sources and focal points according to specific disciplines and needs. The book contains research trajectories of art and design students throughout, illustrating the rich possibilities to be uncovered in the unfolding of a research project. This illuminating model can be useful to all, from those beginning to learn about research in art and design to more advanced practitioners.
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books
books
Publication:
December 2024
December 2024
Subject:
Museology
Museology
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books
books
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$54.50
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What does the Western city at the end of the twentieth century look like? How did the modern metropolis of congestion and density turn into a posturban or even postsuburban cityscape? What are edge cities and technoburbs? How has the social composition of cities changed in the postwar era? What do gated communities tell us about social fragmentation? Is public space in(...)
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What does the Western city at the end of the twentieth century look like? How did the modern metropolis of congestion and density turn into a posturban or even postsuburban cityscape? What are edge cities and technoburbs? How has the social composition of cities changed in the postwar era? What do gated communities tell us about social fragmentation? Is public space in(...)
Publication:
January 1900, Rotterdam
January 1900, Rotterdam
Title:
The urban condition : space, community, and self in the contemporary metropolis
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What does the Western city at the end of the twentieth century look like? How did the modern metropolis of congestion and density turn into a posturban or even postsuburban cityscape? What are edge cities and technoburbs? How has the social composition of cities changed in the postwar era? What do gated communities tell us about social fragmentation? Is public space in the contemporary city being privatized and militarized? How can the urban self still be defined? What role does consumer aestheticism have to play in this? These and many more questions are addressed by this uniquely conceived multidisciplinary study. "The Urban Condition" seeks to interfere in current debates over the future and interpretation of our urban landscapes by reuniting studies of the city as a physical and material phenomenon and as a cultural and mental (arte)fact. The Ghent Urban Studies Team responsible for the writing and editing of this volume is directed by Kristiaan Versluys and Dirk De Meyer at the University of Ghent, Belgium. It is an interdisciplinary research team of young academics that further consists of Kristiaan Borret, Bart Eeckhout, Steven Jacobs, and Bart Keunen. The collective expertise of GUST ranges from architectural theory, urban planning, and art history to philosophy, literary criticism and cultural theory.
The urban condition : space, community, and self in the contemporary metropolis
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What does the Western city at the end of the twentieth century look like? How did the modern metropolis of congestion and density turn into a posturban or even postsuburban cityscape? What are edge cities and technoburbs? How has the social composition of cities changed in the postwar era? What do gated communities tell us about social fragmentation? Is public space in the contemporary city being privatized and militarized? How can the urban self still be defined? What role does consumer aestheticism have to play in this? These and many more questions are addressed by this uniquely conceived multidisciplinary study. "The Urban Condition" seeks to interfere in current debates over the future and interpretation of our urban landscapes by reuniting studies of the city as a physical and material phenomenon and as a cultural and mental (arte)fact. The Ghent Urban Studies Team responsible for the writing and editing of this volume is directed by Kristiaan Versluys and Dirk De Meyer at the University of Ghent, Belgium. It is an interdisciplinary research team of young academics that further consists of Kristiaan Borret, Bart Eeckhout, Steven Jacobs, and Bart Keunen. The collective expertise of GUST ranges from architectural theory, urban planning, and art history to philosophy, literary criticism and cultural theory.
Form:
books
books
Publication:
January 1900, Rotterdam
January 1900, Rotterdam
Form:
books
books
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$67.95
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The uncertain state of Europe is the primary concern of Multiplicity : a multidisciplinary group of Europeans architects, photographers, urban developers and artists who met to explore and develop a series of studies focusing on contemporary European cities and their ongoing changes. The group uses on-site investigations, documented with beautiful photographs by(...)
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The uncertain state of Europe is the primary concern of Multiplicity : a multidisciplinary group of Europeans architects, photographers, urban developers and artists who met to explore and develop a series of studies focusing on contemporary European cities and their ongoing changes. The group uses on-site investigations, documented with beautiful photographs by(...)
