1986 Results
Level of archival description:
Project
Project
Actions:
Reference number:
AP164.S1.2004.D9
Description:
The project series documents the entry for a competition organised by the École Polytechnique Fédérale de Lausanne. The firm identified this project as number 187. “The Learning Center occupies the closest point to the two existing pedestrian accesses and distributes its programme in two large pieces: the green platform which puts in relation the different levels of mobility and houses the active program and the helix which defines the library as a huge ascending space which winds around itself at the interior as well as exterior culminating in an observatory which contains a restaurant. An isolated pavilion emerges over the green platform as a scenic counterpoint. […] Three materials: water, lawn and show form the base of the choice of materials and chromatic proposal supported by a regular structure of white concrete.” (ARCH270975) Abalos & Herreros and Renata Sentkiewicz worked with Olivia de Oliveira, Blaise Sahy, Verónica Meléndez, Juanju González Castellón, Rubén Briongos and Teresa Galí. Documenting the project are conceptual, design development and presentation drawings, cartographic, graphic, photographic and reference materials, correspondence, and presentation documents.
AP164.S1.2004.D9
Description:
The project series documents the entry for a competition organised by the École Polytechnique Fédérale de Lausanne. The firm identified this project as number 187. “The Learning Center occupies the closest point to the two existing pedestrian accesses and distributes its programme in two large pieces: the green platform which puts in relation the different levels of mobility and houses the active program and the helix which defines the library as a huge ascending space which winds around itself at the interior as well as exterior culminating in an observatory which contains a restaurant. An isolated pavilion emerges over the green platform as a scenic counterpoint. […] Three materials: water, lawn and show form the base of the choice of materials and chromatic proposal supported by a regular structure of white concrete.” (ARCH270975) Abalos & Herreros and Renata Sentkiewicz worked with Olivia de Oliveira, Blaise Sahy, Verónica Meléndez, Juanju González Castellón, Rubén Briongos and Teresa Galí. Documenting the project are conceptual, design development and presentation drawings, cartographic, graphic, photographic and reference materials, correspondence, and presentation documents.
People:
Date:
1986, 2003-2004, predominant 2004
1986, 2003-2004, predominant 2004
Title:
EPFL learning center, Lausanne, Switzerland (2004)
Actions:
AP164.S1.2004.D9
Description:
The project series documents the entry for a competition organised by the École Polytechnique Fédérale de Lausanne. The firm identified this project as number 187. “The Learning Center occupies the closest point to the two existing pedestrian accesses and distributes its programme in two large pieces: the green platform which puts in relation the different levels of mobility and houses the active program and the helix which defines the library as a huge ascending space which winds around itself at the interior as well as exterior culminating in an observatory which contains a restaurant. An isolated pavilion emerges over the green platform as a scenic counterpoint. […] Three materials: water, lawn and show form the base of the choice of materials and chromatic proposal supported by a regular structure of white concrete.” (ARCH270975) Abalos & Herreros and Renata Sentkiewicz worked with Olivia de Oliveira, Blaise Sahy, Verónica Meléndez, Juanju González Castellón, Rubén Briongos and Teresa Galí. Documenting the project are conceptual, design development and presentation drawings, cartographic, graphic, photographic and reference materials, correspondence, and presentation documents.
EPFL learning center, Lausanne, Switzerland (2004)
Actions:
AP164.S1.2004.D9
Description:
The project series documents the entry for a competition organised by the École Polytechnique Fédérale de Lausanne. The firm identified this project as number 187. “The Learning Center occupies the closest point to the two existing pedestrian accesses and distributes its programme in two large pieces: the green platform which puts in relation the different levels of mobility and houses the active program and the helix which defines the library as a huge ascending space which winds around itself at the interior as well as exterior culminating in an observatory which contains a restaurant. An isolated pavilion emerges over the green platform as a scenic counterpoint. […] Three materials: water, lawn and show form the base of the choice of materials and chromatic proposal supported by a regular structure of white concrete.” (ARCH270975) Abalos & Herreros and Renata Sentkiewicz worked with Olivia de Oliveira, Blaise Sahy, Verónica Meléndez, Juanju González Castellón, Rubén Briongos and Teresa Galí. Documenting the project are conceptual, design development and presentation drawings, cartographic, graphic, photographic and reference materials, correspondence, and presentation documents.
