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events
events
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Description:
The CCA hosts a second afternoon of discussion on the work of Cedric Price, with the participation of Samantha Hardingham, Whitney Moon, Molly Wright Steenson, Kathy Velikov, and Mark Wigley. As Price’s archive is one of the most consulted at the CCA, we have invited scholars, mostly from North America, to present their individual motivations and methodologies for(...)
The CCA hosts a second afternoon of discussion on the work of Cedric Price, with the participation of Samantha Hardingham, Whitney Moon, Molly Wright Steenson, Kathy Velikov, and Mark Wigley. As Price’s archive is one of the most consulted at the CCA, we have invited scholars, mostly from North America, to present their individual motivations and methodologies for(...)
Date:
9 February 2017
9 February 2017
Title:
An Afternoon with Cedric Price no. 2
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Description:
The CCA hosts a second afternoon of discussion on the work of Cedric Price, with the participation of Samantha Hardingham, Whitney Moon, Molly Wright Steenson, Kathy Velikov, and Mark Wigley. As Price’s archive is one of the most consulted at the CCA, we have invited scholars, mostly from North America, to present their individual motivations and methodologies for(...)
An Afternoon with Cedric Price no. 2
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Description:
The CCA hosts a second afternoon of discussion on the work of Cedric Price, with the participation of Samantha Hardingham, Whitney Moon, Molly Wright Steenson, Kathy Velikov, and Mark Wigley. As Price’s archive is one of the most consulted at the CCA, we have invited scholars, mostly from North America, to present their individual motivations and methodologies for(...)
Form:
events
events
Date:
9 February 2017
9 February 2017
Form:
exhibitions
exhibitions
Actions:
Description:
Mass-produced objects are often overlooked in favour of more sophisticated and more scholarly sources as the basis for understanding architecture as it is perceived and interpreted for popular assimilation. Focusing on the United States between the 1890s and the 1960s Popularizing Architecture in the U.S.A. highlights ephemeral items that have created public awareness of(...)
Mass-produced objects are often overlooked in favour of more sophisticated and more scholarly sources as the basis for understanding architecture as it is perceived and interpreted for popular assimilation. Focusing on the United States between the 1890s and the 1960s Popularizing Architecture in the U.S.A. highlights ephemeral items that have created public awareness of(...)
Location:
Hall cases
Hall cases
Date:
14 June 1995 to 29 October 1995
14 June 1995 to 29 October 1995
Title:
Popularizing Architecture in the U.S.A.
Actions:
Description:
Mass-produced objects are often overlooked in favour of more sophisticated and more scholarly sources as the basis for understanding architecture as it is perceived and interpreted for popular assimilation. Focusing on the United States between the 1890s and the 1960s Popularizing Architecture in the U.S.A. highlights ephemeral items that have created public awareness of(...)
Popularizing Architecture in the U.S.A.
Actions:
Description:
Mass-produced objects are often overlooked in favour of more sophisticated and more scholarly sources as the basis for understanding architecture as it is perceived and interpreted for popular assimilation. Focusing on the United States between the 1890s and the 1960s Popularizing Architecture in the U.S.A. highlights ephemeral items that have created public awareness of(...)
Form:
exhibitions
exhibitions
Date:
14 June 1995 to
29 October 1995
14 June 1995 to
29 October 1995
Location:
Hall cases
Hall cases
Form:
webpages
webpages
Actions:
Summary:
The building is surrounded to the north by Baile Park, and to the south by Boulevard René-Lévesque and the CCA sculpture garden.
Title:
Parc Baile and Sculpture Garden
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Summary:
Parc Baile and Sculpture Garden
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Summary:
The building is surrounded to the north by Baile Park, and to the south by Boulevard René-Lévesque and the CCA sculpture garden.
Form:
webpages
webpages
Form:
works of art
works of art
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Reference number:
DR1987:0344
Description:
- This engraving depicts a design for an order of architecture showing the capital and the base. Although the inscriptions refer to "This engraving depicts a dORICA[E]", this looks more like a variation on the composite order. - This print is one of a set of four prints of capitals and bases which were engraved by Hans Sebald Beham. Patricia Condon suggests that these prints were made for a general audience rather than for architects ('Ornament and Architecture', 29). Three of the prints in the CCA collection are from the collection of the Ducs d'Arenburg, while the provenance of the fourth print, DR1987:0342, is unknown.