Title:
USE- Uncertain states of Europe : a trip through a changing Europe
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The uncertain state of Europe is the primary concern of Multiplicity : a multidisciplinary group of Europeans architects, photographers, urban developers and artists who met to explore and develop a series of studies focusing on contemporary European cities and their ongoing changes. The group uses on-site investigations, documented with beautiful photographs by Francesco Jodice and Gabriele Basilico, to illustrate the radical and dramatic changes occurring on European land and in its cities. Traditional spaces are slowly, yet forcefully, transforming due to the constant economic, political, and social upheavals and alterations. With an introduction by prominent political and intellectual figures such as Etienne Balibar, Rem Koolhas and Jeremy Rifkin, this volume analyses 24 cases of urban transformation. The cases cover geographical locations from Paris to Pristina, Helsinki to Bucharest, and show the extraordinary riches a modern city can offer while, at the same time, highlighting the abnormal spaces created by the existence of a so-called secondary world. The final section is dedicated to a series of ideas which view Europe as a single entity : a network of relations, trade, encounters, migration, transportation, construction, and offers an absolutely novel view of the ‘old’ world. Richly illustrated, this tome includes passages by architectural critics such as Stefano Boeri, Yorgos Semiforidis, Eduard Bru, Bart Lootsma.
USE- Uncertain states of Europe : a trip through a changing Europe
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$67.95
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Summary:
The uncertain state of Europe is the primary concern of Multiplicity : a multidisciplinary group of Europeans architects, photographers, urban developers and artists who met to explore and develop a series of studies focusing on contemporary European cities and their ongoing changes. The group uses on-site investigations, documented with beautiful photographs by Francesco Jodice and Gabriele Basilico, to illustrate the radical and dramatic changes occurring on European land and in its cities. Traditional spaces are slowly, yet forcefully, transforming due to the constant economic, political, and social upheavals and alterations. With an introduction by prominent political and intellectual figures such as Etienne Balibar, Rem Koolhas and Jeremy Rifkin, this volume analyses 24 cases of urban transformation. The cases cover geographical locations from Paris to Pristina, Helsinki to Bucharest, and show the extraordinary riches a modern city can offer while, at the same time, highlighting the abnormal spaces created by the existence of a so-called secondary world. The final section is dedicated to a series of ideas which view Europe as a single entity : a network of relations, trade, encounters, migration, transportation, construction, and offers an absolutely novel view of the ‘old’ world. Richly illustrated, this tome includes passages by architectural critics such as Stefano Boeri, Yorgos Semiforidis, Eduard Bru, Bart Lootsma.
Form:
books
books
Publication:
May 2002, Milano
May 2002, Milano
Subject:
Urban Theory
Urban Theory
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books
books
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In Soviet Salvage, Catherine Walworth explores how artists on the margins of the Constructivist movement of the 1920s rejected “elitist” media and imagined a new world, knitting together avant-garde art, imperial castoffs, and everyday life. Applying anthropological models borrowed from Claude Lévi-Strauss, Walworth shows that his mythmaker typologies—the “engineer”(...)
$63.95
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In Soviet Salvage, Catherine Walworth explores how artists on the margins of the Constructivist movement of the 1920s rejected “elitist” media and imagined a new world, knitting together avant-garde art, imperial castoffs, and everyday life. Applying anthropological models borrowed from Claude Lévi-Strauss, Walworth shows that his mythmaker typologies—the “engineer”(...)
Title:
Soviet salvage: Imperial debris, revolutionary reuse, and Russian Constructivism
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In Soviet Salvage, Catherine Walworth explores how artists on the margins of the Constructivist movement of the 1920s rejected “elitist” media and imagined a new world, knitting together avant-garde art, imperial castoffs, and everyday life. Applying anthropological models borrowed from Claude Lévi-Strauss, Walworth shows that his mythmaker typologies—the “engineer” and “bricoleur”—illustrate, respectively, the canonical Constructivists and artists on the movement’s margins who deployed a wide range of clever make-do tactics. Walworth explores the relationships of Nadezhda Lamanova, Esfir Shub, and others with Constructivists such as Aleksei Gan, Varvara Stepanova, and Aleksandr Rodchenko. Together, the work of these artists reflected the chaotic and often contradictory zeitgeist of the decade from 1918 to 1929 and redefined the concept of mass production. Reappropriated fragments of a former enemy era provided a wide range of play and possibility for these artists, and the resulting propaganda porcelain, film, fashion, and architecture tell a broader story of the unique political and economic pressures felt by their makers. An engaging multidisciplinary study of objects and their makers during the Soviet Union’s early years, this volume highlights a group of artists who hover like free radicals at the border of existing art-historical discussions of Constructivism and deepens our knowledge of Soviet art and material culture.