Level of archival description:
Project
Project
Date:
1986, 2003-2004, predominant 2004
1986, 2003-2004, predominant 2004
People:
Level of archival description:
Project
Project
Reference number:
AP018.S1.1962.PR03
Description:
This project series documents the design and construction of Ottawa Union Station in Ottawa, Ontario from 1962-1966. The office identified the project number as 6253. This project consisted of a 96,000 square foot train station building, platforms, canopies and site services. The building had two levels, which included a basement and two-storey ground floor. Passengers connected to the station platforms through the basement from the ground floor via a helicoidal ramp in the centre of the building. The passenger concourse was sheltered by a great steel truss roof that had 8 massive columns supporting it. The ground floor included bedrooms, offices, storage, and food and beverage areas. The building, owned by CN Railways, was commissioned by the National Capital Commission, who are recorded as the primary architect on the project, with E.W. Thrift as general manager, and with John B. Parkin Associates acting as consulting architects. The firm of John B. Parkin Associates was presented with a Silver Massey Medal in Architecture in 1967 for the design of this building. The project is recorded through reprographic copies of architectural and structural drawings dating from 1965-1966.
AP018.S1.1962.PR03
Description:
This project series documents the design and construction of Ottawa Union Station in Ottawa, Ontario from 1962-1966. The office identified the project number as 6253. This project consisted of a 96,000 square foot train station building, platforms, canopies and site services. The building had two levels, which included a basement and two-storey ground floor. Passengers connected to the station platforms through the basement from the ground floor via a helicoidal ramp in the centre of the building. The passenger concourse was sheltered by a great steel truss roof that had 8 massive columns supporting it. The ground floor included bedrooms, offices, storage, and food and beverage areas. The building, owned by CN Railways, was commissioned by the National Capital Commission, who are recorded as the primary architect on the project, with E.W. Thrift as general manager, and with John B. Parkin Associates acting as consulting architects. The firm of John B. Parkin Associates was presented with a Silver Massey Medal in Architecture in 1967 for the design of this building. The project is recorded through reprographic copies of architectural and structural drawings dating from 1965-1966.
People:
Date:
1965-1966
1965-1966
Title:
Ottawa Union Station, Ottawa, Ontario (1962-1966)
Actions:
AP018.S1.1962.PR03
Description:
This project series documents the design and construction of Ottawa Union Station in Ottawa, Ontario from 1962-1966. The office identified the project number as 6253. This project consisted of a 96,000 square foot train station building, platforms, canopies and site services. The building had two levels, which included a basement and two-storey ground floor. Passengers connected to the station platforms through the basement from the ground floor via a helicoidal ramp in the centre of the building. The passenger concourse was sheltered by a great steel truss roof that had 8 massive columns supporting it. The ground floor included bedrooms, offices, storage, and food and beverage areas. The building, owned by CN Railways, was commissioned by the National Capital Commission, who are recorded as the primary architect on the project, with E.W. Thrift as general manager, and with John B. Parkin Associates acting as consulting architects. The firm of John B. Parkin Associates was presented with a Silver Massey Medal in Architecture in 1967 for the design of this building. The project is recorded through reprographic copies of architectural and structural drawings dating from 1965-1966.
Ottawa Union Station, Ottawa, Ontario (1962-1966)
Actions:
AP018.S1.1962.PR03
Description:
This project series documents the design and construction of Ottawa Union Station in Ottawa, Ontario from 1962-1966. The office identified the project number as 6253. This project consisted of a 96,000 square foot train station building, platforms, canopies and site services. The building had two levels, which included a basement and two-storey ground floor. Passengers connected to the station platforms through the basement from the ground floor via a helicoidal ramp in the centre of the building. The passenger concourse was sheltered by a great steel truss roof that had 8 massive columns supporting it. The ground floor included bedrooms, offices, storage, and food and beverage areas. The building, owned by CN Railways, was commissioned by the National Capital Commission, who are recorded as the primary architect on the project, with E.W. Thrift as general manager, and with John B. Parkin Associates acting as consulting architects. The firm of John B. Parkin Associates was presented with a Silver Massey Medal in Architecture in 1967 for the design of this building. The project is recorded through reprographic copies of architectural and structural drawings dating from 1965-1966.