DR1987:0344
Description:
- This engraving depicts a design for an order of architecture showing the capital and the base. Although the inscriptions refer to "This engraving depicts a dORICA[E]", this looks more like a variation on the composite order. - This print is one of a set of four prints of capitals and bases which were engraved by Hans Sebald Beham. Patricia Condon suggests that these prints were made for a general audience rather than for architects ('Ornament and Architecture', 29). Three of the prints in the CCA collection are from the collection of the Ducs d'Arenburg, while the provenance of the fourth print, DR1987:0342, is unknown.
People:
Subject:
architecture
architecture
Date:
1545
1545
Title:
Design for the capital and base of a column
Actions:
DR1987:0344
Description:
- This engraving depicts a design for an order of architecture showing the capital and the base. Although the inscriptions refer to "This engraving depicts a dORICA[E]", this looks more like a variation on the composite order. - This print is one of a set of four prints of capitals and bases which were engraved by Hans Sebald Beham. Patricia Condon suggests that these prints were made for a general audience rather than for architects ('Ornament and Architecture', 29). Three of the prints in the CCA collection are from the collection of the Ducs d'Arenburg, while the provenance of the fourth print, DR1987:0342, is unknown.
Design for the capital and base of a column
Actions:
DR1987:0344
Description:
- This engraving depicts a design for an order of architecture showing the capital and the base. Although the inscriptions refer to "This engraving depicts a dORICA[E]", this looks more like a variation on the composite order. - This print is one of a set of four prints of capitals and bases which were engraved by Hans Sebald Beham. Patricia Condon suggests that these prints were made for a general audience rather than for architects ('Ornament and Architecture', 29). Three of the prints in the CCA collection are from the collection of the Ducs d'Arenburg, while the provenance of the fourth print, DR1987:0342, is unknown.
Form:
works of art
works of art
Date:
1545
1545
People:
Subject:
architecture
architecture
Form:
works of art
works of art
Actions:
Reference number:
DR1987:0345
Description:
- This engraving depicts a design for an order of architecture showing the capital and the base. Although the inscriptions refer to "This engraving depicts a dORICA[E]", this is not one of the traditional orders of architecture. - This print is one of a set of four prints of capitals and bases which were engraved by Hans Sebald Beham. Patricia Condon suggests that these prints were made for a general audience rather than for architects ('Ornament and Architecture', 29). Three of the prints in the CCA collection are from the collection of the Ducs d'Arenburg, while the provenance of the fourth print, DR1987:0342, is unknown.
DR1987:0345
Description:
- This engraving depicts a design for an order of architecture showing the capital and the base. Although the inscriptions refer to "This engraving depicts a dORICA[E]", this is not one of the traditional orders of architecture. - This print is one of a set of four prints of capitals and bases which were engraved by Hans Sebald Beham. Patricia Condon suggests that these prints were made for a general audience rather than for architects ('Ornament and Architecture', 29). Three of the prints in the CCA collection are from the collection of the Ducs d'Arenburg, while the provenance of the fourth print, DR1987:0342, is unknown.
People:
Subject:
architecture
architecture
Date:
1545
1545
Title:
Design for the capital and base of a column
Actions:
DR1987:0345
Description:
- This engraving depicts a design for an order of architecture showing the capital and the base. Although the inscriptions refer to "This engraving depicts a dORICA[E]", this is not one of the traditional orders of architecture. - This print is one of a set of four prints of capitals and bases which were engraved by Hans Sebald Beham. Patricia Condon suggests that these prints were made for a general audience rather than for architects ('Ornament and Architecture', 29). Three of the prints in the CCA collection are from the collection of the Ducs d'Arenburg, while the provenance of the fourth print, DR1987:0342, is unknown.
Design for the capital and base of a column
Actions:
DR1987:0345
Description:
- This engraving depicts a design for an order of architecture showing the capital and the base. Although the inscriptions refer to "This engraving depicts a dORICA[E]", this is not one of the traditional orders of architecture. - This print is one of a set of four prints of capitals and bases which were engraved by Hans Sebald Beham. Patricia Condon suggests that these prints were made for a general audience rather than for architects ('Ornament and Architecture', 29). Three of the prints in the CCA collection are from the collection of the Ducs d'Arenburg, while the provenance of the fourth print, DR1987:0342, is unknown.