Soviet salvage: Imperial debris, revolutionary reuse, and Russian Constructivism
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$63.95
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Summary:
In Soviet Salvage, Catherine Walworth explores how artists on the margins of the Constructivist movement of the 1920s rejected “elitist” media and imagined a new world, knitting together avant-garde art, imperial castoffs, and everyday life. Applying anthropological models borrowed from Claude Lévi-Strauss, Walworth shows that his mythmaker typologies—the “engineer” and “bricoleur”—illustrate, respectively, the canonical Constructivists and artists on the movement’s margins who deployed a wide range of clever make-do tactics. Walworth explores the relationships of Nadezhda Lamanova, Esfir Shub, and others with Constructivists such as Aleksei Gan, Varvara Stepanova, and Aleksandr Rodchenko. Together, the work of these artists reflected the chaotic and often contradictory zeitgeist of the decade from 1918 to 1929 and redefined the concept of mass production. Reappropriated fragments of a former enemy era provided a wide range of play and possibility for these artists, and the resulting propaganda porcelain, film, fashion, and architecture tell a broader story of the unique political and economic pressures felt by their makers. An engaging multidisciplinary study of objects and their makers during the Soviet Union’s early years, this volume highlights a group of artists who hover like free radicals at the border of existing art-historical discussions of Constructivism and deepens our knowledge of Soviet art and material culture.
Form:
books
books
Publication:
September 2018
September 2018
Form:
books
books
Price:
$13.00
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Summary:
At the turn of the millennium--the end of a calibrated period of time--it seems necessary to ask certain questions, foremost among them: Anymore? Anymore history and theory? Anymore architecture? Of particular concern are the last two hundred years, a self-conscious (...)
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Summary:
At the turn of the millennium--the end of a calibrated period of time--it seems necessary to ask certain questions, foremost among them: Anymore? Anymore history and theory? Anymore architecture? Of particular concern are the last two hundred years, a self-conscious (...)
Subject:
Architectural Theory
Architectural Theory
Publication:
September 2000, Cambridge, Mass.
September 2000, Cambridge, Mass.
Title:
Anymore
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At the turn of the millennium--the end of a calibrated period of time--it seems necessary to ask certain questions, foremost among them: Anymore? Anymore history and theory? Anymore architecture? Of particular concern are the last two hundred years, a self-conscious period known as modernism. Can we assume that a simple calendar change signals an end or a time of end? Is there anymore? The contributions in "Anymore" are by architects, critics, historians, philosophers, sociologists, urbanists, and others. They include Akira Asada, Hubert Damisch, Peter Eisenman, Arata Isozki, Rem Koolhaas, Rosalind Krauss, Ignasi de Solà-Morales, Mark C. Taylor, Bernard Tschumi, and Anthony Vidler, as well as young architects from France whose work many American readers will encounter here for the first time. Anymore is the ninth book in the ongoing series that began in 1991 with "Anyone" and was followed by "Anywhere", "Anyway", "Anyplace", "Anywise", "Anybody", "Anyhow", and "Anytime". Each volume is based on a conference at which architects and leaders in other fields come together to present papers and discuss a particular idea in architecture from a cross-cultural and multidisciplinary perspective. The conference upon which "Anymore" is based took place in Paris in June 1999 and will be followed by "Anything".
Anymore
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At the turn of the millennium--the end of a calibrated period of time--it seems necessary to ask certain questions, foremost among them: Anymore? Anymore history and theory? Anymore architecture? Of particular concern are the last two hundred years, a self-conscious period known as modernism. Can we assume that a simple calendar change signals an end or a time of end? Is there anymore? The contributions in "Anymore" are by architects, critics, historians, philosophers, sociologists, urbanists, and others. They include Akira Asada, Hubert Damisch, Peter Eisenman, Arata Isozki, Rem Koolhaas, Rosalind Krauss, Ignasi de Solà-Morales, Mark C. Taylor, Bernard Tschumi, and Anthony Vidler, as well as young architects from France whose work many American readers will encounter here for the first time. Anymore is the ninth book in the ongoing series that began in 1991 with "Anyone" and was followed by "Anywhere", "Anyway", "Anyplace", "Anywise", "Anybody", "Anyhow", and "Anytime". Each volume is based on a conference at which architects and leaders in other fields come together to present papers and discuss a particular idea in architecture from a cross-cultural and multidisciplinary perspective. The conference upon which "Anymore" is based took place in Paris in June 1999 and will be followed by "Anything".