Level of archival description:
Project
Project
Date:
1965-1966
1965-1966
People:
Form:
exhibitions
exhibitions
Actions:
Description:
Rooms You May Have Missed reclaims the significance of inhabitation and is for that reason a collection of domestic spaces—entry porticos, kitchens, bedrooms, closets, dining rooms, courtyards, gardens, vestibules, living rooms, offices, dens, and washrooms—as reinvented in the work of two very different architects: Umberto Riva in Milan and Bijoy Jain in Mumbai. Common(...)
Rooms You May Have Missed reclaims the significance of inhabitation and is for that reason a collection of domestic spaces—entry porticos, kitchens, bedrooms, closets, dining rooms, courtyards, gardens, vestibules, living rooms, offices, dens, and washrooms—as reinvented in the work of two very different architects: Umberto Riva in Milan and Bijoy Jain in Mumbai. Common(...)
Location:
Main galleries
Main galleries
Date:
4 November 2014 to 19 April 2015
4 November 2014 to 19 April 2015
Title:
Rooms You May Have Missed
Actions:
Description:
Rooms You May Have Missed reclaims the significance of inhabitation and is for that reason a collection of domestic spaces—entry porticos, kitchens, bedrooms, closets, dining rooms, courtyards, gardens, vestibules, living rooms, offices, dens, and washrooms—as reinvented in the work of two very different architects: Umberto Riva in Milan and Bijoy Jain in Mumbai. Common(...)
Rooms You May Have Missed
Actions:
Description:
Rooms You May Have Missed reclaims the significance of inhabitation and is for that reason a collection of domestic spaces—entry porticos, kitchens, bedrooms, closets, dining rooms, courtyards, gardens, vestibules, living rooms, offices, dens, and washrooms—as reinvented in the work of two very different architects: Umberto Riva in Milan and Bijoy Jain in Mumbai. Common(...)
Form:
exhibitions
exhibitions
Date:
4 November 2014 to
19 April 2015
4 November 2014 to
19 April 2015
Location:
Main galleries
Main galleries
Form:
exhibitions
exhibitions
Description:
Architecture, though constrained by boundaries of function and structure, is always ultimately an act of the imagination. Potential Architecture: Construction Toys from the CCA Collection explores twenty-one construction toys, made in the hundred years from 1850 to 1950, that were designed to challenge a child’s creativity. The toys illustrate how children learn to invent(...)
Architecture, though constrained by boundaries of function and structure, is always ultimately an act of the imagination. Potential Architecture: Construction Toys from the CCA Collection explores twenty-one construction toys, made in the hundred years from 1850 to 1950, that were designed to challenge a child’s creativity. The toys illustrate how children learn to invent(...)
Location:
Octagonal gallery
Octagonal gallery
Date:
4 December 1991 to 8 March 1992
4 December 1991 to 8 March 1992
Title:
Potential Architecture: Construction Toys from the CCA Collection
Actions:
Description:
Architecture, though constrained by boundaries of function and structure, is always ultimately an act of the imagination. Potential Architecture: Construction Toys from the CCA Collection explores twenty-one construction toys, made in the hundred years from 1850 to 1950, that were designed to challenge a child’s creativity. The toys illustrate how children learn to invent(...)
Potential Architecture: Construction Toys from the CCA Collection
Actions:
Description:
Architecture, though constrained by boundaries of function and structure, is always ultimately an act of the imagination. Potential Architecture: Construction Toys from the CCA Collection explores twenty-one construction toys, made in the hundred years from 1850 to 1950, that were designed to challenge a child’s creativity. The toys illustrate how children learn to invent(...)
Form:
exhibitions
exhibitions
Date:
4 December 1991 to
8 March 1992
4 December 1991 to
8 March 1992
Location:
Octagonal gallery
Octagonal gallery
Form:
photographs
photographs
Actions:
Reference number:
PH1997:0075:001-039
Description:
- Contemporary binding consists of black cloth-covered boards and spine. There is a gold gilt inscription on the cover. Endpapers are of black paper. Secondary supports are of grey construction paper. The album comprises 39 photographs, all of which are labeled.
PH1997:0075:001-039
Description:
- Contemporary binding consists of black cloth-covered boards and spine. There is a gold gilt inscription on the cover. Endpapers are of black paper. Secondary supports are of grey construction paper. The album comprises 39 photographs, all of which are labeled.