Form:
works of art
works of art
Date:
1545
1545
People:
Subject:
architecture
architecture
Form:
exhibitions
exhibitions
Actions:
Description:
On the occasion of Phyllis Lambert’s ninetieth birthday, this exhibition offers an autobiographical glimpse into the evolution of the CCA founder’s ideas and her work as an architect, activist, editor, and curator. Highlighting her deep commitment to the city and to intellectual research, this display of archival material from the CCA’s collection, institutional archives,(...)
On the occasion of Phyllis Lambert’s ninetieth birthday, this exhibition offers an autobiographical glimpse into the evolution of the CCA founder’s ideas and her work as an architect, activist, editor, and curator. Highlighting her deep commitment to the city and to intellectual research, this display of archival material from the CCA’s collection, institutional archives,(...)
Location:
Hall cases
Hall cases
Date:
18 January 2017 to 11 June 2017
18 January 2017 to 11 June 2017
Title:
Phyllis Lambert: 75 Years At Work
Actions:
Description:
On the occasion of Phyllis Lambert’s ninetieth birthday, this exhibition offers an autobiographical glimpse into the evolution of the CCA founder’s ideas and her work as an architect, activist, editor, and curator. Highlighting her deep commitment to the city and to intellectual research, this display of archival material from the CCA’s collection, institutional archives,(...)
Phyllis Lambert: 75 Years At Work
Actions:
Description:
On the occasion of Phyllis Lambert’s ninetieth birthday, this exhibition offers an autobiographical glimpse into the evolution of the CCA founder’s ideas and her work as an architect, activist, editor, and curator. Highlighting her deep commitment to the city and to intellectual research, this display of archival material from the CCA’s collection, institutional archives,(...)
Form:
exhibitions
exhibitions
Date:
18 January 2017 to
11 June 2017
18 January 2017 to
11 June 2017
Location:
Hall cases
Hall cases
Form:
exhibitions
exhibitions
Title:
Tangent - Alain Paiement
Tangent - Alain Paiement
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Description:
The first in a series of exhibitions that invites artists to create new work in response to a corpus of photographs selected from the CCA’s collection. In a provocative installation, Québec artist Alain Paiement juxtaposes a wide range of photographic subjects from the collection – buildings under construction, models of student work, architectural abstractions, different(...)
The first in a series of exhibitions that invites artists to create new work in response to a corpus of photographs selected from the CCA’s collection. In a provocative installation, Québec artist Alain Paiement juxtaposes a wide range of photographic subjects from the collection – buildings under construction, models of student work, architectural abstractions, different(...)
Date:
23 April 2003 to 23 November 2003
23 April 2003 to 23 November 2003
Title:
Tangent - Alain Paiement
Actions:
Description:
The first in a series of exhibitions that invites artists to create new work in response to a corpus of photographs selected from the CCA’s collection. In a provocative installation, Québec artist Alain Paiement juxtaposes a wide range of photographic subjects from the collection – buildings under construction, models of student work, architectural abstractions, different(...)
Tangent - Alain Paiement
Actions:
Description:
The first in a series of exhibitions that invites artists to create new work in response to a corpus of photographs selected from the CCA’s collection. In a provocative installation, Québec artist Alain Paiement juxtaposes a wide range of photographic subjects from the collection – buildings under construction, models of student work, architectural abstractions, different(...)
Form:
exhibitions
exhibitions
Date:
23 April 2003 to
23 November 2003
23 April 2003 to
23 November 2003
Form:
exhibitions
exhibitions
Title:
West 37th Street, Manhattan, photographed by John Veltri between 13 September and 18 September 1966
West 37th Street, Manhattan, photographed by John Veltri between 13 September and 18 September 1966
Actions:
Description:
This exhibition highlights a work that the New York engineering firm Leonard S. Wegman Co. commissioned in 1966 from John Veltri. Veltri was to photograph every building, parking area, and shaftway on West 37th Street between 8th and 9th Avenues, at the heart of Manhattan’s busy Garment District. The photographs Veltri made in connection with Wegman Co.’s redevelopment(...)