Form:
books
books
Publication:
September 2000, Cambridge, Mass.
September 2000, Cambridge, Mass.
Subject:
Architectural Theory
Architectural Theory
Form:
journals and magazines
journals and magazines
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$36.00
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Summary:
In our culture, in which the media play a predominant role, there is an increasing emphasis on achieving visibility and transparency. Openness and communication are subservient to that visibility, and even seem to coincide with it more and more emphatically. At the same time, both notions form the foundations for social order and political power. In our over-visualized(...)
$36.00
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Summary:
In our culture, in which the media play a predominant role, there is an increasing emphasis on achieving visibility and transparency. Openness and communication are subservient to that visibility, and even seem to coincide with it more and more emphatically. At the same time, both notions form the foundations for social order and political power. In our over-visualized(...)
Title:
Open 8 : (in)visibility : beyond the image in art, culture and the public domain
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In our culture, in which the media play a predominant role, there is an increasing emphasis on achieving visibility and transparency. Openness and communication are subservient to that visibility, and even seem to coincide with it more and more emphatically. At the same time, both notions form the foundations for social order and political power. In our over-visualized culture, however, it seems as if every message or social agenda is being squeezed out in favour of styling, commerce and fashion. What position does art occupy in this, or what position should it occupy? In "Open" 8, guest editors Willem van Weelden and Jan van Grunsven write a general introduction, Brian Holmes explores (in)visibility as a tactic in art, and Jouke Kleerebezem asks who actually decides about (in)visibility in the public space; Camiel van Winkel writes over the visual deficit of contemporary culture; Dieter Lesage critically examines the proposals by OMA/AMO for a new iconography of Europe; Henk Oosterling investigates the FBI's prosecution of the Critical Art Ensemble; Jorinde Seijdel considers how media images are used as evidence for social and political events. "Open" 8 includes interviews with Arno van der Mark of DRFTWD, an Amsterdam-based multidisciplinary design bureau, and with the French research organization Bureau d'études, as well as an account of a roundtable discussion about a possible new legitimation for academic training in 'art and the public space'. The cahier also presents a column by the Belgian architect/author Wouter Davidts, photographic essays and book reviews.
Open 8 : (in)visibility : beyond the image in art, culture and the public domain
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$36.00
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Summary:
In our culture, in which the media play a predominant role, there is an increasing emphasis on achieving visibility and transparency. Openness and communication are subservient to that visibility, and even seem to coincide with it more and more emphatically. At the same time, both notions form the foundations for social order and political power. In our over-visualized culture, however, it seems as if every message or social agenda is being squeezed out in favour of styling, commerce and fashion. What position does art occupy in this, or what position should it occupy? In "Open" 8, guest editors Willem van Weelden and Jan van Grunsven write a general introduction, Brian Holmes explores (in)visibility as a tactic in art, and Jouke Kleerebezem asks who actually decides about (in)visibility in the public space; Camiel van Winkel writes over the visual deficit of contemporary culture; Dieter Lesage critically examines the proposals by OMA/AMO for a new iconography of Europe; Henk Oosterling investigates the FBI's prosecution of the Critical Art Ensemble; Jorinde Seijdel considers how media images are used as evidence for social and political events. "Open" 8 includes interviews with Arno van der Mark of DRFTWD, an Amsterdam-based multidisciplinary design bureau, and with the French research organization Bureau d'études, as well as an account of a roundtable discussion about a possible new legitimation for academic training in 'art and the public space'. The cahier also presents a column by the Belgian architect/author Wouter Davidts, photographic essays and book reviews.
Form:
journals and magazines
journals and magazines
Publication:
January 1900, Rotterdam
January 1900, Rotterdam
Subject:
Magazines
Magazines
Form:
books
books
Title:
Antarctic resolution
Antarctic resolution
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$110.00
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Summary:
Accounting for approximately 10% of the land mass of Planet Earth, the Antarctic is a global commons we collectively neglect. Far from being a pristine natural landscape, the continent is a contested territory which conceals resources that might prove irresistible in a world with ever-increasing population growth. The 26 quadrillion tons of ice accumulated on its bedrock,(...)
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Summary:
Accounting for approximately 10% of the land mass of Planet Earth, the Antarctic is a global commons we collectively neglect. Far from being a pristine natural landscape, the continent is a contested territory which conceals resources that might prove irresistible in a world with ever-increasing population growth. The 26 quadrillion tons of ice accumulated on its bedrock,(...)