People:
Subject:
architecture, portrait
architecture, portrait
Date:
after 1908
after 1908
Title:
Album of views of the Greene County Courthouse and Jail with portraits of the builders, building committee and advisory committee, Catskill, New York, United States
Actions:
PH1997:0075:001-039
Description:
- Contemporary binding consists of black cloth-covered boards and spine. There is a gold gilt inscription on the cover. Endpapers are of black paper. Secondary supports are of grey construction paper. The album comprises 39 photographs, all of which are labeled.
Album of views of the Greene County Courthouse and Jail with portraits of the builders, building committee and advisory committee, Catskill, New York, United States
Actions:
PH1997:0075:001-039
Description:
- Contemporary binding consists of black cloth-covered boards and spine. There is a gold gilt inscription on the cover. Endpapers are of black paper. Secondary supports are of grey construction paper. The album comprises 39 photographs, all of which are labeled.
Form:
photographs
photographs
Date:
after 1908
after 1908
People:
Subject:
architecture, portrait
architecture, portrait
Form:
books, photographs
books, photographs
Actions:
Reference number:
PH1988:0451:001-005
Description:
- Contemporary binding consists of black cloth-covered boards and a black leather-covered spine. There is a gold gilt inscription on the cover. Endpapers and secondary supports are of thick grey cardboard with red ink edging. The book is comprised of 5 photographs.
PH1988:0451:001-005
Description:
- Contemporary binding consists of black cloth-covered boards and a black leather-covered spine. There is a gold gilt inscription on the cover. Endpapers and secondary supports are of thick grey cardboard with red ink edging. The book is comprised of 5 photographs.
People:
Subject:
architecture
architecture
Date:
early 20th century
early 20th century
Title:
Décoration en Métal de l'Intérieur de la Chapelle du Séminaire de Québec
Actions:
PH1988:0451:001-005
Description:
- Contemporary binding consists of black cloth-covered boards and a black leather-covered spine. There is a gold gilt inscription on the cover. Endpapers and secondary supports are of thick grey cardboard with red ink edging. The book is comprised of 5 photographs.
Décoration en Métal de l'Intérieur de la Chapelle du Séminaire de Québec
Actions:
PH1988:0451:001-005
Description:
- Contemporary binding consists of black cloth-covered boards and a black leather-covered spine. There is a gold gilt inscription on the cover. Endpapers and secondary supports are of thick grey cardboard with red ink edging. The book is comprised of 5 photographs.
Form:
books, photographs
books, photographs
Date:
early 20th century
early 20th century
People:
Subject:
architecture
architecture
Form:
drawings
Quantity:
20 File
drawings
Quantity:
20 File
Actions:
Reference number:
ARCH41316
Description:
Physical Training Building; recesses for drinking fountains and cuspidors, swimming pool, running track, fresh air intakes, exhaust hoods, radiator recesses, parapet wall, stairs, truss supports: table and hoods for C.P.O. Building, hood and cupboard for temporary guard house
ARCH41316
Description:
Physical Training Building; recesses for drinking fountains and cuspidors, swimming pool, running track, fresh air intakes, exhaust hoods, radiator recesses, parapet wall, stairs, truss supports: table and hoods for C.P.O. Building, hood and cupboard for temporary guard house
People:
Title:
Physical Training Building; recesses for drinking fountains and cuspidors, swimming pool
Actions:
ARCH41316
Description:
Physical Training Building; recesses for drinking fountains and cuspidors, swimming pool, running track, fresh air intakes, exhaust hoods, radiator recesses, parapet wall, stairs, truss supports: table and hoods for C.P.O. Building, hood and cupboard for temporary guard house
Physical Training Building; recesses for drinking fountains and cuspidors, swimming pool
Actions:
ARCH41316
Description:
Physical Training Building; recesses for drinking fountains and cuspidors, swimming pool, running track, fresh air intakes, exhaust hoods, radiator recesses, parapet wall, stairs, truss supports: table and hoods for C.P.O. Building, hood and cupboard for temporary guard house
Form:
drawings
Quantity:
20 File
drawings
Quantity:
20 File
People:
Level of archival description:
Series
Series
Reference number:
AP112.S2
Description:
The series documents the design of Beaver Lake Pavilion, built for the City of Montréal between 1955 and 1959 as part of the redevelopment of Mount Royal Park. Sise worked with architect Guy Desbarats (1925-2003) on the project. The pavilion was built as part of a larger public works project directed by the City during the 1950s and 1960s during which time many park facilities were built. Beaver Lake Pavilion is recognized to have encouraged a renewal in the architectural forms of public facilities (1). The file contains 43 working drawings which depict every aspect of construction of the pavilion (location plan, floor plans, elevations and sections, as well as numerous detail drawings). Included with the drawings is documentation collected by Sise to support his design, including a topographical map of the park (Mount-Royal - Design Map - 1877), as well as a 1955 book published by the City Planning Department of the City of Montreal (Montreal Master Plan - Open Spaces). (1) "Pavillon-restaurant du Lac au Castors, 1955-1958", ARQ, no 91 (juin 1996), p. 21. _____________________ La série documente la conception du pavillon du Lac aux Castors construit pour la Ville de Montréal entre 1955 et 1958, dans le cadre du réaménagement du parc du Mont Royal. Ce pavillon s'insère dans un vaste chantier dirigé par la Ville de Montréal durant les années 1950 et 1960 alors que de nombreux équipements de parcs furent construits. Sise s'était associé pour l'occasion à l'architecte Guy Desbarats (1925-2003). Le pavillon du Lac aux Castors est reconnu pour avoir favorisé le renouvellement des formes architecturales des équipements publics (1). Le dossier comprend 43 dessins d'exécution réalisés à la mine de plomb sur toile concernant tous les aspects de la construction du pavillon (plan d'implantation, plans des étages, élévations et coupes, ainsi que des dessins de nombreux détails). De plus, il contient la documentation colligée par Sise pour l'appuyer dans sa tâche de conception, soit une reproduction d'une carte topographique du parc du Mont-Royal (Mount-Royal - Design Map - 1877), ainsi qu'une publication réalisée par le Département d'urbanisme de la Ville de Montréal en 1955 concernant les espaces publics (Montreal Master Plan - Open Spaces). (1) "Pavillon-restaurant du Lac au Castors, 1955-1958", ARQ, no 91 (juin 1996), p. 21.
AP112.S2
Description:
The series documents the design of Beaver Lake Pavilion, built for the City of Montréal between 1955 and 1959 as part of the redevelopment of Mount Royal Park. Sise worked with architect Guy Desbarats (1925-2003) on the project. The pavilion was built as part of a larger public works project directed by the City during the 1950s and 1960s during which time many park facilities were built. Beaver Lake Pavilion is recognized to have encouraged a renewal in the architectural forms of public facilities (1). The file contains 43 working drawings which depict every aspect of construction of the pavilion (location plan, floor plans, elevations and sections, as well as numerous detail drawings). Included with the drawings is documentation collected by Sise to support his design, including a topographical map of the park (Mount-Royal - Design Map - 1877), as well as a 1955 book published by the City Planning Department of the City of Montreal (Montreal Master Plan - Open Spaces). (1) "Pavillon-restaurant du Lac au Castors, 1955-1958", ARQ, no 91 (juin 1996), p. 21. _____________________ La série documente la conception du pavillon du Lac aux Castors construit pour la Ville de Montréal entre 1955 et 1958, dans le cadre du réaménagement du parc du Mont Royal. Ce pavillon s'insère dans un vaste chantier dirigé par la Ville de Montréal durant les années 1950 et 1960 alors que de nombreux équipements de parcs furent construits. Sise s'était associé pour l'occasion à l'architecte Guy Desbarats (1925-2003). Le pavillon du Lac aux Castors est reconnu pour avoir favorisé le renouvellement des formes architecturales des équipements publics (1). Le dossier comprend 43 dessins d'exécution réalisés à la mine de plomb sur toile concernant tous les aspects de la construction du pavillon (plan d'implantation, plans des étages, élévations et coupes, ainsi que des dessins de nombreux détails). De plus, il contient la documentation colligée par Sise pour l'appuyer dans sa tâche de conception, soit une reproduction d'une carte topographique du parc du Mont-Royal (Mount-Royal - Design Map - 1877), ainsi qu'une publication réalisée par le Département d'urbanisme de la Ville de Montréal en 1955 concernant les espaces publics (Montreal Master Plan - Open Spaces). (1) "Pavillon-restaurant du Lac au Castors, 1955-1958", ARQ, no 91 (juin 1996), p. 21.