This exhibition highlights a work that the New York engineering firm Leonard S. Wegman Co. commissioned in 1966 from John Veltri. Veltri was to photograph every building, parking area, and shaftway on West 37th Street between 8th and 9th Avenues, at the heart of Manhattan’s busy Garment District. The photographs Veltri made in connection with Wegman Co.’s redevelopment(...)
Location:
Octagonal gallery
Octagonal gallery
Date:
11 December 2003 to 7 March 2004
11 December 2003 to 7 March 2004
Title:
West 37th Street, Manhattan, photographed by John Veltri between 13 September and 18 September 1966
Actions:
Description:
This exhibition highlights a work that the New York engineering firm Leonard S. Wegman Co. commissioned in 1966 from John Veltri. Veltri was to photograph every building, parking area, and shaftway on West 37th Street between 8th and 9th Avenues, at the heart of Manhattan’s busy Garment District. The photographs Veltri made in connection with Wegman Co.’s redevelopment(...)
West 37th Street, Manhattan, photographed by John Veltri between 13 September and 18 September 1966
Actions:
Description:
This exhibition highlights a work that the New York engineering firm Leonard S. Wegman Co. commissioned in 1966 from John Veltri. Veltri was to photograph every building, parking area, and shaftway on West 37th Street between 8th and 9th Avenues, at the heart of Manhattan’s busy Garment District. The photographs Veltri made in connection with Wegman Co.’s redevelopment(...)
Form:
exhibitions
exhibitions
Date:
11 December 2003 to
7 March 2004
11 December 2003 to
7 March 2004
Location:
Octagonal gallery
Octagonal gallery
Form:
events
events
Actions:
Description:
Ulrich Keller, 2001 CCA Mellon Senior Fellow, examines the influence of visual culture on politics in the United States.
Ulrich Keller, 2001 CCA Mellon Senior Fellow, examines the influence of visual culture on politics in the United States.
Date:
28 March 2001
28 March 2001
Title:
Ulrich Keller: Power Pictures: The Visual Rhetoric of the US Presidency
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Description:
Ulrich Keller, 2001 CCA Mellon Senior Fellow, examines the influence of visual culture on politics in the United States.
Ulrich Keller: Power Pictures: The Visual Rhetoric of the US Presidency
Actions:
Description:
Ulrich Keller, 2001 CCA Mellon Senior Fellow, examines the influence of visual culture on politics in the United States.
Form:
events
events
Date:
28 March 2001
28 March 2001
Form:
research
research
Actions:
Description:
TD Bank Group-CCA Collection Research Grant Recipients: Margo Beggs (University of Toronto); Luc Lévesque (Université de Montréal); Jasmine Rault (McGill University); Alexis Desgagnés (Université de Montréal); Tsz Yan Ng (McGill University); Dominic Boulerice (McGill University); Rim Ben Fredj (Université de Montréal) CCA Collection Research Grant Recipients: Ila(...)
TD Bank Group-CCA Collection Research Grant Recipients: Margo Beggs (University of Toronto); Luc Lévesque (Université de Montréal); Jasmine Rault (McGill University); Alexis Desgagnés (Université de Montréal); Tsz Yan Ng (McGill University); Dominic Boulerice (McGill University); Rim Ben Fredj (Université de Montréal) CCA Collection Research Grant Recipients: Ila(...)
Date:
April 2006 to November 2006
April 2006 to November 2006
Title:
Doctoral Students Program 2006
Actions:
Description:
TD Bank Group-CCA Collection Research Grant Recipients: Margo Beggs (University of Toronto); Luc Lévesque (Université de Montréal); Jasmine Rault (McGill University); Alexis Desgagnés (Université de Montréal); Tsz Yan Ng (McGill University); Dominic Boulerice (McGill University); Rim Ben Fredj (Université de Montréal) CCA Collection Research Grant Recipients: Ila(...)
Doctoral Students Program 2006
Actions:
Description:
TD Bank Group-CCA Collection Research Grant Recipients: Margo Beggs (University of Toronto); Luc Lévesque (Université de Montréal); Jasmine Rault (McGill University); Alexis Desgagnés (Université de Montréal); Tsz Yan Ng (McGill University); Dominic Boulerice (McGill University); Rim Ben Fredj (Université de Montréal) CCA Collection Research Grant Recipients: Ila(...)
Form:
research
research
Date:
April 2006 to
November 2006
April 2006 to
November 2006