Title:
Antarctic resolution
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$110.00
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Summary:
Accounting for approximately 10% of the land mass of Planet Earth, the Antarctic is a global commons we collectively neglect. Far from being a pristine natural landscape, the continent is a contested territory which conceals resources that might prove irresistible in a world with ever-increasing population growth. The 26 quadrillion tons of ice accumulated on its bedrock, equivalent to around 70% of the fresh water on our planet, represent at once the most significant repository of scientific data available, providing crucial information for future environmental policies, and the greatest menace to global coastal settlements threatened by the rise in sea levels induced by anthropogenic global warming. ''Antarctic Resolution'' advocates the rejection of the pixelated view of Antarctica offered to us by big data companies and urges the construction of a high-resolution image focusing on the continent’s unique geography, unparalleled scientific potential, contemporary geopolitical significance, experimental governance system and its extreme inhabitation model. Only the concerted determination of a transnational network of multidisciplinary polar experts—represented here in the form of authored texts, photographic essays and data-based visual portfolios—could construct such an image and reveal the intricate web of growing economic and strategic interests, tensions and international rivalries, which are enveloped in darkness, as is the continent for six months of the year. Learning from Antarctica’s spirit of cooperation, ''Antarctic Resolution'' aspires to launch a platform, an agency for change, where citizens can undertake a true Antarctic resolution and engage in a unanimous effort—independent of nation—to shape the future of the Antarctic and, in turn, of our planet.
Antarctic resolution
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$110.00
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Summary:
Accounting for approximately 10% of the land mass of Planet Earth, the Antarctic is a global commons we collectively neglect. Far from being a pristine natural landscape, the continent is a contested territory which conceals resources that might prove irresistible in a world with ever-increasing population growth. The 26 quadrillion tons of ice accumulated on its bedrock, equivalent to around 70% of the fresh water on our planet, represent at once the most significant repository of scientific data available, providing crucial information for future environmental policies, and the greatest menace to global coastal settlements threatened by the rise in sea levels induced by anthropogenic global warming. ''Antarctic Resolution'' advocates the rejection of the pixelated view of Antarctica offered to us by big data companies and urges the construction of a high-resolution image focusing on the continent’s unique geography, unparalleled scientific potential, contemporary geopolitical significance, experimental governance system and its extreme inhabitation model. Only the concerted determination of a transnational network of multidisciplinary polar experts—represented here in the form of authored texts, photographic essays and data-based visual portfolios—could construct such an image and reveal the intricate web of growing economic and strategic interests, tensions and international rivalries, which are enveloped in darkness, as is the continent for six months of the year. Learning from Antarctica’s spirit of cooperation, ''Antarctic Resolution'' aspires to launch a platform, an agency for change, where citizens can undertake a true Antarctic resolution and engage in a unanimous effort—independent of nation—to shape the future of the Antarctic and, in turn, of our planet.
Form:
books
books
Publication:
August 2021
August 2021
Subject:
Contemporary Architecture
Contemporary Architecture
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books
books
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$58.50
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Summary:
One of the premier institutions of contemporary art in the country, the Walker Art Center also holds an important collection of over 11,000 objects from the early 20th century to the present. These holdings reflect the Center's renowned multidisciplinary program, and include paintings, sculpture, prints, photography, film, video, installations, and digital arts that range(...)
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Summary:
One of the premier institutions of contemporary art in the country, the Walker Art Center also holds an important collection of over 11,000 objects from the early 20th century to the present. These holdings reflect the Center's renowned multidisciplinary program, and include paintings, sculpture, prints, photography, film, video, installations, and digital arts that range(...)