People:
Date:
1955-1959
1955-1959
Title:
Beaver Lake Pavilion, Montréal, Québec
Actions:
AP112.S2
Description:
The series documents the design of Beaver Lake Pavilion, built for the City of Montréal between 1955 and 1959 as part of the redevelopment of Mount Royal Park. Sise worked with architect Guy Desbarats (1925-2003) on the project. The pavilion was built as part of a larger public works project directed by the City during the 1950s and 1960s during which time many park facilities were built. Beaver Lake Pavilion is recognized to have encouraged a renewal in the architectural forms of public facilities (1). The file contains 43 working drawings which depict every aspect of construction of the pavilion (location plan, floor plans, elevations and sections, as well as numerous detail drawings). Included with the drawings is documentation collected by Sise to support his design, including a topographical map of the park (Mount-Royal - Design Map - 1877), as well as a 1955 book published by the City Planning Department of the City of Montreal (Montreal Master Plan - Open Spaces). (1) "Pavillon-restaurant du Lac au Castors, 1955-1958", ARQ, no 91 (juin 1996), p. 21. _____________________ La série documente la conception du pavillon du Lac aux Castors construit pour la Ville de Montréal entre 1955 et 1958, dans le cadre du réaménagement du parc du Mont Royal. Ce pavillon s'insère dans un vaste chantier dirigé par la Ville de Montréal durant les années 1950 et 1960 alors que de nombreux équipements de parcs furent construits. Sise s'était associé pour l'occasion à l'architecte Guy Desbarats (1925-2003). Le pavillon du Lac aux Castors est reconnu pour avoir favorisé le renouvellement des formes architecturales des équipements publics (1). Le dossier comprend 43 dessins d'exécution réalisés à la mine de plomb sur toile concernant tous les aspects de la construction du pavillon (plan d'implantation, plans des étages, élévations et coupes, ainsi que des dessins de nombreux détails). De plus, il contient la documentation colligée par Sise pour l'appuyer dans sa tâche de conception, soit une reproduction d'une carte topographique du parc du Mont-Royal (Mount-Royal - Design Map - 1877), ainsi qu'une publication réalisée par le Département d'urbanisme de la Ville de Montréal en 1955 concernant les espaces publics (Montreal Master Plan - Open Spaces). (1) "Pavillon-restaurant du Lac au Castors, 1955-1958", ARQ, no 91 (juin 1996), p. 21.
Beaver Lake Pavilion, Montréal, Québec
Actions:
AP112.S2
Description:
The series documents the design of Beaver Lake Pavilion, built for the City of Montréal between 1955 and 1959 as part of the redevelopment of Mount Royal Park. Sise worked with architect Guy Desbarats (1925-2003) on the project. The pavilion was built as part of a larger public works project directed by the City during the 1950s and 1960s during which time many park facilities were built. Beaver Lake Pavilion is recognized to have encouraged a renewal in the architectural forms of public facilities (1). The file contains 43 working drawings which depict every aspect of construction of the pavilion (location plan, floor plans, elevations and sections, as well as numerous detail drawings). Included with the drawings is documentation collected by Sise to support his design, including a topographical map of the park (Mount-Royal - Design Map - 1877), as well as a 1955 book published by the City Planning Department of the City of Montreal (Montreal Master Plan - Open Spaces). (1) "Pavillon-restaurant du Lac au Castors, 1955-1958", ARQ, no 91 (juin 1996), p. 21. _____________________ La série documente la conception du pavillon du Lac aux Castors construit pour la Ville de Montréal entre 1955 et 1958, dans le cadre du réaménagement du parc du Mont Royal. Ce pavillon s'insère dans un vaste chantier dirigé par la Ville de Montréal durant les années 1950 et 1960 alors que de nombreux équipements de parcs furent construits. Sise s'était associé pour l'occasion à l'architecte Guy Desbarats (1925-2003). Le pavillon du Lac aux Castors est reconnu pour avoir favorisé le renouvellement des formes architecturales des équipements publics (1). Le dossier comprend 43 dessins d'exécution réalisés à la mine de plomb sur toile concernant tous les aspects de la construction du pavillon (plan d'implantation, plans des étages, élévations et coupes, ainsi que des dessins de nombreux détails). De plus, il contient la documentation colligée par Sise pour l'appuyer dans sa tâche de conception, soit une reproduction d'une carte topographique du parc du Mont-Royal (Mount-Royal - Design Map - 1877), ainsi qu'une publication réalisée par le Département d'urbanisme de la Ville de Montréal en 1955 concernant les espaces publics (Montreal Master Plan - Open Spaces). (1) "Pavillon-restaurant du Lac au Castors, 1955-1958", ARQ, no 91 (juin 1996), p. 21.
Level of archival description:
Series
Series
Date:
1955-1959
1955-1959
People:
Level of archival description:
Project
Project
Title:
Carbon Tower (2001)
Carbon Tower (2001)
Reference number:
AP174.S1.2001.D1
Description:
This project file documents an unbuilt design by Testa & Weiser for Carbon Tower (2001), a forty-storey building made almost entirely of carbon fibre. The project was developed in parallel with scripting software designed while Peter Testa and Devyn Weiser co-directed the Emergent Design Group at MIT. "The tower consists of an interdependent set of parts: floor plates hang from a diagrid structure of bundled fibres reinforced by two double-helix covered ramps, which are run in and out of the structure and are themselves made of strands woven at a finer scale. A thin composite skin—glass would be too heavy—wraps the tower’s parts together. A collaboration with Arup in 2002 allowed Testa & Weiser to simplify the scheme even further, by moving all core elements, from elevators to structural supports, to the tower’s perimeter. To take full advantage of the flexibility and energy efficiency of composite materials, Testa & Weiser also imagined that the carbon fibre structures would be formed on site through a process called pultrusion."[1] The file contains a large number of digital files documenting the conceptual and design development of the project; consultation with Arup Consulting Engineers, New York; research on composite materials; fabrication of 3D printed physical models by 3D Systems and Windform; and exhibition of the project at several museums and galleries, including the Museum of Contemporary Art, Los Angeles and the Cooper-Hewitt Smithsonian Design Museum, New York. Also contained in the file are 56 paper drawings (including some sketches done on top of printed computer-aided designs) and two 3D printed physical models produced by 3D Systems. Sources: [1] Canadian Centre for Architecture. Archaeology of the Digital 12: Testa & Weiser, Carbon Tower, ed. Greg Lynn (2015), ISBN 978-1-927071-25-0.
AP174.S1.2001.D1
Description:
This project file documents an unbuilt design by Testa & Weiser for Carbon Tower (2001), a forty-storey building made almost entirely of carbon fibre. The project was developed in parallel with scripting software designed while Peter Testa and Devyn Weiser co-directed the Emergent Design Group at MIT. "The tower consists of an interdependent set of parts: floor plates hang from a diagrid structure of bundled fibres reinforced by two double-helix covered ramps, which are run in and out of the structure and are themselves made of strands woven at a finer scale. A thin composite skin—glass would be too heavy—wraps the tower’s parts together. A collaboration with Arup in 2002 allowed Testa & Weiser to simplify the scheme even further, by moving all core elements, from elevators to structural supports, to the tower’s perimeter. To take full advantage of the flexibility and energy efficiency of composite materials, Testa & Weiser also imagined that the carbon fibre structures would be formed on site through a process called pultrusion."[1] The file contains a large number of digital files documenting the conceptual and design development of the project; consultation with Arup Consulting Engineers, New York; research on composite materials; fabrication of 3D printed physical models by 3D Systems and Windform; and exhibition of the project at several museums and galleries, including the Museum of Contemporary Art, Los Angeles and the Cooper-Hewitt Smithsonian Design Museum, New York. Also contained in the file are 56 paper drawings (including some sketches done on top of printed computer-aided designs) and two 3D printed physical models produced by 3D Systems. Sources: [1] Canadian Centre for Architecture. Archaeology of the Digital 12: Testa & Weiser, Carbon Tower, ed. Greg Lynn (2015), ISBN 978-1-927071-25-0.