Publication:
April 2005, Minneapolis
April 2005, Minneapolis
Title:
Bits & pieces put together to present a semblance of a whole : Walker Art Center collections
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One of the premier institutions of contemporary art in the country, the Walker Art Center also holds an important collection of over 11,000 objects from the early 20th century to the present. These holdings reflect the Center's renowned multidisciplinary program, and include paintings, sculpture, prints, photography, film, video, installations, and digital arts that range in date from classic early modernist to cutting edge contemporary. While aiming to represent the immense diversity in art-making around the world, the collection also is known for several areas of specialty including Minimalism, Arte Povera, Fluxus, and contemporary printmaking. In-depth representations of work by individual artists, including Matthew Barney, Joseph Beuys, Merce Cunningham, Jasper Johns, William Klein, Robert Motherwell, and Kara Walker reflect the Center's long and close relationships with many of the century's most creative minds. Showcased in this stunning, expansive, well-designed volume are more than 650 beautifully reproduced works of art. Co-authored by the Walker's curators and staff, and more than 30 Walker alumni, this book draws heavily on Walker archival material to serve as both a history of the institution and a primer on modern and contemporary art. Adding further dimension to the polyvocal, multifaceted rendition of this dynamic public art centre are contributions from a select group of acclaimed writers including, A.S. Byatt, Joshua Clover, Arthur Danto, Dave Eggers, Darby English, Annie Proulx, David Shapiro, and others. The catalogue is published in conjunction with the Spring 2005 re-opening of the newly expanded Walker Art Center. Artists include Matthew Barney, Chuck Close, Bruce Conner, Joseph Cornell, Merce Cummingham, Dan Flavin, Robert Gober, Dan Graham, David Hockney, Donald Judd, Ellsworth Kelly, William Klein, Sherrie Levine, Sol Lewitt, Roy Lichtenstein, Sharon Lockhart, Kerry James Marshall, Bruce Nauman, Isamu Noguchi, Claes Oldenburg, Raymond Pettibon, Richard Prince, Charles Ray, Edward Ruscha, Cindy Sherman, Lorna Simpson, Kiki Smith, Frank Stella, Kara Walker, Andy Warhol, and many others. Edited by Joan Rothfuss and Elizabeth Carpenter. Essays by Elizabeth Alexander, A.S. Byatt, Dave Eggers, Arthur C. Danto, Wayne Koestenbaum, James Lingwood, Linda Nochlin, Annie Proulx, David Shapiro, Charles Simic, Howard Singerman, Hamza Walker et al.
Bits & pieces put together to present a semblance of a whole : Walker Art Center collections
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$58.50
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Summary:
One of the premier institutions of contemporary art in the country, the Walker Art Center also holds an important collection of over 11,000 objects from the early 20th century to the present. These holdings reflect the Center's renowned multidisciplinary program, and include paintings, sculpture, prints, photography, film, video, installations, and digital arts that range in date from classic early modernist to cutting edge contemporary. While aiming to represent the immense diversity in art-making around the world, the collection also is known for several areas of specialty including Minimalism, Arte Povera, Fluxus, and contemporary printmaking. In-depth representations of work by individual artists, including Matthew Barney, Joseph Beuys, Merce Cunningham, Jasper Johns, William Klein, Robert Motherwell, and Kara Walker reflect the Center's long and close relationships with many of the century's most creative minds. Showcased in this stunning, expansive, well-designed volume are more than 650 beautifully reproduced works of art. Co-authored by the Walker's curators and staff, and more than 30 Walker alumni, this book draws heavily on Walker archival material to serve as both a history of the institution and a primer on modern and contemporary art. Adding further dimension to the polyvocal, multifaceted rendition of this dynamic public art centre are contributions from a select group of acclaimed writers including, A.S. Byatt, Joshua Clover, Arthur Danto, Dave Eggers, Darby English, Annie Proulx, David Shapiro, and others. The catalogue is published in conjunction with the Spring 2005 re-opening of the newly expanded Walker Art Center. Artists include Matthew Barney, Chuck Close, Bruce Conner, Joseph Cornell, Merce Cummingham, Dan Flavin, Robert Gober, Dan Graham, David Hockney, Donald Judd, Ellsworth Kelly, William Klein, Sherrie Levine, Sol Lewitt, Roy Lichtenstein, Sharon Lockhart, Kerry James Marshall, Bruce Nauman, Isamu Noguchi, Claes Oldenburg, Raymond Pettibon, Richard Prince, Charles Ray, Edward Ruscha, Cindy Sherman, Lorna Simpson, Kiki Smith, Frank Stella, Kara Walker, Andy Warhol, and many others. Edited by Joan Rothfuss and Elizabeth Carpenter. Essays by Elizabeth Alexander, A.S. Byatt, Dave Eggers, Arthur C. Danto, Wayne Koestenbaum, James Lingwood, Linda Nochlin, Annie Proulx, David Shapiro, Charles Simic, Howard Singerman, Hamza Walker et al.
Form:
books
books
Publication:
April 2005, Minneapolis
April 2005, Minneapolis