People:
Date:
2002-2014
2002-2014
Title:
Carbon Tower (2001)
Actions:
AP174.S1.2001.D1
Description:
This project file documents an unbuilt design by Testa & Weiser for Carbon Tower (2001), a forty-storey building made almost entirely of carbon fibre. The project was developed in parallel with scripting software designed while Peter Testa and Devyn Weiser co-directed the Emergent Design Group at MIT. "The tower consists of an interdependent set of parts: floor plates hang from a diagrid structure of bundled fibres reinforced by two double-helix covered ramps, which are run in and out of the structure and are themselves made of strands woven at a finer scale. A thin composite skin—glass would be too heavy—wraps the tower’s parts together. A collaboration with Arup in 2002 allowed Testa & Weiser to simplify the scheme even further, by moving all core elements, from elevators to structural supports, to the tower’s perimeter. To take full advantage of the flexibility and energy efficiency of composite materials, Testa & Weiser also imagined that the carbon fibre structures would be formed on site through a process called pultrusion."[1] The file contains a large number of digital files documenting the conceptual and design development of the project; consultation with Arup Consulting Engineers, New York; research on composite materials; fabrication of 3D printed physical models by 3D Systems and Windform; and exhibition of the project at several museums and galleries, including the Museum of Contemporary Art, Los Angeles and the Cooper-Hewitt Smithsonian Design Museum, New York. Also contained in the file are 56 paper drawings (including some sketches done on top of printed computer-aided designs) and two 3D printed physical models produced by 3D Systems. Sources: [1] Canadian Centre for Architecture. Archaeology of the Digital 12: Testa & Weiser, Carbon Tower, ed. Greg Lynn (2015), ISBN 978-1-927071-25-0.
Carbon Tower (2001)
Actions:
AP174.S1.2001.D1
Description:
This project file documents an unbuilt design by Testa & Weiser for Carbon Tower (2001), a forty-storey building made almost entirely of carbon fibre. The project was developed in parallel with scripting software designed while Peter Testa and Devyn Weiser co-directed the Emergent Design Group at MIT. "The tower consists of an interdependent set of parts: floor plates hang from a diagrid structure of bundled fibres reinforced by two double-helix covered ramps, which are run in and out of the structure and are themselves made of strands woven at a finer scale. A thin composite skin—glass would be too heavy—wraps the tower’s parts together. A collaboration with Arup in 2002 allowed Testa & Weiser to simplify the scheme even further, by moving all core elements, from elevators to structural supports, to the tower’s perimeter. To take full advantage of the flexibility and energy efficiency of composite materials, Testa & Weiser also imagined that the carbon fibre structures would be formed on site through a process called pultrusion."[1] The file contains a large number of digital files documenting the conceptual and design development of the project; consultation with Arup Consulting Engineers, New York; research on composite materials; fabrication of 3D printed physical models by 3D Systems and Windform; and exhibition of the project at several museums and galleries, including the Museum of Contemporary Art, Los Angeles and the Cooper-Hewitt Smithsonian Design Museum, New York. Also contained in the file are 56 paper drawings (including some sketches done on top of printed computer-aided designs) and two 3D printed physical models produced by 3D Systems. Sources: [1] Canadian Centre for Architecture. Archaeology of the Digital 12: Testa & Weiser, Carbon Tower, ed. Greg Lynn (2015), ISBN 978-1-927071-25-0.
Level of archival description:
Project
Project
Date:
2002-2014
2002-2014
People:
Form:
books, photographs
books, photographs
Actions:
Reference number:
PH1990:0327:001-073
Description:
- Contemporary binding consists of purple cloth-covered boards and purple leather-covered spine and corners. There is a gold gilt inscription on the spine. Endpapers and secondary supports are of light brownish white paper. The book is comprised of 34 pages of text and 74 photographs.
PH1990:0327:001-073
Description:
- Contemporary binding consists of purple cloth-covered boards and purple leather-covered spine and corners. There is a gold gilt inscription on the spine. Endpapers and secondary supports are of light brownish white paper. The book is comprised of 34 pages of text and 74 photographs.
People:
Subject:
architecture
architecture
Date:
printed ca. 1862
printed ca. 1862
Title:
May's Views of Buckinghamshire
Actions:
PH1990:0327:001-073
Description:
- Contemporary binding consists of purple cloth-covered boards and purple leather-covered spine and corners. There is a gold gilt inscription on the spine. Endpapers and secondary supports are of light brownish white paper. The book is comprised of 34 pages of text and 74 photographs.
May's Views of Buckinghamshire
Actions:
PH1990:0327:001-073
Description:
- Contemporary binding consists of purple cloth-covered boards and purple leather-covered spine and corners. There is a gold gilt inscription on the spine. Endpapers and secondary supports are of light brownish white paper. The book is comprised of 34 pages of text and 74 photographs.
Form:
books, photographs
books, photographs
Date:
printed ca. 1862
printed ca. 1862
People:
Subject:
architecture
architecture
